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"uncrossed" poems
"I can’t figure it out.” She said. “I like cigars, and pretty dresses and crossing my legs.” She paused, then continued, “And I like smoking cigars in pretty dresses while crossing my legs.” She uncrossed them, then crossed them again. One smooth limb over the other. Just like that. “But I never seem to have a lighter on hand. Could you— sir, please light my cigar?” “You see, I have no pockets to hold such things and my purse… Well, You’ve confiscated that, haven’t you?” “Thanks.” She breathed, and inhaled, and exhaled; Sluggish wisps of smoke dissipating into the air. Just. like .that. “I didn’t know L'homme was into women who smoke cigars in pretty dresses while crossing their legs", She said. “I mean, how was I to know? I only noticed him noticing me. It was probably the way my hair was tousled like so, Or how my lipstick shone a deep, dangerous rogue, Or the way I sipped at my champagne… That made him walk over.” “But I never asked him to light my cigar Or comment on my dress… Or stroke my legs. So when I whacked him up top over the head with my glass, I bet he never expected it to shatter and split his skull like so. He dropped so sudden, sir. I…” Another ringlet of smoke, a sigh, an uncrossing and crossing of legs again. “I had no clue, what else to do, But to sit still in my pretty dress, with my legs crossed, smoking my cigar trying to figure out... Just how I'd committed ******
0
Nov 12, 2018
Nov 12, 2018 at 5:10 PM UTC
"She Loved her Cigars, a Pretty Dress, and Crossing her Legs". A tribute to a Femme Fatale.
I uncrossed my legs and leaned forward, my face becoming warmer from the heat of the bonfire. All of our friends were around us, talking and laughing voices lifting up into the sky with the bonfire smoke. I leaned back in my chair and crossed my legs, eyes still on the fire. I couldn’t look up, because I knew what I would see. You on your phone, either looking for the updates from the game or texting that new girl you’ve tried to keep secret (you can’t lie to a liar, honey). So I didn’t look up. I stared at the flames dancing along the logs, at the smoke lifting up, flirting with the sky. I didn’t look up. I couldn’t look up. I — looked up. And found your brown eyes there to catch my blue ones, and found I could not catch my breath.
0
Jan 20, 2015
Jan 20, 2015 at 1:39 PM UTC
The Bonfire Summer
I sit on my toilet seat, legs uncrossed but guts wrenching at 5km/hr speed, staring at the blood stained ******* by my feet, wondering why merely being a woman makes me bleed. "Shame, shame, shame", they huff, as if being a woman was not a burden enough. Bleeding in shame is now considered religious, no matter how natural, For us, 'the time of the month' is never auspicious. I sit on my toilet seat, with sore thighs and a pungent stench in the loo, wondering if it would be as shameful If men bled the same way as women do. (M.I.)
0
Oct 18, 2018
Oct 18, 2018 at 2:49 AM UTC
That Time of the Month
I will walk the miles in your heart the distance it takes to prove my love I will trudge the sands of your time the moments you need, to know I will stay I will chase storms into the ocean and beat the waves to rest on your shores I will catch fire for you and burn new light to set aglow the path to your affections giving up or giving in, will never even begin to begin and never will I ever beg to be let in I will earn you I will ride the comets into your black skies to get a deeper look into your blue eyes I will never surrender or be subdued I will reach you I will brave the fears and swallow the salt in your tears to teach you that we were meant to be one no setbacks will keep me, no dark streets will defeat me I will arrive, I will arrive You are my river uncrossed, you are my home still lost you are cherished deeply at any cost you are my quiet moment soon to be filled with music you are the evidence of love that proves it I will run the race it takes to chase an angel I will I will it to be true and no mile will keep me from you
0
Dec 5, 2012
Dec 5, 2012 at 8:18 PM UTC
COMETS
if flirt had a body part it'd be her legs uncrossed, tube top, tight skirt, hoolahoop earrings smooth hands that say "i squeeze" i think she's the **** i mean she's the opposite of mediocrity, she's a siren that i'll let steer me and everyone will ship us to the moon but i'm shooting for eternity, beyond stars and she's laced in the spaces that my heart struggles to fit in and she's serving me and everything about her makes me smile if flirt had a body part it'd be her legs with a question like are they walking away or are they going to be wrapped around me tonight?
