"units" poems
Life and non-Life are part of a system-- a "system-like" system, but one nonetheless.
Where Entropy's that which is hidden from us--
and Information without meaning is total chaos.
But hold.
Poets, Bards & Thieves.
Of shame, of game, of blame, they speak
of secrets on the leaves.
In more or less a drunken mess, their simmered shimmered consciousness
could barely rarely quite express what causes them to grieve.
After some hesitation and liquid persuasion, the only collusion this final conclusion:
*Pain is entropic; Extra-sensory stimulation
received as distortion via sensory limitations--
Confusing the mind refusing the signs, forcing us to shutter the blinds.
But what is behind? Unveil pain's curtain and what do we find?
Contextualisation, possible causation-- Mind-Body integration without hesitation--
palpable, abstract Information dissemination!*
Jan 12, 2014
Jan 12, 2014 at 12:05 PM UTC
(I love) Dignity
*tearing words apart,
a part
of a joy I cannot
explain or share exactly*
knew a man once,
forty two years gone,
died too soon enough,
soon enough,
he and I will be
the same age
this man
a duck out of water,
a stranger in an adopted land,
trouble-stooped, a hard life, well lived,
never bent,
dignified in every step
I cannot remember him
ever kissing me, tousling my hair,
holding my hand, loving me in
a manner I wanted beyond desperately
yet here I am, 5:22 am
weeping tears recalling him
in glimpses long ago seen,
adding them all up to get a
single sum
Dignity.
*tearing words apart,
a part
of a joy I cannot/explain,
share precisely*
dig
in
to
my
chambered memory storage units,
unlocking those rusted locks with freshly oiled
tears
and loving the dignity he exampled
to the son he could not kiss, hand hold,
but taught him the one lesson, digging deep
to respect life and stand apart,
stand with dignity.
all else will follow
the son kissed his children plenty,
in a vain attempt to make up his missed
homework
now the grandfather,
now the grandfather
is still kissing
his last hope, his newest babes,
rolling on the floor,
so silly kissing belly buttons,
smelling their skin repeatedly,
in a manner most
undignified
still weeping
the son,
he tries to sort it out
and forgives and does not forget
the man that taught dignity
in everything,
even, especially,
in slow dying,
forty two years is a long time to wait
to weep.
it takes two hands in the dark
repeatedly
to collect all the waiting patiently
wetness and the
accompanied sniffles,
so undignified,
the son smiles at himself
declaring unabashedly,
digging out from himself
a poem, a self-reflection
on time tarnished reflections
clear enough to make him
sob,
believing*
I love dignity.
Mar 28, 2015
Mar 28, 2015 at 5:51 AM UTC
I thought I understood distance
When I learned at school it is defined as
“The amount of space between two points.”
I learned distance can be measured in various units
As steps, kilometres and miles
or even intervals of time.
I thought I understood distance
When I counted 2362 steps walking to school
And noticed my dad’s car meter increasing two miles
In three minutes driving me back home.
But my understanding had changed when I started measuring longer distances.
And attempting to cross them.
I travelled a distance measured in kilometres and hours to see him.
Such distances can be easily crossed.
Either I took the next train, or drove my car
Distance as an amount of space was two thousand kilometres
And distance as an amount of time was only a few hours.
I thought I understood distance,
But never the amount of space between two specific points;
My lips and his lips.
I travelled a distance measured in bottles of wine and years to kiss him.
Such distances can’t be easily crossed.
I could walk miles of skin
And distance as an amount of space between us
Could extend tiresome.
But such distances aren’t necessarily a barrier.
I have crossed all the oceans we created
I counted all the bodies
And I have indulged in his lips.
It took me two bottles of wine and twenty years
To actually understand distance
But my understanding is obsolete
For him and I ,
Are still two distant entities.
Sep 17, 2018
Sep 17, 2018 at 7:54 AM UTC
I shall talk a bit about Pressure,
It's about how it you can measure,
Learn physics well & earn a treasure.
