I used to say "Here I am, Lord",
and now, I say "where am I, Lord?"

Almost blue
like some stained-glass Christ
that never felt the saving sun burn
his caulked stigmata soft like
cinnamon toothpaste in the creek
bed.
Were his robes Robin's Egg, or Giotto
like the clergy wanted?
And when their fake pearl bracelets
rattled, fishing out cheap change
from brass-clasp purses,
did Christ stoop to gather
the sixty-something-year-old pennies
from in-between the arm rests
while they sifted through
the silver?

Almost blue
like a southern / western overcast
that never calls New York in advance
to schedule time to sweep up
the sky, standing on cold water flats.
Buys a Southwestern ticket straight thru,
walks past Madison marketing
her ***** underwear to anyone—everyone—,
buzzes in, third floor, apartment B-6,
but the door's locked, and the canary
curtains dance out the window like a house
fire.

Almost blue
like the Dawn dish soap
glass I neglect to rinse well.
But more like a lazy oil stream in a gas station
parking lot beneath the perforated banners
yakking in the still-cold March midday
about $12 sheet pizzas or unlimited
free coffee for $1.19 a refill.

Money better spent on a pack of Marlboro
Blues saxophone squeal by the plastic-
wrapped firewood by the almost-
blue wiper fluid and the antifreeze peaches.

We are critical.

We find flaws in
everything we see
because nobody
wants to write
about perfection,
even though sometimes
we wish we could just stay
staring into that
unblemished surface.

2. We are never satisfied.

We live our lives upon
mountains of
scrunched up
bits of refill and
ideas we gave up
trying to
express.

3. We never forget.

We write words about
eye contact made
three months ago
that we replay over
and over in our minds
even though it
stopped
being relevant.

4. We are fickle.**

Our emotions flash
from one
to the other
like strobe lighting that
disorientates us
until we feel as if
the world
will never be still.

5. We are exposed.

We don't know how
to keep our feelings
to ourselves so
we'll write them
down for
you to find
'accidentally'.

6. We are vulnerable.

We wear our
hearts on our sleeves
and won't lift a
muscle to fight back
if somebody tries
to break it
because we thrive
from the pain.

7. We will never stop.

We will never stop
feeling and
we will never stop
hurting,
we will never stop
breaking and
bleeding and
loving
even though the cycle
is endless
and we know what's
coming next.


We are addicted
to agony,
but we agonise
for the art.

Write everyday.
Write everyday no matter what.
Write even at a loss for words.
Write down the sounds.

I make notes of the plane crashes
I've never heard, the brook trout
that never shook pond water
onto the brittle grass when I didn't
catch it, or the thunder cup coil
I keep kneeing trying to give the overcast
over the mountain something to compete
with.

And I'm not sorry.
       I'm not.      I'm not sorry that my
reborn Christian best    friend    has   seen the    light,
and I still scoff when people pray over potatoes.
And I only believe in plastic Polaroid postcards
from last decade timestamped in the white space
with Bic black ink.
I'm not sorry for that.

And truth is, I've never washed this black shirt;
just hung it hoping that moths' would ****
the sweat spots and leave
the fabric.

I clenched the gold cap beneath
my ring finger from the glass green
bottle occupying my lips driving
down the Marsh Creek bridge.
I wanted to relate / to be relatable /
relative to the sedans, and seatbelts
too tight to breathe, passing me.

At the end of the bridge, where there was no chance
of drowning and the road color changed, I parked
in the driveway of a wooden house. Its blinds
were up, shades pulled apart with two hands
like gas station freezer doors, leaving them
vulnerable to the hiss of semi truck tractor
trailer high beams slicing through fifty +
raindrops per second going a few miles shy
of sixty-five, yet the people inside moved so freely.
I  sat Indian-style—a term I learned at four
then learned it to be racist at fourteen—
in their driveway, and ate the gravel
they walked on trying to taste security
because all I'd had in the last few hours
were plates of refried fear.

Fear of audit, of my teeth breaking off,
and of ending up like Eric Garner
when I heard that wailing
Voice of Justice
coming for me in the distance.