Back to part two
O ya thought i was through
Im not through with you
Break down your crew
Leave em stuck like glue
No clue
My mind surpasses the highest IQ
Of the wisest scientist
Aint no defyin' this im ludicrous
But at the same time perilous and mysterious
Watch how quick my reaction bust
Im a demi god evil as ******
My syndication thicker than
Louisana fog my mind jogs
Faster than the speed of light
Blast through rhymes like a rocket flight
That means outta space
Get it naw forget it
By the time u catch on you'll
Be admitted
IN ICU
Doing intensive surgery and the clergy
Prepared for ya weak will an.eulogy
My philosophy is embraced with agony
Suffering n pain i go against the grain
Harder than *******
In the pauper neighborhood
You wish you could
Flow like me like mike everybody
Wanna be like me picture me
On mt olympus spittin' flows ridiculous
Even had the dead hearing us
rolling in graves
My fiery tongues leave ya skin scorned
And grazed like in the last days
Urgin' for ya soul to be saved
Im not well behaved
I radiate the sun with my own beam rays
******* go astray everday they jam K
But dont know im a protege of him
So they just lay
Low waiting for my.blow
hit ya harder than tyson combined with tsunami in japan
Makin' money that surpasses the average man
King Solomon heir entice terror of the new era
Step into my cage i dare ya
I go through propellers without touchin'
Double clutchin'
My grips on  money so it aint nothing
Always into something
Like nwa all for gun play
Im the seed of demon feedin' on your territorial region
Leave your country bleedin'
I was banned from the garden of Eden
Who do you believe in??
God or me none can pass me
Blast me and I'll split up to three
I'm trinity
God the father and the son the dangerous
One infinite continuum
By the time you'll figure out
You'll still he lost in my magnificent
conundrum

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If Stephen King was black
Obama would not be president
Segregation would exist all over again
OJ would have gotten guilty without a trial
Except the black part would be technologically advanced
cars that navigate themselves
Sonic energy distribution
portable wings
the Rockateer would also therefore be black
Disney Land would be scary and real
Darwin would have been black
Go go Gadget’s engineer would be black
Malcolm X would have been mixed race
Carl Sagan ran the blackest gang in Oakland
If Stephen King was black
Therefore
Stephen Hawkings is black too
Einstein invented Compton in ten minutes
On a coffee break
The bees Einstein was referring to are the African Killa bees
And Einstein was the father of Wu tang
Stephen Hawkings hangs out with Mike Tyson and Alicia Keys
The Black Panthers like every other morning in the blackest house Washington DC
Made me eggs benedict with fresh eggs and ham
Dr Seuss is therefore black by association
Aunt Jemima would run the FDA and tap maples trees in the Berkshires
But she is white now
America would turn a blind eye and play more volley ball
and in us
God would trust

MARIO VITALE -DEAD PRESIDENTS
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Bio Of Mario William Vitale

The language and images of Mario Vitale's poetry are so closely bound to the natural cycles of seasons, of generations, of the body's functioning, that is surprising to realize how many of his poems deal with uprootedness. But this poetry is not sentimental celebration of the goodness of nature, and harmony with the world is never assumed. The way he captures the tenuousness of this faith, the balance that must be found between the ugliness, the harshness of his history- both natural annd social- and its intense beauty, is what distinguishes Vitale's poetry, gives it its depth and dimension:

Mario William Vitale Biography

I was born in 1970 Bristol hospital.
A young nurse took me in her arms and said that I would one day become a success,
As the years would pass I was heavy in the arts used to sing and act.
Was an altar boy at St. Pius Church.
In time I would act in my senior class play, "The Mystery Of Edwin Drood"
Where I had the lead role as the Narrator,
I touched many hearts with that performance in 1989,
Was hospitalized with mono that same year for two weeks long,
Also that same year I became prom king of my class Wolcott High School,
After the break up with my first grilfriend in 1989 I wrote the poem entitled, "Remembrance of a loved one" where I had it published on poetry.com
Attempted plays: Tartuffe, Miracle Of St. Anthony and Balm in Gieade, (His poetic aspirations had derived at 18 in 1989 from submitting his first poem entitled, "Remembrance Of A Loved One"- (Sparrowgrass Poetry Forum)
Attended Central Connecticut State University For Creative Writing: 1997
Next from 1989-1997 (Wrote primarily for Poetry.com and The International Library Of Poetry) , * Received editors choice award in 1997 for poem, " A Beacon Of Light ",
(1998)Sent poetic manuscript to N.Y. Time Magazine and Chief Editor " John Hyland".
Back with rave reviews!
* (From 1999-2008: Had adapted a real keen sense of style for writing poetry: (1999- Sent Editorial to:
New Man Magazine for the Passion of Christ Movie; Sent followup letter to company with poetry platform information attached,
* 2000-2007: Magazine: (Catholic)Maries Rose Ferron Magazine submitted poem" Beacon Of Light", which had excellent editorial reviews as the outset!
2008- Wrote poem entitled: (The Heavy Cross)to Poetry.com* Achieved Poetry status of work of Excellence in writing from the Academy Of American Poetry in which still having received rank and status as a member of Academy;

(The Connecticut Poetry Society) * Short story submitted entitled, "China Dog Ray" submitted to Virginia Writers Quarterly, West Virginia, Also having member status on their board of Poetry.
Attribute Poetry to an ever increasing love of God and his unconditional love that he has for us in return, Thankfulness toward family and friends.(To our past ancestors who fought to uphold freedom that far too many of us take for granted?
My contemporary artists include that of Ellan Bryant Voight, Kay Ryan and Carl Phillips.Which all three are Participants in the Academy Of American Poetry
Having been a member since 2006, My work reflects the likes of past poets such as C.S.Lewis, Hawthorne and Edgar Allen Poe.
Most of my work reflects with the values of religious beliefs intact
In my personal view it is essential in demonstrating a real heart of creative passion!
The reader I believe will benefit by my artistic style of development in a very positive light.)
After experiencing a life transformation encounter.I had realized that poetry is my unique way to convey myself my work speaks from the heart with pure sentiments of though intact,

As the years passed I would write over 4,000 poems and 5 short stories toward my platform,
My poetry is based on the free verse style of writing,
Was published in 10 venues such as Writerscafe, Neopoet, Hello poetry, Poem Hunter, Booksie, Poetryvibe, Poetrysoup, Starlifecafe.com, Poets Know It & poetry.com...
I was saved by God at the tender age of nine in Charlotte Carolina where I came to know the Lord that was in 1979,
Today I continue to write poetry was published on Spillwords, High On Poetry, Tuck Magazine & Setu Magazine.
My main emphasis in writing poetry is to share with the mass populace touching many hearts.
Hope you can read my poetry.



Sea Stacks

skipped rocks through a stream today
the opening of a brand new day
its frame is in minor decay
the bleached wood massed in bone piles,
we pulled it from dark beach and built
fire in a fenced clearing
the posts' blunt stubs sank down
the circled and were roofed by milled
lumber dragged at one time to the coast
We slept there

Each morning the minus tide-
weeds flowed it like hair swimming
The starfish gripped rock, pastel,
rough. Fish bones lay in sun

Each noon the milk fog sank
from cloud cover, came in
our clothes and held them
tighter on us. Sea stacks
stood and disappeared
They came back when the sun
scrubbed out the inlet


Life Force

through the flame cover me
in silent sound dignity
for with what one is willing to achieve
valiantly
feel the breeze
nestled through the trees

shaped through your dreams
a piercing of the skin
new hearts to begin
again



Choices

Many have a hard time understanding
They live for self and that of society
They are the walking dead yet they don't even know it
Eyes with blackened spots having holes
Viscous fangs with blood dripping off the side
You share with them the truth
They choose to run away & hide
Yet deep inside they may still question
Why am i here ?
They can't even help you
Cause they won't help themselves
They are the **** of the land
Much too afraid to stand among the son of man
A bitter taste
Do they want salt or sugar coated messages
Positive reinforcement strengthens the heart
Negativity kills it
Each of us has been given a choice
We must lend a helping hand with a voice
All of us have been given a choice
Now which pathway will you choose ?


Emerald City
There’ll be no unemployment in heaven.
No worry about the next meal.
There’ll be no bills to harass us,
and thieves will not break in and steal.
In heaven, we’ll have no need for money;
Everything up there will be free.
We’ll enjoy God’s unsearchable riches,
and have unending security.
I’m looking forward to heaven,
that land that is fairer than day.
Where all will be joy and gladness,
and sorrow and care will flee away.
Up there, no mean words will be spoken.
Each heart will be filled with pure love.
We’ll never be hurt or rejected,
in the beautiful city above.
There will be no disappointment or heartache.
God will wipe all the tears from our eyes.
No one will ever be lonely,
and there’ll be no anguished good-byes.
Up there, the love we have for each other,
by each heart will be shared equally.
And we’ll have all the things that we’ve longed
for, and at last we will really be free


Little Angel

Hope springs a new
On a cloud in heaven
Stand a heavenly angel
With mere beauty of crystalized light
Golden emblems encrusted their frame
Sweet songs drifting to a very faint whisper
Eyes, hands & face
A real message sent down to earth
To care for those lonely souls all alone
There beauty is a surprise to encounter
Slipping through locked doors to appear
Many have shed a tear to numb the inner pain
Causing accidents not to happen
They appear in the form of brightened miracles
We see them with a heart all a glow
Come to the birth of a new born baby
Come to servicemen who just joined the navy
You will see them at a graveyard setting
Even among gamblers who do there betting
There all around us you see
For all of life is but a mystery






These Flames I Live
turn back the tear drop pillow
I'm sick to my stomach
suffering alone and hard
piercing cavity of viscious fangs that bite
illusive
impulsive
the rant

These flames I live
my right to forgive
undercover
beyond the means
living in a land of mean
barren sea

a shot in the dark
to light the spark

many are left in rebellion
what an incredible talent Vitale is
he is the poet of all poets
the moment you met him perfect ten

a chick lying with her hens
a quest...
flaws and failures
yes he wears Depends

a trip to the zoo nothing new


Laughter
Laughter fills the scented air
through days exposed
the timeless hour of a loathsome mast
expounded upon the cavity of debris

develop a grateful heart
that one may impart
look close through a pillar of glass
a vergence sea out beyond the interpass

a halo with a song
to help you get along
the sight of a fawn on the lawn
greed and materialism will crush out the light in your life

******* by the holy spirit
a heart change has to happen
one must be open to the message
care for your brother help for your pale sister

one ear on the floor
a cause for more
through fetters got it made to even out the score

Unending Brigade
I ask myself politely
what resistance flowers here
against love treaded lightly
or losing lovingness dear?

give cadence to the simple,
for I gave ammunition to the laughter
we should we ever falter
the timeless whisper of happening

golden nuggets of thought & inspiration
braids my hair with a great deal of wear
through the conclaves of love's fastened grip
shadows block the vortex to aid its message


The Dream Police
they come to my head
at the side of my bed
they are enforcing my sleep
give cadence to a treat
a far from ports unknown
like a dog without a bone
giving tickets to be enforced
every time I have a dream
forces scream


Of Time & Dreams
Father's gold pocket watch measured heartbeats,
times for surgery and the slow drip of an IV
all else in his life was overture
to main events, like birth and death
of those the family never knew

Steps from my childhood dreams to his were counted
in places where treasure were wet pebbles
and the pulse of life was seen in raindrops on the lake
now the watch is mine, and i yearn to throw it
like a pebble into the past,

to see it skip and yield to places we never shared,
like blue-green eddies near the shore
and grasses curled by the win
Yet, warming in my palm, the measurer of his days
seems to sing the music of turning points
where drying dreams meet others born anew,
emerging through images of caring
to rhythms more than metrical
that i've yet to understand



The Land Of Dreams
When you fall asleep at night,
your mind goes into an eerie flight
You can open the gate with the key of thought,
and don't have to do what you've been taught

You sing, and dance, and prance all day
and you act so happy and also gay
You run in circles and run into the trees,
and cut your elbows and scrape your knees

But sometimes you open the wrong gate,
and find yourself facing a terrible fate
There are monsters, ghouls and also grouches,
and then you wish you were on confortable couches

And when you're done and almost through,
your mind knows exactly what to do
you go back through that eerie flight
it may be day it may be night

And when your mind comes back to you,
you may wake up and have the flu
You could leave for school very late,
and find out that it's the wrong date

And you could play outside in the streams
but you will know that you entered "The Land Of Dreams."


