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Malcolm Jun 24
You will come–
to the edge of this world
where the sea inhales the sky,
where silver droplets drip from the hanging moon’s open mouth,
and the pulling tides keep time with my waiting.

You will come–
not as roaring thunder,
but as warmth on tanned salt skin,
a fresh breath stirring the indigo silk of night
in a hidden place beyond naming.

I wait for you
in the distance
with arms open wide,
with hands that have never forgotten
the weight of your presence.
Starfall clings to your hair,
and I let it–
each flicker a gentle kiss you haven’t given yet.

Pull me deeper,
not away–
through distant constellations collapsing in sublime delight,
across golden fields of glowing dust
and cities made only of memory.

There is no disgust here–
only the hunger to be seen,
and the softness of becoming.

My desire is a spoken prayer now,
not an open wound.
You inhabit it
with reverence.

I am not broken.
I am paused–
a held note
in an unwritten song the cestial choirs and stars are still composing.

Call me forward–
with your voice,
not with sorrow,
but with the rhythm of your fingertips
softly brushing the air between us.
Even absence wears your unforgotten scent.

I have not fallen.
I’ve been laid down–
gently–
by the invisible hands of light.

Waiting.
You do not mock.
You shimmer.
This world aches with your outline,
and I praise it
because it holds your splendor and shape.

I draw the curtain of night wide open.
Clouds part like breath beneath your gaze.
The wind does not move without purpose–
it moves with the memory of your fingers,
your presence pressing the sky into form.

I no longer pace.
I rest–
peacefully,
between skin and longing,
between the heat of my pulse
and the ghost of your mouth.

I did not give myself away.
I gave myself to you.
Willfully.
Wanting.
Woven in your majestic gravity.

This is no disgrace.
This is worship.
This is rising
again and again
toward the sun
you left burning in me.
Copyright Malcolm Gladwin
JUNE 2025
Where You Will Come

This poem, along with others I’ve recently shared, comes from a book I’m currently writing:

Quiet Pools and Other Witnesses

If this piece resonated with you, I invite you to explore the other poems in the collection—and I welcome your thoughts, reflections, and comments
Malcolm Jun 24
The soft morning rain wore gloves
when it came this time of day –
soft-footed, deliberate,
pressing its palms
against the sun-bleached windowbones,
as if asking permission to enter.

Something peeled the stuttering silence
like bark from a young oak.
I turned the lamp away,
flame flickering,
and let the dust breathe in peace.

The house has no corners anymore.
They’ve rounded themselves
in sleep-surrender,
folded inward
like past regret
stuffed in an old, dusty coat pocket.

They arrived separately –
on different lonely days.
Love came first, trailing thread-lace
and golden strands,
with the smell of stormfruit.
Then Death, later,
with his cold winterglass eyes
and unpunctuated, grasping hands
playing life's final melody on
this old worn out piano.

Funny—neither knocked.
They let the creaking floorboards answer,
split wood speaking
in broken syllables.
Now the worn walls echo backwards.

In the poorly painted hallway –
once rich –
a chandelier sings in lowercase.
Its light barely lifts the carpet,
but moths still come,
dressed for a funeral
that keeps changing addresses.

Love moved the furniture
without touching it.
Chairs gathered in whisper-circles.
The grandfather clock ticks,
its pendulum sways to time’s hand.
Books opened their pulse-spines
and breathed ink-dust into the air.

Death lit a match –
that sulphur-laminate scent
thickening the air –
and braided it into the sugar.
I found the flame burning softly,
hiding in the kettle –
like a secret no one dared stir.

The old ash-jar on the mantle cracked.
A mint-threaded hush rose from it,
hovered a moment,
then settled again,
as if remembering who it belonged to,
before quickly forgetting.

The staircase sighed
like an old tenant remembering rent.
The clouded sky leaned west.
My books slid north toward the windows,
as if pulled by history’s mouth.

