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Aya Baker Jan 2014
she was pale-limbed and spread so perfectly like a story waiting to happen:
reminiscent of a butterfly dead in its cocoon that may have had
hope breathed onto it like life, full and bursting
but then reality dragged it down, stuck its wings together
as it thrashed and thrashed
and never really experienced the world the way it was supposed to.

the police officer that had found her thought it was a tragedy,
but the doctor performing the autopsy simply looked upon her corpse
as another matchstick in his matchbox.
there was no difference, between this dead girl and the next, to him:
it was all a matter of perspective.
Aya Baker Sep 2013
the girl down the road sold her love
and Nicholas never liked chocolate
so I bought him a lolly
when he came over to visit
me and my parrot
Alicia
and my dog
Kenneth
named after the children who jumped
from the bridge I always passed
to and from from work
the train was a putrid colour
with putrid smells
and the hippie who sat across from me
wore crosses around his ankles
his name was Jim
and in winters when it was cold
he would offer me a Styrofoam cup of tea
from the bakery three stops before mine
and the orange of the train wouldn’t look so putrid anymore
and I scuffed my shoes on the cobblestones
and ignored the lineouleum stains
and waited for spring
to rebirth flowers I would pick (illegally) again
Aya Baker Sep 2013
do you remember how you felt
when you were a little kid
and you discovered a trick, a life shortcut
like closing your eyes when you prayed into the cup of your hands
and you weren’t sure if the adults knew it
but you decided to tell them anyway?
you felt brave and proud of yourself
for figuring it out
and very smart too-
but the adults already knew it
and you feel so hurt and stupid
and angry
and
i want to go back to the moment
just before i told the adults
and felt brave and proud of myself
for figuring it out
and very smart too-
and not knowing of the things to come.
Aya Baker Jul 2014
i'm not angry anymore:
not fully.
the exhaustion has seeped through my bones,
and it's stuck in my marrow
and i'm sad and tired now.
this is just something to say
i love you
and i'm sorry
and i'm sorry i don't actually feel any of these things
because i can't
these statements are one of logic.
Aya Baker Oct 2013
We are a collection
Of mixed half-things;

i.  B i t s and b o b s that don't belong anywhere
But beside each other-
       that bent plastic spoon curled
                                                          r    
                                                            o
                                                               u         d   that stub of a candle
                                                                    n

Spine t w i s t e d like an aged ballerina,
Curled protectively over the red, red (red! like the blood that simmers under your skin) candle



ii. songs from different ERAS
One song from the 80s with their razzle and dazzle and neon lights,
                                                                    their advertisements in CAPITALS and exclamation marks
                                                                                                                                          !!!!
and; another song from today, one of those "hipster" ones as
the kids these days like to call them;
                sorrow spill-
                    ing out of them
                        like melting ice- cr
                                  eams on stairs

No one thought they would fit together
Until a mix,
A playlist on 8tracks was made.



iii.  abandoned              sets
                           swing
                                                     on a lonely playground
on a lonely park.

Swinging in t
                           a
                     n
                           d
                     e
                            m
                                   (but not quite)
                                   (but that's okay)
Aya Baker Oct 2013
"tell me about the end of the world," the time traveller asked.

"a blessing," the stars decided.

"tell me about the end of mankind," the time traveller asked.

"peaceful," the stars conferred.

"tell me about the end of humanity," the time traveller asked.

"like a scab finally peeled," the stars nodded in agreement.

they had lived too long.
Aya Baker Jan 2014
And when our journey has ended,

And the dreams can begin,

Know this, my friend, my sweet;

That this is how it always is.

