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"vega" poems
Albert Camus Kept an Emu Tied to a potted, Portable wisteria To keep him company Whilst he kept goal For the University of Algeria. As Albert was fishing The ball out From the back of the net The Emu mused On the conversations they'd had About The Oprah Winfrey Show, The significance of suffragettes, Adam Smith's Wealth Of Nations And the ****** orientation Of Sir Galahad. Whilst discussing the plots of The Plague and The Outsider Warm feelings would suddenly Well up inside her. Why should such intellect Elicit so much love And even more pain? My thoughts for this man Aren't getting any vaguer. Then Utrecht University Scored again. There are no happy endings With Albert Camus - Decades later he dies In his publisher's Facel Vega. When she heard of Albert's demise Her initial reaction Was hysteria And it comes as no surprise That a few weeks later She died of diphtheria Which is so much easier to do When you're an existential emu.
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Apr 4, 2014
Apr 4, 2014 at 2:53 PM UTC
Albert Camus And His Existential Emu
the day i left for good he wrapped me in an inescapable bear hug that made me feel like i was gonna stop breathing in 3 2 1... we listened to a whole lotta tom petty which is the reason why whenever i'm scanning through the radio on those drives i go on too often that lead to nowhere and i hear "refugee" or "free fallin" i skip. i read a lot to him and he always listened to everything i had to say and the 290th time of the day that i'd say **** and everytime i said something even remotely twisted a small smirk would gradually paint on his lips and then he'd laugh and say it was a good thing we loved each other otherwise he would think i was severely ****** up in the head. he loved my heart shaped sunglasses and he said i made him feel like he was living in a time warp where it was 1989 every millisecond of every waking hour of every day and i loved his eternal youthfulness that sent fireworks flying through my central nervous system. and when he released me from the wrath of his arms he promised that we were gonna sit on his back porch and crack open some brews at midnight and tell stories when i came back home. i miss him more than the sun misses the moon in the morning light my partner in crime, my adrenaline ****** my sagittarius. -z. vega
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Jun 28, 2016
Jun 28, 2016 at 5:33 PM UTC
my sagittarius
My best work may be behind me clouded in midnight dust, bottles, and empathic Sha-la-la That bird is gone now in the valley astray, gliding through Dream 1, and Dream 2 not an utterance in the ethereal space. At the brink of Vernal Equinox I am re-imagined: That valley bird, gone indeed, yet a Phoenix emerges hemorrhaging growth. The imagination Stampede, the deafening glory cry It is lovely to have similar feathers, and to talk freely with companions. I know what this means now.
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Mar 28, 2013
Mar 28, 2013 at 1:37 PM UTC
Over Thinking Janine Vega
so here we Are: Arnold......Shortman, Shorty......Meeks, Mr......Meeseeks, Ezekiel......Whitmore. Morphine,,,,,,Morpheus, Neo......Geo, OG......Sour, Sour......Diesel. DeeDee's......Brother, Cousin......Vinny, Vinny's......Lover, Brothers......Grimm. Grim......adVentures, Billy......Madison, Hansel,,,,,,Gretel, Chelsea......Grin. Grimace,,,,,,Misery, Mister......eBonic, Bonny,,,,,,Clyde, Kyle,,,,,,Kenny. Kenny......Powers, Powder  Puff  Girls, "Girls  Girls  Girls", Girls  Gone  Wild. Wilee......Coyote, Coyote......Ugly, Ugly......Betty, Betty......Crocker. Doctor......Parnassus, Doctor......Krieger, Doctor......Horrible, Doctor......Evil. Evil......Knievel, Felix......the  Cat, Captain  Jack  Sparrow: "Captain......my  Captain". Tinman,,,,,,Scarecrow, "Rowrow  Rowyer  Boat", Bo......Burnham, Earnest,,,,,,Vern. Verdict,,,,,,Votive, deVotion,,,,,,Vengeance, aVenging......Evey, V,,,,,,Vendetta. Denace......the  Menace, Crystal......Globes, Snow,,,,,,Aesthetics: Skeletal......Shedding. Head,,,,,,Tail, Sally,,,,,,Jack, Jack......Rabbits, Magic......Hatters. Shattered......Glass, Glasgow......Smile, Guile,,,,,,Vega, Akuma,,,,,,Ryu. You,,,,,,Me, Beneath......the  Bleacher: Jeepers,,,,,,Creepers, Reapers......of  Seeds. Seeds......of  Chucky, Chuckie......Finster, Principal......Muriel, Yuri......Gagarin. ©  Copyrighted  Jesse  James  Adams
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Sep 3, 2014
Sep 3, 2014 at 12:44 PM UTC
Heroes
To write a sonnet doth Juana press me, I've never found me in such stress or pain; A sonnet numbers fourteen lines, 'tis plain, And three are gone, ere I can say, God bless me! I thought that spinning rhymes might sore oppress me, Yet here I'm midway in the last quatrain; And if the foremost tercet I can gain, The quatrains need not any more distress me. To the first tercet I have got at last, And travel through it with such right good will, That with this line I've finished it, I ween; I'm in the second now, and see how fast The thirteenth line runs tripping from my quill; Hurrah, 'tis done! Count if there be fourteen!