Jul 30, 2018
Jul 30, 2018 at 2:22 AM UTC
we love a guy with a black eye blood shot
those cute five-finger dimples in his jawline up in millennial graphs
of x-time and y-self worth
increasing steadily in units knuckles and palms
lips and prods in a smooth
arching crescent down-facing hieroglyph of his swollen socket as
the plane descending for Cropper and kudos
touchdown
Jul 4, 2014
Jul 4, 2014 at 6:29 PM UTC
you can tell by the way she swings her hips
and pulls your hair
and licks her lips
and whispers in your ear
that she's easy.
you'll know her by the short skirt
and the tight top
and the high heels,
by the butterfly tattoo on her lower back
and the drink in her hand.
if she carries condoms
or takes birth control,
if she can't say no,
if she takes no convincing,
you'll know.
she's the girl at the party who drinks the most
and laughs the loudest.
she's the one you discarded the first night you met her,
when she gave you
the only part of herself that you deemed worthwhile.
you'll figure her out
from the tar trails of mascara,
the untouched meal,
the word "worthless" carved into her thigh like a brand,
marking her flesh as property
to which you are entitled.
pay close attention to her need for validation.
a **** will have the audacity to seek your approval
just because she's been told all her life
that she is nothing without your love.
she will measure her worth
in units of attractiveness
and desirability
because that is the only system she's ever been taught.
you'll know she's a **** when they find the defendant
not guilty,
and he arrives at the ten-year reunion in a limo.
you'll know she's a **** when she doesn't arrive
at all.
it's easy to spot a ****
in a society that teaches her that her lips are for kisses
and not battle cries,
that her hands are meant to be cradled in yours
and not ****** into the sky,
that her body is your wonderland
and not her home.
it's hard to miss a **** in a culture that paints women as ****** objects
while condemning any expression of female sexuality,
that glorifies the "good girl" who becomes whole
when the right man comes along
and stakes his claim.
the women you ****** in the lifetime before you met your wife
weren't marriage material;
you need a girl who's saved herself for you because
a girl who lets you **** her
crosses the threshold from ****** to ****
in a bizarre coming of age ritual in which your **** is *so ******* important*
that its temporary entrance to her body
renders her worthless.
you can tell she's a ****
because for her, there is no right answer.
you can find your **** at rallies
and in body-baring photographs,
alive in the anxious triumph
of finding something in herself that she can love,
of digging through a lifetime of rubble
and reclaiming small shards of forgiveness from the dirt.
her self-identified status
rips away your long-established privilege
of dictating who she can be
and defining her worth;
your resent her new autonomy.
you can march beside her,
or you can step aside.
she has stolen back her power.
she was made for revolution.
Jan 3, 2014
Jan 3, 2014 at 6:09 AM UTC
This ***** ******
They say that beauty is in the eyes of the
Beholder, so does this ***** have eyes?
the power of evil and bad,
Today we see what it can do
Many a nation have gone to war,
Because of this ugly beauty,
many family units has been tread apart
Because of its evil doings,
The seven hundred wives of
King Solomon and his three
Hundred concubines was
a great example of what
the ugly beauty can do:
Infidelity is on the rise,
so many lies: so many shortcoming,
Lucy ****** is an embarrassing subject
why men lie and killed for it?
this remarkable commodity: with
****** is like a Van Gogh painting,
It gets lot of attention: the baseline dimensions
is still a mystery: A weapon so powerful
It can break a man down to his lowest
It has a language of its own.
silly words like sup, sup, sup.
the same sound effects of a cold beer going down
the gullets: the smoother, the esophagus: pleasers
The ****** and a beer have so much in common
they both get their men all the time,
a smooth transportation, in addition, the lamentation,
****** you are surely blissful:
Men incredible dreams
who wouldn’t want to own the team?
No matter how destructive or fulfilling:
** Ô, the wine of a woman from heaven is sent,
more perfect than all that a man can invent.”
― Roman Payne** Quote
Apr 29, 2018
Apr 29, 2018 at 2:07 PM UTC
With mechanical portals known to be doors
That either lead to different worlds or take you home,
These cabled vehicles like tunnels on wheels fastened on a railroad track
Stretch to both ends of the universe under a single route.
And as you get in for closure,
You put your trust on the obscure.
Just say the magic words;
It will take you anywhere you wish to be.
Even though magic always comes with a price,
The only cost are countable units of your time
And also a few dimes,
In return for the travel of your life.
Across the carpeted walkway of reaching out,
Through the glass windows of visible silver lining,
Behind the blank and arid faces that lure the soul to sink in deep wonder,
The lights and skyscrapers, and mist silhouetting the scenery,
All appear in bokeh, all blend in your eyes;
Your eyes that glow brighter than fire on ice.
