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Bathing-Rabbit
Bathing-Rabbit
If my Valentine you won't be, I'll hang myself on your Christmas tree.
0
Jun 3, 2014
Jun 3, 2014 at 10:16 AM UTC
Valentine
little dark girl with kind eyes when it comes time to use the knife I won't flinch and i won't blame you, as I drive along the shore alone as the palms wave, the ugly heavy palms, as the living does not arrive as the dead do not leave, i won't blame you, instead i will remember the kisses our lips raw with love and how you gave me everything you had and how I offered you what was left of me, and I will remember your small room the feel of you the light in the window your records your books our morning coffee our noons our nights our bodies spilled together sleeping the tiny flowing currents immediate and forever your leg my leg your arm my arm your smile and the warmth of you who made me laugh again. little dark girl with kind eyes you have no knife. the knife is mine and i won't use it yet.
0
May 26, 2014
May 26, 2014 at 4:57 AM UTC
Raw With Love
Her attitude is ahead of it's time, tired out from trying to keep up I follow her body's motions Fluency in her rhetoric flow, my body is relieved at her rhetoric blow Foreign girls make me home sick, lost in time lost in translation Time doesn't matter when you **** on vacation
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May 19, 2014
May 19, 2014 at 4:55 AM UTC
Time Zone
What if everything every moment Was for nothing What matters to me to you Stripped sweaters dyed indigo blue Cultural hubs content with supercilious artists What happens when nothing matters Futility
0
May 19, 2014
May 19, 2014 at 4:43 AM UTC
What matters
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
0
May 18, 2014
May 18, 2014 at 8:49 PM UTC
Rhapsody On A Windy Night
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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in the rain- darkness, the sunset being sheathed i sit and think of you the holy city which is your face your little cheeks the streets of smiles your eyes half- thrush half-angel and your drowsy lips where float flowers of kiss and there is the sweet shy pirouette your hair and then your dancesong soul. rarely-beloved a single star is uttered,and i think of you
0
May 18, 2014
May 18, 2014 at 8:41 PM UTC
In The Rain-
The problem with this poem is that it needs light to be read. light: daylight candle-light electric light. sun light. One can dance in the dark one can sing in the dark one makes love in the dark but this poem cannot be read in darkness that is perhaps its greatest weakness.
0
May 18, 2014
May 18, 2014 at 8:37 PM UTC
Dancing in the dark
as is the sea marvelous from god’s hands which sent her forth to sleep upon the world and the earth withers the moon crumbles one by one stars flutter into dust but the sea does not change and she goes forth out of hands and she returns into hands and is with sleep…. love, the breaking of your soul upon my lips
0
May 18, 2014
May 18, 2014 at 7:41 PM UTC
As Is The Sea Marvelous