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"vagrants" poems
There is an image Working to free my mind From violent dawns It probes at the backs of my eyes It tells me I am prostituting myself Here in my bedroom In incestuous union with myself I hallucinate and fantasise about Doctors sons, butchers boys Teenage thieves, deserters Drug pushers, scandalous rent boys Vagrants, pimps, prostitutes And silk lingerie and don't care. I sit destitute of thought An insonce dissonance of macabre music Playing out melodies of an image in my mind
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Apr 12, 2012
Apr 12, 2012 at 4:42 PM UTC
************
Bricks and mortar, steel and boards, Phone poles lined with power cords, on Pothole streets, where engines roar, 'Neath smoggy skies, where jet planes soar, Where penny merchants peddle wares, And news reports pretend they care, Where vagrants sleep, and children stare, And people work for lives not theirs, That's life in the jungle, adrift in the herd, Where terrestrial beasts envy free flying birds Where the pundits stand polished, and speak empty words, And the artists paint portraits, while posted on curbs, Where the men push carts, full of empty cans, And the women spend paychecks, for spray-on tans, Where the truckers drive loads, 'cross a thousand mile span, To appease the great gods of supply and demand, Asphalt and tarmac, girders and glass,   Terrarium trees in cemented sod grass, Ripe with the stench of exhaust fumes and gas, As the choir lines up for the 10 o'clock mass, While the brokers all scream, at a packed stock exchange, As the veterans in wheelchairs sit begging for change, That's life in the jungle, it's just a big game, But remember you're playing, lest you go insane.
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Mar 24, 2015
Mar 24, 2015 at 11:01 PM UTC
Life in the Jungle
Now through night's caressing grip Earth and all her oceans slip, Capes of China slide away From her fingers into day And th'Americas incline Coasts towards her shadow line. Now the ragged vagrants creep Into crooked holes to sleep: Just and unjust, worst and best, Change their places as they rest: Awkward lovers like in fields Where disdainful beauty yields: While the splendid and the proud Naked stand before the crowd And the losing gambler gains And the beggar entertains: May sleep's healing power extend Through these hours to our friend. Unpursued by hostile force, Traction engine, bull or horse Or revolting succubus; Calmly till the morning break Let him lie, then gently wake.
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5.2k
Nocturne
Winter has steadily come, And I'm not sure I can convey How readily glum The frost singed air Feels as it sticks in my throat. I might as well, I might as well. A pig pulled a U-turn to warn me Of the ghetto youths Roaming the neighborhood, He said to put my phone away And be on guard, This area is dangerous, you know, How long have you lived here, How long have you been alive? My knuckles are stiff And my toes need stretching, And my mind keeps retching From the smell Of rotting leaves Mixed with deferred dreams. In this section of town Named for Hughes, I perceive the blues He was wont To sing, I breathe the fluid Inherent in the slums, And think on why The oil shines in The gutter, Why it's working in our blood, But it's not the same as love Why vagrants mutter And Hope dissolves Once the glitter of The campaign wears off, Left to sparkle in the dirt With the cast-off gloves And chunks of weave. Oppression in the guise Of freedom stresses My beliefs, And it's all I can do To take solace in the relief Of taking my seat on the Bus I've been waiting for That will drive me Towards a different lie And a less realistic Metaphor; Cleveland Park And its expensive stores.
