The poet always wrote of leaving.
Not in grand, theatrical exits,
but in slow retreats,
half-answers, tired eyes,
and doors that closed more gently than they should.
There was kindness in the poet,
a softness rarely shown in full,
but it flickered,
burned out before it could ever warm a room completely.
They arrived with good promises.
Words stitched from hope and desperation,
trying to rewrite an ending they’d already rehearsed too many times.
Each stanza carried a vow:
This time, I’ll stay. This time, I’ll be better.
And for a moment, the rhythm held.
The poet laughed like someone who had finally unlearned the storm.
They listened. They stayed present.
They remembered birthdays.
But the silence came back,
not the peaceful kind,
but the one that curled at the edges of conversations,
the one that asked others to tiptoe around shadows
that had no names.
People tried.
Of course they did.
They folded patience into everything,
turned misunderstandings into metaphors,
turning pages, waiting for the poem to shift.
But the poet always returned to the beginning.
To mistrust dressed as wisdom,
to withdrawing before being misunderstood,
to believing love was a test of endurance,
not a space to rest in.
The pages wore thin.
Not from anger,
but from exhaustion.
No one wants to keep reading
when the story refuses to grow.
And the poet,
they knew.
They knew where it all frayed,
knew which line broke first,
which habits returned quietly like old houseguests
never truly gone.
They weren't blind.
They watched themselves ruin what they once prayed for.
Not with intention,
but with patterns they couldn’t ****,
and softness they couldn’t hold.
And as the final verse trembled to a close,
no anger, no pleading, no regret spilled across the page.
Just a familiar stillness,
the kind that comes when a person
has always known
how their story ends.