Old Crow
Old crow
Tired and lazy' against the day
Dark skies
Lost in blacks and whites and grays
Howling north wind
Sure takes a man's fight away

Wastelands,
A dreamer's home on his best day
Hard rain
Drops the leaves and makes the colors fade
And talks cheap,
But for the words of time they'll ave the last say
Oh the words of time, they'll have the last say

And the harvest is in, it wasn't much
May I have enough to get by
The baskets were light, not a muscle ached
And somehow I feel I'm going to die
The winter is coming and the signs say hard
I've never seen such a haunting sky

For on the mountains, frost in the wind
And somehow I feel I'm going to die
Full moon
Lonely above the old oak tree line
Old crow
Hanging empty in the black sky
And a nighthawk
Circles her in silence as she flies
Old crow, all alone she flies


Pheonix
the blazing glory of a loving night
Disappears in the sun's bright morning light
All efforts to recall that glorious pain
Fade in the dawn to be sought in vain

but the memory clings of precious glory
that will not become an old, dull story
instead that memory promises anew
that love will spring forth and again renew

with every joining of two loving souls
again will emerge from the fading coals
a love renewed by the glowing embers
so that this night, too, will be remembered.


Soul Search
When I look into your eyes
I see the sunshine and rain,
The deeper I look and also see
Various kinds of pain;
I can see the kind, warm love that filters thru,
To surface at the top when you’re not blue,
I have seen and know your hopes and fears
The good and bad times you have thru years,
You have seen and felt so much
I’m glad our lives did touch
Look deep into my eyes and you will find
The heartaches and happiness that were also mine


Come With Me
Come with me and be my friend
Lets create a fantasy
just you & me
lets linger through the wind
and feel free
lets run through the sand
and make time stand still
so we can treasure this moment
Only until
The mystical ocean
touches our souls
and fills our hearts with love
come with me and I'll show you

What I have to give
come with and I'll describe
The life I dreamed we'd live
come with and hold me gently
and watch the retiring sun slowly set
Shower me with all your love
pretending we just met
Whenever you need me
I'll be there
To help lift your spirits
and I want to care
About you
come with and be my love
no longer a fantasy
just you & me
This time only
A reality...


Mario William Vitale. has been featured on Hubpages.com, Starlitecafe.com & Poetry soup. Vitale lives with his elderly mother Ann Soulier in Wolcott, Ct. Currently has written well over 1,000 poems & 2 short story's toward credit platform.

Vitale has taken the poetic world by storm being featured on Google, Yahoo & MSN. Looks up to contemporaries in the poetry industry such as John Ashbery & Major Jackson.
Has been a favorite featured poet reader at Barnes & Noble in Waterbury, Ct.
Also featured on such sites as Poetry soup, Writer's café & Neo Poet

Personifications Of Oceanic Thoughts
whispers
sun lit morn
the surf hits the turf
smells of salt air through the moment
savor each moment as the memory lasts
bask in the vast expanse between time & space


sounds of children playing
seaweed next to the rocks along the cobblestone walkway
solace torn up in the derision of peace with solidarity
we were made for moments such as these
seagulls flock overhead

remember me in thoughts as these
whisk through the breeze
capture one's inner sense
alas with angelic fervor permeates a flame of life's torn reality
a new to face the day


Follow Your Heart
Magic breathes life in our hearts
Destiny resides in our souls
Our path now shimmers unshadowed by the night
With one embrace partnered by a tender kiss, the bounds

of time and distance crumble through fingers like drifting
grains of sand
Dream time is the place where I am alive
Green eyes ripple into lipid pools where miracles draw me

to your heart
I am free to swim by your side until the sun sets and
rises with you again
Life is my dream

I love you



Cynthia
When at night I close my eyes,
to think all the days gone by,
to feel again those passions past,
and feeble joy that never lasts,

I'm always drawn to thoughts of you, my only love my Cynthia
I think I found you in a dream then we celebrate,
the night I pressed beyond the seam,
where fantasy and reality meet

in summer mist so soft and sweet,
But you were all I ever felt, my deepest love, my Cynthia
But dreams just last within the night, when morning came,
Her soul took flight

I awake to find Her never there
She passes like the misty air
To leave me longing and alone, my painful love,
my Cynthia

Enigma love you swell the heart,
to crush the same when lovers part
But whether love and joy you bring
or bitter pain and Death's cold sting

I plead you come to me again, my final love,
My Cynthia


For My Precious Son
You're standing in the doorway.
Your workday is all done.
He waits to see you everyday,
this boy that is your son.

He hopes you will go fishing.
He hopes you'll shoot the gun.
He just wants to be with you,
this boy that is your son.

He is your spitting image.
To him you are ''The One''.
He hopes to be just like you,
this boy that is your son.

You show him what a man is.
You teach as you have fun.
You are admired as well as loved
by this boy that is your son.

You've got a friend forever.
Until the world is done.
Then, still you will be holding
this man that is your son.

I'm Just A Poetical Lyricist
I’m just having fun, but no doubt someone will take this serious
I’m about to take you on a lyrical experience
I’m having fun with words, like when a baby first starts reading books
Saying I’m good at rhyming, Is like saying Mike Tyson packs a decent punch
I best mention the Kardashians other wise you’ll have trouble keeping up
Me with a pen is more dangerous than Michael Myers on Halloween when he starts slashing with the knife
Telling me I can’t rhyme, is the biggest mistake you’ve made since you let your ex Back in to your life
Speaking of exes, will someone please date mine
I promise she’ll give you a great time
I’ll pay for the date, its all on me
All I ask, is please be good enough to get her to stop calling me
I love Hip Hop, and yeah I know I’m white
Please be creative and tell me how I’m the new Vanilla ice
Or how I should walk right back across 8 mile
I could have thrown this into my waste pile
But I just wanted to write some joke lines and have some fun
Sick of hearing rappers talk about drugs and how they pack a gun
“yeah I’m Bad. I’ll make this *** Squirt”
You don’t know who Nas is, And think the greatest rapper is Lil *** Vert
Or some other mumble rapper with lame rhymes
You deserve to have Biggie and Big Pun sit on you at the same time
Some guy called Young **** is wearing dresses
That’s not something I have a problem with
My problem is
There’s so much going on in the world and these rappers are scared to address it
What happened to Hip-Hop when rappers would share a message?
Nas, Big Daddy Kane, Slick Rick, I could name so many more
Now its a bunch of dudes who sound the same with empty thoughts
I’d pretend to be from the hood and blast guns but I’d fail
I’d rather be the real me, and I’m far too cute to go to Jail
I just love Hip Hop and the way it used to be
You always get the truth from me
someone tell Rihanna I’m ready to give her the best 30 seconds of her life
Tell her she’ll only regret it if I become a legend when I die
Knowing she could of had me
This is my last piece of paper, I’m now pad free
I was watching rap battles on YouTube, So took you on this lyrical experience
I’m just a poetical lyricist

Rapula
back in the day where hustlers stayed there were those very afraid
he was born in the gutter his momma was a vamp selling her junk in the trunk of a car
up all night slept all day he was blown from the frey
viscious fangs that bite two turn tables with a mic insisted on a fight
******* the innocent patrons for blood right in the hood like you knew he would
Rapula the man, the myth & the legend
could very often see him in the back of a seven eleven drinking red slurpees

took folks block by block like giving him a heart attack just to fit his mold
no one came against him until that day in the crib Rapula lost his lobster bib
very often you will see him at the 8th Street Station spinning his records
there will never be another blood ******* brother so move over he's taking cover
Rapula wore a high hat tip on his temple driving a white Benz looking like Baretta


I am in the Father, and that the Father is in me
Supernatural
but it's so true
the world hasn't a single clue
borrowed basement pews
stained glass windows
a reflection of the cross
some will go before the toss

he was there from the beginning
he is the only one that's winning
perfumed stockings and a breath of fresh air
the willingness to share how you really care
if you have seen him you have seen the father
Jesus

Stop The Madness
All of sudden reality happens
Ruining my mind that's already jumbled
"where the hell did i just go?"
I ask to myself no one listens
Obsecurity is still in me
Recognizing situation where i have been
Looking up the sky it's already dark
Worrying something, i need to get up
Home, i need to find home
Stepping forward to pass the crowd
The longer i go, the quieter it's so
Taking my glasses off because its fogged
Focusing my lens but the blur shows
sigh
Now melancholy does it again
Lack of knowledge about locations
Lack of someone to be asked for
And there is no light to guide me on
Vision, direction, companion
I wish i could make them clearer
But in reality, they just disappear

Shaman Within
I met a dead poem in the shade of spring.
I was so sad I could hear the door bell ring

through the furtherance of a smile I became unglued
shadows block the motive bruised.

Beyond the sky set flight

Prison Of The Mind
able to be smart without words
its a topic of conversation
through words spilled out on the ancient path
meditate
lights out
beg, ***** & pout
the underscore read stop
I'm keeping on keeping

transfused and weeping
table talking
swallow its extremities
move the levee
strong will survive
thank God I'm alive
the moments the solitude alone

vibrations fixed temptations
sensations...
take me to the prison
three squares a day
a pillow and I pray
nestled the mood away

Getting Ahead Of God
hearken onto the voice of a still small way
let God show you the new found way
look deep into the cause of wisdom seek the shelter
God give the children right parents to help bring them up

you never miss out in obeying God
when you start off in life without God your in the wrong direction
God will tell you what he wants you to do if you ask him to
your life will be filled with joy, peace & happiness

the issue is its not your age but what is the will of God for your life
God always has your best when we wait on God
you can't tell by the way it works by the way it counts
you may have get by in life but you must deny yourself

people have to go through disaster before you surrender your life
each time we take a leap of our own choice we lose
out of the will of God you'll be disapointed
the issue is what does God want for your life

he acts on behalf on the one who waits on him
you can't get God's guidance if your living in sin
happiness, joy, peace & satifaction are very valuable
you made some choices but God will forgive you if you repent for them

its a decision we make if we confess our sins he is faithful & just to forgive us
it is a choice you make
remember you reap what you sow
you can't avoid or escape the things of your soul

whether your 16 or 67 its time you made a decision and surrender to God
I pray that every person that hears this message will stop to think of what they have done in life

Take It All In
God is a closer friend
come back to New England
plants, rocks, shrubs & things
suddenly I'm waiting here for you

it's a tick or take Sunday afternoon
waiting by the rocks they surface with untimely leaves
the leagues plagued with devastation
the beef stock through the goldie locks of here hair

Summertime is no better time
got this crazy feeling
I'm so glad that your feeling for me
with your heart you can unite the heart