0
May 16, 2015
May 16, 2015 at 11:28 AM UTC
if flirt had a
Reach inside Pull it out Strip down Fall out Feel good Feel you Feeling whiskey Feeling sour Feeling lonely at this hour Can’t stop writing Can’t stop feeling Can’t stop won’t stop forever for anyone that’s what I say Scream it **** Repeat repeat We getting frisky in the bathroom We getting lovey dovey in the bar Don’t ask me why we’re here cuz IDK Ask me why what I think, you’ll get a novel I think Don’t think enough just try too hard Don’t try at all Don’t seem to keen on loving you Don’t think we’ll be here long Bars closing soon, let’s find another They’re all closed, let’s cross the border Lines uncrossed we forgot our brothers Tell our sisters No family means nothing I told you we lost ourselves Can I ******* take a break? .
0
Jul 20, 2018
Jul 20, 2018 at 4:26 PM UTC
Whiskey my sour
My thoughts are like gamma rays addicted to ******* Fiending for absolute Truth Or a new use for Head Space They come in a swarm that bitch-slaps any bats in my belfry And rational thoughts flash mob My cherished illusions Daily. I'm on the front line Of a Psychic War with the Brain-Dead ! My Kung-fu is Confused By Hatred as an Argument - Racist Beliefs as a platform to start with... Asinine articles of faith As arcane Armaments Immune to subtlety ...Q.E.D. ~ or any proof of concept ! They've kept the Rubicon Uncrossed by the Curious Held stock in kerosene To burn books too luminous for Fearful Men, Unaccustomed to Promethean Gifts And the Unquenchable Flame of Paradigm Shifts Mortified by any Noble Pursuit That diminished the Lie To magnify the Truth.
0
Sep 26, 2011
Sep 26, 2011 at 12:37 PM UTC
My Psychic War With The Brain Dead
Find me before I am forever lost; This madness tastes too sweet. Give direction to these stumbling feet; They cross lines that can’t be uncrossed. I gave you up before I knew the cost. How easily I admitted defeat! Find me before I am forever lost; This madness tastes too sweet. Save my heart before it hardens to frost; I need your warmth, your burning heat. Will you please cling to me when we meet? Find me while my heart is still soft. Find me before I am forever lost.
0
Apr 21, 2018
Apr 21, 2018 at 10:10 AM UTC
To Hope
I see for miles, yet all upon my sight outside my carriage are the endless seas, the shifting clouds of fog, the tops of trees that rock a simple path through poisoned white. And at their feet, some sodden deep in mire? Some sunk Atlantis sleeping 'neath the weight? or but a borough innocent of hate, Not well in hearts, but dead of hope and fire? A dormitory town? Or have you died? Though built by stone, your pulse is nearly lost; though faint your breath, your bridge is still uncrossed: return before you reach the other side... O land so drowned in dreams beyond a doubt dissolve your heartfelt fog, or be spat out.
0
May 31, 2010
May 31, 2010 at 10:56 AM UTC
Crossing a bridge in fog
heartspun yarn arms-length sifting lupine for the first time your half cast eyes settle on mine they speak 10,000 words words like zen or friend fiend is not one of them i sift your heart undoing shoddy work red lines we've given you uncrossed man eater Mooncrazed canine runes gleam the color dread worse: you were cast opposite Liam Neeson antagonist you had no chance you were not complex you were knight-n-shining armor-less i sift your being, dear thing seeing your you my needle speeds through your sudden burst of breath a wind of sorts on my face evokes the majestic yet reminds the animal i sift you rise to my feet and feel that my i has been licked clean
0
Apr 1, 2015
Apr 1, 2015 at 4:42 PM UTC
lupine heart
Time elapsed has been good to me Past pains have diminished Memories of laughter draw me back Not for it all, but for the friendship. Our conversations have been easy No expectations or complications Lines left uncrossed, flirtations tossed For more serious communications. Deceived by the distance and Misled by my [fragile] armor of strength I believe I can see you again Without falling into your arms again. We meet with an embrace I feel a simmering warmth Initially mistaken as just The joy of seeing an old friend. But, Your smile starts to sedate me I am losing consciousness with reality Your eyes have launched a stealth attack On my logic and disarmed my sense. My ears capture only silence My eyes keenly focus on your lips My mouth tastes your every word I bite firmly upon my lower lip. The heat now radiating is too intense My clothes singe in the flames of desire I am bare and breathless before you Resuscitated only by your kiss and...touch. D   a     m        n Quickly weakened in your presence I am but an iron particle drawn in your magnetic field It is now clear It is in the distance and only in the distance Where I am strong. © Tina Thompson
0
Mar 16, 2012
Mar 16, 2012 at 10:45 PM UTC
Strength in the Distance
rich begat rich forget the rest societal nepotism reserved for the best bias uncrossed infinite regress poor plied into poor piles segregated made less
0
Feb 16, 2015
Feb 16, 2015 at 11:16 AM UTC
tyred (imbalanced)
