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Like an army from the Great War catapulting
out of trenches to battle blindly with enemy
machine guns and mortar, tourists take fire
on the Great Plaza of Salamanca. We line up
to sip ruby-red Rioja, savor eyelash-thin slices
of jamon, spy on the antlike antics
of the maneuvering crowds, who cross
the square in bunched-up patterns
of inscrutable geometry, of indirection.
They traipse from here to there and
back again on reconnaissance, as castanets
click cacophonously off the concrete plain,
and conversations carry skyward to the sun.

On the walls, bas-relief profiles of Spanish heroes
populate a paneled paean to celebrity, to spirit's might.
St. John of the Cross, Cervantes, even Quixote himself
look down upon us in one-eyed stares of forced patronage,
unwilling participants in the guerrilla tactics of sharing
their World Heritage riches with the disinherited of the world.

Conspicuous by her absence, St. Teresa of Avila
levitates above the maddening mobs to reach
the outskirts of her interior castle, which houses
myriad rooms of virtue that no ordinary mortal can
attain. Her destination: perfection, tilting at
the immense spiritual windmill in the sky. She blesses
me as the waiter carries another tray of wine, endless
libations for the infinite thirst of adventure, discovery,
and the spoils of travel. Winking at Cervantes,
I turn into a temporary resident, unlikely scion of Spain,
and masticate another wafer-thin portion of jamon.
My taste buds dance the flamenco in delight. I sigh.

O how Hemingway loved this sacred soil, his soul
tangled in the bullring, with its ovals of blood and sand.
Newspaper in hand, he stands in the stands to watch
the horses and woo the Spanish black that wraps
around the ring. Mind and spirit settle into the nosebleed
section on concrete benches that radiate heat
in the afternoon. Soon death will follow, not for them,
but for the witless bulls, fierce, innocent victims
of the blood lust of war. Who has nostalgia for this now?
Who kills the monstrous beast within? It rages and rages,
pawing sand, seeing red, seething with hatred
of its tormentor, thinking -- no, feeling -- only "attack."

I have followed the trail of Santiago de Compostela
longingly in my mind, peering over the Pyrenees from
the French plateau that self-abates at the foot of the peaks.
I watch pilgrims scramble through Roland's Breach,
a toothless gap planted in the middle of saw-tooth summits.
Through it shines a light to beatify Iberia. I stand on
the plain, St. James' clam shell firmly in hand,
my walking stick crooked as a branch bearing fruit.
Ahead, only spectacle and absolution await, incense
swinging through the nave like smoke from a failed
mortar round. We stand in waves of penitents, praying
that Santiago still curries favor for the faint at heart.
War is hell, say the toungeless bulls. Listen to them bellow.
No celestial being will ever descend
the misty ether to complement my
wishing and seeking for its eternal presence.

None who are worthy of such adoration
will stoop to move me out beyond myself,
to send me hurtling down the long, contemplative spiral
of the Self, toward the focal point of Existenz.

Identity is elusive. I find no residue,
no center of recognition and acceptance
with which to make my defense.

Identity is infectious, a virus that plagues
without antidote or cure. As with the Fall,
I must disregard the Delphic Oracle. Who
among us has ever truly known himself?

Perhaps I am too tainted, perhaps I am impure.
Perhaps I would be blinded by the brightness of their glory.

No, I am quite certain that those who stir among the stars
will never be moved by pity or suffering to breathe
the breath of Eros that flings me out beyond
this solitude. None will ever come to bestow on me
the presence and embrace I so passionately desire.

I must reshape my future in the image of the Lamb.
I must leap across the world's murderous, polluted abyss.
I must land on the other side in safety, security,
with nothing bruised save the membrane of my porous ego.
I hurriedly push past myself,
watching my body from above,
feinting with consciousness,
fainting into the Spanish black.

Velazquez's "Las Meninas"
jack-hammers a tunnel
of ek-stasis, pulling me into
the painter's dark studio,

weighed down by overwhelming
curtains, curtailing the senses'
sense of majesty and control.
This is not trompe l'oeil. This is

tricking the soul into the artifice
of the palette, of paint on board,
of black that illumines perfect
placement: the spectator on the floor.

Stendhal's sensitivity is no virtue
or vice. It suckles the sublime,
sated on illusion, art for art's sake,
delivering a blow to the solar plexus.

I gasp as my body trembles at tremors
of terror, annunciations of angels
bearing paintbrushes as paltry wings.
Their back feathers stained a Spanish black.