Changes
a smile from a lonesome child
transformed through the eyes
the timeless cavity unleashed
through diverse port of space in time

the child in time grew now in there teens
sees the world through a fine tooth comb
at home being alone the horrific scene
through adolescence its a coincidence

now as an adult able to leap tall buildings with a single bound
the smile deminishes onto sophistication
almost a loose cannon
pronounced news to its folly

cover me with those tender leaves
falling from the stream let loose on my caboose
the stars all glitter in the darkness of night


Pilgrims Progress
We need great golden copulations in the cemetery
bury your head beneath the limbs in part of a ghostly resolve
perhaps this was the path Brother Lawrence tred alone
underneath the interpass of denial of speculation

we have nursed path each quatrum with a deafening blow
to stand in one accord to each other as pilgrims rest after harvest time
Apple butter jam spread on fresh home made bread
the reflections of a timid squirrel on a limb

we have become immeasurable by your smile
she danced in a ring of fire yet throws of each challenge with a shrug
the cost of the pilgrims progress we shall never know
bust up the beat to promote its tempo

a beacon of light to a much hurting world in search of love
Does death hurt you the most or is it fear
beneath the timeless swell I live to tell
sought through the variation to its cosmic flame

Careless Whisper
a shoulder tender shelter to lie next together,
the swelter of a careless whisper left tempted
shelter lies dormant onto its beckoning plough
to thirst united with the throne

billow with asps of the new day's pride
thank God I'm still alive
to delve into the ridges of each dishes
kisses

the torment of each smile
bruisded reed tmpered on its poll
the thought of vanity
among humanity

the faint of your legacy

Spirit To Touchdown
Ten years since her husband's death
she still craved the sight of him and
his magnetic smile
coming in the door, his suitcoat
slung over his back. She yearned to
glance at him in a long black
coat, resembling a materialized
laser beam, as they
prepared to go out for an evening,
or in old bluejeans walking barefoot
with her on the seashore.
She knew he was always with her...
but wanted his spirit to touchdown

My Elephant
There is something about the Elephant I love very much,
I wish I could cuddle him but I know I cannot,
if they be my friend, I will play soccer with an Elephant on my side,
I will catch hold of his trunk and he’ll trumpet me to victory with pride.

There is something about the Elephant I love very much.
Although he is so big, he won’t give you a fright,
He lifts up his trunk and blesses you instead,
So different from the Lion and Tiger you meet,

There is something about the Elephant I love very much
He is a pure vegetarian, he won’t **** a mouse,
He is worshiped as God for all his good vice.
If we were to crown the king of the jungle again,
It will go to the Elephant our vegetarian friend

Proud To Be An American
I’m proud to be American
To live In a country that’s free
And we’re free to be who
We want to be!
We’re always
Free to try
New things.
And enjoy every
Experience that
Life may bring!
And I was taught
To stand up for what
You believe in
And never give up
On your hopes
And dreams
Because the sky
Is the limit!

Beach Canopy
The smell of fresh fry doe
Time had elapsed playing at the casino
Fresh lobster with a side order of fries
Those spacious wonderful sky's
Down at the shell the continental were playing
A walk by the lady of a statue in waiting
Flip flops and the sound of laughter
A playground for kids in the middle
The boardwalk with seagulls flocking over head
Fire works in the midnight air with a cheer
Love We Go
through the sweet vortex of our inner frame
we can dream of far off places with kings and queens
shaped through the fragments of are exploits
someday you will be all alone in your room
there you will read a text to reflect upon your life
we each are on a journey in this life
some ponder the existence of God
other reflect in the day to day toil
love is the mere essence of are existence
shine your inner light upon the twilight hour

shadows block the mere reflection of my frame
not having you in my arms is driving me insane
lest I refrain another door by which to explore
there is so much more in this game of life
within its given strife we can learn
one soul soars and another will soon burn
we better wait are turn in this wheel in the sky
the faint lulabye in its scope
Elvis In Vegas
Viva Viva Los Vegas
he came alone with a guitar in his sack
romance with the dice
he's giving back

a whole host of onlookers looking upon
he waves his magic wand
with a favorable song
swivel hips stand tight in his sticks

Elvis
Fun House
a blade of grass blown in the wind
heros have erected its course
leading folks away from divorce
in times of remembrances
thoughts shattered in the wind
coming apart at the seams

a brigade of thoughts
What is a funhouse ?
It is when the eyes of all are upon you
It's not so, but when you go through it is true

The funhouse is a form of torture where everything unravels around you
It is a commotion of nervousness and you just want to hide from all that is around you
It is a secret that you don't want to share, but there is one who helps just by saying I care
It's not what you say it is what you do

When you enter my world of the funhouse, you assure me that God is in control
that with him I don't need to be afraid
It's the gentle way in which you talk when once you have entered into the realm of commotion...
It's the assurance of your sincerity that softens the blow
Soon with your special way the inner strife goes away
A Thief in The Night
Jesus
he that hath an ear let him hear
when all was said to be good
let it be said calamity

have you ever been down to the lowest pit
you look around and no one gave a ****
By His Hand
through long lines of being transformed to clean my room
in the late month of June we move too soon
we remain vital to the oncoming spirit of the game
filtered through those tiny reasons to spice up the season
the God Lord up above has carried us by his hand
Poison Ivy
there are pillars being built
for those who pusue the chase
we each are in a battle
some have retreated at death's door
lest I implore something more
a quaint visitation with your higher power
in a world torn up in misery & sorrow
hiding behind a false hidden garb of compromise
can't we easily see through those twised lies
yet we embark on a new journey of are own
having a house but living all alone
out in the street where people meet
had a gun at my head thought i was really dead
out of devastation I reached right for the bottle
like having a gun in hand to release its throttle
the world is in misery torn
some insist to curse they very day they were born
eyes to see but can't
hears to hear but won't
there's a true lesson to be learned
one soul soars while the other soon to be burned
we must all wait in line for are turn
each of us will have a day in the sun
now I'm off on the run
searching through pictures to put on my wall
to stand ten feet tall amidst the social resistance
join in now I must insist this
casualties are enormous
for a stated cause that's plain atrocious
have we taken the time out to notice
yet many of us have given up way to easy
caught in a rut in are society
out of desperation there still is a plan that we can see
someday be fulfilled as a reality
if we only believe one will be set free
Break Away
break away to a brand new day
perfect display we come to pray
faint sounds of grandeur
right down to the wire

share with those you have heard
Thirst
thirst after the water that has been spoken
look deep beneath the vines of realization through thought and mind
breath deep inside let your breath go complete
with words of heightened anticipation

go deep upon deeper be the keeper of the gate call it fate
the twist and turn of the music to loose it
the world spins like a top
negotiate your buyer

sweet songs of praise
sweet moments raised
in a time well spent in thought
the spinning wheel stop just like a top
remember me in times like these
sheltered through the breeze crushed upon the leaves
in midnight hour with pulse through the flame in moments of granduer
sharpen your arrows to calm the breeze nestled to your knees
cultivated with a smile to know all the great while
a helmet for the passing fawn the bear from its nap with a yawn
in columns of portals sprinkled dust in the wind
the habitation of a needle visible through the shadows

remember me in times like these
through the training of the leaves taunt the moment
an explosion until sunset the bill of sale
A Gun For Hire
there is a direct correlation between time & space
scented across your universe base
the climb to approach the summit peak
with words do you seek

famous qoutes and pictures for your desire
coming down to the wire
a gun for hire
Beyond Her Tea- Blurred Vision
The powerful voice of loneliness is screaming through her mind of twisted halls,
All too painful to hear, she absorbs them into her cotton ball walls
But, beyond her tea-blurred vision and through her pounding heart

She hears the voice inside her that is worse
than a dagger through her heart
Her shadow's darkest moments are filled with hopeless pride
And her tongue tied conscience is all whom she has to confide

But the rose that is trying to bloom, within
her salty hand, will never wither, and never be taken away,
Because this, and this alone, is
what keeps her going day by day

the embrace...
Shelter From The Storm
outside violence
inner silence
shadows now block the vortex
spaces for places & midnight traces
coming apart at the seams
jelly beans

breath deep my pale sister
confide my shady brother
undercover as lovers
sign so simple the *******


shelter from the storm
curse the very day you were actually born
a world that turns
suffer inside the place to hide


let go of any ambition
what are you *******
cap the cosmic clap
faces in the window having storms in the night
Celebrate In Twilight
the crimsome tide
we all want to run away & hide
although we suffer inside
enter through the canopy of a velvet song

lines drawn in the sand
when to understand
give yourself away
take heed to pray

no cornerstone
no bridge unknown
through the sunlit ravine
The Knight Of The 1,000 Eyes
softly now faintly
ode to the serpent's tale
dismiss the dread to reclaim its saga
in darkened dungeons fit for conquest
come away for a rest
most of life is but a test

treasure the mantle to the I am presence
delve into the sacred flames within your heart
enter the center of your being pull back on yourself
a still small voice within you saying be not afraid
I am here I am your heart I abide in the holy temple in the center of your being

you have climbed through mountains you have found me after a very long trek in the darkness of human misery
I am the pressence that looks through your eyes
the knight will rise of the 1, 000 eyes
filtered through the shame
who are we to blame
infinity is my measure
you beloved heart belong to me let us be one once again
allow the shell of outer human pass away

I will be the service to life that passes through you
do not accept as real to what is in the outer world
fear not I am the life inside your heart
I am inside you together we must intoduce ourselves onto the world.
A Gripping Fairy Tale
long ago let the truth be told
in a city far far away
lived a young hobbit who drank
there was woods to hide his visitation

a taste of hungry exoneration
A fare maiden was on the throne
ruling her army from the barren city
enclosed was a message of honor

high off traction from the waiting pool
the kingdom was now silent
These Words
these words are wrapped among a cordial smile
cemented like glue for what are we to do
come now let us leave the door opened,
a demonstration of trust in a world in quite a bit of a rush

the door swings wide to the enforced way
a beautiful flower display
ample time to pray
therefore everything will be o.k.

the knock on the door
lest I implore
a distant shuttter of languished circumstances
with a heart that's been renewed

these words stand still amidst the night's appeal
the even keal behind the spinning wheel
trust is completely most like a seagull off the coast
a reason to really trust
Surfing The Internet
Today I'm on point smoking a fat joint relaxing basking in the ambiance of the hour
folks need to take a cold shower as they admire the scented perfume through the room
we have become combersome with this world as a child as if you never really heard
Leonard Cohen with his famed song "Suzanne" really makes you think about life.
Through the negative light of affliction we have every bit of reason to be standing chosen
yet we have are back against the wall when all attempts of standing ten feet tall,


Each of us has a reason to discuss the mere notion of love sent from up above
Rat *** tat tat on that *** no one gets by on any free pass we need to make are way
look to your neighbor for any favors we can all learn to trust & savor
Each new moment that comes along with a fast paced moving vibrant song
you unleashed the inner lion in me with a whole host of chemistry

Surfing the internet may not be your thing but prayer can unleash the fires within
storms of life come to either make you or break you whats news for you might not be for you
life is like a jagged edge roller coaster with its twists and turns
one soul soars while the other one burns just wait your turn
Empty Leaves
onto the seventh hour of the seventh sun
beckon to rule the new day's dawn
the lovely fawn sitting on the lawn
vibrations to great temptations

captivated by a smile
to know all the great while
the wilderness beckons a response

of wild beasts among us
Light Brevity
thoughts of brevity about the city
stay close to me a whole host next to me
got rhymes of choice stretched to the opened door
the willingness to be explored

stand firm in the wheel chair you know my condition
to what I've been dishing
kissing
twisted stereo lies by the bars swift no surprise

captivated by her smile
still to know all the great while
as if a little child
faith pierced the scene

eating fantastic cuisine
the turning of the page
is it safe to ask you your age ?
the band played on
Agatha The Princess
she was on the throne
far away from her home
uniting hearts to ne fond heights
carrying herself with a song