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Nov 27, 2012
Nov 27, 2012 at 5:42 PM UTC
--95% Post-Consumer--
The man walked, shuffled, Through blisters & sores. His shopping cart stutters Past the laden stores. He's lost his mind On rocky shores He had hopes and Dreams galore Now he can't find them Anymore. In the land o' plenty The woman lives hard. Barely feeding her kids With a food-stamp card. The soldier lost limbs, Now he's alone. He is "housed" But has no home. *[chorus] We know the rhyme. We know the riddle. But they still get caught In the middle. Caught in the cracks The streets for some. Cement & sky Is not a HOME.* Emily sits upon the stoop. Goes to kitchens to get soup. Michael lives. He breathes. He talks. But he sleeps In a cardboard box. [chorus] They're called vagrants. They're called bums. Labels they can't overcome. Like wooden ships Their only sea Is in a bottle They can't break free Where's your HEART, society? Where's your SOUL? *Your *EMPATHY? BRIDGE: We must repent. We must atone. We ALL are guilty To the bone. We must help them FIND A HOME.** SøułSurvivør (C) 6/8/2017
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Jun 8, 2017
Jun 8, 2017 at 2:26 PM UTC
To Find a Home
Overcome the apathy, disconnected truth We, our fractured vanity, the forbidden fruit A line once drawn, towards the edge we’ve toyed Reality now gone, journeying into the void Witch-fed lies, as we timidly believe The vagrant’s cries, nothing special to see Listlessly we begin to die, but this is not we Forever asking, why this has to be The intertwined insanity, a stricken route Became lost in profanity, once in our youth Striving towards a new dawn, only to avoid The paths of an old pawn, as lines get destroyed Once uplifted to fly, to never deceive This vagrant’s only ply, is a subtle belief To never be shy, and only wish to receive Or, to rely on what he believes
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Aug 19, 2020
Aug 19, 2020 at 7:23 PM UTC
The Vagrants Only Cry
first, make sure you are very concerned with unlearned or silenced or misread minorities. this establishes that you are a rarity, a person of charity, a champion and deity of the small and the voiceless. you’ve made the right choices swallowed the right poisons so now you’re not pointless, you’re with the top few of the economic disparity. do you aver verity? not so much. you just make the choicest noises. second, it is very important that you stud your vernacular with words like deictic, post-spaciality, and sub-simulacular. when you, font of knowledge, squeeze out pearls like turds in twelve-point, double spaced, times new roman rows, lined up like crows or some other ***** birds, be sure to write no sentence shorter than thirty words, and see to it that two thirds of these words have more than ten letters that even the nerds in their plaid-patterned sweaters have not once ever heard. when you walk, A paper in hand, from your car to your apartment, past four vagrants, do not look at them. do not look into the eyes of the man standing in the rain, barefoot, black, green, and yellow toenails oozing and crusting, nodding his head and shouting at no one, and do not wonder whether or not he’d be there had he been educated. lexicon is not eloquence. erudition is not wisdom. intelligence is not a prerequisite for rights. you have no rights. take a dictionary and shove it up your *** and while you’re at it, shove one up mine, too.
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Aug 7, 2013
Aug 7, 2013 at 4:54 PM UTC
Postmodernist Vomitus: or, how to be a sanctimonious educated ***** like me
Some 'others' and so-and-sos don't want to be found. They don't want to be solid. They don't want to: dematerialize or to rematerialize or to manifest. They don't want to come into being or exist. Some so-and-sos are vagrant and delinquent. Truant vagaries of brush strokes mushrooming in the tresses of dresses. Indeed, some 'others' wish to remain anonymous. They reckon it’s reasonable to protect a human standard. Their privacy a prison of unwatchfulness- the walls closing in like they did for Hans Solo, Chewbacca, and the princess... like Indiana Jones or some platform pitfall romance. The 'others' wish to remain alone. How else would they be 'others'? Anonymity is the preferred state of 'others' and so-and-sos. It is their church confessional. Safe harbor to their ******
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Oct 4, 2012
Oct 4, 2012 at 12:28 AM UTC
Vagrants
The world is a Bersinski painting The rain is a Plath poem The night is a Fellini film The day is a Bach cello Suite Our love is a winter fable Cold, warm and passing. The stars are drips of milk The wind is God breathing The sky is a floating mirror The grass is mother earth’s hair Her ***** is the earth Shapely, comely and nurturing French roast coffee is the turning of pages A scandalous book in a leather bound cover The Snow outside is the harp strings strumming Flaking specs falling lightly and patiently The city is a never-ending waltz The *** lives are directed by Bertolucci The homeless vagrants are saints in rags The People walking are sinners Each a sphere within a sphere A world within a world The theaters are abandoned rib cages The poets are Russian matryoshka dolls The painters are lost children The eyes are broken, stained glass Your arms and body are home to me Cradle me, soothe me and touch Those words won’t do it this time Sometimes the silence is what I need And you with me, away from it all