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May 10, 2017
May 10, 2017 at 2:15 PM UTC
Sonnet on The Sonnet by Lope de Vega (1562-1635) Translated by James Y. Gibson
tonight a girl stands on a bridge. the midsummer breeze dances around her curves. it begs her to come play. her heart beats steady. her gaze is motionless. the changing air steals a whisper. "we are moving into the house of Aquarius" under the bridge a man sleeps. in a few weeks he'll turn fifty-eight, but he doesn't know that. he hasn't had a birthday celebration in years. he hasn't had anything to celebrate in years. the bridge is home now. above  him, a girl is rediscovering herself. a girl is rediscovering her fear of heights. she looks 25 light years above her, at Vega. in a way, she thinks, she is like this star. she is about midway through her life expectancy, but her light died a quarter century ago. the man sleeps soundly. a smile is spread across his face. he is dreaming of his dinner, a footlong sub. extra olives, just the way he likes it. it was his first meal in several days but tonight, his stomach is full. he has come to like the grease on his face. it shows he has survived many challenges. the hardships have only made him wiser. the girl, she minored in astrology. she was fifth in her graduating class. debt lurked deep in her mind. it polluted her every thought with reminders that she was not in control. now, she tries to justify her current position. on the bridge. looking out at Lyra, partially hidden by clouds "nothing I do will matter." she reconsiders. she recalls an anecdote she overheard on the subway, or somewhere: "when you're dead, you're dead for a looooong time" she smiles. kids say the darnedest things. tonight she curses her 'lucky stars'. nothing the girl does will matter. tonight she will become a woman. tonight she will give  herself to the wind. the man will find her in the morning. the man will chuckle to himself. "they always make it down here, one way or another"
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Apr 3, 2014
Apr 3, 2014 at 1:23 PM UTC
House of Aquarius
tonight a girl stands on a bridge. the midsummer breeze dances around her curves. it begs her to come play. her heart beats steady. her gaze is motionless. the changing air steals a whisper. "we are moving into the house of Aquarius" under the bridge a man sleeps. in a few weeks he'll turn fifty-eight, but he doesn't know that. he hasn't had a birthday celebration in years. he hasn't had anything to celebrate in years. the bridge is home now. above  him, a girl is rediscovering herself. a girl is rediscovering her fear of heights. she looks 25 light years above her, at Vega. in a way, she thinks, she is like this star. she is about midway through her life expectancy, but her light died a quarter century ago. the man sleeps soundly. a smile is spread across his face. he is dreaming of his dinner, a footlong sub. extra olives, just the way he likes it. it was his first meal in several days but tonight, his stomach is full. he has come to like the grease on his face. it shows he has survived many challenges. the hardships have only made him wiser. the girl, she minored in astrology. she was fifth in her graduating class. debt lurked deep in her mind. it polluted her every thought with reminders that she was not in control. now, she tries to justify her current position. on the bridge. looking out at Lyra, partially hidden by clouds "nothing I do will matter." she reconsiders. she recalls an anecdote she overheard on the subway, or somewhere: "when you're dead, you're dead for a looooong time" she smiles. kids say the darnedest things. tonight she curses her 'lucky stars'. nothing the girl does will matter. tonight she will become a woman. tonight she will give  herself to the wind. the man will find her in the morning. the man will chuckle to himself. "they always make it down here, one way or another"
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Forjada en la "Fábrica de Armas y Municiones", la ciudad muerde con sus almenas un pedazo de cielo, mientras el Tajo, alfanje que se funde en un molde de piedra, atraviesa los puentes y la Vega, pintada por algún primitivo castellano de esos que conservaron una influencia flamenca. Ya al subir en dirección a la ciudad, apriétase en las llaves la empuñadura de una espada, en tanto que un vientecillo nos va enmoheciendo el espinazo para insuflarnos el empaque que los aduaneros exigen al entrar. ¡Silencio! ¡Silencio que nos extravía las pupilas y nos diafaniza la nariz! ¡Silencio! Perros que se pasean de golilla con los ojos pintados por el Greco. Posadas donde se hospedan todavía los protagonistas del "Lazarillo" y del "Buscón". Puertas que gruñen y se cierran con las llaves que se le extraviaron a San Pedro. ¡Para cruzar sobre las, murallas y el Alcázar las nubes ensillan con arneses y paramentos medioevales! Hidalgos que se alimentan de piedras y de orgullo, tienen la carne idéntica a la cera de los exvotos y un tufo a herrumbre y a ratón. Hidalgos que se detienen para escupir con la jactancia con que sus abuelos tiraban su escarcela a los leprosos. Los pies ensangrentados por los guijarros, se gulusmea en las cocinas un olorcillo a inquisición, y cuando las sombras se descuelgan de los tejados, se oye la gesta que las paredes nos cuentan al pasar, a cuyo influjo una pelambre nos va cubriendo las tetillas. ¡Noches en que los pasos suenan como malas palabras! ¡Noches, con gélido aliento de fantasma, en que las piedras que circundan la población celebran aquelarres goyescos! ¡Juro, por el mismísimo Cristo de la Vega, que a pesar del cansancio que nos purifica y nos despoja de toda vanidad, a veces, al atravesar una calleja, uno se cree Don Juan!