she was a bird, kind of. The kind that was easy to free, you know those ones you hear outside your window on a late spring afternoon, when the sky isn’t quite yet pink but you know it will be soon, and it’s kind of a sad time. She’s that kind of bird – the little plain brown ones that wait on the trees and suddenly you look out and it’s staring at you, giving you this sort of look that goes, “I know what you are doing and I can see you, deep inside you.” It’s sort of chilling, but it gives you a warm feeling too, until the tips of your toenails, and you feel very stuffy. She was that kind of bird. She would often just sit there next to you while you were drawing something, with her hand under her chin, legs crossed, leaning forward. And you would lose all focus of what you were drawing and realize that whatever it was, she would be twenty times more interesting to draw. So you would casually flick your notebook to a new page and contemplate a few sketch marks, outlining her jaw – and what a jaw. And you would just stare at that jaw and the curve you drew on your paper, and they would look nothing alike. But you hate erasing, but you hate what’s on the paper, and you just can’t take it and you get all frustrated and all the while she’s just sitting there with her hand under her chin, legs crossed, leaning forward, and you mean to jump a little and stand up and stare at her directly in the face, but you realize that wouldn’t be so nice. And you realize you’re acting slightly stupid, so you keep your poise and take off your shoes and socks, and it’s so nice by the fountain so you dip your toes in a little bit. Then she turns her head a little too quickly toward you when she notices your toes in the water, and you turn toward her, surprised. She searches your face, your eyelashes, your hands, sighs and leans backward and lies down on the cement, her shirt stretching up a centimeter or two above the waistband of her pants, exposing a white thin cookie piece of her belly. And then you want to draw her belly, except you can’t see her bellybutton which is the main part, and you get more frustrated, and all the while she’s just lying there staring up at the sky, with her legs uncrossed and her arms splayed out to either side of her, and all the while her blue and brown jacket is – oh no, she’s taking it off, oh no, and now you want to draw her arms except you can’t because you’ve pretty much just proven to yourself within the last few minutes that you can’t draw her at all. It’s so impossible, so you just don’t even open your mouth, and the water is making the bottoms of your toes wrinkly and it’s actually a little cold, so you look at her hair. So you look at her hair rolled out clumsily on the cement and it’s beautiful, and it’s so unfair what she is, and you don’t even know what to do with yourself.
0
Oct 22, 2010
Oct 22, 2010 at 5:26 PM UTC
Untitled #3
she was a bird, kind of. The kind that was easy to free, you know those ones you hear outside your window on a late spring afternoon, when the sky isn’t quite yet pink but you know it will be soon, and it’s kind of a sad time. She’s that kind of bird – the little plain brown ones that wait on the trees and suddenly you look out and it’s staring at you, giving you this sort of look that goes, “I know what you are doing and I can see you, deep inside you.” It’s sort of chilling, but it gives you a warm feeling too, until the tips of your toenails, and you feel very stuffy. She was that kind of bird. She would often just sit there next to you while you were drawing something, with her hand under her chin, legs crossed, leaning forward. And you would lose all focus of what you were drawing and realize that whatever it was, she would be twenty times more interesting to draw. So you would casually flick your notebook to a new page and contemplate a few sketch marks, outlining her jaw – and what a jaw. And you would just stare at that jaw and the curve you drew on your paper, and they would look nothing alike. But you hate erasing, but you hate what’s on the paper, and you just can’t take it and you get all frustrated and all the while she’s just sitting there with her hand under her chin, legs crossed, leaning forward, and you mean to jump a little and stand up and stare at her directly in the face, but you realize that wouldn’t be so nice. And you realize you’re acting slightly stupid, so you keep your poise and take off your shoes and socks, and it’s so nice by the fountain so you dip your toes in a little bit. Then she turns her head a little too quickly toward you when she notices your toes in the water, and you turn toward her, surprised. She searches your face, your eyelashes, your hands, sighs and leans backward and lies down on the cement, her shirt stretching up a centimeter or two above the waistband of her pants, exposing a white thin cookie piece of her belly. And then you want to draw her belly, except you can’t see her bellybutton which is the main part, and you get more frustrated, and all the while she’s just lying there staring up at the sky, with her legs uncrossed and her arms splayed out to either side of her, and all the while her blue and brown jacket is – oh no, she’s taking it off, oh no, and now you want to draw her arms except you can’t because you’ve pretty much just proven to yourself within the last few minutes that you can’t draw her at all. It’s so impossible, so you just don’t even open your mouth, and the water is making the bottoms of your toes wrinkly and it’s actually a little cold, so you look at her hair. So you look at her hair rolled out clumsily on the cement and it’s beautiful, and it’s so unfair what she is, and you don’t even know what to do with yourself.