The coldness lashing perennially on your skin
And shaking your bones to its final breakage,
Couldn't beat the absolute zero amity between these strangers.
But your fascination has enough radiation
To melt the tip of the iceberg
And shine over what's behind their opaque walls.
Settled on the plastic seats that serve as time machines,
They nestle between unfamiliar bodies;
Static, in a state of inertia.
Blocking out force, resisting change;
Like cars stuck on parking mode,
Couldn't bring themselves to unload.
Grasping on loose handles
With a grip more secure than seat-belts,
Some tend to pull away despite of the constant push.
Like engines on reverse, they take time to backtrack.
For all we know, for every action,
Is an equal and opposite reaction.
The brakes hit; there goes a screeching sound.
But when it comes to a break, we don't really hang back
Or fall to a complete stop;
We only slide forward.
For we must keep moving ahead,
In order to keep our balance.
The portals once again unlock to let you out to the open galaxy
And let in another for the same adventure.
You've reached the end of the trip,
But not the end of the road; nor the destination.
For the journey is infinite; you know you are going to ride again and again,
Until you've run out of wishes of where you want to be where.
May 31, 2013
May 31, 2013 at 12:33 AM UTC
the foxgloves explode
in infinite slow motion [silently]
from them also we can learn
the soft crash and save ourselves
from the genius suicide:
the brief fame of a supernova
…
intermittent rain keeps the land fecund,
a deluge cleanses to the bedrock,
rain in perpetuity is impossible
and we think we can control this
but we live at one speed,
and measure in standard units:
our language is insufficient
to give a precise reflection
…
to assume our laws are true beyond appeal
puts into question our democratic process
we forget the necessity of conversation
the original Greek ideal of the agora;
to meet friends and argue is the point, is it not, of life,
of all this noise, after all, what use is silence?
…
our luxury of having the exercise of our conscience
is subsidised by the suffering of a multitude other
..and yet
when we all speak with one
language / currency / voice
there is no poetry anymore
no rhyme, no metre, no form
in this Heaven only, [on Earth], we are united
Jul 26, 2015
Jul 26, 2015 at 12:25 PM UTC
~
not a fan of reality TV,
plenty of "unreal" episodes
of my own direction stored,
available for further review
in the storage units of
neuronic black and white prison brain cells
which is why I have free~will chosen
to enumerate my poem~videos;
for easy retreat retrieval resurrection
of the travelogue of mind own insurrections
*a garage of mobility devices,
car, rollerblades, cross country skis plus,
a potpourri of escape methodologies
that by definition are all round trippers,
returned to their storage unit after use
and I count them Noah~like,
two by two, as they come on board,
and when they disembark for days of
rest and recreation*
this one, #4,
is born
among headstones,
just anther memory storage unit
specialized,
flag decorated,
but different
This is a one-way,
no return,
unit
but
it can be viewed at anytime
by those who care to be users,
by speaking this:
*Read to me poem number four,
on a day we celebrate,
about free men of every color and persuasion,
who are calling out to
open the door to storage unit four,
so we to can perform
our once-a-year
Tour of Duty
to the those who called,
and answered with limb and love,
for by their glory,
we are
free too*
to remember in any way we choose
~
May 24, 2015
May 24, 2015 at 5:18 PM UTC
The solitary reminder,
a sole survivor,
hopeful-placed,
forgivingly encased
in little boxes decorative
hidden in plain sight
throughout our home.
Single and incomplete,
the lonesome leftovers,
openly hid upon bookshelf,
desk corners, fireplace mantels,
storage units of the
I am unlost,
I am unfound,
Raise your hand,
stand up and say
that is me,
that is me.
Minor treasure chests,
of carved wood, seashell real,
acquisitions of trips
to faraway places,
these boxes, they themselves,
visible but unremembered,
just there, no cares,
no one knows,
when or why.
that is me,
is that me?
Space fillers, memory taunts,
grandchildren's playthings, delight,
when they someday come visit,
weather and parents permitting,
finding keys for locks, doors,
from three homes ago.
Can they unlock me too?
Boxes hoard the things
we have lost, but cannot discard,
can't sacrifice, gotta keep,
an admixture of buttons,
dried flowers, faded notes that
once upon a time mattered,
shook someone's world...
Some kept in hope,
others, sequestered, lock-up,
jails that we are both
jailor and jailed,
the joke being on me.
