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Jonathan Moya Mar 2021
they took the body out
but the blood/bloodstain
stayed there.

the investigation begins.
that’s the police’s job.

but after the death
the cleaner cleans.

he cleans up blood,
pieces of bone,
skin,
maggots, flies
everything that
a corpse/body
leaves behind.
the smell
of decomposition/death  
will be gone
by the time
he finishes his work.

he has a very close
relationship to blood.
it’s something
that he respects.
he always tries
to keep in mind
that these remains
left on the floor,
this blood/bloodstain
belonged to someone.

what were they like
doesn’t interest him.
who were they
he’ll never really know.
he just owes them respect.

(every time he leaves
the atmosphere changes.
it changes
because nothing
reminds
them anymore
that there,
in that place,
someone
lost their life.

things will change
and the way they see
these objects
is sure to change as well.

of course they
still have that loss,
that pain,
but the way
they are
going to face it
is different.

his work is done
and theirs begins.)

he has a recurring dream
about his work.
he is driving at night.
the street is dark.
there are people
but he can’t see their faces.
he doesn’t know if
they are saying
hello
or
goodbye.

it is something
he would like to know
but he doesn’t have
enough time.
he thinks
that these
shadows/silhouettes
could be people
who have died.

at the end of his dream
he’s in the sea.
he’s trying
to get
to the surface,
but never
gets there.

it’s a cold,
dark
place.
he tries to move.
he tries to struggle.

suddenly,
he wakes up.
instead of being uneasy
he feels happy.
all around
is the shadows
of tombstones
leaving so many stains
on the grass
so much work
for him to do.
Jonathan Moya Mar 2021
“I am but mad North North west; when the wind is Southerly, I know a hawk, from a hand saw.”
(Hamlet, Act 2, Scene 2)

Only God sees and knows dove from spoon,
can feign the smoothness of heaven,
let the mind see hawk and handsaw
open in the wide shed behind the house,
not the falconer’s falling glove
and the hand severed from the bird’s wings.  

For thoughts are to the manner born
and God knows the risk of our reach.
He feeds both dove and hawk
while the saw is being oiled.  
The cut finger howls His name
and cannot fly or make wings.

Line 7 references:
Hamlet, Act 1, scene 4: "But to my mind, though I am native here / And to the manner born, it is a custom / More honour'd in the breach than the observance."
Jonathan Moya Mar 2021
I did want to do it with dead flowers
the pressings of leaving here—
flowers made of truths held openly in front
from a  fallow field  left to nettles,
the broken pebbles hammered by a vengeful sun.
I plucked it up, plucked the good root
of all our great hopes and best dreams  
and watched my life parch, shrivel and die in my hands
and heard her cry out
as if this left her incomplete,
clutching nightmares in her small arms.
Jonathan Moya Mar 2021
he knows the earth beyond all
seeds

the earth
that is untroubled

in the scorch of afternoon
light

the petals
of the angry sun
Jonathan Moya Mar 2021
On the white dry limbs of the sycamore, disrobing
bark etiolated in spring flash, three doves roost.  

“Peace,” they coo to the desire of my heart
to calm the violent world so like
the Lord’s small ship in the tempest ere
the rebuke of wind, sea, the faithless in their fear.

I will be kind.  Spread soothing balm
over the skin once pierced by thorns and
the white scars opened in bath water, on sheets-
the unknowns, red under the sycamores.

The ark doves cast the waters, one roosts the cross,
becoming a miracle if watched too closely
until fluttering wings burst it beyond symbols.
The world exists neither parched nor flooded, only
benefiting when sun and rain fall in good time.

The message flies everywhere further than what
I gave, circling calm and slow in every breeze.
I watch the three doves return to the
hallow ease that prods them to make their nest
on the white dry limbs of the sycamore.
Jonathan Moya Mar 2021
The clocks leap forward and I fall back
looking for you to return from dust
blessedly
at the stroke of two this night.
¡Despiértate!  (Wake up!)
Es muy muy tarde Madre Mia. (It’s very very late My Mother.)
Gather yourself.
School is over and it is time,
not too too late for you
to teach that old song
and stay forever.
Jonathan Moya Mar 2021
She knows the winds in the circles of all that’s around her.
The funnel is as twisted as the screaming man on the wall
                 hanging in the serenity of white space,
                          crosses and orbs flying up like
                             zephyr elms.  Her face
                              breaching its anvil.
                           Her little brick house
                             pirouetting behind,
                                until her town,
                               she is totally lost,
                                until it’s her
                       and the circle is her
                 and the flood, the storm.
            She breathes its screech over
      everything it rushes and destroys.
Can we live in the force of one wind for the whole of a life?
Does the sun gaze down and hunger for the grounded light?
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