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Aaron Blair Feb 2013
My stiffening fingers found the flowers
hiding beneath the snow,
the edges of their petals sharp with ice.
My broken fingertips turned the delicate flower flesh
every imaginable variation on pink,
and I held a bouquet against my greying skin,
lost in dreams of the spring,
wandering in and out of time and space,
to walk the streets of the city
I had never learned to call home.
I recalled all the terrible dark seasons of youth,
the great evils of the world,
and when I arrived again, at the walls of the city,
I saw it with new eyes, a great harbor
afloat on the sundering sea.
It was in this city that hope had come to live.
Forcing myself from my reverie,
I steeled myself for the trek back to the new world,
a holdfast standing strong against the old.
I left the flowers behind, thinking that when spring came,
my blood would melt from the petals
and return to the welcoming earth.
Inspired by The Arrival, a graphic novel by Shaun Tan.
Aaron Blair Feb 2013
Sitting in a bathtub full of red,
I knew I had been disowned
by the waters of my youth.
No more would I wade into
the shallow green waters of the Blue,
tiny rocks and the shells of long-dead
mollusks digging into the soles of my feet.
I drained myself into the water,
imagined my blood swimming in the Brandywine,
swirling in the dark near the bottom of the Delaware,
letting go of itself, finally, as it flowed into
the arms of the end of the world,
as it broke upon the waves of the grey Atlantic.

Once, I caught a fish in the Cumberland,
I regarded its red-eyed terror with some of my own,
and when we threw it back, I wondered if it would live,
enduring in the water, a new scar in the soft flesh of its mouth,
an amulet against future harm, a fear of hooks dangling within reach,
and black shapes silhouetted against the bright noon sun
as it skimmed across the surface of the stream.
I never threw a hook in the water again,
but I found myself, time after time, drowning
in the palm of someone else's hand,
all for want of a river that would keep me
safely ensconced in its dark secret places.
Like the fish, I dreamed of hooks.

Imagine the end of the world.
Downtown in the dark,
the filthy Ohio snaking its way through the shadows
that fall upon the river valley.
The girl stops to smell the scent on the air,
but she doesn't quite understand what it means.
She has smelled it all her life, putrid water,
but she has never stopped to contemplate the source of it.
She never thinks she will have time to get to know the river intimately,
the way it will caress her slackening skin,
all of the days they will spend together,
on her journey to join the great brown Mississippi,
the river taking as much of her as it can get,
keepsakes to remember her by. It loves, as much as it can.
It loves the fields, the fishermen, the boats.
But most of all, it loves the girls no one wanted,
the girls no one could find. It holds them in its waters,
and when the time comes, it gently lets them go.

The city of my childhood glows white in the Midwestern sun.
The river running beside it is ugly, but not,
shimmering with diamonds of light that float upon its brown surface.
This is the river that breaks a continent in half.
It could take your home if it wanted to, your town,
everything you ever loved and anything that ever meant something to you.
It could break you, like the continent, only it would be easier.
You can cross the bridge, but you can't look down.
You know the river is waiting below you, implacable and constant.
For thousands of years, it has eaten the dead,
and killed some of those it wanted before we had decided to let them go.
Its bottom is haunted by boats, its ghostwaters are dammed with the corpses of soldiers
from wars as important to the river as the dragonfly hovering above the surface.
I look upon this river in my dreams, and it knows me.
The reflection it shows me is dark but true.
All of the rivers have known me.
I whisper their names as my skin becomes saturated.
I pray to the rivers of my youth,
but, like god, they never answer.
Inspired by The Yellow Birds by Kevin Powers.

"In that moment, I disowned the waters of my youth. My memories of them became a useless luxury, their names as foreign to me as any that could be found in Nineveh: the Tigris or the Chesapeake, the James or the Shatt al Arab farther to the south, all belonged to someone else, and perhaps had never really been my own. I was an intruder, at best a visitor, and would be even in my own home, in my misremembered history, until the glow of phosphorescence in the Chesapeake I had longed to swim inside again someday became a taught against my insignificance, a cruel trick of light that had always made me think of stars. No more. I gave up longing, because I was sure that anything seen at such a scale would reveal the universe as cast aside and drowned, and if I ever floated there again, out where the level of the water reached my neck, and my feet lost contact with its muddy bottom, I might realize that to understand the world, one's place in it, is to always be at the risk of drowning."
Aaron Blair Dec 2012
The blood falls like confetti
like glitter from veins,
a celebration of the possible,
of the bargain we make with faith.
We can release ourselves from
the prisons of our bodies,
pry ourselves open knowing
that it has to be better, somewhere.
There must be something that is not this.
Every world I've carried inside of me
will be born, explode into superior existence.
This shell cannot contain the real me.
It never knew how.
Aaron Blair Dec 2012
A plane flies next to the moon,
trailing condensation that bisects the sky,
the sun pushing away inferior stars
as it idly caresses the glowing pink horizon.
An unseen hand lifts the veil between night and day,
where heaven and earth melt into each other,
and in that place we dwell, our feet finding
a pathway through the spiraling galaxy.
Where the dark meets the light we exist.
A whole universe churns inside of us.
We are. We are enough.
Aaron Blair Dec 2012
Your heart makes a dull thump in your chest,
as red as a brick, and you lie
about everything, but only because you can.
I have never lied about anything,
but only because I couldn't.
We fit together, lock and key.
I am miserable with concavities.
I seem convenient enough.
The words burn when I swallow them.
They poison me, and there is no sugar
to make it better, no respite for my tongue.
As red as a brick, it's pressed to my teeth,
and the silence surrounds me like armor,
a defense against all the careless words
I never should have whispered in your ear.
Aaron Blair Nov 2012
There are two moons,
the one I used to cut my wrist
and the one that followed me home,
bathing my blood in silver light,
its round-eyed innocence gone.
My skin glowed white, hemoglobin
starved, celestial, cementing
my place in the firmament,
so that the universe cried with me,
cratering all the worlds with its tears.
Aaron Blair Nov 2012
The river’s still up in the park,
and brown, drowning the swingset,
eddying around the bottom of the slide,
like a trapdoor out of childhood.
I never needed one. I used to dream
of the waters sweeping over my head
and now I remember the way blood looked
circling the drain, fainter and fainter
pink and then gone, lost forever.
I wonder how it would have felt,
to never know the deeper pools,
to never be dragged down into the darkness
that lies beneath the surface,
the unending roiling of the sea inside.
I bite my tongue, turn the saliva red,
so that even my mouth is full of dark water,
and I keep the words to myself,
trapped behind the blades of my teeth,
locked in the viscous fluid behind my eyes.
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