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Toledo
Forjada en la "Fábrica de Armas y Municiones", la ciudad muerde con sus almenas un pedazo de cielo, mientras el Tajo, alfanje que se funde en un molde de piedra, atraviesa los puentes y la Vega, pintada por algún primitivo castellano de esos que conservaron una influencia flamenca. Ya al subir en dirección a la ciudad, apriétase en las llaves la empuñadura de una espada, en tanto que un vientecillo nos va enmoheciendo el espinazo para insuflarnos el empaque que los aduaneros exigen al entrar. ¡Silencio! ¡Silencio que nos extravía las pupilas y nos diafaniza la nariz! ¡Silencio! Perros que se pasean de golilla con los ojos pintados por el Greco. Posadas donde se hospedan todavía los protagonistas del "Lazarillo" y del "Buscón". Puertas que gruñen y se cierran con las llaves que se le extraviaron a San Pedro. ¡Para cruzar sobre las, murallas y el Alcázar las nubes ensillan con arneses y paramentos medioevales! Hidalgos que se alimentan de piedras y de orgullo, tienen la carne idéntica a la cera de los exvotos y un tufo a herrumbre y a ratón. Hidalgos que se detienen para escupir con la jactancia con que sus abuelos tiraban su escarcela a los leprosos. Los pies ensangrentados por los guijarros, se gulusmea en las cocinas un olorcillo a inquisición, y cuando las sombras se descuelgan de los tejados, se oye la gesta que las paredes nos cuentan al pasar, a cuyo influjo una pelambre nos va cubriendo las tetillas. ¡Noches en que los pasos suenan como malas palabras! ¡Noches, con gélido aliento de fantasma, en que las piedras que circundan la población celebran aquelarres goyescos! ¡Juro, por el mismísimo Cristo de la Vega, que a pesar del cansancio que nos purifica y nos despoja de toda vanidad, a veces, al atravesar una calleja, uno se cree Don Juan!
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54
rock on, baby. slow dance to nirvana at the stoplight in the deep south of town and never let him damage ya BUT if he does chip his tooth and write on his skin clenching a permanent marker in between your teeth that's blacker than your soul could ever be - "I'LL SEE YOU WHEN THE SUN SETS EAST... DON'T FORGET ME." -z. vega
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Jun 28, 2016
Jun 28, 2016 at 2:08 AM UTC
****** maria reprise
one day i will find the right words, and they will be simple.” - jack kerouac pancakes on a sunday morning, jack daniel’s, getting really drunk then running naked through the forest, mosh pits, double rainbows, old trucks, freebandz, panic attacks, overflowing bubble baths, woodstock 1969, lemonade, slamming my head into wet pavement, the cranberries, jumping into someone’s arms after having gone years without seeing them, american spirits, crying, heavy metal music, innocence, laughing until a hospital visit is necessary, ragers, smiles on the faces of five year old children after stripping the shelves of a candy store bare, severe depression, the 90s, basketball hoops in driveways, putting on makeup at 1 AM, the mojave desert, life. -z. vega
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Jun 17, 2016
Jun 17, 2016 at 2:50 AM UTC
things that remind me of you
Surrealistic lover meet me at the danger zone In space ships where we simulate As you shape shift, I stay fascinated A reptilian, an arcturian, pleiadian The vega, a lyra, light years away Supersonic lover kiss me at the signal house In cellular automaton advance my grid of DNA As we diffuse in megastructures, callibrate my power A sirian, grays, draconian,anunnaki The human, indigo, crystal, the rainbow Take me to the fantasy, at the star line of illusion Where my body glows and your DNA burrows Take me and show me the laser in the magic cosmic Open my heart, inject your poison,kiss my toes as you do Disconnect my body and spirit to another dimension Distort the optic nerve so that the reality seems normal Transverse the solar bodies and celestial systems Fight the hypotonic regression to recall the delusions Climb the mountain as the peaceful dwellers wear googles Awaiting for a UFO float and disappear from the bare land
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May 21, 2016
May 21, 2016 at 1:59 PM UTC
Traced Alien ft a DNA Trance
It starts with I… And one night, under triangular canopy of Vega-Denair-Altair, I meets you, you call it M-13, A foolish and globular cluster. We muster courage saying: “There are no bodies in the sky. There are only bodies here to live and die.” I-like-you(s) sprain to I-want-you(s) And I-want-you(s) will, surely, hint at I-need-you(s) This will be a lie because we are not each other’s food or drink. Nevertheless, one day an I-need-you is translated into an I-love-you This will not be a lie. Not because all poets are liars, but because not all liars are poets. Not by lips or tongues or even signs- But by virus, a susceptible core and conception Infectious only under summer triangle, low light pollution, and _____________. In darkness we can doubt the existence of light.