Agatha the princess
will lose their influence
soaring to new frontiers
left her to tears

took walks in her garden
beautiful flower display
led to thoughts to pray
with tears in her eyes

came as a big surprise
delicate hue wth borrowed lies
she walks the flats on the lonely pier
rapers and dishes she would hide
leave behind

the careless whisper
a shoulder to cry
the soft cascading vamp
shine on her eyes

to beg or even borrow
moments of sorrow
to cleave to her young
the living stone

have we just begun
Back To The Front
plunged into uncertainty
the quest to be a want to be

shining on mental enhancement
there's joy in the progress

smoke on my ceiling

highway of what I'm dealing
******
bang bang shoot shoot
you took my nephew Shane
let me be the first to explain
Shane used to live with us so long ago
until he shot up ****** he died in are house

such a dark force
it starts with a promise to relieve
then one gets too deep
falling apart at the seams

beg, borrow & steal
for your next fix to even the deal
some take it with a needle others snort it up their nose
but do you suppose there's always a shipment coming from Rhode Island

dodge the bullet feel the passion why am I asking
****** scores a perfect 10 in the mind of an addict
it takes your body then your soul
engulfed in flames bust up the beat to promote its tempo
Soft Parade
the tear drop fell from the ceiling
no matter what I'm dealing
the ocean has a delicate spray
through loose lines let it go

time well spent in thought
through the day springs hope
left nestled on its undertow
the stereo swell

basking in the hour of belief
sorted flowers in its incredible epitaph
The Waiting Suspense
there are pillars
in doorways
loosed to become forgiven
loose engine
the pulsating of a river
where is the trigger
gets bigger & bigger
Destination Excellence
the thought of letting go
a far to time before
waiting to explore
the opened door

life can be quite a bore
the longing for more
road up ahead
avoid the living dead

thoughts inside my head
The Arms Of Rap
into the arms of rap that's where its at buiding through the confusion in fusion
got flames coming out my baseball cap I'm in need of a nap keep close to the doorway
fresh rhymes I'm still on time you maybe brave see me at the arcade park my Benz in back
folks tend to over react but I tip my hat got news for you all bridge the gap know what's up

Chilling at the grill with my girl sporting heavy studs think that I'm in love you see
there's brilliance in a piece mark the ege of my teeth stand still & repeat
bars watching souped up body kit cars looking to the stars a view from Mars
Pina Colada does anyone grow fond of Starsky & Hutch another push

grasping with tender faith in my hand when will folks understand stick it to the man
years have passed still having every reason to grasp the solitude in that I'm still in a good mood...
Feeling high anxiety got folks sitting next to me living out my legacy of what I used to be
Sipping my favorite sauce to the max you tend to over react got to stay in the zone

Summer time boogy time get your cash and stand in line frozen in time
Through a variation of a dream peeps do scream eating delicious ice cream
Souped up high hat as if in a tempo taking you places that you need to go
playing a little Spanish fly i got words by the fly your my favorite guy

on my human side stand still I'm happily alive got to put first things first
this is how i flirt got words for Lavert put back your gold in a purse
Trump is getting busy but he makes me awful dizzy better listen to Thin Lizzy
they say i'm institutionalized but I got words from the hive it's best to dream big
Let Yourself Be
A reflection I will be, for today
I looked into a mirror and much to my surprise,
what I saw was all deep, deep, inside...
There it was, all exposed, the inner me

right down to my very soul alarmed, shocked, and surprised, what
I saw wasn't really me on the outside
What have I done ? Where did it go wrong ?
Why isn't the inner me the same as the outer soul ?

Then I could see way beyond it isn't just me, but everyone.
Life is a fairy tale to most for the really don't accept the Holy Ghost
If all would look within their self, and
see the person that is there,

open up your heart, let it out
don't pretend, just be proud, for the person
you really are, is just what God wanted
for he created you as he chose

Don't fret, or whine, just be proud, life's riches you will surely find
Now when you look at me, a mirror you will see
for when you look at me, what you'll see is the inner me
For I am the mirror of the real me

To everyone in life who feels they are not special,
you really are, you see, for God made you that way,
if you'll only let yourself be...

Whenever people criticise me
They usually don’t know that
I am my Biggest Critic,
Beating myself up
Like Tyson Fury.

It’s how I spur myself on,
Hopefully to better things.
But what things?
I still don’t know.

Oh to have blind faith
And sense of Vocation
As many others do.
A solid set of Values.
A script to follow
Opinions to declare.

Instead I dither
Undecided
Lost in an ocean of ifs and buts.
Too bright and open-minded
For my own good.

Worse still, I’m oh so eager to please.
I think myself incorruptibly honest,
Yet the truth is,
I only tell people what I think
They want to know.
It’s how I was brought up.

But then again
Am I willing to fight
For what I stand for?
Should I really be Devil’s Advocate
Just to “stick up” for my views?

Better methinks to hold my counsel
Or be diplomatic
Which may be okay
So long as I actually decide
What I think and feel
Within myself.

And there’s the rub.
What do I stand for?
Do I really think for myself?
Like so many others,
Am I dragged along:
Brainwashed by Media hoo ha
And hype?
Superficial sound bytes
And rallying calls.

I need to search my soul
And find my true feelings
And beliefs.
I know that I Love Life
In most of its forms.
I’m all for Wellbeing
And The Common Good.

I need to focus
On these things:
On making the most of
This Paradise World
We seem bent on ruining.

In short
I must stoke those fires of Love
And enlighten others
To do the same.

Paul Butters

© PB 13\12\2021.

In the ears of mine intention
and heart of my affection
heavier are thy words
than Mike Tyson's punches:
they struck my feelings
hard, breakimg the chords
and jaws of my passion.

Truck of snobbish display . . .
. . . plight blighted . . .
       crestfallen.

Should the sis linger more
in my marooned mind,
who hath belittled my person
and social worth?

Though i'm no Knight--
matter of fact, truly--
neither a nobleman, Miss Beauty,
with riches and a badge
of honour to show forth
my position, eminence and prestige:

wheeling thee about in a Rolls Royce
to diverse paradise of your choice;

yet deserve i no scorn of lips,
high lady,
even if belong nay to the gentry.

april,
full pink moon,
it snowed yesterday, and still today
many
many clouds of light, like a

statue

i wonder if the light remembers itself,
if the moon knows when it's called  (by nasa) the supermoon  or the pale moon,
when it brings frost, rain,
*******,
ovulation
if it takes any credits,

last week at the corner of my house the storm ripped apart half a tree,
does it remember where?
does it remember the putrefied roots, dry branches blown by the wind,
does it remember the one that still fights,

i look out the window,

the cat jumps from branch to branch, plays with the blue jays,
who memorizes who? initially, it seems, that the cat is provoking the birds,
squatting on a thicker branch awaits the next move,
i have my moments too,
i understand, the truth never barks,
and does not caress you like a kind mother
it also doesn't  kiss you where you want to be kissed

for thousands of years,

it is rumored that many know it, but
the raw reality is that truth is autistic,
the gifted child
genuinely likes the same food, the same road, the same coat,  color,
stops at the red pass when is green, it simply knows what is right,
like a donkey clings to the same people,
roars at the same gate,

it is the only one equipped with the kick under the belt,
it  hits the careless on the scruff,
the rest on the forehead, in the belly,
it hits with a  fist,  feet,  or sledgehammer, like a rumble of  thunder,  a bomb,
it bites by the ear, by the nose,
it's mike tyson,  the greatest puncher of all time,

despite it all

net theater, all kinds of reinvented creatures, weird characters talking about the belt,
they want to abort it and  flutter it on the (right) cheek of jeofrrey de peyrac,
more than likely, to cover the cracks in the palace of culture (the experts
explaining: it is an adaptation response to fresh rehabilitation),

no joke

the truth has nothing to do with adaptation, those in  trend, the saviors of the world,
a boomerang doesn't know about smart people, bullies, or others…

a boomerang is a boomerang

try to make a bow from a boomerang, or a parachute
and you'll have princess diana's headache on her  wedding day; migraine sweet migraine
cancer, brain tumors,
titmouse constipation, broken teeth on TV,
viol in viol, - in,

i don't want to write about what I have  in mind,
i know nothing (tell yourself: big deal), and
i don't want to wash my brain with your memorized truth

*
reality is much harsher than a halloween decorated pumpkin,
when memory mocks you
every morning you wake up smaller and smaller
a shrimp,
stretching back and forth like tasteless chewing gum
promising
hailstones solidified between tangible and inaccessible
free play up and down the column
abandoned (does not mean we are free from mistakes, and responsibilities)
whether we happen or not, all that is not only ours
here or there we are bubble-to-bubble
missing
the freedom with respect to destiny
...
but how about the parrot?
when the truth happens like the full moon, live
în pink flesh
once a month
ones a year,
per century,
once in the millennium
...

The cosmos makes me cry
Like televised life
That lights my mortal eyes
Carl Sagan to Neil Tyson
Time spliced and atomized
Science realized
Generations inspired
I weep for lost time
I weep for lost space
I weep in wonder
Of what will be
What we lost
What we can see
And all possibilities
Between humanity
And me

I.
AM.
A.
*******.

Here's how i roll.
I plop the excrement, directly in the pool.
I **** on chairs,
This is where i place stool.

Plip plob drop loads,
Crenated blood cells and lymphatic drool.
Hurt my kidneys in a fight with truth the other night.
7 brutal, flooring uppercuts to the Latisimus dorsi....

I am > "this girl"
That one that's taken more hits in the face than Tyson.
The one that makes Jenna and Sunni Leone look like pre-school dropouts of ****.

Guys say.
"She"
"got the,"
"best head."

She has nothing in it though.
Her brain's finished by the time words leave her lips whole.
thats as far as it gets
the words pass her **** then she falls, grab her hips.

Prepare the sword for the stone.
The one with the baby whole in her dome.

She's not good, much else.
Her black hair and wisdom lines go bout as deep as her shirt.
Depending on the day.
Pervert.

Lets do ANOTHER line.
"Oh My GOD!" "We did so much *******...."
Coke in cans.
Filled with whiskey flask-hand.

"This night's gunna be one to remember",
if his member is inside, that's my gender,
Blend it with all the worst intentions,
Use the worst intentions.
Stab the heart of conviction.
Tear it to tethers with tension.
Rip the strings of friendship.
Tease the knots of frayed linen,
Like its the only thing ya got.

"I am so high right now."
I forgot what earth looks like.
Probably like my town.

Only place I've been.
I'm 17 ya see.

Its the only thing you got.
You don't deserve roses, flowers, Laurels.
No trees.
No dime bags, no speed, no crying hag.

I can sure **** 25 yearolds.

Saying your better never sounded more like a lie.
Worst thing is you have that prevarication internalized.

I have a god complex...
Wanna save em all...
Can't save a ******* one...

I did lie once...
It was...
When I told you that you weren't...
A *******...

