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 Feb 2016 Ash Perri
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Everyone you have lost is gone forever.  
If you try to call the dead, the phone won’t ring.
You won’t hear their voices.
The ground will shake like your wrists.
You will realize this sometime, when you’re in the bath and every nerve in your body is screaming at you to put your head under and count to a thousand.
You are more than a suicide note.
You are more than a suicide attempt.
You are more than cuts and bruises, and friends that abandon you and don’t even say hello in the hallways anymore.
People will leave you, daughter. People will leave you alone and shaking.
You’ll find solace in the most unexpected places, in the boys that look like they belong in the 1970s and in the vinyl that whispers to you while the sun is going down.
Eventually you will find the people that will bend the sky down to you so that you can touch the clouds.
They will become your motivation, they will become the glow in the dark stars on your bedroom ceiling.
You will forget that they are plastic, and often mistake them for the night’s sky.
Memories do not always hurt, it’s okay to be nostalgic but do not drown in it.
Do not drown in anything but love, daughter.
Love every leaf, every lover’s vein.
And every single time you think you’re going insane.
You’re not.
Remember that the door is always closed, but always easily opened.
Remember that you can leave.
Remember that you can take the next flight out, start a new life.
Remember that the world is in your piano hands.
You’ll meet someone and call them love because they don’t know the difference between the dull and sharp edge of a knife.
You’ll write poems.
Lots of them.
You’ll write enough poems to fill the walls in all of the rooms in all of the houses you have ever lived in.
You’ll scrawl them on the tree stumps you find temporary homes in while walking in the forest.
You’ll engrave them on someone’s bones after they tell you that they would rather die a thousand deaths than go a second without your energy warming their cheeks.
For every accomplishment, erase five shortcomings from your mind.
Be yourself before you forget who that is.
Be, daughter, be who you want to be;
Be who you know yourself to be.
When the world is sleeping on your shoulders at 4 in the morning, don’t wake it up.  
Take a deep breath, rock the earth into a deeper sleep.
Tell the walls your secrets because they don’t whisper.
Don’t tell anyone with a tongue something you wouldn’t want to end up floating back out of their mouths like a catchy song.
When you’re standing up on stage, waiting to start your poem, do not avoid eye contact.
Make everyone nervous with your metaphors.
Make everyone nervous with your passion.
You are the strongest soul you’ll ever be.
And when I die, shall we not meet again,
Remember that I am your mother, daughter.
And mothers, *always know best.
this is for my writer's craft class
 Feb 2016 Ash Perri
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While you're swimming in my veins,
I just pray that my rivers meet the sea
when you're fed up with the songs I'm singing
just tell me softly- darling I think you ought to stick to poetry
when you're mad, your hands bleed
like a wounded soldier with no guns to hold;
you will fight for me every day I'm alive
When my silent scissor wrists refuse to cut your edges,
when your firefly mouth I tried to keep in a mason jar finds my spine,
I will never again count my own secrets
I will never again search for the answers with knowing the question
and when you look at me like a crumbling rockwall,
I will tell you not to climb. Do not climb these mountains,
you will not find God at the top
you will not find God in my temples,
or between them.
or anywhere near my sinner's cheeks.
because when they burn, they set fire.
because when you ignite, you're deadly.
because you called me one night adorned with whiskey,
your lips telling tales I used to dream about for bedtime stories.
tell me leaving was a mistake, drawn in blood
and I just want you back like the revolving door
through that airport where we met near the spring
and find me by the river, caressing my veins
because you are so full of water and I don't want to drown
in anything less than your body.
Let me in, like that stray cat
walk over my body like a ******* welcome mat.
You are always welcome, do not thank me
for saving your life because my hands shake when I think of you dying
and I can't write you down as fast as you're coming in so be still for a second
be still while the storm breaks, while you try to figure out if my body is the eye.
while you try to let me in.
 Feb 2016 Ash Perri
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I am not going to lie anymore, it is easy to write about you.
It is a gut instinct.
It is muscle memory.
I kept the letters, the postcards.
The first one you sent is in bad shape; folded edges, crumpled body.
I almost set it on fire twelve times.
You don't understand how every night I stand outside looking at the stars
realizing that we can probably never see them at the same time.
There is nothing poetic about how we feed off of eachother.
There is nothing healthy about holding on to this.
But all I know is that when I talk to someone, I almost always say I'm sorry as a greeting.
Because nothing I ever say will be pretty anymore, I have a serpent tongue when you're gone away.
And I'm sorry that they're not you.
I will still get your words on me.  I will hold on to the pain of the ink seeping into my skin.
Forever doesn't have a fighting chance against the chokehold grip you have on my thoughts.
Instead of this train of thought, paper bodies.
Ignition.
Fire.
Think of me when the candle goes out.
Think of me when you're drunk again.
Instead of this poem, broken bottles.
Instead of this poem:
Blue sheets.  White pillows.  Your hair was never this color before.
Your poems were never about me.
Slam poetry in the way you threw my necklace in the river.
Find me waiting at the window for you to let me in.
You left the bottle open, it smells like whiskey in here.
Blue sheets but yellow flecks of sunlight and candlelight and streetlight.
The light has almost disappeared since you went away.
Instead of this poem:
Come back. Stay away.  I am fluent in ******* things up.
Fire.
Ignition.
Paper body.
Think of me when the candle goes out.
 Feb 2016 Ash Perri
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I hope she knows what she's getting herself into.
I hope she knows what your heart sounds like after a night of
comparisons between her handwriting and mine.                                                                                                                                      
I want you to know that I am through with dumbing
myself down to fit inside your god complexed hands.