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Oct 4, 2012
Oct 4, 2012 at 1:40 AM UTC
M-13
living off of apologies and time spent in desperation recollecting and reflecting on where all of the good vibes went then I may have smoked them. underestimating my control of the situation like I'm not educated in protecting my Peace and healing my whole mind, body and Spirit deflecting questions of my integrity all because I prefer complexity - it takes me three lefts to make it right. also some times I have to remind myself that it's okay to cry boiling hot emotions got this little black kettle singing high currently I'm choking on the hard pill of a broken home ..heartache worse than a broken bone this is admitting to myself that I could be traumatized. True. I need a get away like Lenny says quick break with Mary, Garcia and Vega the only chance I ever get to take flight. in all Honesty I am really tired of people pushing me and pulling me. college drop-outs they think they schooling me they are tools to me. Shorty, swing my way with that hammer No I'm not driving for that ***** some say real Love is Black some say it's blue.. I say it's both you know the winners always leave with a little bruise . or two . . or3 . . . there probably may come a time of day where you have to choose whether to lose yourself in this matrix or to fight by your own rules and well Here is to you, my Little Light your presence is proof that some times choosing True Love is the right thing to do.
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May 4, 2022
May 4, 2022 at 1:48 AM UTC
True Pt. 2
“The atoms that comprise life on earth are all traceable to the crucibles that cooked light element into heavy element.”   —Neil deGrasse Tyson And up here we have Vega, rigged to a few older men, Jupiter’s herd of moons. Look through its eyepiece, convince us there is no such thing as reconstruction. The right time to return light, the path to earth. Yes, we are part, living or real. Such is the layout of this cosmic ballet. A naked man and woman, a map of earth’s location, unstable in their older years. He spreads himself so wide, hard at the heavens for two reasons. Fairly often, someone would call the police. Handcuffs came from stars, next generation solar systems quantumly entangled. Size is only development condensed into a singularity, enriched guts against gears of war. So what does this mean? The breadth of the actions taken, meaning limitations, meaning sky was worth looking at. He charmed the cops with conversational boom, dozens of people crouching in the dark. Their common center of gravity: darker barrel shaped streets with long rows of sold-out houses. It’s not a lecture—how to calculate latitude, one neck cramp at a time, an extension cord across Merlin’s Tour of the Universe to satellites gliding in low orbit, nine years to work its way out. The voice is deep and rowdy—from a man at the edge of the crowd. The other reason is down here on earth, down the handle of the Big Dipper. An artist will tell you—crank it some more, until it begins to glow blue. Red-hot is the coldest among all the hots.
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Apr 5, 2012
Apr 5, 2012 at 12:03 AM UTC
Quantum Entanglement
“The atoms that comprise life on earth are all traceable to the crucibles that cooked light element into heavy element.”   —Neil deGrasse Tyson And up here we have Vega, rigged to a few older men, Jupiter’s herd of moons. Look through its eyepiece, convince us there is no such thing as reconstruction. The right time to return light, the path to earth. Yes, we are part, living or real. Such is the layout of this cosmic ballet. A naked man and woman, a map of earth’s location, unstable in their older years. He spreads himself so wide, hard at the heavens for two reasons. Fairly often, someone would call the police. Handcuffs came from stars, next generation solar systems quantumly entangled. Size is only development condensed into a singularity, enriched guts against gears of war. So what does this mean? The breadth of the actions taken, meaning limitations, meaning sky was worth looking at. He charmed the cops with conversational boom, dozens of people crouching in the dark. Their common center of gravity: darker barrel shaped streets with long rows of sold-out houses. It’s not a lecture—how to calculate latitude, one neck cramp at a time, an extension cord across Merlin’s Tour of the Universe to satellites gliding in low orbit, nine years to work its way out. The voice is deep and rowdy—from a man at the edge of the crowd. The other reason is down here on earth, down the handle of the Big Dipper. An artist will tell you—crank it some more, until it begins to glow blue. Red-hot is the coldest among all the hots.
