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ANANDO SEN Nov 2011
They mean it with lingerie
or almost **** hanging *****
almost strolling out from within
as if they deny the prison there
that beholds and preserves conspiracy.

Chiffon bits glued to buttered butts
that dwindles either ways without
any declaration of war from each side
and only sensitive enough to react upon
high pencil edged sharp heels point touched.

They mean deep well navels crowned with
meaningless metal caps in place of ear rings
and their shameless faces dressed with colors
so much difficult to understand the brands
they represent each such pastel that robs them.

To further de-glamourise their stupid animosity
sudden malfunctioning of their bra-straps
or accidental slippage of intended tight gowns
making foolish gays popular and millionaires-
these models evidenced their killers via sharp nails.
ANANDO SEN Feb 2011
Living in your dreams,
Come true-
I only say,
I love you!

You fancied your palace,
Of yellow roses-
I plucked them,
For your medley dozes,
And you sank in my,
Boat of love…

Abyss, abyss,
And abyss,
Where darkness,
Nowhere exists,
My faith kindled,
Your heart-
Your breath,
Dwindled me ****…

Living in your dreams,
Come true-
I only say,
I love you!
Yesterday night I had a dream. I dreamed of my love in her fascinating journey to her abyss, an abyss that let her met her own soul to her very love to me. She was sinking like a crazy girl enjoying every bit of her fall because she fulfilled her dreams. I watched her constantly and intensely because I was her soul and when she came closer to me I was blown away by the storm of her breath.
ANANDO SEN Feb 2011
Her twig-
A ferocious goblet of fire,
That once burned my desire,
In the tiny blemishes that bled.

Her tears-
Reacted like nitric acid,
Corroding our fake homes pallid,
That soaked every smoke between souls.

Her ****-
Became the chalice of profuse disease,
That kept me away from natural release,
Like some yellow lady in Connecticut*.


Yellow Lady in Connecticut- A rare wild flower in that region
MMFSTW is a ******* poetic fiction.  The poet exaggerates three characteristic features of a woman as his wife individually because of the hidden complexities behind them the poets of our times long ago explored. The first wife is symbolized as the comfort giving nature of a woman that gathers dry and solid twigs from the jungle to enlighten and provide warmth to her family that ignores her hard work and struggles and frequently disgraces her. Yet she carries on her duty till she bleeds on her efforts. The second quality wife is depicted in the form of tears flowing down the cheeks of a woman. The bitterness of the salt caused from her tears have concentrated acid powers equivalent to nitric acid that can burn or faint a house that evokes the same. But the feminine tear is a precious boon as well with salts of happiness and sacrifice in it. The third and foremost essential feature of a woman qualifies her as a wife as well.  It is her obsessive ****** ***** that betrays adult idealism and mostly confines a man to responsible captivism once indulged in it. The magical pleasure is vigorous and binds eternal against the manhood cherished freedom from moral conduct and marital responsibility.
ANANDO SEN Oct 2010
As I began to climb the campus stairs,
All alone with a numb ache-
A depression blocked those minute vessels,
That carries my vital fluid that frequently thins.
A kind of a genetic disorder that robs me off-
All of my terrible hormones that loses competition,
A competition so heroic called youth,
That settles the score of my ****** life.
A physical length that reduces me to a dwarf,
Almost an intelligent ape that snubs too-
And cannot have biology with another species,
That adores a disqualified creature of its size.

What can make me happy?
What do I want then?
Shall I need those beautiful preachers of opposite genes?
Shall I claim their eminence in my life?
Or leave them for those eligible bachelors?

As I landed my nose in the campus pillars,
And nobody cared but me-
A stimulus recoiled and resurrected those minute vessels,
That carries my vital fluid that became viscous again.
‘Eligible bachelors’ is a complex poem that speaks of the disturbance caused due to the absence of an opposite *** relationship in a teenage boy’s life, in a very different way. The characterization is that of a straight forward youth not very popular among the girls in his college and the related inferiority complex that he suffers from. His agony and disturbance certainly invokes sympathy but his vision is revolutionary as well. The poem describes the emergence of the gay community arising out of psychological issues born in the society unknowingly. A ****** maniac poem which is funny to read and serious to think about!
ANANDO SEN Oct 2010
The day we rolled together-
Rolled and rolled down the alley,
Bended the vertical bushes horizontal,
Our laughter echoed up to the sun,
We baked our souls flesh in hot and warmth,
Whistling together and bruising each other,
With our passion filled ignited feelings,
When the stags turned back to our privacy,
Has come to an end-
With the sun setting off the wounded bushes,
Without returning the glory offered by us,
And absorbing our pleasures for its radiance,
That will dissipate the heat next day,
Exposing our bare protrusions uncontrolled,
For another few hours burning,
Like a corpse turning into ashes,
Where a rickety dog wears soot in abundance.
The flow of the poem is interesting and it rises like a wave and in the middle of the poem where the sun sets, the tidal structure settles down and down till death. I will rather mark it as a poem of contrasting moods that creates a pronouncing effect to the mind when imagined side by side. Our current consciousness is irrelevant to the time coming forward which will be an eclipse of the current moment and even though the same moment will return, it will die by then for us and will be the conscious moment for someone else and when someone attempts to re-live those moments by looking at others who are experiencing the same that once they had, their condition becomes pathetic.
ANANDO SEN Aug 2010
I was like the jungle king,
She was like the jungle queen,
She was running ****,
Except wearing those flowers,
And I was wearing the waves,
That kissed me otherwise ****.

All those strange creatures on the beach,
They all ignored us for burning together,
Burning for sin,
Craving for sin,
Like the reptiles being swallowed by their dens,
The **** of a man,
Kissing the pit of a woman,
The evolution of thirst,
The ******* of burst,
Everything protected by the transparent curtains of water.

She was like the jungle queen,
I was like the jungle king,
I was ******* her crude,
Except my censored spermatozoon blushing out,
And she was nowhere to consume,
My sapid feelings in her faked frame.
Red Gingers is the wildest of my compositions. The picture of a lover lost in the dreams of his consumed heroine is hard enough to be expressed without true feelings. The composition required hallucinated images of the lover rather than rich metaphors. Another interesting feature of the poem is like the background nature explained parallel in the backdrop which even though looks vivid, yet vague in the eyes of the blind lovers. I think I have tried to impart complete justice as related to the script.
ANANDO SEN Jul 2010
I have never seen a mermaid-
With her fins so slender and gentle;
Or when you swim so weightless in water-
Any of them could have done with their bristle.

Cindrella could not have looked so ugly beautiful,
When you ran down to me leaving those landscapes behind;
And in the course you have broken the straps of your silver shoes,
Glow and shadow on your face were contemporaries and dutiful.

I have never imagined an angel ****-
With their ******* hanging for becoming stiff with magic,
Comparing your ****** to a sorcerers cave without any logic-
And you release fireballs from your canon eyes crushing me so rude.
Dear Readers,

Mystique is back!
This time, with more intent metaphors and the intention is the same. Expressing passion, breaking the bridles of self-control, the most wildest of the things one can imagine and offer to his beloved. The charm evolves from the strangest of the compliments sang by the lover. What seems to be an assault to the beloved’s personal parts, are actually soothing to her considering the sincerity of the lover-boy.

So chant this magic of romantic charm!
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