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9
He looks on the level of the ground and level of the sky and says you only see these two arrows because there's black in your forearms when you lift them to your forehead to hold your eyes your legs feel the right & left wing pointing up through your feet, and the right & left wing feel the north sky your chest felt the shooting star all the shadow from the top of the dream the lengthy golden cream from a filled bucket the back of your neck feels the whole sky instead of your face, and your arms outstretched instead of the truth that you crave the sky instead a lie that your bones in your arms must point to the ground must crawl like a stupid fattened caterpillar who eats and eats all the life collecting in and out of the daydream for that cloud, not the face yet it's the face that is leading the morning meal not the very top of the distant distant distant clearest shape of a heavenly sway it's the feet I have swallowing the arrows it's when I live in the dim shadows of the sky instead of them pouring all at once it's not the bottom or the top that I am supposed to only see it's the east and the west, the width, wide, not the north, the south, the extremes and it's what's inside me the arrow that I feel the most and it is not just the blue above my head and not the brown below my feet it is my arms which are friends with size and width arrowing out instead of too low and high bending long from the shut chest knowing peace and being my skin that I feel my heart like water speaking the truth that my legs are the things that hold the words of my dreams up by reinforcement and my eyes look up with the wings of my neck opening to the fight and my arms open my chest despite the dark grey and blue colors in breathing space my arms usually crossed in an X on my chest because it is so extremely hard to hope to leave the closed rooms and mental paths to not cry about reality yet the doors are thinner than my books of dreams and emotions during dreaming and my arms though so heavy have always been creating, thin as the air, on the floor painting uncrossed in the world or crossed in my mind every color between black and white spreading, spreading my roots in the ground
0
Aug 8, 2013
Aug 8, 2013 at 11:06 PM UTC
Untitled
He looks on the level of the ground and level of the sky and says you only see these two arrows because there's black in your forearms when you lift them to your forehead to hold your eyes your legs feel the right & left wing pointing up through your feet, and the right & left wing feel the north sky your chest felt the shooting star all the shadow from the top of the dream the lengthy golden cream from a filled bucket the back of your neck feels the whole sky instead of your face, and your arms outstretched instead of the truth that you crave the sky instead a lie that your bones in your arms must point to the ground must crawl like a stupid fattened caterpillar who eats and eats all the life collecting in and out of the daydream for that cloud, not the face yet it's the face that is leading the morning meal not the very top of the distant distant distant clearest shape of a heavenly sway it's the feet I have swallowing the arrows it's when I live in the dim shadows of the sky instead of them pouring all at once it's not the bottom or the top that I am supposed to only see it's the east and the west, the width, wide, not the north, the south, the extremes and it's what's inside me the arrow that I feel the most and it is not just the blue above my head and not the brown below my feet it is my arms which are friends with size and width arrowing out instead of too low and high bending long from the shut chest knowing peace and being my skin that I feel my heart like water speaking the truth that my legs are the things that hold the words of my dreams up by reinforcement and my eyes look up with the wings of my neck opening to the fight and my arms open my chest despite the dark grey and blue colors in breathing space my arms usually crossed in an X on my chest because it is so extremely hard to hope to leave the closed rooms and mental paths to not cry about reality yet the doors are thinner than my books of dreams and emotions during dreaming and my arms though so heavy have always been creating, thin as the air, on the floor painting uncrossed in the world or crossed in my mind every color between black and white spreading, spreading my roots in the ground
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50
As we age we regret words of anger and spite That were heard and remembered and can't be unsaid. The remarks we thought clever or proved we were right                    That resulted in losses of friendship instead. All the heartbreaks that came from suspicion and doubt, The betrayals and hurts we refused to forgive, The companions and love that our pride had  cast out, And the chances we missed that we'd like to relive. All the pathways not taken and bridges uncrossed, All the times, had we acted, a difference made, The potential delights that timidity lost, And the kindness and debts that we never repaid. All the secret dishonors we long to forget, And the wrongs we inflicted in order to win. For the strongest of sorrows are those of regret And the saddest remembrance is what might have been.