I can't dream if it's from this closet
Every thing I want to do just sounds so ******* pompous
I talk about what I want to do and everybody thinks I've lost it
I'm on the radar, but I'm the darkest blip
Walking the plank on purpose, S.S. *******, I'm off this ship

I feel like I've finally got it, and of course then I've lost it
I write a masterpiece, "hey where's the follow up?"
Like me and my girl jinxin the future with a prenup
'Oh you know we just trying to be safe,' right *****, let's marry up this **** then
You can take it all just split them assets
Get me bent with no price or rent

See I ain't tryna get around just tryna win this
Can't seem to get to the top when I'm the only one in the bracket
Try to be a team player, but my teams full of *******
I'm Harry Potter *****, imma smash that *** like quidditch
I gonna hit that pinata, till the cash flow get me riches

I talk ***** but I miss the way you talk
British, you a fit birdy, girl
I eat my grits, but I ain't really eating till after we're flirty, girl

Take you to the back room, pour some wine and then some feelings, watch some mad men and tell you bout my last girl
I said I like the way you talk to me but I think I just like how I can talk to you
You're an outlet, and I'm plugging, your sticking around, but you should know I'm just thuggin
And maybe I just say the ***** things I say to mask my potential under promiscuity cause I got a real problem promising myself I'll solve my problems too
(I'd never admit it though)

See that's just something me and my crew do
I guess it masks all the little ***** blues 'fake cries'
During this poem I think I grew three inches for you  
In my heart
See it's so easy to gravitate to you like your the sun and I'm Mercury, I'm too close and you're burning me alive, but I can't pull myself apart, girl it'll never work
We can't stop Miley, that's melancholy for sure (but keep the twerk)

You make me feel like Frank Sinatra, and I can't even sing
So **** confident, you let me discover myself, I'm deep, I can feel, I'm Mike Tyson, Kung Pao chicken, I bring it all to the ring
All these little kids on the streets learning how to *** from me 'like fricken'
The thought of you got me sick to the stomach, it's sticking
..
Too bad you're just a ******* fling

Time Volume: 1
I’m eating up the hours
one by one.
Blink.
Click.
Blink.
another screen,
more non-words
Blink.
Click.
Just letters.
Click
9000 more words
blink
and more time.
Click.
To be forgotten.


Learning to forget
The melting *** cast a boy and I ran outside,
A slime soaked goblin, a monster from the pit
Lobbing clods of mud at a harmonic sky
Whirring with dragonflies and lolloping bees.

Sun and rain prepared a day on a different earth
Where there was life in the monkey puzzles,
And scuttling battle grounds that
hid hundred-handers beneath concrete slabs.  
Gravel churned up tiny black dragons,
rotten logs, fortresses of tiny fiends.

I had a sword in my hand, I was noble.
Defender of the realm, scourge until tea,
The hero of worlds
everyone else couldn’t see.


Time volume 2**
Excalibur was stuck fast
When the new branches fell
Click.
the tips of my fingers are beginning to rot.
Blink.
Click.
If only I could
blink
stop the second
click
See the world behind glass.
blink
and dance out of time.
Click.
This snow globe,
Is not the Antarctic.


Artificiality in Imagination
Turning my back on time and space with
Bottled brains, ***** mist, powdered thought
I chiselled into old pathways.
I carved a silk road through synapse and nerve
to return to my monsters.

I saw a sickness of colouration
A lynx effect for the sky
tearing punkish streaks into the atmosphere
that were quickly blinked away.
Sunspots, cloudbursts, tussocks, grass,
Paper squares, green, red, purple, pink, blue,
pungent smoke, bugs, ripples, shivers,
polka dots and blank spots.
A storm-cloudy stomach.

The perspective of a head plastered to the soil again
saw thing for what they were,
a tiny amazon thought lost to rationality.
My heart thumped for a fear and joy
in a way forgotten by time.


Time Volume 3
Why is it called wasted when it is time well spent?
Click.
my god, my eyes hurt.
Click.
Just 9000 more words.
Click.
What would I give for a pretty girl sat under a tree.  
Click.
search * (pretty girl sat under tree)
Click.
She’s hot.
Click.
So is she.
Click.
… could always.
Click.
don’t be stupid.
Click.
Just 9000 more words.


Fantasy for a Counterpoint
I questioned what’s real when she blinked at me
and stopped existing  when she closed her eyes.
No one taught us to write in blood,
Tattoo our names into each other’s skin,
Leaving claw marks for the world not to see.

Whatever you drew was Van Gough
Whatever you said was Keats,
Whatever bruise you left was Tyson’s.

The outer layers of or skin are dead,
It’s funny whatever you touch on a person,
Is already dead.

Just before our love got lost
I noticed a thread break away from the braid
Around your head,
a small incongruity,
That made your hair a mess.

Love became what it was when you said you were
‘as constant as the northern star’,
And I replied, ‘yes - always in the dark’.


Time Volume 4
This is progress for my sake,
Just in time.
Blink.
Time is money.
Click
Time flies.
Blink
A stich in time
Click
This is a paradigm of nothing time.
Click
I’ve got so much time.
Click
And so little time to waste.
Blink
I’m a long time dead.


Hope for a handful of dust
Eventually I will while away these lonely hours.

What black rocks stir while we sleep?
What prayers rumble still, among old stones?
Do they speak the eternal city and glow civilised blue -
Or burn timeless black?

Does the probing ivy find us out
And the blunt head of a worm investigate
our most intimate parts?

Or does a spectre rise from the soil
To live under children’s beds?

When is the point that death
Becomes something breath-taking -
And the brook, my brown blood,
The dead leaves my skin,

Is it fantasy
to put something
where nothing should be?

The soft earth will **** me in
And give my brittle bones
To worms and crows
What stirs beneath the stones,
may always be worms and crows

The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29-year-old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well, Jack Delleto, Dell, I heard you were dead. " The six foot, two-hundred-pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Mary's with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"People drift away, some leave, some disappear. If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                                    

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                              

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                                    

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                        


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                                  



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                            

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                                

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                             


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                                *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."

I don't want you to ever have to be alone Elizabeth.
I know too many amazing flower shops for you to have your vases in your cabinets.
I have too many wonderful blankets and even better pillows that you should have any trouble sleeping Elizabeth.
I haven't told anyone that you wrote Frankenstein.
I didn't tell them that Mary Shelley was your grandmother Elizabeth.
There's a creperie on Diversey if it's still there.
Do you like caramel Elizabeth?
I once made caramels in a tin *** on an open flame, it tasted like burnt.
What tastes do you remember Elizabeth?
I know too many fantastic places that your eyes should ever be tired, too many places where trees grow that you should have to keep your feet on the ground.
Electricity couldn't ground you Elizabeth.
Mike Tyson should cut off his ears for you.
The hair on your head is too beautiful that you should never have a reason to go out Elizabeth.
I know the magic that comes out of your mouth, you own silence it should never own you.
I was silence Elizabeth.
I was silence and charade and death and alone.
But then I met you Elizabeth, then I met you.
I would take two bullets for you.
Even if you want to hold the gun.

These are antinatalist poems and translations by Michael R. Burch.  The antinatalist translations include poems and prose by Al-Ma'arri, Aristotle, Buddha, Homer, Omar Khayyam, Sappho, Seneca, the bible's King Solomon, and Sophocles.

Antinatalism is the belief that human beings should not procreate. Do we have the "right" to bring other human beings into a world that was always "red in tooth and claw" and is now increasingly deadly due to global warming, nuclear weapons, drone warfare and maniacal leaders like ******, Mussolini, Stalin, Putin, Jong-un, Netanyahu and Trump?

There were antinatalist notes in Homer, around 3,000 years ago ...

HOMER

For the gods have decreed that unfortunate mortals must suffer, while they remain sorrowless. — Homer (circa 800 BC), Iliad 24.525-526, translation by Michael R. Burch

It is best not to be born or, having been born, to pass on as swiftly as possible.—attributed to Homer, translation by Michael R. Burch

One of the first great voices to directly question whether human being should give birth was that of Sophocles, around 2,500 years ago ...

SOPHOCLES, PART I

Oblivion: What a boon, to lie unbound by pain!—Sophocles, translation by Michael R. Burch

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), translation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night.
—Sophocles, Oedipus at Colonus, translation by Michael R. Burch

There are more Sophocles quotes later on this page. According to Aristotle, it had become so common in ancient Greece to say "It is best not to be born" that it was considered a cliché!

ARISTOTLE

"You ... may well consider those blessed and happiest who have departed this life before you ... This thought is indeed so old that the one who first uttered it is no longer known; it has been passed down to us from eternity, and hence doubtless it is true. Moreover, you know what is so often said and [now] passes for a trite expression ... It is best not to be born at all; and next to that, it is better to die than to live; and this is confirmed even by divine testimony [i.e, the wisdom of Silenus]: ... The best for them [humans] is not to be born at all, not to partake of nature's excellence; not to be is best, for both sexes. This should be our choice, if choice we have; and the next to this is, when we are born, to die as soon as we can." — Aristotle, Eudemus (354 BCE), surviving fragment quoted in Plutarch, Consolatio ad Apollonium, sec. xxvii

KING SOLOMON THE WISE

The Bible's wisest man, King Solomon, agreed with the ancient Greeks that it was best not to be born:

"So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter. Wherefore I praised the dead which are already dead more than the living which are yet alive. Yea, better is he than both they, which hath not yet been, who hath not seen the evil work that is done under the sun." — King James Bible, Ecclesiastes 4:1-3, attributed to King Solomon

OMAR KHAYYAM

Happy the soul who speeds back to the Source,
but crowned with peace is the one who never came.
—a Sophoclean antinatalist passage from the Rubaiyat of Omar Khayyam, translation by Michael R. Burch

AL-MA'ARRI

Another strong, relentlessly questioning voice was that of a blind Arabic seer, the great Arab classical poet Abu 'L' Ala Ahmad ibn 'Abdallah al-Ma'arri, commonly referred to as al Ma'arri...

Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
in some backwards mind.

Antinatalist Shyari Couplets by Abul Ala Al-Ma'arri (973-1057), translation by Michael R. Burch:

Lighten your tread:
The ground beneath your feet is composed of the dead.

Walk slowly here and always take great pains
Not to trample some departed saint's remains.

And happiest here is the hermit with no hand
In making sons, who dies a childless man.

SENECA

Two thousand years ago, the Roman philosopher and statesman Seneca spoke of his right to euthanasia, but also about the bliss of not being born in the first place ...