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Oct 26, 2013
Oct 26, 2013 at 1:10 AM UTC
Slipstream Glass
Tarmac under foot Bootprint in gum stain Pigeon among thorns, warble from ghost Wind between railings, xylophone of souls Altar for vagrants, drunks and rovers Graveyard for worms of steel Footstep footstep footstep Echo, silence, echo, silence The Wait. Out of the moonlight, floodlight Bone of back against wall Tentacle of mist, droplets on window Thunder of wheels through the emptiness Deafness, echo, silence
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Apr 24, 2013
Apr 24, 2013 at 4:16 PM UTC
Train Station at Night
STOP! CROSS ON GREEN ONLY! ONE WAY! WARNING DO NOT ENTER PRIVATE PROPERTY! NO TRESPASSING! NO LOITERING! VAGRANTS WILL BE PROSECUTED! DEAD END! Oooh my, can't stand this any more sooo... ...Felt a strange urge in my legs jumped into my car wanted F R E E D O M, craved   F R E E D O M, freedom away from this imprisoning sign-city Felt the true call of nature Felt my natural urge to e x p a n d needed my ROAMING grounds once more Fled for o p e n country s p a c e s where FREEDOM reigns like, like refreshing droplets of spring water BOLTED out of my car where mother earth cushioned my feet, caressed me, hugged me, And go so far as to say, even crawled into my jeans and heard harmonious chirping birds Felt this strange twinge in my calves Ran like a deer Ran into e x p a n d I n g  o p e n  s p a c e s                                   flight Felt my legs take practically off ground Felt twigs, grass and weeds gently stroke my ankles and calves Felt country refreshing cool air breeze my whole body; and whizz up my nostrils BUT SUDDENLY!! I trip over something, it's a rusty large sign reading, "KEEP OUT INTRUDERS WILL BE PROSECUTED PRIVATE PROPERTY"
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Oct 8, 2014
Oct 8, 2014 at 8:29 PM UTC
No place to go
Budapest It’s an odd hour in Budapest, that time when one finds themselves all alone, passing vagrants who rummage through the trash, searching for scraps of whatever and possibly some salvation, I’d been drinking, which I guess is good and bad, coming fresh off of a philosophical conversation, with an ideological Kiwi, I couldn’t crush her ideological exuberance, with my aged cynicism, even if I’d wanted to, because I respected her passionate optimism too much, or not enough, either way, I was as alone now, as I was before I met her, except I felt lonelier, because we all feel lonelier, after having had the company of a friend, or a stranger, whatever, it doesn’t matter now, I’m several drinks in, and I’m back at my rooftop apartment, across from The Dohany Street Synagogue, retreating into my writing which is where I find myself now, at this odd hour in Budapest, that time when one finds themselves all alone, passing vagrants who rummage through the trash, searching for scraps of whatever and possibly some salvation… ∆ Aaron LA Lux ∆ author of The Poetry Trilogy author of The H Trilogy ∆ ∆ ∆ ∆ ∆ ∆ ∆ ∆ ∆
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Jul 28, 2016
Jul 28, 2016 at 5:31 PM UTC
- Budapest -
For Beep & Sue Robinson, Foreman, Victoria Park Tunnel Auntie Elaine Kingii Died last night in her sleep, Ninety years of age Keeping secrets she would keep. Last night she passed away In her tiny single bed, At the Onehunga rest home Where she finally laid her head. Auntie Elaine Kingii Lived her long life on the street Helping other vagrants Find a kinder place to sleep, Helping other street kids With the hassles of their day, Sharing a quick cigarette Or a dryer place to stay. Auntie Elaine Kingii In her ninety years of life Had eighteen babies born to her From sailors , waifs and like. Eighteen babies born to her Beneath the Grafton bridge, Each with unknown fathers Or a family heritage. Auntie Elaine Kingie As a girl danced out of class Where the morning sunshine sparkled On the crystal dew, clad grass, And her green eyes shone with lustre In her  joy of dancing free, Whilst the street kids stood in cluster Quite entranced by what they see. Auntie Elaine Kingii With her eyes of emerald green Lived her days among the lost souls Of the City Mission scene. Life amongst free spirits Was a chosen path for her Shunning organised prosperity With a structured raconteur. Auntie Elaine Kingii With her eyes of emerald glass Chose to die the way she lived Quite serenely with her class. Happy with the company Of whom she would befriend In the park surrounds of Auckland city’s Busy people blend. Marshalg Victoria Park Tunnel 21 June 2011
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Jun 20, 2011
Jun 20, 2011 at 4:44 PM UTC
Auntie Elaine Kingii
I live in a desert My Dear. With a loopy-eyed cat who bites and a roommate who might as well. All of my clothes are ripped and stained and I don't know where I'll be working tomorrow. The other vagrants and I We can't afford to stay, but we can't afford the gas to leave, either. The summers are too hot-- the winters are too cold-- and the days and the nights are too dangerous. But we're here and we're young. And someone has to feed the cat.