Don't tell me I never tried to save us.
I wrote you songs with knives on my palms
and your ears were anything but listening.

I had a dream about you every night since you told me
you didn't know how to love anything with a heartbeat and hope.
I started sleeping again when you came back, and oh when you came back...                                                                                                                          

I am not sorry that my temper is as short as the lifespan of us.
I am not sorry that your smile is the only one that ever made me
want to wake up in the morning.
I am all pain and long long longing and she has always been
a storm with a heart dead set on your stillness.
Our problem is that I never stop shaking long enough for the dust to settle.

I've been writing with the same pen for four years and
you still only recognize my words when she plays them back.

Let it not be confused, foggy or incomprehensible-
you were the one.
Until the one became none and I stopped being a number when you stopped counting miles.

I hope she loves harder than a woman with dementia, relearning parts of you every morning
in the places you reserved with my first and your last- maybe next time.

Maybe next time, maybe next life will be different.
Maybe I'll be patient, stronger, I'll stop covering my smile. You'll stop pretending to be in love.
I will stop shaking and the dust will settle and her poetry will make you sick.
Her poetry will sprout evening primroses and she won't know that you always fall asleep before midnight
or that you're allergic to flowers that bloom when the sun is down.
 Feb 2016 Ash Perri
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Sometimes I catch myself thinkin’ about you with my fingers crossed.
And my eyes closed, like I’m wishing for something.
This is funny to me, because I learned recently
that my brain does this weird thing where it’s incapable of feeling superstitious.
I have always wanted a black cat.
You have always been a wishing well begging for the famished to come and dip their hands.
You wear a sign that says
“Take something, or leave something, doesn’t matter, just leave feeling won”
Leave feeling like you won.
This is how you will leave me.
When my fingers are crossed. Because then the promises don’t matter.
When my eyes are closed. Because it will hurt more to watch you leave
than to wonder if you crawled or if you ran.
When my teeth hurt, from all the chatter, from all the shake, from all the wisdom they extracted.
You know I’ve been leaving bite marks in the crust of the earth,
trying to find a wormhole that will take me to the moment you thought,
“hey, this girl’s gonna write poems about me every Friday” and
“hey, she won’t win me, but maybe she’ll win something”.
I'm the award winning heartache, I'm the pain they thought would last forever.
I'm my grandmother's years of Elvis & Jack Daniel's coming to the surface
and passing themselves off as vertigo.
You're the sum of the times you and the earth were in disagreement over your leaving.
You're the only thing that will shine when the sun dies.
We are Samson and Delilah. You are so sunshine.
I am grateful to the doctors that gave me second chances, I am grateful for the opportunity
that someday is engraved with.
This is how you will leave me.
I pray with my fingers crossed.
and my eyes closed, like I'm wishing for something.
I don't say Amen. I say thank you.
Thank you.
 Feb 2016 Ash Perri
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when someone thanks me for writing the things they wish they could say out loud I apologize for hours until they stop wishing and ask me why. I usually tell them the same thing
"do you know when you're driving alone and that one song comes on, you know that one. that one song with a million different memories dripping off the tongue of that one man who sings like he never got on that airplane and so he didn't not make it back to the ground? and you're thinking about crashing and when you're thinking about crashing you almost do crash, because you were distracted about crashing and you get scared and realize that you just want to not want to crash? well that's how I feel all the time. Even when I'm completely still. Or when you're in the bath and you see faces in the ceiling and you wonder if the faces you're seeing are significant? like maybe you're seeing their face because they never meant to hurt you or maybe you took an extra 20 milligrams today and you're just a little out of sorts."
I'm not done explaining why I'm sorry, but this is usually around the time they interrupt, all "no, I apologize" all "I shouldn't have asked"
 Feb 2016 Ash Perri
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they're saying "all you do is drink and cry", "I think you're bad for everyone" and you're not saying anything and I'm saying I love you,
I ******* love you
And maybe I needed something to bring me back to reality maybe these bathtubs are always a little too deep for me but I fit so perfectly in small spaces because I learned when I was 14 that i was never gonna grow into a butterfly