Painting owns no one, owes no one
comfort or joy or pedantic instruction.
The cherubs in the foreground radiate
innocence, wonder, humanity's blank heart.

At my feet, my body wriggles skyward,
wrenches for a transplant. Paint on it
Valazquez's black goatee, then part
the velvet curtains. I will rise to new life.
Robinson Jeffers’ poetry rings as hard as bone,
his windswept lyrics fed by his dark side.
At Carmel, he built a tower of stone.
Wind, sea and storm fostered his rugged pride.
With nature’s fiery force, his skills he honed.
His message bleak, from which he could not hide,
foretold an elemental strife alone.
He wrangled roan stallions only few could ride.
His long-winged hawks over waves would moan.
He joined their wildness with soul open wide.
His poems made me yearn for his coastal home.
Nothing humanly made could pull back the tide.
His poetics read: Etch your heart in stone.
A Zen he practiced till the day he died.
1.
Stone castles float high above the moat,
rising in the empty sky.

Colonnades of clouds pummel the shoreline,
but plunder only Time.

The silver lake reflects the face of God.
Forsake its lifeline,
trace its outline in darkness,
then dive, dive, dive
to retrieve your destiny.

The horizon sleeps at the end of the road.
Light turns, but withholds its blessing.

2.
Pilgrims clamber over slick, thick cobblestones,
combing the ruins of history.
They slip, slide and slither back,
only to lose their way.

A baby-faced mountain bends low
to brush a raindrop off a rose.
The rose reddens, the mountain shudders,
and love blooms —

even as older peaks,
streaked in early snow,
grind their teeth in envy.

Obey your nature.

3.
A crown of fog settles on the silent village.
Wet cobblestones snake back upon themselves,
pooling castles on the ground.

The road plummets to the shoreline; the horizon weeps for no one.

Light turns. Time tires. And infinity seeps into the soul.
Bruised pilgrims withhold their blessing.

Beneath the love-struck mountain,
a lonely traveler gropes homeward.

Patches of empty sky carry scents of welcome:
There, unbidden, tranquility awaits.

*— Chaulin, Switzerland
the black rain
pushes incessantly
against
the window

great dull gray streaks
spread
the ephemeral sun
into
pallid false reflections

ridiculous faces
touching ***** white
wisps of clouds

a narrow
uncertain light
falls heavily
upon a page
I have written

crossing out
an unneeded,
superfluous
word

the room
is illuminated
with a golden
bright appearance

reflected in
four varnished
corners

of the table,
which catches my eye

I look at it
and the faces melt

the whole room is like that
nothing left but great dull gray images
even the cold ridiculous sky
is like that

this diminishing light;
I can no longer write with courage
(after E. E. Cummings)

ALPHA

time's mightiest dream
fills unspace with lowliest freedom

we
choose
NOW to act
in alabaster innocence
we
yes the day
its
magnanimous
blessing

we
skip through
greenvanishing
meadows
leap to
pale
indifferent skies
(while memory
whittles
away
the past)

we
carry little
people's
humility;clouds
drain heavens
gates
of slippery/silver
tears

languid lovers lie
in curly locked *****
their coitus
the rasping
friction
of IMmortality

BETA

onetwothreefour equations
rewrite relativity, tumble down
puddle-licious
wormholes

Euclid inhabits
an ice-oceles
triangle
draws line
A to be

pockmarked
moonrocks
pummel
Atlantis

the universe dances
to canticles
of calculus
out-Zorbaing the greek
outshining
the starz

God lurks
in
unlucky alleyways
plays dice
with
Einstein's
willowy
hair  today
de-parts tomorrow

clumsy rolls
of
snake eyes
whistle down
celestial canyons
signals bleep
f  a  r.....    a  n  d.....  w  e  e

OMEGA

present's presence
courages the future
of illusions
(the
blind
heart
bleeds)
on a magician's
rickety stage

quarters sprout
behind junior's ears
magic, tricks
cut in half
cambridgeladies
faint from vapors
peddled by the
goat-footed
good humor man

kings horses
pull the velvet
curtains
a-side

sunken sailors
saLUTE:
scribble
on the sawdust
ocean
(a
n
c
h
o
r
s
a
w
e
i
g
h)
floor

schools of
spermatozoa
break-dance
toward
a/******/****

fluids flow
freely
to hard
hoed rows

cherubs:chime
a flowerblooms

time turn
s  in its
s l e e p

freedom
kisses awake
a  N  E  W  dawn

dreams
swirl
in the
mirror

a poet pens
his epitaph
the soul's eyes
BLINK

unspace floods
with;beauty
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