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Oct 24, 2016
Oct 24, 2016 at 2:28 AM UTC
We're living.
Since 1876 the building had stood In the middle of town In a bad neighbourhood But, empty for decades And an eyesore to some She was no longer "The Lady" And her time had come The old man sat there staring As the charges were set To bring down "The Lady" he would not forget His first visit inside her In nineteen and ten He'd been inside her much more he figured since then Talking to no one, For no one was there He talked of her being He talked to the air "She started out as a theater" "Built by Colonel Tom Shaw" "To showcase an actress" "Known as Katie McGraw" "He built her a showcase" "To play many roles" "But, Katie...instead" "had other life goals" "It stayed as a theater" "Until Colonel Tom Died" "Others took over" "and failed as they tried" "To bring in top talent" "To play on the stage" "But by then, yes then...vaudeville" "Was now all the rage" New owners and concepts Vaudeville died To keep it afloat as a theatre Many had tried A store full of trinkets Of baubles and rings A department store future And the money it brings The next incarnation Was in retail not show And for twenty odd years They gave it a go "The Lady" adapted and was a great place to buy But, her past as a theater Well, it never would die New owners took over, A cabaret place Was the next incarnation She had a new face "The Lady" was re-done With tables for meals Great entertainers and she held wide appeal "I remember Bob Darin..." "Dean Martin and Jerry" "Came here in to town" "And they all made quite merry" "Great singers and shows" "Kept "The Lady" on point "But, tastes changed again" "a new King they'd annoint" "Elvis, came through here" "Played "The Lady", two shows" "But, rock and roll stars" "Don't come up where it snows" "The Lady" closed up became a hostel for a time To hide all her beauty Was truly a crime She's been a store and a warehouse And a place that made hats But for thirty odd years She's been home to some cats Derelict, vacant...no one comes round It's about time for "The Lady" To be knocked to the ground Some piegeons and vagrants The bats, cats and owls all leave in the morning When the cityscape howls The owner, not caring Signed off on her long ago It's been fifty odd years Since she housed her last show Her boards held up Jolson George Burns, ***** Brice And I said, she housed Elvis He played here twice But, now "The Lady" Sits and waits for the call Of the man in the crane With the old wrecking ball The old man, wiped his eyes And he turned from the scene "I would remember "Of how she had been" "A palace of talent" "A place one should be" "Now, she's only a relic" "But she's "The Lady" to me.
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Jun 16, 2013
Jun 16, 2013 at 8:23 PM UTC
Still A Lady
Since 1876 the building had stood In the middle of town In a bad neighbourhood But, empty for decades And an eyesore to some She was no longer "The Lady" And her time had come The old man sat there staring As the charges were set To bring down "The Lady" he would not forget His first visit inside her In nineteen and ten He'd been inside her much more he figured since then Talking to no one, For no one was there He talked of her being He talked to the air "She started out as a theater" "Built by Colonel Tom Shaw" "To showcase an actress" "Known as Katie McGraw" "He built her a showcase" "To play many roles" "But, Katie...instead" "had other life goals" "It stayed as a theater" "Until Colonel Tom Died" "Others took over" "and failed as they tried" "To bring in top talent" "To play on the stage" "But by then, yes then...vaudeville" "Was now all the rage" New owners and concepts Vaudeville died To keep it afloat as a theatre Many had tried A store full of trinkets Of baubles and rings A department store future And the money it brings The next incarnation Was in retail not show And for twenty odd years They gave it a go "The Lady" adapted and was a great place to buy But, her past as a theater Well, it never would die New owners took over, A cabaret place Was the next incarnation She had a new face "The Lady" was re-done With tables for meals Great entertainers and she held wide appeal "I remember Bob Darin..." "Dean Martin and Jerry" "Came here in to town" "And they all made quite merry" "Great singers and shows" "Kept "The Lady" on point "But, tastes changed again" "a new King they'd annoint" "Elvis, came through here" "Played "The Lady", two shows" "But, rock and roll stars" "Don't come up where it snows" "The Lady" closed up became a hostel for a time To hide all her beauty Was truly a crime She's been a store and a warehouse And a place that made hats But for thirty odd years She's been home to some cats Derelict, vacant...no one comes round It's about time for "The Lady" To be knocked to the ground Some piegeons and vagrants The bats, cats and owls all leave in the morning When the cityscape howls The owner, not caring Signed off on her long ago It's been fifty odd years Since she housed her last show Her boards held up Jolson George Burns, ***** Brice And I said, she housed Elvis He played here twice But, now "The Lady" Sits and waits for the call Of the man in the crane With the old wrecking ball The old man, wiped his eyes And he turned from the scene "I would remember "Of how she had been" "A palace of talent" "A place one should be" "Now, she's only a relic" "But she's "The Lady" to me.