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I want to jump off the earth and into space As vast visions of knowledge graze my face Laplace's demon I wish to be But that hypothetical is not me To witness planets and stars humans never see Floating in space will set me free Milky Way, Andromeda, perhaps a Magellanic cloud Vega, Rigel, and Altair are my shroud Antares and Arcturus burning up high Adara and Bellatrix in my night sky Life like Eridanus, the end is Achernar So beautiful up close, and from afar Horologium watching my every move To Hydrus and Leo, my courage I must prove Sun Ra taught me that "Space Is The Place" When I journey forth, Ill shall adventure with grace
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Mar 7, 2010
Mar 7, 2010 at 9:40 PM UTC
Last Stop Space
being your self acting the way you want to treating others the way they treat you judged every way you turn huh? I guess I'm kind of confused - Vega...
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Jan 7, 2014
Jan 7, 2014 at 11:21 PM UTC
confused
no one knew how i felt except for all the dusty back roads in their dreary isolation and brokenness. i spent countless hours standing outside the entrance of the buckaroo tavern with stephanie when i was 3 years old because daddy was too ******* wasted to drive home. the heat waves from that broken down neon sign during the frosty seattle winter of 2001 felt like a security blanket at times if i pretended hard enough, i felt like there was something in the big bad world that actually cared for me. -z. vega
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Jun 28, 2016
Jun 28, 2016 at 1:42 AM UTC
the buckaroo tavern
they were all in love with the cartoon eyes and crooked teeth and ginger hair and backwards ball caps because every time she smiled they became warmer and warmer until they'd melt, as if the sun was being reborn inside of them. -z. vega
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Jun 18, 2016
Jun 18, 2016 at 9:08 PM UTC
jenny t
Tonight I saw Orion rise, And chase the Pleiades across the sky, The North star shone, To give direction, Vega offered introspection, Ursa Major, Too much to bear, Gems of creation, Everywhere, Regulas rages in blazes of blue, So beautiful now, With the waxing moon, The only star, That will not shine, Is the one, I thought was mine, But now you're in, Anothers sky, Why can't it be mine?
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Oct 15, 2012
Oct 15, 2012 at 5:33 AM UTC
missing my star
I will be dead and become posthumously insane and I will remember Suzanne Vega every time I hear your name I will take that look of Vivienne Westwood's and I will sing and sing and sing and sink and sink and sink and I will not think of the appropriate things Because I will be dead and become posthumously insane Even though long scarf does not suit this neck and gas oven does not fit this head and .38 caliber revolver is not something a 17 year old girl would own there is no need to worry because now I know what loves me It is not the explosion, not the oxygen Not the carbondioxide, not the cyanide It is the water, any kind of water the tears, the saliva, the seawater And I learnt from Haruki Murakami that even a plastic bag would do Mimicking the deepest sea The sensation is true, is true ---- I remember; you liked a lot the word drown You liked a lot the word drown
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Jul 9, 2014
Jul 9, 2014 at 11:11 AM UTC
Drown
this longing is legacy for a girl cut in half cold currents of knife astride darkest path without stopping for daylight in somnambulant flight (your 2 a.m. smile is reason enough)       sheets of sound somber the womb of an angel      a war goddess unbound    o a           stasis seraphic        shrink wrapped in sweet plastic ((the perfumed fields are elastic with crowned princes dynastic)) this mortal season on this perfect day strikes the hearts of the stolen in a fugitive way the clarified fire sinew and lean eats the sins of the heavens where the ashes convene the park with the lake is wooded and pretty the sky's on the grass in an underground city i'm calling from a subterranean ocean the shells are all closed and the waves are all broken in a minute the  tides will all swell the gulls will pack up and the moonlight will dwell say hello to the girls from the sand they can walk on the water but never on land the stars are submerged all fallen and drowned the light from the depths shines upside down ursa major orion's belt ursa minor ice water vega reversed ocean liner inverted looks like the water twisted so tonal sounds mother and daughter sister and brother packed in blue ice from the curves of the earth and the jaws of a vise in these dragonteeth winter days you pick your time carefully endpoints are delays the decay of such that they cannot touch or remove them erasing straight thoughts as a means to improve them sailing seas beneath the skin underneath the unrequited life just out of reach i'll nevercomplete it i'll never repeat it
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Aug 21, 2013
Aug 21, 2013 at 11:53 AM UTC
without stopping