Should we, you and I,
exchange these
cases histories of lost hopes, memories,
it would not be surprising,
if when opened,
the contents identical,
even if you are in Manila,
Leeds, places of need,
and yet,
we would be shocked,
asking,
*that is me,
is that me?*
Dec 9, 2013
Dec 9, 2013 at 6:34 AM UTC
our lives are fraught with numbers
so many fractions of a second faster in a race
most wins on record best jury votes
highest flight deepest dive most goals
meters of rising sea levels
millions of refugees and more displaced
tens of thousands honor killings
thousands of deaths with Ebola
millions of Zika virus victims next year
billions of deficit or profit in import/export
or the stock exchange
votes in elections or for beauty queens
polls tweets virtual friends & followers
likes on the social media on hellopoetry
we have been taught to measure our status
our importance and the significance of our lives
in clicks of other peoples’ digital devices
even our time has been reduced to numbers
the digital has long replaced the comprehensive
instead of the round dial that shows 12 hours
suggesting the duration of a normal day
we have a punctual display without the whole
the cyclical has lost against the linear
0101010101010101010101010101010101
we all look forward to our numbered future
no past and very little present
our hands on smart phones homes TVs
pushing a button makes things move
swishing a screen displays the world
over all that we easily forget
that we ourselves have been reduced to numbers
of customers for businesses
of voters for the politicians
of workers for the corporations
of citizens for our nations
digital quantities we have become
and if we take a global view
we are part of the seven billion plus
that currently inhabit our earth
all of which do expect their individuality
be honored and their dignity respected
numbers don’t honor individuality
they simply count the units
items or people are for them the same
it’s left to us to find a way
that leaves the numbers in their place
yet guarantees us dignity
as individual members of the human race
Feb 1, 2016
Feb 1, 2016 at 6:19 PM UTC
Numerous number systems beyond the real:
complex numbers, octonions, omnions which can eat whole black
holes.
It's axiomatic that your personal history, preferences, how you feel
account for nothing at all.
$30 buys a flock of chickens for a needy family (International Rescue
Committee)
$29 gets a girl a school uniform (CARE), for $300 you can stock a fish
pond (Heifer International)
$69 can start a female entrepreneur in the sewing business (Mercy
Corps)
$5 will buy a bed net that protects a family from mosquitoes (Against
Malaria)
20th century experiments demonstrated that electrical charge is
quantized; that is, it comes in
multiples of individual small units called the elementary charge, e,
approximately equal to 1.602
x 10-19 coulombs (except for particles called quarks which have
charges that are multiples of
1/3e).
Why has the experimentalism of the avant-garde, which has failed in
the novel, succeeded in
poetry? Because poetry is always experimental; while the novel, on
the contrary, by its nature,
cannot be . . . which is to say that experimentalism is synonymous
with poetry, and that applied
to the novel, it leads simply to the substitution of the novel with
poetry. --Alberto Moravia
Man made the town, Fibonacci inflated zero to be the wheel
around which the universe turns and language is the soul
walking and talking quietly or going angrily to war.
"Counting is in its very essence magical, if any human practice is at all.
For numbers are things no one has ever seen or heard or touched."
As are words.
Joan Didion thought the scariest stanza in all of poetry
begins Row, row, row your boat gently
down the stream. The elements, the material penumbra,
irresolvable for the mortal, readily dissolve in words and numbers.
Aug 11, 2015
Aug 11, 2015 at 4:08 PM UTC
I do not question whether I am happy or unhappy.
Yet there is one thing that I keep gladly in mind --
that in the great addition (their addition that I abhor)
that has so many numbers, I am not one
of the many units there. In the final sum
I have not been calculated. And this joy suffices me.
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mouth syncing up digital brain,
electrically bounding the physical
with the ethereal analog bond
bound up and wrapped,
in fiber optic blankets,
secrets passing layer to layer
heard only by quadraphonic
receivers echoing out
into a singularity of conciseness,
confirmed by units of two
Feb 9, 2015
Feb 9, 2015 at 2:13 AM UTC
A six-legged Asian cockroach just washed up on American soil, and it can lay eggs on ice.
Roaches are infamous for the myth that they're one of the few species that could survive an atomic bomb. It's not science, but even Adam Savage and his gang of Myth Buster's say it's beyond myth: a human croaks after ten minutes of exposure to 1,000 units of cobalt 60. But for roaches, 10% of their population survives after exposure to 10,000 rads - hell, it's better than zero.
