The flesh must be subdued,
for it cuckolds the mind
with its gargantuan girth.
To resist it we need
clear reason,
not dark desire; myriad ideas,
not the anarchic imagination.

The weight of finitude
bears down upon us like
a vertical vise. We spread eagle,
arms outstretched, raised in
a straining V to stop
the mechanical pressure
from crushing us.

We will not die from this ploy.
But the weightless will no longer
fight back. The struggle, eternally
repeated, exhausts both flesh
and mind. Ideas still carry
the heft of conviction; yet
they barely move the needle
on the scale.

2.
Movement springs up like
a desert miracle or mirage.
Powerful leg muscles find
nowhere to turn but endless
rock and sand. The sky
offers no help: as empty as
the listless day. Clouds
pull apart like puffs of
moistened cotton;
they cannot mend the
empty self, for they themselves
need mending.

The flesh plays a shell game
with lust and love. Divine the
winner, then slap away any
sleight of hand that might
lead you astray.

3.
I wander the arid byways
of New Mexico; one road
leads straight to the tomb of
D. H. Lawrence. He took
more than his pound
of flesh; his blood
pumps an irrigating flow
into English literature. Flesh
turned to word in his mind.
And like a phoenix, it sprouted
wings and soared breathlessly
into the stratosphere,
far above the dusty canyons
and the dry arroyo of desire.

1.
Angels with gossamer wings
flit heavenward
like bees nuzzling roses
for honeyed perfume.
I watch the angels flutter
higher and higher until
they grow smaller and smaller.
One of them looks back and says,
"You, too, will fly when the sinking
day darkens; when the moon
circles the Earth one last time."

2.
I think how I must free myself
from gravity, from finitude,
from time. The serious day
darkens. I watch it wriggle
into the sea, as infinite
as the sky, it seems, but a richer
shade of blue. The roses
eject the bees, their transparent
perfume wafts over me
like a mystical atomizer; particles
splaying my face, bathing my eyes.

3.
Beyond the sky, in ethereal Elysium,
the Immortals dwell. I gather my life
and cast it at their translucent feet.
They answer only in Greek riddles.
Oedipus wanders among them.
I am as blind as he, sinking into
a sea of shadows. Like a feathered
coral reef, wings waver over
the ocean floor. When the sated
day darkens, they will alight
on my back like petals on a rose.

I thirst fiercely in the desert;
I spy oases in the sky.
I've come to the edge of Mosaic Canyon.
There's nothing to drink
but the surface of stone.
I try licking the tiny pools
of rain water filling cracks
in the boulders.
But they, too, are illusions
packed tight below the sky.

If I could survive on colors, I would
be sated. Reds, browns and tans.
A subtle gray graces the front
of the stone where I sit.
I must try to **** it dry.
Foolishly, I set out hiking
without my water bottle.
Now I hallucinate streams
and gullies in the sand.
I can't go on; I must go on.

Cirrus clouds swirl around
palm trees. Camels linger
at a bubbling pool, settled
on their knees. Cold water
spills from their gnarled mouths.
They have forgotten nothing
to survive. I have forgotten
everything. Soon I hear
my name being called.
It echoes down the canyon.

I stumble backward, ankles
slanting on the stony path.
All along, I keep my eye
on the sky. The vision never
wavers, only intensifies.
The canyon walls box me in.
I cannot catch my breath.
Behind me, my wife calls
and calls me to safety.
In her hand, a cup of cold water.

Mmmmmmoon Lion roars.
The moon swerves in its orbit.
His voice reaches to the heavens,
avoiding omnivorous black holes.

He contemplates his philosophy
of life: poems written with
incorrigible vitality and verve.
He purrs the "m's" in his name.

Auden said that poetry makes
nothing happen. But Lion invokes
humor and thought, the rigor of form.
He holds deep respect for his readers.

They crave to do him justice in the
wake of an endangering diagnosis.
Poetry elevates the body, tunes in
to its hidden rhythms, sings its source.

As in Oz, the lion needs courage
to face the injustices of existence.
He silver-wraps his moments, gone
all too quickly. He instinctively roars

a new way to create poetry, one
that embraces the celestial,
disdains the body's betrayal.
He will win in the end:

His lion spirit soars.

stones rise to the sky
red canyon walls box me in
sated on colors

Mephistopheles moans.
His bargain won; now what
to do? What good is a human
soul as vanquished prey?

Faust exults in his superhuman
strength. He holds an unfair
advantage over all other poets.
No drug testing for magic.

He dances with the devil,
cheek to cheek. He swoons
at the crescendo, falls into
his partner's waiting arms.

There is something maniacal
in his character, like arsenic
in a tall, cold glass of water.
He gets drunk on it, gets high.

Who will judge his newest
achievement? Like for like cannot
be found. He stays isolated
in his cold grey cage. No touching.

Freedom breeds creativity,
the force of all masterworks.
Faust settles as a lap dog
for Mephistopheles.

Soulless, the poet wanders
through Dante's circles
of hell. With whom will he
find his place? No place

for his cheapened soul. No
punishment for his fiery
hubris. He forms artist and
audience as one substance,

and applauds himself.
His victory is self-serving,
but he has no human
self to serve. His triumph rings

hollow. He plays the xylophone
on his ribs. The music turns
toy-like and irritating. He has
gone too far. No way back.

tell this soul your grief
succor those who mourn their deeds
press the hand that bleeds