this longing is legacy for a girl cut in half cold currents of knife astride darkest path without stopping for daylight in somnambulant flight (your 2 a.m. smile is reason enough)       sheets of sound somber the womb of an angel      a war goddess unbound    o a           stasis seraphic        shrink wrapped in sweet plastic ((the perfumed fields are elastic with crowned princes dynastic)) this mortal season on this perfect day strikes the hearts of the stolen in a fugitive way the clarified fire sinew and lean eats the sins of the heavens where the ashes convene the park with the lake is wooded and pretty the sky's on the grass in an underground city i'm calling from a subterranean ocean the shells are all closed and the waves are all broken in a minute the  tides will all swell the gulls will pack up and the moonlight will dwell say hello to the girls from the sand they can walk on the water but never on land the stars are submerged all fallen and drowned the light from the depths shines upside down ursa major orion's belt ursa minor ice water vega reversed ocean liner inverted looks like the water twisted so tonal sounds mother and daughter sister and brother packed in blue ice from the curves of the earth and the jaws of a vise in these dragonteeth winter days you pick your time carefully endpoints are delays the decay of such that they cannot touch or remove them erasing straight thoughts as a means to improve them sailing seas beneath the skin underneath the unrequited life just out of reach i'll nevercomplete it i'll never repeat it
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Me gusta ver el cielo con negros nubarrones y oír los aquilones horrísonos bramar, me gusta ver la noche sin luna y sin estrellas, y sólo las centellas la tierra iluminar. Me agrada un cementerio de muertos bien relleno, manando sangre y cieno que impida el respirar; y allí un sepulturero de tétrica mirada con mano despiadada los cráneos machacar. Me alegra ver la bomba caer mansa del cielo, inmóvil en el suelo, sin mecha al parecer, y luego embravecida que estalla y que se agite y rayos mil vomite y muertos por doquier. Que el trueno me despierte con su ronco estampido, y al mundo adormecido le haga estremecer; que rayos cada instante caigan sobre él sin cuento, que se hunda el firmamento me agrada mucho ver. La llama de un incendio que corra devorando escombros apilando quisiera yo encender; tostarse allí un anciano, volverse todo tea, oír como vocea, ¡qué gusto!, ¡qué placer! Me gusta una campiña de nieve tapizada, de flores despojada, sin fruto, sin verdor, ni pájaros que canten, ni sol haya que alumbre y sólo se vislumbre la muerte en derredor. Allá, en sombrío monte, solar desmantelado, me place en sumo grado la luna al reflejar; moverse las veletas con áspero chirrido igual al alarido que anuncia el expirar. Me gusta que al Averno lleven a los mortales y allí todos los males les hagan padecer; les abran las entrañas, les rasguen los tendones, rompan los corazones sin de ellos caso hacer. Insólita avenida que inunda fértil vega, de cumbre en cumbre llega, y llena de pavor, se lleva los ganados y las vides, sin pausa, y estragos miles causa ... ¡qué gusto!, ¡qué placer! Las voces y las risas, el juego, las botellas, en torno de las bellas alegres apurar; y en sus bocas lascivas, un beso a cada trago con voluptuoso halago alegres estampar. Romper después las copas, los platos, las barajas, y, abiertas las navajas, buscando el corazón, oír luego los brindis mezclados con quejidos que lanzan los heridos en llanto y confusión. Quisiera ver al uno que arrastra un intestino, y al otro pedir vino muriendo en un rincón; y otros, ya borrachos, en trino desusado cantar a Dios sagrado impúdica canción. Y mientras las queridas tendidas en los lechos, sin chales en los pechos y flojo el cinturón, mostrando sus encantos, sin orden el cabello, al aire el muslo bello. ¡Qué gozo! ¡Qué ilusión!
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La desesperación
Me gusta ver el cielo con negros nubarrones y oír los aquilones horrísonos bramar, me gusta ver la noche sin luna y sin estrellas, y sólo las centellas la tierra iluminar. Me agrada un cementerio de muertos bien relleno, manando sangre y cieno que impida el respirar; y allí un sepulturero de tétrica mirada con mano despiadada los cráneos machacar. Me alegra ver la bomba caer mansa del cielo, inmóvil en el suelo, sin mecha al parecer, y luego embravecida que estalla y que se agite y rayos mil vomite y muertos por doquier. Que el trueno me despierte con su ronco estampido, y al mundo adormecido le haga estremecer; que rayos cada instante caigan sobre él sin cuento, que se hunda el firmamento me agrada mucho ver. La llama de un incendio que corra devorando escombros apilando quisiera yo encender; tostarse allí un anciano, volverse todo tea, oír como vocea, ¡qué gusto!, ¡qué placer! Me gusta una campiña de nieve tapizada, de flores despojada, sin fruto, sin verdor, ni pájaros que canten, ni sol haya que alumbre y sólo se vislumbre la muerte en derredor. Allá, en sombrío monte, solar desmantelado, me place en sumo grado la luna al reflejar; moverse las veletas con áspero chirrido igual al alarido que anuncia el expirar. Me gusta que al Averno lleven a los mortales y allí todos los males les hagan padecer; les abran las entrañas, les rasguen los tendones, rompan los corazones sin de ellos caso hacer. Insólita avenida que inunda fértil vega, de cumbre en cumbre llega, y llena de pavor, se lleva los ganados y las vides, sin pausa, y estragos miles causa ... ¡qué gusto!, ¡qué placer! Las voces y las risas, el juego, las botellas, en torno de las bellas alegres apurar; y en sus bocas lascivas, un beso a cada trago con voluptuoso halago alegres estampar. Romper después las copas, los platos, las barajas, y, abiertas las navajas, buscando el corazón, oír luego los brindis mezclados con quejidos que lanzan los heridos en llanto y confusión. Quisiera ver al uno que arrastra un intestino, y al otro pedir vino muriendo en un rincón; y otros, ya borrachos, en trino desusado cantar a Dios sagrado impúdica canción. Y mientras las queridas tendidas en los lechos, sin chales en los pechos y flojo el cinturón, mostrando sus encantos, sin orden el cabello, al aire el muslo bello. ¡Qué gozo! ¡Qué ilusión!