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Jan 23, 2017
Jan 23, 2017 at 1:25 PM UTC
What Might Have Been
And they forgot about me Let sin take over As soon as Eve Laid a pearly white finger Upon the flesh of the apple For those first poisoned bites Sent wedges Like earthquakes In between us. A huge crack of rubble Uncrossed, No bridges to connect And dust filled the air between To cut off breath And to cut you off from me So you could not see me And you could not hear me But I want to know you I want to hear your voice I want to know you more. I want to touch you I want to see your face I want to know you more. And that injection That sin Coursed through your veins And thickened the blood That connected us And made it thick and dull and cancerous Until it was still. And one day I hope for a cure To this evil disease. Something to help blood flow Like a river from the crimson heart. And I will send A Bridge between us To connect us once more And make a swept Breeze to clear the air. I will send Jesus.
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Apr 14, 2013
Apr 14, 2013 at 10:20 PM UTC
God
You can go anywhere in the world A thousand lies written on your back, cursive between your shoulder blades, Ts left uncrossed. Falling into the arch of your back between left and right, ditch of a spine pooling with arguments. Staple you together, try to make a V. I’ll write a poem about you, embroider it into the pocket of a thrift store cardigan. The wet pavement will add a stanza to your palms. Cheap perfume made with the empty spaces of melodies. Scents of vibrato. Encoded messages missing number 19. and see nothing at all
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Dec 3, 2012
Dec 3, 2012 at 1:27 AM UTC
Cross hatched circles
<> (for patty m) *"always love hearing from you, it's like a kiss in the wind"* we are intimate though never ever close, but faithful closer familiar, though our convivial roads are uncrossed, except and accept in the delicate pearl inlay of our poesy path our common way station, where can we exchange private confidentialities publicly, above and beyond, the plain and ordinary everyday intimacies from the balcony of the sixteenth floor, I can see the horizons holding our shared land together. the wind blows by, from the Atlantic crossing, continuing on its westward ** way wind comes inquiring as is its wont, as a faithful and familiar evening-tide messenger, desirous, needy for its wantings fufillment, to be a deliverer of deliverances and all kind of tidings, sent by the in absentia I post a poem the letters scatter heavenward, no worries, the amorphous wind, will Oz like reassemble them in holy order and brush them across your face, tickle the lips and eyelashes, still moist from missing a man who was intimate different, in a lifetime way and that kiss, that postage paid, the meager cost the wind receives, for a mission well accomplished, is transferred to you and yours to enable you to decode this implausibly but-all-to plausible, devoted message
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Jul 12, 2016
Jul 12, 2016 at 7:03 PM UTC
A kiss in the wind (for patty m)
There goes that light again, It’s a sparkle in your eyes again. Fleeting and flashing, and attention-seeking. There goes that light again, It fades from your eyes again. It makes me toss and turn, and wonder if it was there at all. There goes that smile again, It’s a ball of sunshine in the gloom again. Bright and warm and full of mischief. There goes that smile again, It disappears so fast, the gloom quickly recovers. Then you’re dark and sad and dangerous. There are those hands again, In my hair, on my waist, around my shoulders, Giving me shivers, and butterflies, and making me hold on for dear life. There are those hands again, Clenched into fists, motioning for me to stay away. Your moods swing back and forth so swiftly, It’s wearying to keep up with the pendulum swing. But I race to catch up nonetheless. I have become the wave that clings to the shore. So quickly pushed away then pulled back in. There go those arms again, They’re uncrossed this time. Opening and welcoming and feeling like home. And once again I am pulled back in to you. You wrap yourself around me, But I feel the doubt sink in. It’s the calm before the storm again, Soft and peaceful and reassuring. But I stay guarded, prepared, Because when you let go of me again, Like you always do… It will be the same story again, And again… and again..
0
Jan 10, 2014
Jan 10, 2014 at 2:00 AM UTC
On Loop
The revolution left you spinning, now you’re sitting where you stood, Can’t go back to the beginning, wouldn’t fight this if you could, In the garden that you hated, where nothing has ever grown, Under shadows where we waited, until the light left us alone, With our indifferent indecision, and stolen bottles in your car, We’ll drink until we’re happy here, happy with who we are, Reaping the rewards of repetition, less memorable memories, Stumbling sick with superstition in the safety of disease, But come morning better angels will be beating down our doors, With tools in hand, their best-laid plans will build us better wars, Daydream a hero’s fate, but I was too late, lost on that battlefield, Too dull to be that sword you fell on, and far too weak to be your shield, Now left with a threadbare chair and TV glare, a dusty driver’s seat, That unworn path and drunken sailor’s laugh, still mourning my defeat, But I can’t go back or throw it all away, the things I never meant to be, A castle built on compromise, a pile of clothes shaped just like me, So maybe now is not the time to sit and count the things we’ve lost, How can we admit defeat, when so much hell remains uncrossed?