Just as I select a ship when it's time to travel, or a house when it's time to change residences, even so I will choose when it's time to depart from life.―Seneca (4 BC-65 AD), translation by Michael R. Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness. Seneca, On Consolation to Marcia, translation by Michael R. Burch

Religion is regarded by fools as true, by the wise as false, and by rulers as useful. — Seneca, translation by Michael R. Burch

SOPHOCLES, PART II

Antinatalist quotes by Sophocles (circa 497-406 BC):

Never to be born may be the biggest boon of all.—Sophocles, translation by Michael R. Burch

Oblivion: What a boon, to lie unbound by pain!—Sophocles, translation by Michael R. Burch

The happiest life is one empty of thought.—Sophocles, translation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.—Sophocles, translation by Michael R. Burch

What is worse than death? When death is desired but denied.—Sophocles, translation by Michael R. Burch

Children anchor their mothers to life.—Sophocles, translation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day, always edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.—Sophocles, translation by Michael R. Burch

ANCIENT GREEK EPITAPHS AND OTHER EPIGRAMS

Pity this boy who was beautiful, but died.
Pity his monument, overlooking this hillside.
Pity the world that bore him, then foolishly survived.
—Michael R. Burch, after an unknown Greek poet

Little I knew—a child of five—
of what it means to be alive
and all life’s little thrills;
but little also—(I was glad not to know)—
of life’s great ills.
—Michael R. Burch, after Lucian

Death is evil; the Gods all agree.
For, had death been good,
the Gods would
be mortal, like me.
—Sappho, translation by Michael R. Burch

Gold does not rust,
yet my son becomes dust?
—Sappho, translation by Michael R. Burch

Here he lies in state tonight: Great is his Monument!
Yet Ares cares not, neither does War relent.
—Michael R. Burch, after Anacreon

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
—Michael R. Burch, after Antipater of Sidon

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
—Michael R. Burch, after Leonidas of Tarentum

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

MORE ANTINATALIST QUOTES

Everybody stop breeding, or by method of birth-control stop birth.—Jack Kerouac

Original Sin is the crime of existence itself.—Arthur Schopenhauer

Nanda, I do not praise the creation of a new existence: not even a molecule, not even for a moment.—Gautama Buddha, translation by Michael R. Burch

Since time dawned
only the dead have experienced peace;
life is snow burning in the sun.
—Nandai, translation by Michael R. Burch

Did I request thee, Maker, from my clay
To mould me man? Did I solicit thee
From darkness to promote me?
—John Milton, Paradise Lost

This dream of nothingness we so fear
is salvation clear.
—Michael R. Burch

MODERN ANTINATALIST POEMS

"Dover Beach" by Matthew Arnold
"Infant Sorrow" by William Blake
"Hurt Hawks" by Robinson Jeffers
"This Be The Verse" by Philip Larkin
"Prayer Before Birth" by Louis MacNeice
A large number of poems by Tom Merrill

MY ANTINATALIST POEMS

The first Catholic Pope, according to the Popes themselves, was Saint Peter, whose original name was Simon according to the gospels. So I have written a poem for the first Simple Simon and his simpleton heirs. If there is an "eternal hell" and most human beings are bound there, from day one the Popes should have been warning human beings NOT to procreate, duh!

Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Paradoxical Ode to Antinatalism
by Michael R. Burch

“God is Love.”

A stay on love
would end death’s hateful sway,
someday.

A stay on love
would thus be love,
I say.

Be true to love
and thus end death’s
fell sway!



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



veni, vidi, etc.
by Michael R. Burch

the last will and testament of a preemie

i came, i saw, i figured
it was better to be transfigured,
so rather than cross my Rubicon
i fled to the Great Beyond.
i bequeath my remains, so small,
to Brutus, et al.



***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Antinatalist Haiku for the Children of Gaza
by Michael R. Burch

You astound me,
your name
unpronounceable on my lips ...

Born into the delicate autumn,
too late to mature,
pale petals ...

Soft as daffodils fall
all the lamentations
of life’s smallest victims,
unheard ...



Styx
by Michael R. Burch

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.



Dust (II)
by Michael R. Burch

We are dust
and to dust we must
return ...
but why, then,
life’s pointless sojourn?



Long Division
by Michael R. Burch

All things become one
Through death’s long division
And perfect precision.



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



thanksgiving prayer of the parasites
by Michael R. Burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner;

as you fall upon my sword,
take it up with the LORD.”

the wise owl replied
as the tasty snack died.



faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



While not antinatalist poems, per se, these poems question the dubious claims of Bible and the religions it spawned. I wrote the first poem, "Bible Libel," after reading the Bible from cover to cover at age eleven.



Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.



fog
by Michael R. Burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



u-turn: another way to look at religion
by Michael R. Burch

... u were born(e) orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Ars Brevis
by Michael R. Burch

Better not to live, than live too long:
this is my theme, my purpose and desire.
The world prefers a brief three-minute song.

My will to live was never all that strong.
Eternal life? Find some poor fool to hire!
Better not to live, than live too long.

Granny ******* or a flosslike thong?
The latter rock, the former feed the fire.
The world prefers a brief three-minute song.

Let briefs be brief: the short can do no wrong,
since David slew Goliath, who stood higher.
Better not to live, than live too long.

A long recital gets a sudden gong.
Quick death’s preferred to drowning in the mire.
The world prefers a brief three-minute song.

A wee bikini or a long sarong?
French Riviera or some dull old Shire?
Better not to live, than live too long:
The world prefers a brief three-minute song.



no foothold
by Michael R. Burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.

Originally published by Light Quarterly



Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch
Religion: the ties that blind.—Michael R. Burch



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.

I believe I wrote the first version of this poem around age 17 or 18.



Less Heroic Couplets: Funding Fundamentals
by Michael R. Burch

"I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble." — Mark Twain

Making sense from nonsense is quite sensible! Suppose
you’re running low on moolah, need some cash to paint your toes ...
Just invent a new religion; claim it saves lost souls from hell;
have the converts write you checks; take major debit cards as well;
take MasterCard and Visa and good-as-gold Amex;
hell, lend and charge them interest, whether payday loan or flex.
Thus out of perfect nonsense, glittery ores of this great mine,
you’ll earn an easy living and your toes will truly shine!

Originally published by Lighten Up Online



Less Heroic Couplets: Attention Span Gap
by Michael R. Burch

Better not to live, than live too long:
The world prefers a brief poem, a short song.



Less Heroic Couplets: Crop Duster
by Michael R. Burch

We are dust and to dust we must return ...
but why, then, life’s pointless sojourn?



Less Heroic Couplets: Clover
by Michael R. Burch

It’ll soon be over
(clover?)



Less Heroic Couplets: Weird Beard
by Michael R. Burch

for and after Richard Thomas Moore

C’mon, admit — love’s truly weird:
why does a ****** need a beard?

Should making love produce foul poxes?
What can we make of such paradoxes?

And having made love, what the hell’s the point
of ending up with a sore, limp joint?

And who invented love, which we all pursue
like rats in a maze after sniffing glue?



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
i note per ur horrible Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was this man ever good
before being made “god”?
if so, half ur Bible is libel!



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



Notes toward an Icarian philosophy of life ...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict ...
torture a confession from him,
get him to admit, “I did it! ...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator ...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice ...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone ...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well ...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed—

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?—

the higher you “rise,” the more halting?



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until it sheds red-gilded leaves:
then heaven grieves
love’s tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem’s retrograde star,
we point out now, in resignation:
You asked too much of man’s beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good ...
just, O greatest of Poets!, misunderstood.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
But I’m upwardly mobile. How the hell can I know?
I can only go up; I’m already below!



Beast 666
by Michael R. Burch

“... what rough beast ... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!—
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!—
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go . . .
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin . . .
lay down your pamphlets; now no one will “win.”

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through . . .
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here—
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It . . .
But, if so, still, I must ask:

why is it God that they fear?

Published in The Bible of Hell



Where We Dwell
by Michael R. Burch

Night within me.
   Never morning.
     Stars uncounted.
       Shadows forming.
       Wind arising
     where we dwell
   reaches Heaven,
reeks of Hell.

Published in The Bible of Hell



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.

Published by Katrina Anthology



Altared Spots

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love’s wild insurrection
yield no certainty of a resurrection.

Man’s tried them both, has added tears,
chants, dances, drugs, séances, tombs’
white alabaster prayer-rooms, wombs

where dead men’s frozen genes convene ...
there is no answer—death is death.
So bury your son, and save your breath.

Or emulate earth’s “highest species”—
write a few strange poems and odd treatises.



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).

Published by The Neovictorian/Cochlea



dark matter(s)
by Michael R. Burch

for and after William Blake

the matter is dark, despairful, alarming:
ur Creator is hardly prince charming!

yes, ur “Great I Am”
created blake’s lamb

but He also created the tyger ...
and what about trump and rod steiger?

NOTE: Rod Steiger is best known for his portrayals of weirdos, oddballs, mobsters, bandits, serial killers, and fascists like Mussolini and Napoleon.



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Alien
by Michael R. Burch

for J. S. S., a "Christian" poet

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Belated Canonization
by Michael R. Burch

I loved you for the best.
I loved you through the worst.
I loved you fully dressed,
even when the water pipes burst.
But the gods were not impressed
and so they took you first.

I loved you nonetheless,
even when the earth seemed cursed.
I loved you at the prom.
I loved you in the hearse.
I still think of you as blessed.
Please excuse this morbid verse.



Only Flesh
by Michael R. Burch

Moonlight in a pale silver rain caresses her cheek
but what she feels is an emptiness more chilling than fear ...

Nothing is questioned, yet the answer seems clear:
Night, inevitably, only seems to end ...
Flesh is the stuff that does not endure.

The sand slips sinuously through narrowing glass
as Time sums all things past, and to come.
Only flesh does not last.

Eternally, Night pirouettes with the Sun;
each bright grain, slipping past, will return.
Only flesh fades to ash though unable to burn.
Only flesh does not last.

Only flesh, in the end, makes its bed in brown grass.
Only flesh shivers, frailer than the pale wintry light.
Only flesh seeps in oils that will not ignite.
Only flesh rues its past.
Only flesh.



Parting is such sweet sorrow
by Michael R. Burch

The cosmos is flying apart.
Hush, Neil deGrasse Tyson’s irked heart!
Repeat, repeat.
Don’t skip a beat.
Perhaps some new Big Bang will spark?

Neil deGrasse Tyson told Stephen Colbert that what keeps him awake at night is the fear that expansion will cause most of the universe to become invisible to us.



Menu Venue
by Michael R. Burch

At the passing of the shark
the dolphins cried Hark!;

cute cuttlefish sighed Gee
there will be a serener sea
to its utmost periphery!;

the dogfish barked,
so joyously!;

pink porpoises piped Whee!
excitedly,
delightedly.

But ...

Will there be as much glee
when there’s no you and me?



How It Goes, Or Doesn’t
by Michael R. Burch

My face is getting craggier.
My pants are getting saggier.
My ear-hair’s getting shaggier.
My wife is getting naggier.
I’m getting old!

My memory’s plumb awful.
My eyesight is unlawful.
I eschew a tofu waffle.
My wife’s an Eiffel eyeful.
I’m getting old!

My temperature is colder.
My molars need more solder.
Soon I’ll need a boulder-holder.
My wife seized up. Unfold her!
I’m getting old!



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones ...
   fill all the pockets of my gown ...
      I’m going down,
         mad as the world
            that can’t recover,
to where even mermaids drown.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)



The Abyss
by Michael R. Burch

Love, the abyss
where pale Lorelei dwell,
swells with bright music —
the music of hell.

For the sirens there lure
countless men to their doom,
crying, “Give us a child!”
in the luminous gloom.

And who can resist
their cries — wild & untamed —
or the flash of a breast,
its pink ****** inflamed?

So the young men all leap
in their lemming-like urge
to thresh their soft shells
where the dark waters surge.

Now many lie shattered
on the sharp, hidden rocks
where they succor the spawn
of some wily sea-fox.



Lures of the Lorelei
by Michael R. Burch

These are the rocks where the Lorelei combs
her wind-tangled hair as the dark water moans,
and her uncanny hymns echo softly between
worlds fashioned of stone and strange algaed dreams . . .

Here men hear her songs, as they always have done,
as they dream to be one with the pulse of the foam . . .
as they also now long for her sleek, slender arms—
sweet relief from their ships, mules, wives, shanties and farms!

But what does she offer them—is it love?
As she croons her desire, is she moray, minx, dove?
Or merely a mystery: an enigma, like death,
to men bent on drowning, unhappy with breath?



Strange Tides, Stranger Tidings
by Michael R. Burch

for Sharon Rose

She walked into the sea one night
to never be seen again;
the Maelstrom made her hair a fright
as she left the world of men.
Some say she thus gained second sight.
Beware strange tides! Amen.

The first year of her life was hard;
the second was harder still.
Like a cameo carved out of sard
she bent to God’s harsh will.
At last her doctors all agreed:
“Just give her some **** chill pill!”

