there once was an art
fashioned by alphabet
and life and diction,
but the papers have been consumed
hungrily by starving brains
and purged upon the ignorant
to be eaten once again
and precisely expelled;
citations unknown.

We sipped boulder rock from refrigerators doors
and watched the heavens hand out food stamps with IBM logos.
“ode to Mehmet” we sang, and licked the Mossberg—
fixating on the blue collar philosophy that lived in our empty wallets.

Trash cans filled with water bottles stared at us to find our essence—
the one we had lost while being fed quintessential American idioms
in state-of-the-art classrooms sponsored by slaves and Popol Vuh blood.

Six million years of human existence trivialized down to a single sentence—
* Man loved God, man wrote, man conquered God, and now man loves science* —
scribbled on SmartBoards afforded by fire burning from Prometheus’ female liver.

Trees sing with oxygen no more for the sake of making paper,
and eyes soak in the words on paper for the sake of making paper.
Trees make the avenue but the future holds an Avenue of no trees—
… for in the land of the free, anything but freedom ain’t free.

I don't dream of you either. Not at night. The occasional daydream occurs. You crawl into my mind in sentimental coffee shop conversations we never shared, love made in hotels we never went to, picking up naked dolls with frayed blonde hair that the daughter we'll never have left out. Sometimes it's lovely not to question the reality.

Usually the night drives keep me in Oklahoma. I don't know how many times I've stopped in Kingfisher to look at that terrible statue of Sam Walton. But he reminds me that no matter how successful a man becomes, in the end his legacy is depicted by his leftovers. There's a sadness in that. But also a freedom.

Wednesday's drive took me to Ulysses, Kansas. Light pollution gave up just outside of Woodward. Guiding me like a weary wise man who forgot his frankincense, stars beamed and made for suitable company. I love passing through small towns at night. I become a ghost. I'm above them. I'm not exactly there. Brief haunt. Then on my way again.

I parked about 100 feet from my grandmother's old house. Judging by the minivan, some young family's new house. They were in the process of adding to the east side. I wanted to tear at every fresh board. Instead I picked up a couple pieces of my grandmother's gravel. Put them in my pocket. Touched her old mailbox, and drove to the cemetery.

When I got to the headstone, which read Merle and Virgil Mawhirter, I thought back to the last thing my grandmother said to Karen and myself. We visited her in the hospital right before she found herself in the pangs of a ventilator and scattershot science. It was her birthday. I bought her a book she never read.

As Karen and I left, she stopped us. "Don't forget to bring me some ice cream. Good to see you, Floyd and Margie." Not sure who they were. Ice cream. Even at the end, she laughed in the face of diabetes.

Do you think Tim will be the name beside yours on your headstone?

I lied down by my grandparents' graves. Dim moonlight seeped through small breaks in the amethyst clouds. Dead leaves feathered to the ground beside me. I wanted to say some words of encouragement to her. For her, but mostly for myself.

All I said though -- My name is Joshua, Grandma.

Dark bower by the deepest night,
Not again, not again;
Songs of leaves that
whisper to the half-moon
hymn you: Señora,
Seeking you, clouds soar the skies;
You conceal all the stars
in your tresses.
Yet you look back stopping
by the horizon and I
do not see the pain lining your eyes
by dawn: whom
do the marigolds mourn, by
the valley of the drying stream
in late summer?
Who silent walks down the rainbow
whose tracks leave
pink mists on grass-tops?
Whom does the myna call to
in agony by the wet winds
of the early hour, and silent tears
of the early rose?
Señora, perdóname,
not again, not again,
this empty night,
chasm down the valley of days.