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Spit on the ground.
Begin the most terrible of wars
with someone who hears you
dragging your armor through the hush of dawn.

Strike the final flame.
Let it light the streets
where wild bodies ripple like fire.
Howls, heavy with iron,
as we sip from the herb of night
the tender intimacy of a goodbye.

Extreme. Absolute.
A green star, fallen
on careless earth,
between mud and water—
human reflections.

Let no one bring love.
The cruel illusion
of still being a child
is unbearable.

A whole morning, fasting.
I want to drink my wine
standing.
I read two verses by Al Berto and went to set the sea on fire.
Led by the drunkenness of nocturnal herbs,
I buried my heart in some dune,
crushed by the immense tenderness
that the other creatures poured upon the moon.
Ah, I also longed for your body...
to untangle the lava of sorrows,
signs of love.
Stereophonic love, pulsing.
You, a nameless sweetness —
your flattened warmth lies south
of my body’s sacred meridian.
I adore the grace of your breast.

I believe in your lacework love,
so tender, so absurd.

Give me a kiss,
a glass of water,
an act of faith.

Dress my aching chest in beauty,
feed the fire of my coughing fits,
unfasten my trousers
and let me walk barefoot
through the blaze of your tundra.

Unbutton your blouse —
you are my Diana, my Ophelia.
I want to fall asleep inside your oracle.

Let me steal the tangled pendant
dangling at your throat —
my hunger sobs
just to hold it.
I am alive
knowing, at the same time,
that I am dead.

we spend the afternoons
walking down the avenue,
hand in hand —
each step, a soft erosion toward silence,
toward profound solitude.

I ask you without using words:
what is it like
to walk hand in hand with a stranger?
and you look at me
as if you believe
that everything is the opposite
of what it seems.

and in that
there is a devastating peace —
knowing you believe in love,
in your own quiet way,
is the sign
that you were saved.

when I return, I write:
I am dead
knowing, at the same time,
that I am alive.

(I owe you
this unexpected metamorphosis)
suddenly we all died without hearing a word of it
we entered our deepest darkness and never came out again
With a sweep of the sword,
I cut through time, step in, and watch—
Your father sketching in the garden,
Your mother lifeless in the cellar.

To write, one must first think.
Thought cuts like a blade;
It, too, reshapes the world.

But it does not change mine.
All the poems
written have no end
They are stones and roses
Almada
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