but my aunt still calls me hers and I'd still flutter my eyelashes on yours while the earth turned to ash because I like things ending so softly
and you are a ******* miracle if I've ever seen one I want to sleep with you so badly, on a trampoline in the summer and I want to watch you do bad things and smile so sweetly at you and you'll know that I don't give a **** what you do as long as you're still loving me while you're doing it because baby we've got this one life and I've been loving you as long as I have known what love is and I know it's in the way you whisper and I know it's in the way you say you're my world and if the world stopped turning tomorrow we'd be the only things still moving with excitement you make me so nervous and calm and nervous and calm and deep breath you make me nervous I bet you'll make me nervous when we're older and I'm making you pancakes and I feel your eyes on me and I burn my fingers but you always kiss them better baby
you're an alleyway and the kitten that sleeps there
you're the rain on the windowpane and the water breaking the levee
I'm drowning in everything I have ever said to you so if I say one last thing one last thing,
while you're not saying anything,
I love you,
I ******* love you
 Feb 2016 Ash Perri
berry
sometimes i wonder if god keeps a record
of all the times i have been left,
all the times i have been unable to leave.
i wonder if he thinks to himself,
"when will she learn?"
as if he feels my heartache too.
i picture god with a furrowed brow,
hunched over a typewriter,
beginning me again and again,
a mountain of crumpled paper at his feet.
but somehow -
he always ends up at the same point in the story
where i am all ****** palms
and half-hearted hallelujahs
propped up on bruised knees.
spitting up blood & teeth at his feet screaming,
"IS THAT ALL YOU'VE GOT?"
but he doesn't answer.
and i catch myself wondering if the silence
is his way of punishing me for making a deity out of you.
after all, the bible says he is a jealous god.
i could've sworn there was a verse somewhere
that said you weren't allowed to love anyone other than me.
but now that i think about it,
i probably took it out of context.
if i could add a parable to those already existing,
it would be how your chest
felt like church under my head,
and how i thought to myself,
"this is how it would be if he loved me back."
or how you fled my bedroom like a crime scene.
i am still bleeding.
i won't tell you how many times
i cracked my heart in half
trying to be what you wanted.
how my lips on your skin felt judas.
now i am waiting for god to begin me once more,
hoping he'll leave you out of the plot this time
because i don't think i could stand to lose you again.
see, rumor has it he knew you'd leave
and has been trying to make it up to me
since before we'd even met.
my song is one of repentance.
the wood finish from abandoned pews
rotting under my fingernails.
i made sacrifices you didn't ask for.
i have never known
whether my inability to abandon people
is more a strength or a weakness
but so far everyone i've ever loved
has turned into an exit wound,
and myself into a flickering no vacancy sign.

- m.f.
 Feb 2016 Ash Perri
berry
cadavre
 Feb 2016 Ash Perri
berry
this is a poem about how you sleep,
how your body grew cold like a corpse in a mortuary.
how it felt wrong to reach out and touch you.
did you know that you turned away from me
every time i tried to face you?
did you do it on purpose?
maybe you were afraid i would be able to see
you were dreaming of her,
that i would read it on your face.
lines by your mouth like obituary,
like roadmap, her bedroom,
the destination, mine, a pitstop.
loving you was like attending a funeral service for myself
and sitting in the front row. no.
loving you was like watching you pick out a casket
and call it practice. ****.
i know how sensitive you are about death.
i know it still hurts.
i know how everything hurts.
i am sorry for just being another thing that hurts.
i think i'm afraid to let you forget that you used to want me.
like if i can somehow dig deep enough,
wound you into remembering me.
i keep weapons-grade nostalgia in my back pocket
for the days i can feel myself slipping from your consciousness.  
i was born with scar tissue where skin should've been.
but this isn't about me.
this is about the way you sleep
like you're waiting for someone to close the lid,
cover you in dirt, and read a psalm.
this is about the way i tried to sing your pieces back together,
and the way my voice gives out
when i read the things you write for anyone other than me.
lover, friend, stranger,
i just wanted to show you how to love your darker parts.
i never meant to become one.
i am so ******* selfish.
but i swear i am trying to unlearn the steps.
and you used to think my two left feet were charming.
i am out of time in more ways than one.
i keep stepping on your toes.
i can't seem to stop tripping you up,
hoping that you'll fall back into whatever this was.

- m.f.
"i am always dying in places where you fell asleep." - K.L.
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