Endings are sometimes (though rarely) better than you think.
30DPC again, I apologize for the spam. This time it's a five-line poem to the last person I texted.
Aya Baker Sep 2013
and all those secrets we couldn’t keep
they buzzed around like bees
like bees
(i say we but it is just in fact,
you)

the cigarette smoke we couldn’t shake
choked our lungs,
overwhelmed our days
(i say our but it is just in fact,
me)

scars we couldn’t rid
stained our sleeves
our sleeves
(i say we but it is just in fact,
you)
Aya Baker Sep 2013
lovely little girl

looking out from under her lashes

big bright world, she doesn't know what to do with it

newly released into the world with little more

than a whisper on her lips, a blessing tucked in the corner of her mouth

and the words that appear in the sand

of the beach she stands upon for the first time

"you will be magnificent"
Aya Baker Sep 2013
it is a rainy day

and the pavement slick with water

and her heels go down clicking

click click click

and they are red and she tries

to show that she is powerful

and important

and that she matters

in this city of people who are all the same

blonde and asian and street

snapbacks and briefcases and tattoos

coffee and tea and mineral waters

but she isn’t

and she is still just

insignificant.
One of my older poems. Hard to escape from writing yourself into your works, isn't it?
Aya Baker Jan 2014
The curve of her shoulder blade were the same valleys in her eyes:

Long summer days drawn out by even longer sunsets.

I can still hear her laugh, feel the tickle of grass where she sat beside me:

His was a memory long gone.

She kisses me on the mouth, once, twice:

Her breath brushes my cheek. “Don’t worry,”

She chides, as she always does, though she knows this is of no help at all, nor am I to take her seriously:

I will heal in my own time.

My hands drift across her upper torso- what beauty, how pliant;

I try to admire every bit of her, as he did not do to me.

She bites her lip, knows it will not be long before I have to go:

Since that autumn two moons ago, I bid my farewells early.

Since that autumn two moons ago, I curl up in bed feeling lonely.

Since that autumn two moons ago, when his teeth clacked against mine and his hands were the apocalypse I could never dare to fight;

Since.
For 30DPC, I was to flip to page 8 of the nearest book, then use the first ten full words in the poem. The book that was nearest was John Steinbeck’s Grapes of Wrath. The words taken are, curves, beside, his, mouth, upper, lip, was, long, and, since, teeth. Trigger warnings for non-consensual ***/****.
Aya Baker Nov 2014
i could drown myself
- find solace in the underworld
of sirens and the ironic clarity the sea
has been known to provide, for all that
it has murky waters-
but my demons know how to swim.
they'd hoist me up
to ensure precious lungfuls of air
would be rammed down my throat.
survival is subtle ******.
i am immortalized in the moment
before the surface tension breaks.
I've seen the "I'd drown my demons, but they know how to swim" far too much lately, and in my annoyance, did a revisitation of it.
Aya Baker May 2014
i love you*,
she wrote
in the secret of her palm
to remind herself.
Aya Baker Sep 2013
"How are you?"

"I am fine."

"How are you?"

"I am fine."

"How are you?"

And it goes on and on and on,
This courteous game no one invests in
Half-glances sliding over you
Catalouging your state briefly before
Moving onto something else

The unspoken rules of this game dictate
That you keep to routine.
How are yous and I am fines,
Never change
Never stop.
Never, ever, change.

It does not matter
If these are not truths
It does not matter
If you feel like your skin is bursting
And your head is exploding
And your heart is shrieking
And your blood is singing.

They must ask How are yous
And you must say, I am fines

"I am-"

But.

I am not.

I am not fine you want to scream and shout You have not been fine since last year the year you discovered that you don’t matter you are only worth the As in your report book. The teacher’s assessment of you is unfair yet true and you are never anything less than troubled. Red becomes the colour you see behind your eyelids in the dark and in the day When the red stands out and even if it doesn’t because that’s all. You. Can. Think. About. It is the colour under the skin of your thighs when you slap too hard It is the colour that spills over the skin of your forearms where you hide the cuts under sleeves You are falling falling a dizzy mess No one but you will taint this metaphorical white dress. You dig in your work. You solve math problem after math problem and buy new highlighters to line the pages of your Biology textbook and you pay attention in History class even though your friend elbows you in the ribs to get your attention to show off her latest doodle. But still red redred red red red redred dred ered red red is all you can think about, you don’t like the colour but now you just might. it keeps you sane. After class when no one paid attention and everyone disrupted it you ran to the bathroom to create more so. You tell your friends and they look at you sadly but forget later. It takes you months of not eating properly and starving yourself of sentiment before you realize you are too young to be jaded. Other, better friends (though it is no fault of your older ones) pull you through. You learn to like simple things again. You throw yourself in articles and articles of the feminist movement and watch that new TV show and make more friends that loosen you up and make you laugh and dance. You take pictures and create memories again. You live a little more again. You are making progress.