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Aug 26, 2015
Aug 26, 2015 at 11:13 AM UTC
Seppuku
Motion sway in deep devotion pounding scheme of hearts true drum Violet sky moves through moment purple Past great mountains trail Following desires of uncrossed river Endangered eagle in fly Leaving this side guided by earth beam Light of a love A warmth within steed Heavy wing gust to play Laughing with leaves of amber maroon without grey Sunbeam whispers forever in sky Shielded only darkened vortex Lost in third eye The glass of clear Blurred paralyzed nettled disguise Mingled in fear willow Fallen to pass Unto this path followed By ray Walked in sun
0
Mar 11, 2014
Mar 11, 2014 at 8:41 PM UTC
Natures Cure
Tell me, my moondark one, how come that our journey remained untraveled; from mirror to mirror into eternity our passages were left uncrossed? For the mirage of shedding a light, we rather chose to immerse into the outer world than become one with each other's. Since when were we this hollow turning into shallow ones, who are unfaithful to their dreams? Tell me, that how come that the snake is already bitting his own tail for the circle is full now, and I still wish to tell our never-ending story?
0
Oct 20, 2019
Oct 20, 2019 at 4:36 PM UTC
Never-ending story
She's outside the nurse said getting some sunshine doctor's orders so I went out through the double doors into the grassy area outside the ward Julie was sitting in a chair smoking in a dressing gown her hair pulled tight in ponytail getting some sunshine I said yes got to be a good girl she said get some sun to my skin I sat in a chair beside her took out a cigarette and lit up how's it going? I asked cold and fed up and wanting a fix she said but all I get is a cigarette and all this get some sun and fresh air stuff she crossed her legs her feet were naked she'd painted her nails red I brought you some cigarettes and chocolate I said and laid them on the small white table by her legs thanks she said wish we could meet at that cheap hotel again I fancy some *** she inhaled deeply and looked back at the doors of the ward maybe next month if they let you out I said they say I can't go out until I’ve kicked the fix habit she said turning round and gazing at me hope they've fixed the taps this time she said confused me to turn on the cold tap to get hot I smiled she uncrossed her legs and I saw a glimpse of thigh which hung and stayed in the camera of my eye.
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Apr 26, 2014
Apr 26, 2014 at 5:16 PM UTC
CAMERA OF MY EYE.
“En dehors” The mirror emulates their grace, as amber catches an insect preserving it in the mind. I focus on the soft pink that paints across the floor. “Passé” Their feet move automatically, as gears in a grandfather clock. Drifting with the ease, of a fallen leaf. Gliding through the air. My steps are crude to the eye, as oil in the ocean “Efface” With each incorrect step. I burrow even further, trying to escape ridicule. I attempt to blend in, A crypsis of the mind. Marissa Navedo - En Dehors: expresses that the leg moves in a circular direction, clockwise - Passé: working leg passes the supporting leg sliding close to the knee - Efface: Dancer stands at an oblique angle to the audience so part of the body is hidden from view. Legs are open and uncrossed - Crypsis: The ability of an organism to avoid observation or detection by other organisms.
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Mar 29, 2012
Mar 29, 2012 at 2:34 AM UTC
The Dance
IT RANG OUT LIKE A SHOT! Those three words. Left my body frozen in place as my mind raced for a response. Your eyes searched mine - like hounds for a fox - Chased me through thickets and tunnels and brush. Left no stone unturned nor stream uncrossed in your search. IT RANG OUT LIKE A SHOT! Those three words. Snatched me from my stupor and left me face-to-face with the muzzle of your emotions. Loaded and cocked, I could see your tongue ready to pull the trigger. IT RANG OUT LIKE A SHOT! Those three words. Couldn't hear myself think or feel anything other than my lips mouth those three words. Last thing I remember is your sinister, sweet smile claiming your reward - my lifeless body- after unloading the final shot... "I love you" IT RANG OUT LIKE A SHOT! Those three words.
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Apr 1, 2016
Apr 1, 2016 at 10:51 AM UTC
Symphony #8: The Huntsman's Charge