The dusk smells like the dank moldy parts of the basement, old and decrepit. The days are short, like lives of butterflies. Only stray cats roam the streets after dusk like men in trench coats looking for your children. This is where the buzz of sports games fights through voices like car accidents, wafting through the air with the liquor that fuels them. The mix of rotting seaweed flesh and burnt cheerios intoxicates the wharf, drunker then the teens in their parent’s basements. Anyone can tell you where every **** store and Tim Hortons lies, where bass and basket ***** echo in the roads of chicken wings and blizzards. ‘Beautiful River’ you are where the hearts are strong as bison and tongues sharper then sabers. Yet among the old eyesores you'll find the hope of a city. It screams through the rusty and cracked windows; negligence made mosaics. Based on a pride that runs deeper then it's waters, the strength of those who reside in this urban Crayola box crown and shine like the tips of the waves cascading past the falls.

and the streets breathed
as crows rose and took the sky
crying in anguish.

We catch the sunset
while eating
breakfast: ignoring
mothers, ignoring
landlords, skinning our knees
and skipping supper,
using the kitchen with some
improvisation, forgetting to stir
the pasta, blotting bacon
with coffee filters,  
flinging linguini on the walls
and the ceilings (for
if cooked it will cling
but if raw it will fall).
“Is that pasta on the wall?”
“Is it purple?”

Outside a boy
in a dress shirt and a girl in
a paisley skirt walked past
the window, holding hands
and clutching palm
Sunday leaves.

Then the strand of linguini
began to detach itself from
the ceiling, like a break dancer,
with flimsy limbs,
and when it dropped
it fell through the air
like an Olympic
diver, twirling and curling
with two ends clung
to one another
and then unfolding
underwater.

Sometimes I wonder why
I write and what the reason is
for breaks and lapses in words
and writing and why I would write
about an Elvis pumping his neon
with unleaded and myself
at the pump across the way
with my eyes fixed on this Elvis
a forty something burnout
with too many relapses
who returns my stare and says
in the most average Elvis voice
"How ya doin"

How am I doin
I think to myself
okay and think about why I write
and why I would impersonate
an impersonator in words
for my own consumption
or for the one person I will have
read this or entertainment
or just a way to get from eleven
to midnight to one in the morning

it seems my dreams
have taken over
my life
I sleep like a dolphin
with one eye open