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 Jul 2013 Zero the Lyric
CR
Monarch
 Jul 2013 Zero the Lyric
CR
there exists a breed
of butterfly that lives
on the blood of departed
human bodies.

from afar it is mistakable
for a monarch--
the covergirl fireflower
of the insect world
who drinks from petunias.
 Jul 2013 Zero the Lyric
CR
high voiced Irishmen and spun sugar turned to
teenaged dreams and a teenaged circus

cold beaches in October like candlewax and promises
to call
bacon on the stove and cemetery gates and no one
to answer

if-this-was-the-cold-war to
this-is-the-*******-cold-war to
how'd-you-ever-get-so-blind

to the summer of warm warm warm and
the nights you'd have wanted at
sixteen and twenty
if you'd thought about it

and the big empty road in front of you that
under Orion's patent-leather belt looks so
not empty

how you're tall
and freewheeling

but not without
 Jul 2013 Zero the Lyric
CR
A lion, all gold and sand and sunset, wandered
into a suburban living room,
curled up beneath the pendulum clock,
and lay against the leather couch.
The family—a husband, a wife, a teenage
daughter—were gentle. They looked at this
king at their feet, and had no thought to hurt him.
They had lost their dog, and were in the market
for soft company.

The girl named the lion Frederick. She read him stories.
She took him to the window, and showed him the
fence around the yard.

The father scratched Frederick's ears each morning as he drank
his coffee and read the New York Times. The mother
cooed babytalk to him while she washed the dishes.

Frederick had no time to think. This was his home now,
he knew intellectually.

But his name was not Frederick. He felt that.
His claws were dull. His eyes
were half-mast, house-cat-sleepy, even with the sun.
He was not a house-cat, and he forgot.

They loved him
and they loved him
and they took the wild right out of him.

He was a year into his picket-fence when a scratch came at the
window in the evening mist.
A deer stopped in its tracks, locking eyes with Frederick,
unmoving.

Frederick stood, nudged open the door through which he’d come,
and roared. The deer fled.

The lion stretched his legs and and ambled out toward gold and sand and sunset. He did not look behind.
Never, never again?
Not on nights filled with quivering stars,
or during dawn's maiden brightness
or afternoons of sacrifice?

Or at the edge of a pale path
that encircles the farmlands,
or upon the rim of a trembling fountain,
whitened by a shimmering moon?

Or beneath the forest's
luxuriant, raveled tresses
where, calling his name,
I was overtaken by the night?
Not in the grotto that returns
the echo of my cry?

Oh no. To see him again --
it would not matter where --
in heaven's deadwater
or inside the boiling vortex,
under serene moons or in bloodless fright!

To be with him...
every springtime and winter,
united in one anguished knot
around his ****** neck!
When I made you, I loved you.
Now I pity you.

I gave you all you needed:
bed of earth, blanket of blue air--

As I get further away from you
I see you more clearly.
Your souls should have been immense by now,
not what they are,
small talking things--

I gave you every gift,
blue of the spring morning,
time you didn't know how to use--
you wanted more, the one gift
reserved for another creation.

Whatever you hoped,
you will not find yourselves in the garden,
among the growing plants.
Your lives are not circular like theirs:

your lives are the bird's flight
which begins and ends in stillness--
which begins and ends, in form echoing
this arc from the white birch
to the apple tree.
 Jun 2013 Zero the Lyric
Tom Orr
The wild jazz solo of the oscillating wind,
tossing the great waters,
out-singing the sheer sighs of the unruly sea.
The clouds dressed grey, in mourning
the sun will peek
only to be swallowed by fishermen's mist.
Flickering bolts greet thunder rolling
with unchallenged prevalence,
shaking the Earth into fear.

Nature's response.
 Jun 2013 Zero the Lyric
CR
A vinyl record makes the rounds, dust attached loose to the needle, imperceptibly
breaking
off
making
short
homes
for each
molecule
in each
black
groove.
Your hurricane breath will send them subatomic-
Superdomeward on your next mad quest
to convince your girlfriend that you are neat&clean.;

You sit crosslegged, Buddha on the brain,
corporation on the docket.
Which
one
do
you
dream
of?
And more importantly,
which
one
should
you
dream
for?
The twenty in your pocket will get you one-fifth of a silver ring
or five turkey sandwiches.
“You can’t have your cake and eat it too”—it wasn’t Buddha who said that, but
it’s Buddha’s smiling voice in which you hear it now, between your ears.
“What the **** does that mean, Buddha?” you sigh, and there is no answer.

You move, and move, and you keep on moving. You leave a little molecule
on the subway, and on the bar, and on the sidewalk without feeling it, losing them to
short
homes
vulnerable.
The hurricane breath or the sunshine or the invisible rubber glove of
Buddha, or Carl Solomon, or Walter Cronkite or God or whoever does the universe’s spring cleaning
will send them subatomic-Superdomeward
and you’ll never even know you missed them.

Your girlfriend thinks it’s realcool you have a record player,
but it’s a little dusty, she says.
You touch her lower back and smile. You get eye-level with the needle,
and you blow.
Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance
between poet & poem,
but sometimes the poem
just won't dance
and lurks on the sidelines
tapping its feet-
iambs, trochees-
out of step with the music
of your mariachi band.

If the poem won't come,
I say: sneak up on it.
Pretend you don't care.
Sit in your chair
reading Shakespeare, Neruda,
immortal Emily
and let yourself flow
into their music.

Go to the kitchen
and start peeling onions
for homemade sugo.

Before you know it,
the poem will be crying
as your ripe tomatoes
bubble away
with inspiration.

When the whole house is filled
with the tender tomato aroma,
start kneading the pasta.

As you rock
over the damp sensuous dough,
making it bend to your will,
as you make love to this manna
of flour and water,
the poem will get hungry
and come
just like a cat
coming home
when you least
expect her.
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