Hello Poetry
Submit your work and get some sparkles! Create free account
abigail-10
abigail-10
American
156 You love me—you are sure— I shall not fear mistake— I shall not cheated wake— Some grinning morn— To find the Sunrise left— And Orchards—unbereft— And Dollie—gone! I need not start—you’re sure— That night will never be— When frightened—home to Thee I run— To find the windows dark— And no more Dollie—mark— Quite none? Be sure you’re sure—you know— I’ll bear it better now— If you’ll just tell me so— Than when—a little dull Balm grown— Over this pain of mine— You sting—again!
0
Feb 11, 2015
Feb 11, 2015 at 1:42 AM UTC
You love me—you are sure
Do you worry that I'll love you? Sometimes I do. But I think that if I were to love you I would love you the way I first learned to love: Quietly, and with no demands. I think if the worst were to happen I wouldn't reach for you Only tell you That you are beautiful. Perhaps It has happened already. I wonder if I fear it, sometimes. But what I really fear Is that you will fear it. I wonder if you worry that I'll love you And you are just too good Too truly good To do anything about it. If you do worry, You needn't: If I were to love you I would love you like you were made of glass- Delicate, exquisite, and untouchable.
0
Jan 28, 2015
Jan 28, 2015 at 4:23 AM UTC
If I Were To Love You
"I love you," you said Three times Sober Or, at least, after only two glasses of wine With an expression that wanted me to see its sincerity You thought about the way your face looked And how I was looking at it Which, naturally, made me suspicious Less of whether what you said was Or is True And more of whether you really believed it I certainly don't Although, regrettably, too big a part of me Hopes that you do But you won't even go out to lunch So the concept is moot If you dwell on me so frequently Where are you? Not here, in the growing rift Between our potential and reality Where I fume You flatter Whipstitching my raw edges But your adulations can't repair The fact that you don't know My favorite color My stance on religion Or the quality that I admire most In a friend Negligent though you may be I'm harsher still On myself Allowing you in, while I know all of this How you must find me! So easy Malleable And still I permit you "We're alike," you say And you tell me how you care So little About so much But not when it comes to me, apparently Or so said the lips That have only kissed me once Without seeking more But I kissed you then, anyway Knowing what would come Freckles Sinful dimples The unfathomable brown eyes For which you hold so much disdain The slightest gap Between your front teeth Your encouragements didn't stir me Already shoved From my resolution Before your many admittances And rare Melancholy musings -- These, perhaps strategic But disorienting, nonetheless I'll chalk it up to us finishing the bottle Which I started Frustrated Half an hour before you arrived And carve myself some apathy.
0
Jan 28, 2015
Jan 28, 2015 at 4:04 AM UTC
Professions
"I love you," you said Three times Sober Or, at least, after only two glasses of wine With an expression that wanted me to see its sincerity You thought about the way your face looked And how I was looking at it Which, naturally, made me suspicious Less of whether what you said was Or is True And more of whether you really believed it I certainly don't Although, regrettably, too big a part of me Hopes that you do But you won't even go out to lunch So the concept is moot If you dwell on me so frequently Where are you? Not here, in the growing rift Between our potential and reality Where I fume You flatter Whipstitching my raw edges But your adulations can't repair The fact that you don't know My favorite color My stance on religion Or the quality that I admire most In a friend Negligent though you may be I'm harsher still On myself Allowing you in, while I know all of this How you must find me! So easy Malleable And still I permit you "We're alike," you say And you tell me how you care So little About so much But not when it comes to me, apparently Or so said the lips That have only kissed me once Without seeking more But I kissed you then, anyway Knowing what would come Freckles Sinful dimples The unfathomable brown eyes For which you hold so much disdain The slightest gap Between your front teeth Your encouragements didn't stir me Already shoved From my resolution Before your many admittances And rare Melancholy musings -- These, perhaps strategic But disorienting, nonetheless I'll chalk it up to us finishing the bottle Which I started Frustrated Half an hour before you arrived And carve myself some apathy.
Continue reading...
67
He casts his fishing lines into the water and waits patiently .. what shall be the catch for tonight? He needs something to breathe life back into himself; get his creative juices flowing again. This is what feeds the Artist after all. He does not need food or water; he needs inspiration. Good, bad, ugly.. it matters not. It must be something- someone- that affects him intensely, that reaches deep down beyond his self-imposed armour, and grabs at his soul. He needs to devour in order to survive. It is not long before one bites, and then another.. and maybe another. He gently coaxes, drawing them in with his seductive lures. He knows this art well.. knows what to say, what to do, who to be.. or not be.. He examines.. tests them.. … a little subtlety here.. more boldness there, …… but tempered, with a laugh, a smile, a chuckle, a wink. He doesn’t quite want to scare them away, but he wants to see how far he can go. What boundaries can he safely breach..? He pushes, he pulls.. He engages, he retreats.. He shares, he takes.. He tugs, he releases… … and the dance continues until his search is satisfied. And then when he has determined which shall be his catch for the night, which of these waltz partners is most ready to be broken – open- he gently releases the others back into the waters… gently Discarded. Perhaps they will be led back to his watering hole another day, and perhaps they will be the ‘one’ at that future time — or perhaps they will never be seen or heard from again. It does not matter. What matters is Now. What matters! is what it takes to feed his desire. What matters is this moment. Everything is in this one moment. This is practice after all.. one must practice in order to perfect the technique. One must perfect the technique if he wishes to be claimed and devoured by Bliss. And who does not wish to be devoured by Bliss? “Enjoy the practice, perfect the technique”. he says.
