I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert… Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”

My heart in middle age found the Way.
And I came to dwell at the foot of this mountain.
When the spirit moves, I wander alone
Amid beauty that is all for me....
I will walk till the water checks my path,
Then sit and watch the rising clouds --
And some day meet an old wood-cutter
And talk and laugh and never return.

As the years go by, give me but peace,
Freedom from ten thousand matters.
I ask myself and always answer:
What can be better than coming home?
A wind from the pine-trees blows my sash,
And my lute is bright with the mountain moon.
You ask me about good and evil fortune?....
Hark, on the lake there's a fisherman singing!

749

All but Death, can be Adjusted—
Dynasties repaired—
Systems—settled in their Sockets—
Citadels—dissolved—

Wastes of Lives—resown with Colors
By Succeeding Springs—
Death—unto itself—Exception—
Is exempt from Change—

136

Have you got a Brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so—

And nobody knows, so still it flows,
That any brook is there,
And yet your little draught of life
Is daily drunken there—

Why, look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the fills,
And the bridges often go—

And later, in August it may be—
When the meadows parching lie,
Beware, lest this little brook of life,
Some burning noon go dry!

When Émile Zola died, Cézanne howled to the moon;
But Cézanne, he knew the truth:
He saw, in his eyes, that life could not die;
In his early work he displayed this truth.
But he was corrupted by Camille Pissaro,
And his palette was lightened to boot.
Yet there still remained, on his most turbulent days,
Everlasting darkness that strained,
Winding its blackening roots.

In the earth we stained the caves,
Leaving, scrawled upon the walls,
An abstract map of our brains.

The walls became the conduit for our pain
And through artistic semblance
We would inherit our fathers and live again.

The colours in the walls themselves resemble pain,
And the strain of seeing within the geological grain
Is more than Human can sustain.