This new species is the most evolutionarily persistent thing ever - if surviving means anything, it win's life on earth, hands down.
But I'd rather be a monkey.
We **** up and **** ourselves everyday. We slip and **** ourselves with power tools, or smash our fists into soccer referees and manslaughter oops **** We shoot ourselves off of propulsion equipment to see what happens. Bone-crunching splatter ****
From 100 feet up, we look like ******* mad men.
But the roach shows up carefully and gets **** done with nasty perseverance. The roach with vapid speech and wide eyes, glued to efficiencies and body armor.
To exist plainly - to work, eat. and sleep - is done best by roaches. Success is a cockroach.
Mar 18, 2015
Mar 18, 2015 at 1:48 AM UTC
I have always been a morning person
With the way the sun peeked over storage units
and abandoned cars
"Hello!" It says
"I am here! Do not fear the dark!"
So we make our coffee and the artists think
Certain things
We build words and universes within ourselves
And we never get to a book in time to write it down
To scrawl down the formula
For what might have been
morning always reminds me
Of lazy cats stretching in the sun
And watching the dew solidify
On the grass
Outside the window.
Aug 11, 2014
Aug 11, 2014 at 10:38 AM UTC
I am a certified expert in the sequential pushing of buttons,
this pushing performed, on a good day, in concert with the
expensively purchased, somewhat rare mental model of
the workings of a recently commonplace variety of machine
dependent at its core on the minuscule presence of increasingly-rare
earth metals allowing for the conditional flow of groups of electrons.
These machines, like their precursors, are further dependent on
the supply of slightly less increasingly rare combustible material
for which armed conflicts are routinely fought and many have died.
My interest in the machines began at an early age,
enticed by the illusion of control, and on the whole,
I think, motivated by the idea that these machines
processing information, the core mechanism of reality,
might be used to create understanding.
In the interceding years, it is increasingly apparent to me
that while some are used for this purpose, most,
like most things around me, are controlled and engaged by
multi-personed organisms concerned primarily with:
1) self-preservation AND
2) the collection of, and limited divestment of,
unit notions of rarefied value, insured by the
existence of another similar organism valued for its
1) self- and nearby-environs preservation AND
2) recent track record of insuring continued relatively easy access
to the aforementioned important combustible materials.
—it is generally considered to people's credit that this notion
of value is thus-derived and no longer as frequently derived by virtue
of possessing a metal which, while of certain non-combustible use,
is basically just pretty rare and really, really shiny.
I find myself again shortly in a need of convincing such an organism
that my button pushing is of sufficient quality,
on sufficiently frequent good days,
that it should consider me a temporary part thereof and divest,
of itself to me, sufficient units of value that I might happily
continue to push buttons on its behalf in the pursuit of further units.
I am, for some reason, somewhat less than thrilled with this prospect
finding it, despite its marketability, a maybe less than important enterprise.
I am existentially concerned by the idea that my whole value may derive
from my button pushing, and is thus further dependent on
the availability of rare-earth metal and also-rare combustibles.
In some delusion of importance amongst 7 billion plus similar primates
and a unfathomably vast universe,
I thought you might be interested to know
Jan 21, 2014
Jan 21, 2014 at 4:56 PM UTC
It is Christmas Eve.
I sit idly, in slight discomfort on this wooden pew.
A glorified bench if you ask me.
I remember being a child, blissful and reverent.
I memorized sacred stanzas of prayer unaware of their meaning,
chanted them with everyone else.
I always thought God had excellent diction.
Now though I am puzzled.
For an American culture so ethnocentric, patronizing rituals in the third world and of other religions as silly;
Their own rituals are quite silly.
Transcending the mystery of creation for a moment now: having figured this a charade for the generational reproduction of virtue and morality inexorably tied up in the Americanization and Assimilation of society, that we might all move in one direction. That we might all create family units, buy houses, white picket fences, watch television on couches with children and consume, consume, consume... I deem it acceptable to be immoral.
Hymnals couldn't be more of a bore to me, prayers are empty.
But the girl three rows up is filling her dress quite nicely.
I wonder if she also is despondent, if her eyes wander.
I take a mental step back and realize how many girls are wearing high drawn dresses.
Are they showing off their flawless legs for the lord? Surely not.