The years flashed by; she did not age
so much as disappeared.
For who could see
                             human dignity
in a thing so small, wizened and weird?
At last she had no memory
save all she’d ever feared.

Then the sea called to her strangely,
as if the Voice of God:
“I repent, O, I repent
of my Anger and my Rod!
Now I only wish to hold you,
and have you Tulip-Cod!”

She thought her nickname sweet indeed;
she did not stop to think,
for who can doubt the Word of God?
She tottered to the brink
of Doom itself, an ancient crone
doomed like a stone: to sink.

She made a votive offering;
she cast a lonely spell
upon the sea, before she stepped
into the gates of Hell;
the Maelstrom took her greedily;
she bade the world, “Farewell!”

So what became of her, you ask?
I can’t pretend to say:
did Michael and the Devil
contend for her that day?
Did the Voice of God mislead her,
or the wind lead her astray?

But sometimes late at night
when the ocean’s dreary roar
abates somewhat, an eerie light
gleams on that rocky shore,
and a lovely Mermaid, tulip-white,
sings, tremulous and pure ...

sweet ancient songs of ancient wrongs
the “love” of God endures.
                                            Amen



I Panajia I gorgona (“The Mermaid Madonna”)
by Michael R. Burch

To touch—the trembling eagerness of fingers
that sightless, in blind darkness, knew to *****,
to seize the hand outstretched, and thus to hope ...
such was your touch, and softly, now, it lingers:

fond memory! I do not understand
this foreign hand that grasps mine now: crude claws’
rude pincers, which engage, but without cause
except to trap me in such enervate sands.

O softer than your mermaid’s swimming tresses:
your arcane touch, your almost human hand!
You held a shell shaped like an ampersand
close to my ear; the surging sea’s caresses

spoke to my heart ... until Gorgona neared
on crablike feet: repulsive, skittering, weird.



Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea

boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.

And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

#antinatalist #antinatalism #birth #born #procreation #procreate #life #death #Sophocles #Homer
antinatalist , antinatalism, birth, born, procreation, procreate, life, death, Sophocles, Homer

This page contains several double limericks, a rare triple limerick, and a new version of the double dactyl that I invented, called the "dabble dactyl."



The Platypus: a Double Limerick
by Michael R. Burch

The platypus, myopic,
is ungainly, not ******.
His feet for bed
are over-webbed,
and what of his proboscis?

The platypus, though, is eager
although his means are meager.
His sight is poor;
perhaps he’ll score
with a passing duck or ******.



The Better Man: a Double Limerick
by Michael R. Burch

Dear Ed: I don’t understand why
you will publish this other guy—
when I’m brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who’s dubious, unsavor
y, inconsistent in texts,
no address (I checked!):
since he’s plagiarized Unknown, I’ll wager!



Hell to Pay: a Double Limerick
by Michael R. Burch

A messiah named Jesus, returning
from heaven, found his home planet burning
& with children unfed,
so he ventured: “Instead
of war, why not consider cheek-turning?”

Indignant right-wingers retorted:
“Sir, your pacifist views are distorted!
Just pull the plug quickly
on someone who’s sickly!
Our pursuit of war can’t be aborted!”



These poems form a double limerick:

No Bull
by Michael R. Burch

There once was a multi-pierced Bull,
who found playing hoops far too dull,
so he dated Madonna
but observed, “I don’t wanna
get married . . . the things she might pull!”

So this fast-thinking forward named Rodman
then said to his best man—“No problem!
When I marry Electra,
if the ring costs extra,
just yank a gold hoop off my ****, man!”



I once provided the second stanza to a famous limerick, turning it into a double limerick …

A wonderful bird is the pelican;
His beak can hold more than his belican.
He can hold in his beak
Enough food for a week,
Though I’m ****** if I know how the helican!

Enough with this pitiful pelican!
He’s awkward and stinks! Sense his smellican!
His beak's far too big,
so he eats like a pig,
and his breath reeks of fish, I can tellican!
—second stanza by Michael R. Burch


The next two poems form a double limerick with separate titles:

Time Out!
by Michael R. Burch

Hawking’s "Brief History of Time"
is such a relief! How sublime
that time, in reverse,
may un-write this verse
and un-spend my last thin dime!

Time Back In!
by Michael R. Burch

Hawking, who makes my head spin,
says time may flow backward. I grin,
imagining the surprise
in my mother's eyes
when I head for the womb once again!



This is another double limerick with separate titles:

Toupée or Not Toupée, That is the Question
by Michael R. Burch

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?

Toupée or Not Toupée, This is the Answer
by Michael R. Burch

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



Not all double limericks are light affairs:

Self Reflection: a Double Limerick
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm . . .
but she’s grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she’d never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Triple Limerick: Attention Span Gap
by Michael R. Burch

What if a poet, Shakespeare,
were still living to tweet to us here?
He couldn't write sonnets,
just couplets, doggonit,
and we wouldn't have Hamlet or Lear!

Yes, a sonnet may end in a couplet,
which we moderns can write in a doublet,
in a flash, like a tweet.
Does that make it complete?
Should a poem be reduced to a stublet?

Bring back that Grand Era when men
had attention spans long as their pens,
or rather the quills
of the monsieurs and fils
who gave us the Dress, not its hem!



Officious Notice: I have invented a ***** nonsense form: the "dabble dactyl." A dabble dactyl starts out like a double dactyl, but forgets the rules and changes horses midstream. Anyone who prefers order to chaos should give the dabble dactyl a wide berth and also not sow any wild oats.  Otherwise, “A little dabble’ll do ya.” — Michael R. Burch



Double Dactyls
by Michael R. Burch

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But why should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.



Donald Dabble Dactyl #1
by Michael R. Burch

Higgledy-Piggledy
Ronald McDonald
cursed Donald Trump, his
least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!"



Donald Dabble Dactyl #2
by Michael R. Burch

Wond’ringly, blund’ringly
Ronald McDonald
asked, “Who the hell
is this strange orange clown?”

“Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!”



Donald Dabble Dactyl #3
by Michael R. Burch

Piggledy-Wiggledy
45th president,
or erstwhile manse resident,
perched on a throne

of gold-plated porcelain
matching his orange “tan,”
bombing Iran
from his twittery phone?



This famous limerick inspired my Einstein “relative” limericks:

There was a young lady named Bright
who traveled much faster than light.
She set out one day
in a relative way,
and came back the previous night.

I recently learned this poem was originally penned, in a slightly different version, by Arthur Henry Reginald Buller; his limerick appeared in Punch (Dec. 19, 1923). I find it intriguing that one of the best revelations of the weirdness and zaniness of relativity can be found in a limerick. I was inspired to pen multiple rejoinders:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!


***-tronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!


Relative Theory I
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows, *****-nilly,
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!


Relative Theory II
by Michael R. Burch

Einstein’s peculiar theory
excludes all my relatives, clearly,
since my relatives’ *****
increase their prone masses
while approaching light speed—not nearly!


Relative Theory III
by Michael R. Burch

Relativity, we’re led to believe,
proves masses increase with great speed.
But it seems my huge family
must be an anomaly;
since their (m)***** increase, gone to seed!



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.


These are limericks of the singular variety …


Caveat Spender
by Michael R. Burch

It's better not to speculate
"continually" on who is great.
Though relentless awe's
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.


This is another of my scientific limericks …

Parting is such sweet sorrow
by Michael R. Burch

The universe is flying apart.
Hush, Neil deGrasse Tyson’s heart!
Repeat, repeat.
Don’t skip a beat.
Perhaps some new Big Bang will spark?


Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Oh, swell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!


ANIMAL LIMERICKS
A much-needed screed against licentious insects
by Michael R. Burch

after and apologies to Robert Schechter

Army ants? ARMY ants?
Yet so undisciplined to not wear pants?
How incredibly rude
to wage war in the ****!
We moralists call them SMARMY ants!


Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot!"


Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Dromedary and the Very Work-Wary Canary
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"


The Mallard
by Michael R. Burch

The mallard is a fellow
whose lips are long and yellow
with which he, honking, kisses
his *****, boisterous mistress:
my pond’s their loud bordello!


The Trouble with Elephants: a Word to the Wise
by Michael R. Burch

An elephant never forgets
and thus they don’t make the best pets:
Jumbo may well out-live you,
but he’ll never forgive you,
no matter how sincere your regrets!


The Limerick as Parody
Marvell-Less (I)
by Michael R. Burch

Mr. Marvell was ill-named? Inform us!
Alas, his crude writings deform us:
for when trying to bed
chaste virgins, he led
right off with his iron ***** ginormous!


Marvell-Less (II)
by Michael R. Burch

Andrew Marvell was far less than Marvellous;
indeed, he was cold, bold, unchivalrous:
for when trying to bed
chased/chaste virgins, he led
right off with his iron ***** ginormous!


Here's a limerick about one of the universe's greatest ironies: the lack of rhyme words for "poetry" and "limerick." I almost solved the latter, but fell a bit short:

Shelved Elves
by Michael R. Burch

I wanted to rhyme with “limerick”
and settled on “good old Saint Slimmer Nick”
about a dieting Claus,
but drawing no “ahs!”
I glumly rescinded the trimmer trick.


To show the flexibility of the limerick form, it has often been used for political purposes, and to expose, satirize and savage charlatans. Here are are two such limericks of mine:

Baked Alaskan

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be "thinkin’"—
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Going Rogue in Rouge

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



I have even written limericks about religion, mostly heretical limericks:

Pell-Mell for Hell Mel
by Michael R. Burch

There once was a Baptist named Mel
who condemned all non-Christians to hell.
When he stood before God
he felt like a clod
to discover His Love couldn’t fail!


Why I Left the Religious Right
by Michael R. Burch

He's got Jesus's name on a wallet insert
and "Hell is for Queers" on the back of his shirt
and he upholds the Law,
for grace has a flaw:
the Church must have someone to drag through the dirt.



Ribbing Adam
by Michael R. Burch

“Dear Lord,” fretted Adam, depressed,
“did that **** really rupture my chest?”
“Yes she did,” piped his Maker,
“but of course you can’t take her,
or I’d fry you in hell, for ******!”



There was an old man from Peru
who dreamed he was eating his shoe.
He awoke one dark night
from a terrible fright
to discover his dream had come true!
—Variation on a classic limerick by Michael R. Burch


There once was a poet from Nashville
which hockey fans rechristened Smashville,
but his odd limericks
pulled so many weird tricks
his pale peers now prefer Ogden Gnashville.
—Michael R. Burch


There once was a poet from Tennessee
who was known to indulge in straight Hennessey
for his heart had been broken
and cruelly ripped open
by an ice-hoarding Dame of Paree.
—Michael R. Burch


Here's one for the poets:

The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.


Here's one for the Flintstones:

Early Warning System
by Michael R. Burch

A hairy thick troglodyte, Mary,
squinched dingles excessively airy.
To her family’s deep shame,
their condo became
the first cave to employ a canary!


Donald Trump Limericks aka Slimericks

Viral Donald
by Michael R. Burch

Donald Trump is coronaviral:
his brain's in a downward spiral.
That pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.


Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"


Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.


White as a Sheet
by Michael R. Burch

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”


15 Seconds
by Michael R. Burch

Our president’s *** life—atrocious!
His "briefings"—bizarre hocus-pocus!
Politics—a shell game!
My brief moment of fame
flashed by before Oprah could notice!


Trump’s Golden Rule
by Michael R. Burch

Donald Trump is the victim of leaks!
Golden showers are NOT things he seeks!
Though he dearly loves soaking
the women he’s groping,
get real, 'cause he pees ON the meek!


