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Hi
I’m anthony brandy
And I’m a quarter filipino
Or at least, that’s what my dad tells me
And I’m inclined to believe him because
When I look at the curvature
Of the bones around our eyes
I think I can see it

That somewhere deep down I’m not just a white guy
With a white name
And a whole lot of privilege that comes along with that
But you can’t see it,
And I think that’s what matters

We judge people by who we see they are
And then they become who we say they are

You can’t see it, but I speak Spanish, too
But not because it’s my heritage
Because my white heritage doesn’t have anything to be proud of

I learned Spanish to communicate with others

It all started out as a way to check if people were talking behind my back
And I never even realized that that was a form of guilt-presumption
But as I learned to conjugate and put my words in the right order,
I found out that there are people on the other side of that language barrier
And they have warmer hearts than you could ever imagine
And their arms give the best hugs
And their eyes tell the toughest stories to hear

Like when they came over here, and people heard their accents
They were teased and told to go back to where they came from
And everytime an ******* said that to them,
That home they were told to go back to was always Mexico
Even though Mexico’s not the only country south of Texas

You see, we judge by what we see
And if we’ve never seen or noticed anyone from other countries
We overgeneralize

You can’t see it, but I’m also encumbered by years of religious restrictions
That tell me that my ****** feelings are not allowed
That my doubts have no place near my faith
That my eyes must always bounce
That my vocal cords were meant only for ****** Hillsong songs
And my hands were made to pluck easy four-chord songs
And three-chord songs if you’re lucky

You can’t see it, but there is resentment under this shirt, welling in my chest
And it seeps out of my skin even when I don’t want it to
And I sometimes think it’s best left unexpressed,
But I know, even deeper down than that resentment, that that’s not true

You can’t see it, but I so often feel unnoticed by my peers and my family
Because those doubts that I mentioned before are dangerous,
And my family has wasted no opportunity to tell me that it’s not okay to be who I am,
Having introduced dynamism to my faith
So I am left with only one option:
To hide those things, and keep my mouth shut

What you don’t know, family member, is that when you put on that bumper sticker that said God doesn’t believe in atheists,
You told me you don’t care for me
And what you don’t know, family member, is that when you voted for Trump,
You told my immigrant friends that they should stay away, and that it’s better for them to dwell in their oppression than to even remotely acknowledge it
And what you don’t know, family member, when you tell me how sad it would be for me not to be a Christian,
You tell me it’s not okay to be who I am

But nevertheless, I am who I am
And I will be what I will be
And who I am is a quarter Filipino, privileged white guy who’s trying to do his part
And I wish you could come along with me for that journey
But you are so deeply invested in remaining static,
That I am unsure I can ever help you at all

Telling you stories about my relationships with immigrants can only get me so far into showing you that these people
Are in fact people
And my college education can only get me so far into a conversation with you before you notice that I’m one of those people you call a “libtard”
And you disregard everything I say

I still have my foot in the door, but how long can I keep it open?
When will I blow my cover and be authentic?
Should I have ever kept things a secret in the first place?
Am I just trying to avert inevitable growing pains?

I could not tell you, and I cannot either
But I am nonetheless growing,
Dynamic,
Laden with doubts,
And struggling to make something good come out of my life
I hope you can see that
I hope you can understand
Why I do what I do
This is the script for a talk poem i wrote earlier this summer.
Where is that artifice
I’ve become so well-acquainted with?
Is it under the brassiere?
Is it anywhere near?

Or does it simply not exist?
Making you the leviathan:
That fabled love, mythical,
Sequestering the cynical

It’s too easy to give in
And admit that you’re here
It’s easier to hold you at arm’s length
And make that potential disappear

But the artifice has forced its way
To the other side of eternity
And I can’t find a trace of it in you

Is it a dream
Is our sight
Eclipsed by our desires

Are you a trick

Do you exist in reality

As much as in my thoughts?

Am I artificial?
Superficial?
Do I put on smiles to make you smile?
Am I anything besides what my emotions tell me I’ll be on any given day?

Where is my free will?
It eludes me just as much as your existence does
And your beauty
And the brunette spiral staircase spring
Released to the right of your eyes
Which shine hazel and splattered green
As if they were their own galaxies
And my destiny as Captain Kirk is finally realized
And I discover the wonder in those nebulae

You are real

But I do not know how to accept that
And begin being present with you

Perhaps the problem is
That we’re not all there is

Love, ***, and eros
Accumulate but one section of life
And I am in no position to deny the rest

I love life
And I’m willing to think I love you
In that headband that’s bright blue
I do not know what to do with you

Love is a fitting fate for people like you
You are precious
And able to be loved
And that's the role I play
I parked
Rolled the window up
Turned her off
Got out
Patted her
"Job well done"
And I affirm her
"I'm not done with you yet"
As I roll up the other window
We live to drive another day
See the southern side of Florida
Just you and me,
Cali
It's taken me a long time to end up writing a poem about my car but here u go
The things
That used
To make
Everything
Worth doing
It's not about the fish
Or three days in a stomach
It's about forgiveness
We are always the hero
Of our own story
Blind to the pain we inflict
Unable to see beyond the scope
Of our two limited eyes
Not sure if this is a mantra or something else,  but this is the only thought I could come up with

Also I normally love titles
But I couldn't think of one
Do you remember when this town belonged to you?
I do

But things aren't what they were

And what's the point of droning about this point?

What have you got to mourn?

The idea in your head
Of the people you left
When you went two hours away
And where they had to stay

You just don't know what to do with yourself
And your feelings,
But that's not new

Rest easy
Be still
And know
Things are gonna be okay

Even if the job *****
Even if the average age of the town you live in is 67
Even if it takes a while to get back into the flow
Even if the flow isn't what you want in life

It's where you are
And it's your job to affirm that position

Because it's all poetry
And it all belongs
If memory serves me well, and it normally doesn't, this is an iteration of my earlier poem "Mantra (one)", written about a year ago today.
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