They dressed that way for me.
The three rows up girl looks astray and catches my eye;
for a moment we have found our savior.
I make it a point to kneel next to her for communion,
brazen enough to tell her "That dress is something else."
She blushes and shoots me a seductive smile.
"Yes I'm wrapped up quite well aren't I? Only missing a bow."
Holding the body of Christ,
"That shouldn't be a problem, I'm quite good at unwrapping. These dexterous hands of mine."
Her body shifts to the left, her sinister side against my right.
I watch her take a rather large drink from the blood of Christ, she places her hand over mine as she braces to stand.
Our eyes flicker on again for an instant as she turns.
I'll be finding her.
The golden goblet seeks me next.
Bad wine posing as blood.
Like all these christian's faking it, it's quite suiting.
I wonder if they really believe they are drinking human blood?
And eating human flesh?
******* zombies man.
Dec 25, 2012
Dec 25, 2012 at 2:12 PM UTC
1.youre too careful and too soft and your stomach
is growling. (you havent figured out if its
the emptiness you like
or feeling like youre alive, after all)
2. your teeth start to fall out in your hands;
your gums are rotted through.your blood
tastes like sweet wine
honey in in a fly trap
a cavernous echo when you feel brave enough to open
your mouth and beg.
3. there are princesses in your dreams, and theyre dripping blood
onto the carpet
(your mom bought it special for you two years ago
shes going to be furious.)
4. dissociative identity disorder is characterized by the presence of two or more distinct personality states
5. youre on fire youre on fire youre on fire youre on fire youre on fire youre on fire youre on fire youre on fire
6. youre covered in dirt. stop screaming in public
*be quiet you ******* slimeball*
what a creep.
7. you wake up in the middle of the night. you are missing two of your limbs. this
is normal
you go back to sleep.
8. she is delighted at your progress. you smile, and feathers are stuck between your teeth.
the dead bird in your lap says nothing.
9. you wake up in the middle of the night. you are in a coffin. this
is normal
you go back to sleep.
10. she is delighted at your progress. you smile, and clean up the mess you made.
11. you wake up in the middle of the night. your arm is missing. this
is normal
you go back to sleep.
the dead bird on the floor says nothing.
Mar 13, 2015
Mar 13, 2015 at 4:38 PM UTC
There's nothing simple about simplicity ,
It's complicated and complex units iwn right,
It's just like truth that's not simple either,
It's less complex to tell a lie then to tell the truth,
But why is simple not simple,
Why is a lie easier than the truth,
Why is complexity easier that simplicity.
Sep 15, 2014
Sep 15, 2014 at 3:25 AM UTC
I AM an ancient reluctant conscript.
On the soup wagons of Xerxes I was a cleaner of pans.
On the march of Miltiades' phalanx I had a haft and head;
I had a bristling gleaming spear-handle.
Red-headed Caesar picked me for a teamster.
He said, "Go to work, you Tuscan *******
Rome calls for a man who can drive horses."
The units of conquest led by Charles the Twelfth,
The whirling whimsical Napoleonic columns:
They saw me one of the horseshoers.
I trimmed the feet of a white horse Bonaparte swept the night stars with.
Lincoln said, "Get into the game; your nation takes you."
And I drove a wagon and team and I had my arm shot off
At Spottsylvania Court House.
I am an ancient reluctant conscript.
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These tiny loiterers on the barley’s beard,
And happy units of a numerous herd
Of playfellows, the laughing Summer brings,
Mocking the sunshine on their glittering wings,
How merrily they creep, and run, and fly!
No kin they bear to labour’s drudgery,
Smoothing the velvet of the pale hedge-rose;
And where they fly for dinner no one knows—
The dew-drops feed them not—they love the shine
Of noon, whose suns may bring them golden wine
All day they’re playing in their Sunday dress—
When night reposes, for they can do no less;
Then, to the heath-bell’s purple hood they fly,
And like to princes in their slumbers lie,
Secure from rain, and dropping dews, and all,
In silken beds and roomy painted hall.
So merrily they spend their summer-day,
Now in the corn-fields, now in the new-mown hay.
One almost fancies that such happy things,
With coloured hoods and richly burnished wings,
Are fairy folk, in splendid masquerade
Disguised, as if of mortal folk afraid,
Keeping their joyous pranks a mystery still,
Lest glaring day should do their secrets ill.
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