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104
back when summertime sadness was hip. beating hearts felt like butterflies trapped in a plastic water bottle trying their hardest to get out and bodies of water that were frighteningly black but as clear as broken glass and worn down cowboy boots and perfectly fragmented scarlet and burnt orange canyons and crushed beer cans by the firepit and isolation and inescapable infatuation. the world was so beautiful and almost ethereal but it wasn't familiar. like it had been taken apart and put back together differently than before. -z. vega
0
Jun 23, 2016
Jun 23, 2016 at 3:17 PM UTC
stateline
Sparks, imperial journey to the great gold      it's day for shining      dark for crying      and pining      deciding      where to go? in this great blue world I see lines      better to remove the dust and      grab whatever's floating How would we stay alive for ourselves?           Tell me what a real person is.           Ask me what a real human is. Green, I feel green      in the face and the toes      because green grows      what the heart knows Safety is gone      but i feel alright. Just because it might go away doesn't mean I have to hold on harder, or bite down stronger. Everything slips, because      everything slips.      Hang me on a string      and rid the town of my modern making They wanted a puppet      but they gave me the wrong color      the mismatched wood      uneven cards and googly eyes      that see too much. Maybe the sun could bleach me      back to a perfect dolly      on the windowpane      for your pleasure and my disdain We could avoid the mess      of dancing under Vega      Aquarius is finally here      and it only talks this way      in the summertime But I've learned to listen:      love sets in after time, and distance is quickest. I sent a letter admitting that it's partially my fault      for losing myself in the hanging orb      but internally I knew that distance is quickest I sense a change above our hearts      and it wants      an audience Maybe the stars know what to do?      Down here it's not true      to say we have any clue If there only was a way to learn that Sparks in the sky      are opportunities to try           and lie less           to be great and honest      Learn that distance is quickest Green: the spaceship of our baby dreams      and quilt seams      begging us to replant      and re-pot and re-hash      for a brighter future      a lighter day Wringing on my knees in the end      to believe that distance is quickest      and harmony's not already dead Finally. I know that Sparks exist for me to recharge and rebuild. They're green and they live in the sky that we filled they live in my art and the world's heart so if safety existed: Sparks would not. and the distance would look like time. So tell me why I should be human when I run so much better as a shiny porcelain battery backup mind
0
May 26, 2015
May 26, 2015 at 1:50 AM UTC
sparks in the sky = distance ( a lesson for you and for me)
Sparks, imperial journey to the great gold      it's day for shining      dark for crying      and pining      deciding      where to go? in this great blue world I see lines      better to remove the dust and      grab whatever's floating How would we stay alive for ourselves?           Tell me what a real person is.           Ask me what a real human is. Green, I feel green      in the face and the toes      because green grows      what the heart knows Safety is gone      but i feel alright. Just because it might go away doesn't mean I have to hold on harder, or bite down stronger. Everything slips, because      everything slips.      Hang me on a string      and rid the town of my modern making They wanted a puppet      but they gave me the wrong color      the mismatched wood      uneven cards and googly eyes      that see too much. Maybe the sun could bleach me      back to a perfect dolly      on the windowpane      for your pleasure and my disdain We could avoid the mess      of dancing under Vega      Aquarius is finally here      and it only talks this way      in the summertime But I've learned to listen:      love sets in after time, and distance is quickest. I sent a letter admitting that it's partially my fault      for losing myself in the hanging orb      but internally I knew that distance is quickest I sense a change above our hearts      and it wants      an audience Maybe the stars know what to do?      Down here it's not true      to say we have any clue If there only was a way to learn that Sparks in the sky      are opportunities to try           and lie less           to be great and honest      Learn that distance is quickest Green: the spaceship of our baby dreams      and quilt seams      begging us to replant      and re-pot and re-hash      for a brighter future      a lighter day Wringing on my knees in the end      to believe that distance is quickest      and harmony's not already dead Finally. I know that Sparks exist for me to recharge and rebuild. They're green and they live in the sky that we filled they live in my art and the world's heart so if safety existed: Sparks would not. and the distance would look like time. So tell me why I should be human when I run so much better as a shiny porcelain battery backup mind
