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There's a keen and grim old huntsman
On a horse as white as snow;
Sometimes he is very swift
And sometimes he is slow.
But he never is at fault,
For he always hunts at view
And he rides without a halt
After you.

The huntsman's name is Death,
His horse's name is Time;
He is coming, he is coming
As I sit and write this rhyme;
He is coming, he is coming,
As you read the rhyme I write;
You can hear the hoof's low drumming
Day and night.

You can hear the distant drumming
As the clock goes tick-a-tack,
And the chiming of the hours
Is the music of his pack.
You may hardly note their growling
Underneath the noonday sun,
But at night you hear them howling
As they run.

And they never check or falter
For they never miss their ****;
Seasons change and systems alter,
But the hunt is running still.
Hark! the evening chime is playing,
O'er the long grey town it peals;
Don't you hear the death-hound baying
At your heels?

Where is there an earth or burrow?
Where a cover left for you?
A year, a week, perhaps to-morrow
Brings the Huntsman's death halloo!
Day by day he gains upon us,
And the most that we can claim
Is that when the hounds are on us
We die game.

And somewhere dwells the Master,
By whom it was decreed;
He sent the savage huntsman,
He bred the snow-white steed.
These hounds which run for ever,
He set them on your track;
He hears you scream, but never
Calls them back.

He does not heed our suing,
We never see his face;
He hunts to our undoing,
We thank him for the chase.
We thank him and we flatter,
We hope -- because we must --
But have we cause? No matter!
Let us trust!
One said; "Lo, I would walk hand-clasped with thee
Adown the ways of joy and sunlit slopes
Of earthly song in happiest vagrancy
To pluck the blossom of a thousand hopes.
Let us together drain the wide world's cup
With gladness brimmed up!"

And one said, "I would pray to go with thee
When sorrow claims thee; I would fence thy heart
With mine against all anguish; I would be
The comforter and healer of thy smart;
And I would count it all the wide world's gain
To spare or share thy pain!"
 Apr 2013 Andrew Chau
Laura Drost
Softly, my darling, I'm quite tender you know.

Your fists kiss rather hard. I've got the marks to prove it. Yes, yes, I know what Jack does to you. That's why I tried to smash the bottle over your ape's skull, or at least, that's what Jerry told me would stop you.

Look at yourself in the mirror when you shave, my love. The railroad tracks across your forehead match the tender fist-kisses on my legs. I'm sure the medics thought we were perfectly matched. You'll be quite dashing when everything heals over.

What's that you say? Oh I see now, I'll just have to wear pants until the black pools on my thighs fade. Maybe this time I'll just stop trying to look like everybody else. Shorts make my legs look like mutated lumps of play dough.

I know the police wondered how it all began and they didn't believe me when I told them it was because you loved me. People are so silly! Everything has to be done the "right" way. All we can do is laugh it off.

Have a wonderful day at work, honey. I'll be waiting with the Captain when you get home. Maybe we'll find some new inspiration. I'm a canvas, just waiting for you to prove how much you love me. And I love you.

Dear, just be gentle with me, please?
 Apr 2013 Andrew Chau
Laura Drost
Dark twisting shadows grow within her belly.
They shred her womb like paper under knives.
The green monster isn't really green you see;
It's a black hole, consuming lives without abandon.

Her fragile body can't contain it for long.
Try as hard as she may, her skin pales,
Her emaciated corpse-like figure trembles;
The shots of absinthe render it fragile.
Still, her resilience is remarkably futile.

The burning ring of metal on her finger glows.
It's pure presence mocks her stony heart,
She wears it as a charade of innocence,
Laughing, for he can not see her true nature.

She has tasted the bounty of endless flesh.
Men and women crave her silky fingertips,
Yet, they recoil as her cobra tongue lashes out.
Ice fire radiates from her eye sockets.
Pleasure flows from the cleft between her legs,
Its overpowering poison veiled by moans.

Ecstasy is lovely, until it perverts the soul.
Accidental babies march from her belly.
Spilled seeds make up a cloak of sticky pearls.
Luscious auburn curls flow down her back,
Hiding the scars of countless knife-kisses.
Truth scars her flesh, though, nothing else can.

It's all sticks and stones, love, nothing but normal.
 Apr 2013 Andrew Chau
Laura Drost
The way you sleep
(when you’ve had too much whiskey)
is like that of someone
very much dead.

You still,
except for the punctuating rhythm
of your diaphragm inflating your lungs,
and maybe a snort or growl.

I can whisper
secret things
in your ear, and I know
that you won’t ever remember.
On the sewage puddles of Sabra and Shatila
there you transferred masses of human beings
worthy of respect
from the world of the living to the world of the dead.
Night after night.
First they shot
then they hung
and finally slaughtered with knives.
Terrified women rushed up
from over the dust hills:
"There they slaughter us
in Shatila."
A narrow tail of the new moon hung
above the camps.
Our soldiers illuminated the place with flares
like daylight.
"Back to the camps, March!" the soldier commanded
the screaming women of Sabra and Shatila.
He had orders to follow,
And the children were already laid in the puddles of waste,
their mouths open,
at rest.
No one will harm them.
A baby can't be killed twice.
And the tail of the moon filled out
until it turned into a loaf of whole gold.
Our dear sweet soldiers,
asked nothing for themselves—
how strong was their hunger
to return home in peace.



Translated from the original Hebrew by Karen Alkalay-Gut.
Take the knapsacks
and the utensils and washtubs
and the books of the Koran
and the army fatigues
and the tall tales and the torn soul
and whatever's left, bread or meat,
and kids running around like chickens in the village.
How many children do you have?
How many children did you have?
It's hard to keep tabs on kids in a situation like this.
Not like in the old country
in the shade of the mosque and the fig tree,
when the children the children would be shooed outside by day
and put to bed at night.
Put whatever isn't fragile into sacks,
clothes and blankets and bedding and diapers
and something for a souvenir
like a shiny artillery shell perhaps,
or some kind of useful tool,
and the babies with rheumy eyes
and the R.P.G. kids.
We want to see you in the water, sailing aimlessly
with no harbor and no shore.
You won't be accepted anywhere
You are banished human beings.
You are people who don't count
You are people who aren't needed
You are a pinch of lice
stinging and itching
to madness.


Translated from the original Hebrew by Karen Alkalay-Gut.
Amidst the conundrum of a thousand voices

I find mine lost,

can you hear the calls of this hapless traveller?



I'm on a journey to an unknown destination,

time; my mode of transport,

I soldier on into they grey mist they call my destiny.
Whenever my eyes glistened, even with one solitary tear

you were there to hold me near,

whispering a lullaby in my ear

with sweet nothings you dispelled my fear



in sickness and in health you were there by my side

and if god asked me of you

it'd be his only law you wouldn't abide



your devotion to me

is like a lesson in love

the humanity within me

your very own nurtured treasure trove



and i couldn't imagine a world

where you are gone,

i'd feel trapped,miserable,so utterly alone



so promise me that you will

always be by my side,

like you did when i was only a child

back when you still held me tight



and i pray you know,my love for you is unparalleled,

it's second to none

so there it is,

your message on mother's day,

from your only son.
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