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René Mutumé Oct 2014
I watch a news programme with the lady
that has brought me up
a woman in her 80’s that keeps a tree log
inside her room
just beside the door frame
ready, one she can use
on a burglar

I know that
if anyone tried it on, my instincts
hear the whole house;
and then, good bye thief.
I tap out the articles, make us a tea,
and discuss the strange world with her
just now they were talking about vinyl sales, ebola, and children.
René Mutumé Oct 2014
The spell doesn’t change
it just dances around the coins
the pennies boom with bronze and sun;
no sin for a lap dog with teeth
we
travel for sometime, then exchange in the Balkans.

Whatever walks back through Bulgarian time
are never the same legs that take it there;
green rock hammer landscapes
warm the air
with its bugs, its song, and road.
René Mutumé Oct 2014
The elite souls of the poor
have more knowledge of shade
where it is easier to create the sun
because there is only darkness
which shines in the desert
like the bulls of remembrance
that are the only humans left
in the machine which had no skin.
René Mutumé Oct 2014
I have said to you:
either we make the bible again, and laugh!
about my ideas!

Or, there is always a country made of shatter
the country smoked by reversed pride on fire;
blood has time to adjust, but not the poem

Poems are the tattoos of politics and love
they forget,
we do it.
René Mutumé Oct 2014
Attuned to the ligaments of her passing mood
the contortionist shows her teeth to the dust,
In East London by Singapore, Hong Kong
all of those places-
Bow legs rip open the universe, in one
style, then, the practice meditates inside her again
Haemorrhage blue curtains warp into several layers of eyes
so that her knees dance up past her molasses joy
The tube-stations scream, the cadillacs sing,
the catacombs crack their knuckles and laugh

The chieftains know in time that all sand is red
as the sepulchres pass into and with her mouth
The Camden markets shake into hybrids of summer;
the neophyte ways that a bat breaks down a tree, eats its coal-
And I wish that people would stop hanging her,
like a dead man with bad breath from a branch
And using the symbol for their own gains, limiting fear
which numbers their tongue in fermenting numbers;
She is just one fly whizzing from one tree
to the next.
René Mutumé Mar 2014
I smoked. There was a good hand in the sky. It looked like a peach draped over tatty buildings. Hemisphere broken open at the end of a fist, and then at the end of an arrow shattering the pieces of night surrounding it, as the moon clouds shot, devouring it.

I flicked my cigarette down on the floor of the fly over instead of flicking it into the avalanche of cars below. Who knows what something as miniscule as a flying tab **** might make a person think. It would not be a fly. It would be a tab ****. It would be something that distracted a driver on the motorway, which they traced back to my finger flicking it.

It would be rude and imprecise, a car loses control and then flips over for a second, then paints the carriageway with ten multiples of itself flying and screaming. The driver flys inside the car. And I continued to cross the fly over. Outside the bookies at 10pm there is a dog looking up at me, his head tilts like he is asking me something, as he starts to follow me, leash dragging.

"Oi! Oi! Where the **** are you going?" A mouth from the ****** says, "Oh me, just down here." I reply, "I was talkin to the ******* dog you ******* mug." The gentleman added. The small white staffy was still looking up at me. Well, one of us is going to have to answer him, his tail said. "Oh ******* then." The mouth says changing back again into the building. "I guess we're going down there then." Schrödinger says, or 'Schrö', as he allows me to call him.

I light another cigarette as more arrows are fired from the sky, more like wet arrows now. "Well you'll need to pick up my leash mate; I don't want to look like a ******." Shrö says, "Ah sorry dude," I say picking it up as we continue to walk.

"Most of the people who talk to me are a little mad." The small staffy says. But why am I called Schrödinger? The staffy asks me. Ah come on, you don't get it? Well I do apologise but I am not that sharp on my quantum theory philosophy, and I am also a dog. Oh yes, I concede to him in my flat.  "Do you mind opening the door to your balcony pilgrim?" He asks me next.

"Sorry sir?" I ask him, "Well it either goes on your floor or I do it outside." He says. I open the door as he asks, and then lean against the frame as he takes a ****, and I watch him. He scrapes his hind legs on the concrete as if forgetting that it is concrete and not soil. You remind me a lot of love, I mention to him, smoking.

“You know what pilgrim? I think I prefer the name Otto Gross.” The staffy says looking up at the mixing night and I hatch open a new can pouring some into his bowl on the balcony. Cheers love. He says. He puts his two front paws on the meter high wall where my balcony overlooks a junk yard, and begins to speak.

“There is my lover! As screamed across sense and filled with conjoined gait, of my eye and hand, I am jealous of the city she walks in, by me, as I am half departed, myself, near a fox that gathers in ball, by me and is a better *****, than me, here, so I learn, from vermin, how to hide, how to fight, and how to re-appear. How to have humour, like theirs, and there unplanned joy-“

Woah “*******”, I’m spewing, a poet dog! A pile of dosh in the equilibrium! I rush back into my flat and grab a pencil and paper, shake a bit, take a sip, keep on listening, then nearly fall **** forwards returning to the balcony scribbling. And there’s a ****** dog talking.

“I trit-trot across roads with my last owner, winning jobs only within tasks of cemetery light, inside and on, the wall; so curled so, as I sleep outside, so sojourned within, grey dusk, car rivers- I spit! Not so far as giants can, just a piece of spittle, just shadow puppets dancing, just marionettes laughing-”
Schrödinger sang on my balcony beginning to howl, making the lid of the box open.

“To ******* the rain. To share within it, its fire, its knowable drench, of skin like hymn, that is so far penetrating, and mingled past flesh, opened and quakeless to the onslaught of lightening swans! The quickening fury, of several slow days, and lives, devouring the metronome of salutes, upon heart buildings coming down like tetrahedrons drawn by many hands, of dusk filth opening to the arrays of data goods and gods, and produced from the pockets of gibbous mooned skies, and I whisper to the tsunami: mood unhung, bellowing away from the dog fights, and unpainted streets, I seem: To be praying...”

Monday may come soon I doubted, watching the staffy speak.

“Planets growing teeth, in the stars and the junk-yarded iris, succour comes, and so do the sad journeying flies, flying in the mouth of many gales, as extremities to the planet’s engine, affordable, losses, condensed in- and danced solarlessly -in, dances of mortuary, and wedding sung precipice, the edge of a gale, happy to blow my face, away, just gust gust gust! And yes. I do pray a little, and past holocaust of saccharine tune, our shame is forgotten in the simple, rhythms, of a cup- a hand, a castle flock of gulls, landing in water.”

A dog wags its tail because it has just shat, his owner gone, bag ready below ****, I feel streets clean with loving owners hostile to the madness, of the furious dozen dozen flies- lobotomised drool, ready and alive enough, to laugh, and if you are knifeless, maybe a lil knackered, from work - - we might haul up: eternity, my love, and have a lil more, humour! In our sheets and face and sky, an take a **** holiday, right where you are stood or sat, walking, or resting.

And there are no gods, but the ones that let you see them creasing their soft cheeks and aging beside you, together, letting time die, parapets soak in the weather, and say: ‘hey’, here are my bones, there has been a lot of twisting done, but all they need, is yours.
René Mutumé Mar 2014
the world knows the best songs there are,
the sterling of my movement is met with
mine own anger, and your voice is with me
after. not loud as the voices should be,
but loud enough. that word which the world
does not know
is enough
and is followed by your steps.
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