Outside, the root-chair is still there –
grown into the fig tree’s spine.
Every morning,
I place a love’s breath on its seat.
It never moves.
Still waiting
for the right weight of a memory.

I keep the forgotten clocks in the drawer.
Their ticklanguage doesn’t match
the breath of the house.
Now I mark hours
by how long it takes
the fly on wallpaper
to hum itself quiet.

The blackened mirrors have forgotten their task.
No light.
No faces.
No questions.
They reflect only the ghostshadow
of who almost stayed.

And still, each night,
the attic exhales fabric-murmurs.
Not footsteps.
Not whispers.
Just the sound of someone
remembering how to stay.

Love wrote something in the evening fog
left on the windowpanes.
Death leaned in
and breathed it away
before it spelled a name.

Now the silence has a shape –
a name.
Now the door locks
from both sides.

And this house?
It doesn’t sleep.
It waits.
It swells with each absence,
ripens with every glance
that doesn’t land.

Love and Death live here.
Not as enemies,
not as lovers –
but as roommates,
who share a silence
too sacred to name.
Still holy.
Copyright Malcolm Gladwin
June 2025
Love and Death Live Here

This poem, along with others I’ve recently shared, comes from a book I’m currently writing:

Quiet Pools and Other Witnesses

If this piece resonated with you, I invite you to explore the other poems in the collection—and I welcome your thoughts, reflections, and comments.
Malcolm Jun 24
Write like there is no tomorrow.
Let the ink spill faster than your regrets,
faster than the tide that swallows names from stone.
Let the page burn with your blood
before your mouth remembers silence.

No man controls time.
Not the priest, the poet, the king,
not the one who waits,
not the one who runs.

Life is not given.
It is borrowed breath,
a fragile flicker
on a clock that ticks whether you move or rot.
The hours do not wait.
They do not care.
They do not remember you.

Write because tomorrow may not come.
And if it does,
it may not arrive as you hoped,
or with your name still in your throat.
We are not in control.
We never were.

Moments are sand –
they vanish even as we hold them.
Memories bend and blur,
warped by sorrow, softened by longing.
Tombstones do not speak;
they only mark the aching fact:
we were here.

Pictures fade.
And if no one looks,
the light inside them dies.
Words on a wall mean nothing
if no one knows the tongue.

But thought,
written in ink,
can outlive even the silence –
if it’s read,
if it’s felt,
if it strikes the living like thunder behind the ribs.

Hills rise and crumble.
Trees reach and fall.
All things shift.
All things pass.

So write like there is no tomorrow.
Because sometimes it does not come.
And when it does,
we may already be dust –
scattered down some cobbled road,
whispering stories
only the wind still remembers.

And in the end,
when the ink is dry,
the voices quiet,
and the page begins to yellow –
ask yourself,
would it all matter?
And know the answer lies
in whether you dared to write
at all.
Copyright Malcolm Gladwin
June 2025
Write Like There Is No Tomorrow
Thoughts of the lost when time has passed on by ...
Malcolm Jun 24
The room is still there, though the house forgets its name.
The walls have begun to breathe again
soft exhalations of rosewater and ash.
No one remembers who first laid down the sheets,
only that they remain unwrinkled,
smelling faintly of fever and honey.

The lovers do not age.
They do not speak.
Their language is older than sound,
older than breath.
Their bodies are relics in motion,
moving as roots do in soil,
slow and entwined,
eternal
never needing to surface.

Outside the windowless house,
new roads have eaten the gardens,
cities have risen and collapsed,
wars fought for less than the silence they share.
Still, no one knocks.

A girl once ran her fingers along the lock
and forgot her own name.
A priest walked past with salt on his tongue
and swallowed it without prayer.
Only the wind returns,
curious and uninvited.

Inside,
the bed has grown antlers.
The ceiling drips colorless rain.
A vine pulses through the mattress like a second heartbeat.
The lovers, blind as moonless sky,
continue–slow, sacred, certain.