0
Jan 27, 2015
Jan 27, 2015 at 11:45 PM UTC
The Fisherman's Waltz
He casts his fishing lines into the water and waits patiently .. what shall be the catch for tonight? He needs something to breathe life back into himself; get his creative juices flowing again. This is what feeds the Artist after all. He does not need food or water; he needs inspiration. Good, bad, ugly.. it matters not. It must be something- someone- that affects him intensely, that reaches deep down beyond his self-imposed armour, and grabs at his soul. He needs to devour in order to survive. It is not long before one bites, and then another.. and maybe another. He gently coaxes, drawing them in with his seductive lures. He knows this art well.. knows what to say, what to do, who to be.. or not be.. He examines.. tests them.. … a little subtlety here.. more boldness there, …… but tempered, with a laugh, a smile, a chuckle, a wink. He doesn’t quite want to scare them away, but he wants to see how far he can go. What boundaries can he safely breach..? He pushes, he pulls.. He engages, he retreats.. He shares, he takes.. He tugs, he releases… … and the dance continues until his search is satisfied. And then when he has determined which shall be his catch for the night, which of these waltz partners is most ready to be broken – open- he gently releases the others back into the waters… gently Discarded. Perhaps they will be led back to his watering hole another day, and perhaps they will be the ‘one’ at that future time — or perhaps they will never be seen or heard from again. It does not matter. What matters is Now. What matters! is what it takes to feed his desire. What matters is this moment. Everything is in this one moment. This is practice after all.. one must practice in order to perfect the technique. One must perfect the technique if he wishes to be claimed and devoured by Bliss. And who does not wish to be devoured by Bliss? “Enjoy the practice, perfect the technique”. he says.
Continue reading...
47
Drums beat the endless chords Of something that looks like an agony, A vague aftermath of a smoky carcass. The crowd remained enthralled or detached. In excitement, in boredom and in unison. They seemed to know the routine of celebration, Of enjoyment, Of the rejoice. But still not eat at it, into themselves. They seemed to even echo their claps and nods so parallel, To the rhythm, That they all became another maestro The deaf Beethovens. While the elephant, danced. And sang. In a pristine celebration only known to him. Like the seducing dance of the King Cobra, In the Jungles of a drenched Wayanad. Green, Yet so Aroused and red. While nature became its charmer, She, the nature, Juggled with the soul, vigour and energy of the King. In one plate, altogether, The art, The music, And the rhythm became The dirge of a new cemetery of an old heaven.
0
Jan 27, 2015
Jan 27, 2015 at 11:38 PM UTC
Cacophony of Maestros
why do atoms look like galaxies why do all shapes repeat why do straight lines carry things do infinities ends truly meet what if there are no beginnings what if the spiral is known what if the edge of our something is just meeting itself all alone where are the wakeful dreamers where will their questions fall is this universe boundless or simply a beautiful wall
0
Jan 27, 2015
Jan 27, 2015 at 11:18 PM UTC
Questions
I had a dream last night Of being pursued by a murderer A homicidal man, whom I'd seen **** Again and again, with merciless vulgarity And who hunted me like prey. But as I fled him, he knew my habits He foresaw my strategy to escape He discovered me. And in the raw terror of that exposure Scrambling before him, in the dirt At the height of my adrenaline I came to a jolting, sick realization That I was enraptured by him And all his poison His carnivorous mania, and blood-drenched agenda And I felt the Hunger in his approach And simply waited there, suspended In that loathsome state of horrified ardency For him to Consume me. And it was not in the frenzied seizure of awakening But only after a lengthy absorption, when I noticed That I called it a dream, rather than a nightmare.
0
Jan 27, 2015
Jan 27, 2015 at 4:37 AM UTC
Necrosis
I wish not to want you For fear that, when I hold you, My touch change you golden With greedy alchemist's fingers. I wish not to want you And liberty, command you From the nobility -- Metallic -- which bars you from love. A Queen of Phrygia I sow sin in good nature Chest hollow for dictums That confine my pow'r to transform I've no eyes to covet Yet I birth my own idols In chambers forbidden To those of conscience staunchly pure I plead you, stay iron And I'll be happily robbed Of my talent to turn Wretched an organic desire I wish not to want you As I lay my hands on you But I have not the gift To breathe such wishes into life.
0
Nov 2, 2014
Nov 2, 2014 at 1:30 PM UTC
I Wish Not to Want You
Peace: For the time, there is Silence. But deep in its bowels lives a sound... And a word yet unheard Still holds Violence. ...Its potential for Chaos abounds.
0
Mar 4, 2014
Mar 4, 2014 at 5:06 PM UTC
Precipice
At moments, I fear I am a sociopath. Do I only feel shame, love, guilt, Empathy, when buried there at the root Is myself? Does this fear itself absolve me of suspicion? Doubtful. **** I have such icy innards.
0
Jan 20, 2014
Jan 20, 2014 at 9:54 PM UTC
Intro-antipathy