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106
She's a happenstance mistake, a healthy baby born on Independence Day. Four days of work- for all it is worth, nights of hearty cries the soundtrack to a sudden, upside down life. The needle pulling history repeating different color threads- patches of cloth, events and mistakes patterns running through time, past always stitched together. I'm wondering where you came from, drawing memories from the back of my mind. I can only make up stories as you sit in solitude curving glass, covered in dust. The alleyways are empty at this hour. Only the vagrants, ******* their cigarettes, and strutting tom cats roam. Nights drenched in orange glow- street lamps guide me as I wander the streets alone. Is this the life I wanted? Is this just how things have happened?
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Feb 5, 2014
Feb 5, 2014 at 1:19 PM UTC
Hennepin County
Through peach coloured faded blinds, you watch him type on ashen keyboards Low music playing, he used to cut her hair, she was breathing Words from a soul, or words from dictionaries faded as the blinds and walls and clothes on his back A team of typists, all in a line (factory work and the repetitiveness of city living) You notice the desk, cheap and flat-pack, worn markings exposition of veneer and wood Did you spot the reference, or did it pass your eyes, - are you a fan? His derivative verse of Bukowski and the like is painful to eyes and corroding of the soul Have you seen the bees flee? Watch as the lights turn dead, and the oven burns red I'm not sure if one could call it homely; his home The way darkness arrives early each night above that house alone and the way rabid foxes walk in large circles to avoid the shadow cast You hear him cry at night (and I feel ashamed at noticing you) He sets himself alight, to feel something new You watch from your couch and flip the channel Are the old haunts getting older still, by the night's final adieu, a wild dog scampers home To lay beneath the old car with grass in the engine and we both know the house is burning The flashing lights in the street and the coked up vagrants dance rhythmically Smoke contortions over the grassy morning dew A girl with a vacant stare, from a bench afar, watches and flicks broken nails Everything you are is nothing you want, still watching from the window Pacing. Pacing. (I am on the rooftop, and I saw it all.)
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Nov 2, 2013
Nov 2, 2013 at 8:01 PM UTC
Interpretations of Interim Morning Madness, When the Harsh Light of Day Returns The Ghastly Memories One Hopes to Forget
Through peach coloured faded blinds, you watch him type on ashen keyboards Low music playing, he used to cut her hair, she was breathing Words from a soul, or words from dictionaries faded as the blinds and walls and clothes on his back A team of typists, all in a line (factory work and the repetitiveness of city living) You notice the desk, cheap and flat-pack, worn markings exposition of veneer and wood Did you spot the reference, or did it pass your eyes, - are you a fan? His derivative verse of Bukowski and the like is painful to eyes and corroding of the soul Have you seen the bees flee? Watch as the lights turn dead, and the oven burns red I'm not sure if one could call it homely; his home The way darkness arrives early each night above that house alone and the way rabid foxes walk in large circles to avoid the shadow cast You hear him cry at night (and I feel ashamed at noticing you) He sets himself alight, to feel something new You watch from your couch and flip the channel Are the old haunts getting older still, by the night's final adieu, a wild dog scampers home To lay beneath the old car with grass in the engine and we both know the house is burning The flashing lights in the street and the coked up vagrants dance rhythmically Smoke contortions over the grassy morning dew A girl with a vacant stare, from a bench afar, watches and flicks broken nails Everything you are is nothing you want, still watching from the window Pacing. Pacing. (I am on the rooftop, and I saw it all.)