"-fine."
Aya Baker Apr 2014
i have always had
an unparalleled fascination
for the human body.
human anatomy to me, it seems
draws me in
like a moth to a candle.
it mesmerizes me,
to see drawings of phalanges and metacarpal bones,
all covered
like a secret lover
by smooth, knitted skin.
romeo, where art thou?
tracing pictures of the aorta and veins and arteries, i hope-
the sensual twists and turns of a capillary should fill the page.
let me bask in deltoid and trapezius muscles,
make my way to the clavicle.
let the beauty of the fragility and the strength of bodies,
divine and heaven-sent,
engross me for the decades to come:
to admire and enchant and enthral;
to hold spellbound and captivate and always intrigue me.
Bodies are beautiful, simply because of the way they *are*. And if you self-identify as ugly, then hey, you're still the diggity bomb! But I genuinely do love how bodies /are/ and I think everybody should, too.
Aya Baker Nov 2013
She took her eyes out
Because she had seen too much.
But that didn't stop either,
So she took her brain out
Because even when everything was dark
It wasn't.

They called her crazy and put her in an asylum.
Might revise this later.
Aya Baker Jan 2014
Kiss her eyelids,

My son: Learn to cherish her

Like she much deserves.
Another 30DPC. This time I was told to write a haiku about anything.
Aya Baker Sep 2013
I default
to
sentiment
when he isn’t looking
(I admire the curve of his
jaw
the slant of his eyelashes
the muddied footsteps of a troop of freckles across the
bridge of his
nose.)

He kisses me gently
And I push back
fiercer
unyielding .
(His lips are red like
the candy
he buys me on
valentine’s.)

There are fights
(shouts, screams, throwing of things)
but he never raises a hand
or does more than look hurt.
I pray for him to do just the opposite
of that
(bruises and cries and
promises?threats? of goodbyes) but he doesn’t.

Hurt me, I want to tell him.

Hurt me, and you will never have to know me
(and how I steal gum from the shop
of my before-bed rituals
of my illegible handwriting)

Hurt me, and I will have to stay away from you
(and not get my heart broken
shattered like glass
tattered like the afghan bedspread we share)
You seem to be the only boy I will ever write about.
Aya Baker Nov 2014
my lungs are put through the shredder:
such a harsh word.
shred.
all I am trying to do
is to make confetti.
Aya Baker Jan 2014
Burst and explode and simmer on my palate:

They tell you you’re undesirable, not like the others,

So spit in their faces, blind them so.
Trying out a 30 Day Poetry Challenge and I was instructed to write a three-line poem about lemons without ever using the words: lemon, yellow, round, fruit, citrus, ****, juicy, peel, and sour. So this is what I came up with.
Aya Baker Nov 2013
My mama don't hit me no more
But that don't mean she can't cut me down
To the bone like she used to;
Words axe-sharp to whittle away
All the illusions I had created for myself
Those of security and confidence and self-worth-
Glances flitting over me
Like I'm not even there,
Like I'm not even worth looking at.
Aya Baker Oct 2013
Your lips catch onto mine
And I fall hook, line, and sinker.
The friction your hips create, sliding across mine,
Imitate the drag of my lungs
When you first declared your love for me.
I kiss the freckles on your hipbone;
Orion's little constellation.
You guide my mouth to where it needs to be
Even though I don't know what I am doing,
Even though this is my first time.
You taste like musk and salt.
And when your eyes reopen,
You pull me up and kiss my forehead.
"Perfect."
This was actually a challenge by a friend, to write about ***- I wanted to use French, because things always sound better in another language!

— The End —