No hunger. No ******.
Only the eternity of touch.

Some say the house is a mouth now,
that when you stand too near,
it whispers your deepest ache
and waits to be fed.

And somewhere, beyond time,
a third body shifts beneath the covers.
It was not invited.
It was always meant to arrive.
You.
Copyright Malcolm Gladwin
June 2025
They Never Stopped Loving
Malcolm Jun 23
Not every fire burns the flesh.
Some arrive with breathless stillness,
draped in dusk-colored light,
a gaze too wide for one face to hold.
blinded still –
I called to you.

I did not know
what love could become
when it puts down its veil
and steps forward,
not as comfort,
but as divinity.

You were not gentle.

You stood where the air bent around you–
more presence than person,
a voice like thunder wrapped in silk,
fingertips trailing the edges of my ruin
like a priest naming what can’t be saved.

And still, I stayed.

Where are the days
when love was a glance from across the room,
a laugh shared over fruit and rain?
Now it is an archangel
descending through my ribs,
setting fire to my lungs
my soul catching flame
with every beat that dares endure you.

You asked for nothing–
only that I remain still
as you unfolded
in the space between heartbeats.

Who are you?

You are not lover, not ghost,
but the god hiding in desire.
You are the pollen of all beginnings,
the storm-light before any world was shaped,
the echo that built the sky
just to have somewhere to fall.

You are the mirror held to my face
after I have vanished.
And yet–
I call to you still.
Not because I will survive the blaze,
nor revive a soul,
but because I would rather burn in your nearness
than live untouched.
Copyright Malcolm Gladwin
June 2025
When Love Unveils

Write like there is no tomorrow.
Malcolm Jun 23
I loved you in the silence,
the forgotten, aching still,
that throbbed beneath the rain–
in clocks too slow to ****.

You were not lost or vanished,
not ghost, nor fleeting flame–
but time rewrote your nearness,
and absence learned my name.

I loved you when the dishes
lay waiting in the sink,
when dusk fell down too early
and left no space to think.

You were not made for statues,
for saints or poet’s pen–
you were the crack in breathing
that let the sorrow in.

I do not write you letters,
for words fall through the sieve;
I loved you past the promise
of anything I’d give.

Not for your tender smiling
or how your hands once pressed–
but for the way you linger
inside my failing chest.

So stay, not as a memory,
not shadow, smoke, or sound–
but as the ache I carry
when no one is around.
Copyright Malcolm Gladwin
June 2025
The Hours I Loved You Most
Malcolm Jun 23
You wake with petals in your hair
and sleep still clinging to your lashes
not the sleep of peace,
but the hush that follows weeping,
when the heart forgets its own weight.

I don’t ask what ghosts kept you
tossing through the hours.
I don’t name the pain
stitched in the arch of your back.
You’ve built your grace from ruin–
I’ve learned to admire the architecture.

Tonight, I won’t touch your wounds.
I’ll touch the skin around them,
where the light still gathers
when you breathe without defense.

Tell me–
is it love
if I hold you
like I’m not afraid of breaking,
like your shaking
is just music I haven’t learned yet?

You speak like someone
who’s forgotten how to be held
without preparing for departure.

That’s alright.
I don’t need your trust in full bloom.
Just the seed.
Just the breath you give me
before the sentence ends.

Your fingers curl
as if expecting to be pried away–
but I stay.
No bargains. No salvation.
Just warmth,
and the promise not to name this rescue.

I smile.
I’ve seen braver women
fall apart for lesser reasons.

So when your mask slips,
when the tiredness wins
and the strong part of you
asks to rest–

remember this:

Not the way I touched you
but the way I listened,
how I stayed quiet enough
for your silence to speak.

Not for mercy,
not to save,
but because I wanted
to be the first place
you didn’t have to fight.
Copyright Malcolm Gladwin
June 2025
Let Me Be the Quiet That Undoes You
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