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I stand above my bed
And examine the damage.
Blankets this way and that
Pillows all over
Sheets tangled up around themselves.
Proof of something that
Only hours ago
Left this place empty.
I take in the rubble
And breathe deeply.
I lower myself down to those
Tangled sheets
And backwards bedspreads
And fill my lungs with you.
I pull them up around me
And close my eyes
And wish for this place to be
The same kind of battleground
Again tomorrow.
You fade...
Like a bruise.

Like the ones your mouth left on my neck and shoulders with its lustful pressure.
Your teeth, which brought moments of bright pain/pleasure,
Are now bared in an artificial, animal smile.

Your lips, which parted to ******* skin like it was salvation,
Barely part now to speak to me.
You whispered my name like a prayer.
You screamed it like a curse.
You sighed it in contentment,
And now you won't even speak it in passing.

Your hands, which half-playfully pulled my hair...
Now won't pause to brush it from my face.

All these parts of you,
None more telling than your eyes.
Those new windows, which once let me pry...
Now have blinds drawn tight behind them,
Leaving only a pretty, shiny reflection-
A passing, glancing imitation-
Of the passion they once held
When they beheld
Me.

No color left to them but the muddy colors of
Boredom,
And possibly mistrust.

You fade...
Like a bruise.
Like the one you left on my mind with your brilliant conversation
And beautiful, rusty prose.
Like the many you left on my tongue...
Which now can speak nothing but trite and meaningless words,
Which now can barely remember the shapes
Of all the shimmering, liquid phrases it spoke to you
That seemed so important at the time.

You fade...
Like a bruise.
Once lover and friend,
Now barely one
And never the other again.
 Jan 2013 Andy Estevez
Ai
We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?
Love is universal migraine,
A bright stain on the vision
Blotting out reason.

Symptoms of true love
Are leanness, jealousy,
Laggard dawns;

Are omens and nightmares -
Listening for a knock,
Waiting for a sign:

For a touch of her fingers
In a darkened room,
For a searching look.

Take courage, lover!
Could you endure such pain
At any hand but hers?
 Jan 2013 Andy Estevez
Amy Lowell
They have watered the street,
It shines in the glare of lamps,
Cold, white lamps,
And lies
Like a slow-moving river,
Barred with silver and black.
Cabs go down it,
One,
And then another,
Between them I hear the shuffling of feet.
Tramps doze on the window-ledges,
Night-walkers pass along the sidewalks.
The city is squalid and sinister,
With the silver-barred street in the midst,
Slow-moving,
A river leading nowhere.

Opposite my window,
The moon cuts,
Clear and round,
Through the plum-coloured night.
She cannot light the city:
It is too bright.
It has white lamps,
And glitters coldly.

I stand in the window and watch the
moon.
She is thin and lustreless,
But I love her.
I know the moon,
And this is an alien city.
I buried my heart out in a field,
Beneath an old oak tree.
I'll stop and visit it once in a while,
And tell it stories of me.
The life I live and places I've been,
All the best places to see.
The men and women who make up my life,
Who know a story or three.

I buried my heart out in a field,
Six feet beneath cold clay.
Deep enough to protect it from you,
Shallow enough to retrieve it one day.
To dig it up and check it for wear,
Protecting it from decay.
My poor heart is never safe,
With you never that far away.

I buried my heart out in a field,
Far from prying eyes.
Hiding the scars from my own sight,
Wrapping it up in lies.
I want to pretend that everything's fine;
That the pain's been cut down to size.
But that's not true, it's right near the surface,
As my one and only tear dries.

I buried my heart out in a field,
I did it for selfish reasons.
To shield it from this treacherous life,
And all its mercurial seasons.
The lies, the scars, the six feet of dirt,
Just a few more little treasons.
I buried my heart out in a field,
And I forgot to mark the spot
You said the anger would come back
just as the love did.

I have a black look I do not
like. It is a mask I try on.
I migrate toward it and its frog
sits on my lips and defecates.
It is old. It is also a pauper.
I have tried to keep it on a diet.
I give it no unction.

There is a good look that I wear
like a blood clot. I have
sewn it over my left breast.
I have made a vocation of it.
Lust has taken plant in it
and I have placed you and your
child at its milk tip.

Oh the blackness is murderous
and the milk tip is brimming
and each machine is working
and I will kiss you when
I cut up one dozen new men
and you will die somewhat,
again and again.
little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
Our lips speak much, but our hearts stay silent.
If you love through lust it will surely lead to violence.
Love isn't what one expects it to be, but spoken from the lips inevitably it will never be.
When the sea of mind becomes confused and desolate, the anger inside is portrayed through hesitance.
So to you I say,
stay relevant,
holding true to your heart,
just for the hell of it.
In love, nothing exists between heart and heart.
Speech is born out of longing,
True description from the real taste.
The one who tastes, knows;
the one who explains, lies.
How can you describe the true form of Something
In whose presence you are blotted out?
And in whose being you still exist?
And who lives as a sign for your journey?
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