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76
Paseábase el rey moro - por la ciudad de Granada desde la puerta de Elvira - hasta la de Vivarrambla.                 -¡Ay de mi Alhama!-Cartas le fueron venidas - que Alhama era ganada. Las cartas echó en el fuego - y al mensajero matara,                 -¡Ay de mi Alhama!-Descabalga de una mula, - y en un caballo cabalga; por el Zacatín arriba - subido se había al Alhambra.                -¡Ay de mi Alhama!-Como en el Alhambra estuvo, - al mismo punto mandaba que se toquen sus trompetas, - sus añafiles de plata.                 -¡Ay de mi Alhama!-Y que las cajas de guerra - apriesa toquen el arma, porque lo oigan sus moros, - los de la vega y Granada.                 -¡Ay de mi Alhama!-Los moros que el son oyeron - que al sangriento Marte llama, uno a uno y dos a dos - juntado se ha gran batalla.                 -¡Ay de mi Alhama!-Allí fabló un moro viejo, - de esta manera fablara: -¿Para qué nos llamas, rey, - para qué es esta llamada?                 -¡Ay de mi Alhama!--Habéis de saber, amigos, - una nueva desdichada: que cristianos de braveza - ya nos han ganado Alhama.                -¡Ay de mi Alhama!-Allí fabló un alfaquí - de barba crecida y cana: -Bien se te emplea, buen rey, - buen rey, bien se te empleara.                 -¡Ay de mi Alhama!-Mataste los Bencerrajes, - que eran la flor de Granada, cogiste los tornadizos - de Córdoba la nombrada.                -¡Ay de mi Alhama!-Por eso mereces, rey, - una pena muy doblada: que te pierdas tú y el reino, - y aquí se pierda Granada.                 -¡Ay de mi Alhama!-
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1.1k
Romance de la pérdida de alhama
Paseábase el rey moro - por la ciudad de Granada desde la puerta de Elvira - hasta la de Vivarrambla.                 -¡Ay de mi Alhama!-Cartas le fueron venidas - que Alhama era ganada. Las cartas echó en el fuego - y al mensajero matara,                 -¡Ay de mi Alhama!-Descabalga de una mula, - y en un caballo cabalga; por el Zacatín arriba - subido se había al Alhambra.                -¡Ay de mi Alhama!-Como en el Alhambra estuvo, - al mismo punto mandaba que se toquen sus trompetas, - sus añafiles de plata.                 -¡Ay de mi Alhama!-Y que las cajas de guerra - apriesa toquen el arma, porque lo oigan sus moros, - los de la vega y Granada.                 -¡Ay de mi Alhama!-Los moros que el son oyeron - que al sangriento Marte llama, uno a uno y dos a dos - juntado se ha gran batalla.                 -¡Ay de mi Alhama!-Allí fabló un moro viejo, - de esta manera fablara: -¿Para qué nos llamas, rey, - para qué es esta llamada?                 -¡Ay de mi Alhama!--Habéis de saber, amigos, - una nueva desdichada: que cristianos de braveza - ya nos han ganado Alhama.                -¡Ay de mi Alhama!-Allí fabló un alfaquí - de barba crecida y cana: -Bien se te emplea, buen rey, - buen rey, bien se te empleara.                 -¡Ay de mi Alhama!-Mataste los Bencerrajes, - que eran la flor de Granada, cogiste los tornadizos - de Córdoba la nombrada.                -¡Ay de mi Alhama!-Por eso mereces, rey, - una pena muy doblada: que te pierdas tú y el reino, - y aquí se pierda Granada.                 -¡Ay de mi Alhama!-
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23
*She is the most attentive person That I know. So I am winking At her. I do not really know Which star at night Reminded me of her Just like before. Sirius, Rigel, Vega, Aldebaran-- I do not recall a star that-- That does not look back, She cannot see me anymore, Just looking, staring at her, This way. God, She's so beautiful. She is the harpist of my life. She feels more than ever. She longs for shapes, sizes, and textures. What a cute baby... Her hand is fond Of my hand, memorizing The intricate lines and features, Telling my future. You can tell what she really is. She smiles despite of. She is literally wind, monsoon, Literal dark and light, A soul, a window. She is literally blind. She is literally love. She is the most attentive love That I know.* © 2014 J.S.P.
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Nov 8, 2014
Nov 8, 2014 at 6:11 PM UTC
So I am Winking At Her