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27
He wasn't a loner. He was just a wanderer in search for a place where he could find peace. His imagination was too vivid and wild. His mind was like a sphinx, impossible to decode. His thoughts were a tangled mess of knots. He was a mystery. He was never able to seek peace but he found something intriguing. He met her. Just like him - Wandering like a gypsy, with chaos occupying her mind. She was like the missing piece from his jigsaw puzzle of a life. Together they dreamt about all the magical infinities they longed for all their lives.
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Nov 19, 2015
Nov 19, 2015 at 7:30 AM UTC
Vagrants and Dreams
Under the sewers Stay a race unknown They've hidden themselves So that we can't see How good a people they are And how bad a human we are Under the sewers Last among the village A wee hamlet Which inside is a wizard Who is hated throughout their whole population All coz he made a silly accusation But insisted on a proclamation That would divert them from devastation Under the sewers We're the children crying Their tummies a aching They mouths a shouting Under the sewers Of a great country Is where many sit and sigh This is where they hide for protection From the above world Where riches and material Are valuable And where deeds are left And they treat many like vagrants Under the sewers were where my dreams would be They would be out of the ordinary Of course that's just a story That I made up, imaginatively
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Aug 8, 2013
Aug 8, 2013 at 12:57 PM UTC
UNDER THE SEWERS
Passion, Woe that you should be my muse, To have me painted and scarred so many hues And oh to carry this poets heart, Flooded by tides of feeling, floating world apart In a flowing void of deepness, The Self cast inward far, Awesome gravity from all directions, A black hole, holding ones brittle moon star. With strained might it's forces burn the sea of mind, Crashing thought-waves intoxicated on the outer worlds shore, Breaking onto rough and rational sands, Oft shadows of their true selves tender moon-star flaming, Vagrants misunderstood and poor And so ever the artist quests to rightly express, pressurised creations they may yet release Making room for the abstract storms atoms to saturate the waking, Liberating its blooming centre of still, silent peace.
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Jul 15, 2013
Jul 15, 2013 at 7:19 AM UTC
Expression sighed in shambles
A poem inspired by the awe and majesty of the pouring rain falling upon the cathedrals and the vagrants that say their Hail Mary's and Our Father's on the front steps. A poem inspired by the love of a woman who accepts the faults and ignores the mistakes and regrets that haunt many dreams. A poem inspired by the friends and the acquaintances who hold up the hands of the weak and give them a new sense of hope and a new sense of buoyancy. A poem inspired by the soft melodies floating softly over the plucking of strings and the pounding of keys ricocheting off the walls. A poem inspired by the enlightenment of the mind that only comes once in a while, but when it does come, time stops and everything is perfect.
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Jul 15, 2011
Jul 15, 2011 at 7:29 AM UTC
A Poem Inspired
negotiating modernity at the MoMA one's pushed along mass conveyances inertial rush an intractable force surer then the weight of Newton's gravity routes precarious contemplative moments nails scratching Pollack's #9 in desperate attempt to hold ground Mall of America's crushing crowds vagrants pacing the large garages barely glimpsing composite walls the open spaces bagging fast food art not a bit of intimacy in the **** place Music Selection Ornette Coleman with Eric Dolphy Free Jazz 2/24/11 NYC jbm
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Nov 15, 2011
Nov 15, 2011 at 8:41 AM UTC
MoMA
A star with night between her teeth; a girl Staggers a dance of seven heels, less six. Cues strewn along her route: a pin, a pearl, A tired, ****** queen a-lean on bricks.   Though under veil of spotlight she makes sway, No trace of rule remains on head or feet. Each sunset swallowed before birthing Day To toss to sirens feeding in the street.   Nocturnal vagrants fever dreaming deep Her cafe consorts, seeking but a friend. Mascara floods downstream where ducklings sleep, So get her to a bed and to an end.   And though low trolls will ever tweet her shame Each morning's jay will always sing her name.
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May 27, 2015
May 27, 2015 at 10:00 PM UTC
Sonnet no 2