Cancun Cruz
by Michael R. Burch

There once was a senator, Cruz,
whose whole life was one pus-oozing schmooze.
When Trump called his wife ugly,
Cruz brown-nosed him smugly,
then went on a sweet Cancún cruise!


Anchors Aweigh!
by Michael R. Burch

There once was an anchor babe, Cruz,
whose deployment was Castro’s bold ruse.
Now the revenge of Fidel
has worked out quite well
as Cruz missiles launch from his caboose!


Canadian Cruz
by Michael R. Burch

There was a Canadian, Cruz,
an anchor babe with a bold ruse:
he’d take Texas first
and then do his worst
to infect the whole world with his views.


Eerie Dearie
by Michael R. Burch

A trembling young auditor, white
as a sheet, like a ghost in the night,
saw his dreams, his career
in a ****!, disappear,
and then, strangely Enronic, his wife.

Fortune named Enron "America's Most Innovative Company" for six consecutive years, but the company went bankrupt and vanished after its accounting practices were determined to be fraudulent.


The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory swimming up to her nostrils in the blood of her victims, with their skulls floating in the background.



***** LIMERICKS



A randy young dandy named Sadie
loves ***, but in forms reckoned shady.
(I cannot, of course,
involve her poor horse,
but it’s safe to infer she's no lady!)
—Michael R. Burch


There was a lewd ***** from Nantucket
who intended to *** in a bucket;
but being a man
she missed the **** can
and her rattled johns fled, crying: "**** it!"
—Variation on a classic limerick by Michael R. Burch


Here are three "linked" Nantucket limericks of mine, forming a triple limerick:

There was a coarse ***** of Nantucket
whose bush needed someone to pluck it
’cause it looked like a chimp’s
and her johns were limp gimps
who were too scared to **** it or **** it.

So that coarse, canny ***** of Nantucket,
once ****-shaved, decided to shuck it
—that thick, wiry pelt
that smelled like wet felt—
and made it a toupee for Luckett.

Now Luckett, once bald as an eagle,
like Samson, stands handsome and regal
with hair to his ***
that smells like his lass,
but still comes when she calls, like a beagle.
—a triple limerick by Michael R. Burch


Shotgun Bedding

A pedestrian pediatrician
set out on a dangerous mission;
though his child bride, ******,
was a sweet senorita,
her pa's shotgun cut off his emissions.
—Michael R. Burch



Untitled Limericks

There was a young lady from France
Who’d let cute boys poke in her pants:
They'd give her the finger
Where she'd let them linger
because that's the point of romance!
—Michael R. Burch


There once was a girl with small *****
who would only go out with young rubes,
but their ***** were too small
so she sentenced them all
to kissing her fallopian tubes.
—Michael R. Burch


A coquettish young lady of France
longed to have ***** men in her pants,
but in lieu of real joys
she settled for boys,
then berated her lack of romance.
—Michael R. Burch


A virginal lady of France
longed to have a ménage in her pants
but in lieu of real boys
she settled for toys
& painted pinkies to make her bits dance.
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
Frenched me a kiss;
I admonished her, "Miss,
you’ve left me twice tongue-tied, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
gave me a kiss;
I lectured her, "Miss,
we haven't been intro'd, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
French-kissed me and left my lips lame.
I lectured her, "Miss,
That's a premature kiss!
We haven't been intro'd, for shame!"
Michael R. Burch


Four Limericks  plus one Lead-In Poem

Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...

But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Mating Calls
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2.
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I enquired again with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!



Teeter Tots
by Michael R. Burch

For your spuds to become Tater Tots,
First, artfully cut out the knots,
Then dice them into tiny cubes,
Deep fry them, and serve them to rubes
(but not if they’re acting like snots).



Golden Years?
by Michael R. Burch

I’m getting old.
My legs are cold.
My book’s unsold and my wife’s a scold.
Now the only gold’s
in my teeth.
I fold.



Trump Limericks aka Slimericks



The Nazis now think things’re grand.
The KKK’s hirin’ a band.
Putin’s computin’
Less Ukrainian shootin’.
They’re hootin’ ’cause Trump’s win is planned.
—Michael R. Burch



Trump comes with a few grotesque catches:
He likes to ***** unoffered snatches;
He loves to ICE kids;
His brain’s on the skids;
And then there’s the coups the fiend hatches.
—Michael R. Burch



Trump’s Saddest Tweet to Date
by Michael R. Burch

I’ve gotten all out of kilter.
My erstwhile yuge tool is a wilter!
I now sleep in bed.
Few hairs on my head.
Inhibitions? I now have no filter!



the best of all possible whirls, for MAGA
by Michael R. Burch

ive made a mistake or two.
okay, maybe quite more than a few:
mistakes by the millions,
the billions and zillions,
but remember: ur LORD made u!

where were u when HEE passed out brains?
or did u politely abstain?
u call GAUD “infallible”
when HEE made u so gullible
u cant come inside when Trump reigns.



Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
for there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



*******' Ripples
by Michael R. Burch

Men are scared of *******:
that’s why they can’t be seen.
For if they were,
we’d go to war
as in the days of Troy, I ween.



Devil’s Wheel
by Michael R. Burch

A billion men saw your pink ******.
What will the pard say to you, Sundays?
Yes, your ******* were cute,
but the shocked Devil, mute,
now worries about reckless fundies.



A ***** Goes ****
by Michael R. Burch

She wore near-invisible *******
and, my, she looked good in her scanties!
But the real nudists claimed
she was “over-framed.”
Now she’s bare-assed and shocking her aunties!



MVP!
by Michael R. Burch

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
make it cute and okay
to write KKK
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65homers,
win the Cy Young by striking out Gomers,
prove the nemesis
of white supremacists
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
cause supremacists
to cease and desist
while inspiring rhyme-challenged poemers?

Keywords/Tags: limerick, limericks, double limerick, triple limerick, humor, light verse, nonsense verse, doggerel, humor, humorous verse, light poetry, *****, ribald, irreverent, funny, satire, satirical

The other day they showed on the news a tweet by President Elect Donald J. Trump. It is a very sad situation when you have an illiterate as your newly appointed leader. It's like I told Layne Marie. It only gets it, when it is and never gets it when in possession. I know what you're thinking. This poet did the same thing when he posted poems on other sites. Yes. Guilty as charged. But, Trump didn't pay Mike Tyson to beat up you. And whenever I recover from those beatings I just might get up the nerve to do something about it. DO NOT TELL ME that this country is so ******* up that anyone running for president shouldn't have to take a literacy test. So we have now a mobster that is ignorant of the rules of grammar, leading the way. This is a very sad day. The 14th will be an even Saturday.

Momma took a lot
of stuff to get where
I'm at.
Momma took a lot of hits
and lived with a broken
back.
Momma still works like
a dog,
Momma walked through
rain, and fought through
fog,
But trust me when I say
still to this very day,
even though I stand
as a broken man,
been knocked down
more times than
Mike Tyson.
I'm not bulletproof
or ten feet tall,
but best believe,
I'm as strong
as a brick wall.
I stomp around
with pounding feet
and Momma can always
count on me.
Til the day I die,
with every waking
breath I try.
Pushers and pullers
need to beware,
when ever Momma needs me,
I'll be there.

Let me tell you about how I run
There are a couple of ways but none of them are fun.

There's a "move the **** out of my way" kind of run
Shot at by some man with a gun
Running over old ladies and children
To get the hell out and save my own skin
Kind of run...

And there's the "cliche blonde running through my head all day"
Where I don't get exercise, but she seems to sweat away
The pounds of brains until I'm dumbfoundedly dumb
And I find myself passed out on the couch with a bottle of ***
And a headache that makes me want to blow my brains out
Cause I can't get some Aspirin and a good woman to ******* out
Kind of run...

And there's the angsty little man that runs from home
Fighting his abusive dad and his best friend "hormone"
When he gets a kick in the nuts named reality
and a left hook to the face named puberty
by Mike Tyson riding a bison
Who leans over and whispers "you lost the fight son"
Kind of run...

Then there are the times when I run my fingers over the typewriter
Making more mistakes than a single stared wasted waiter
Running my imagination that nobody wants to hear on a page
A ******* that nobody will ever notice on stage
Lost in cut out hearts and origami cranes
and on washed out newspapers on old broken trains
kind of run...

However, there is a time when I actually get off my *** to run
But It hurts cause I'm a beached walrus with my *** in the sun
Flopping on land and trying to swim through concrete
Unable to see that I have 2 feet
cause there are 2 feet of fat that is constricting my view
Of who I am and what I'm really able to do
Kind of run...


And this is the part of the poem when I run away to Spain
Clearly, I can’t run that far so I guess I’ll take a plane
And I’ll bring the beautiful blonde with me in a first class spa
And I’ll walk into Spain saying “Su casa es mi Casa
But it will never be the other way around
Cause if I see you on my property you’ll be six feet underground
Kind of run...

I am not sure when I started hating women.
I am not sure if I hate all women
Or just ******* Meg.
I know it was after Meg married me.
But that ***** doesn't count as a woman.
She didn't need a ******* husband.
She should have bought a dog.

Pulling me around to show to her boring
****** friends when I wanted to watch
the ******* play offs.

Would you like a cup of tea
And some ******* bunt cake Harry.
No I ******* would not.
I could **** a ******* cheeseburger
With the works and a pitcher of bud.

He seems kinda quiet Meg
You two doing alright.?
Yeah she said smiling
He's pouting because the games on
He's being trained.
Trained for ***** sake.

I looked at her sweet face
and her ***** figure.
And I gave a bollocking to little Harry.
For being such a *******
and marrying her.
After all I reasoned to him
Who needs to buy the cow
When I get the milk for free.

But that little guy had a mind of his own.
Now ten months ago I tied a ******* knot
With my tongue
I can't undo with my teeth.

What a ******* ***** she turned out
She deals out two meals
**** and more ****.
She knows when I am at the end of
my ******* string.
Then she  is sweet to little Harry
And I he pulls me along for the ride.
So to speak.

The ******* fights
The neighbors banging in the wall.
The condo committee *******
Your infracting clause
six hundred and ******* forty one
Sub ******* paragraph three point ******* one.
The right of quiet enjoyment.

I think **** it I could use some quiet enjoyment.
But no hope of that with this *****.
Boy that ******* bra of hers is filled with
a set of lungs.
She never used bad language
When we dated.
But that was before
I came the useless *****.
And the bone idle *******.

For a couple of months now
She started bashing me
In our barneys.
She packs a ******* good Mike Tyson
With that left hook of hers.
Get up you big ***** she yells.
Put your big girl ******* on and fight.
It was only a ******* love tap.
I'm just glad she wasn't
******* mad at me then..

But

Sometimes when the moon is shining
In our bedroom she turns to me
And runs her fingers through my hair.
And kisses me softly like when we just dating.
Her full soft breast press against my bare chest.
I look into her beautiful face
And kiss her deeply.
She says I love you Harry
Your my boy.
******* weird
I say I love you too Meg darling
And I ******* well mean it.

And she takes me softly
And I have tears in my eyes
At her gentleness
Go ******* figure.

On The Way To The Show

Tommy's usal worry had already been set into overdrive
due to a car that ran on some sort of strange voodoo
that seemed to hold it togather and keep it
from exploding well at least hopefully while we were in it.
Tommy was a ***** but he was a ***** with a car.

Susan silent in the passger seat sat there as
always driving my over active horney teenage
imagination insane as I struggled to think of anything
but the curves of her body and how she would look
without that low cut top  nothing more awkward
than a ***** in the backseat with your best friend beside you.


Who like a demented child would know doubt see your awkwardness
and being the true friend he was say hey look this ****
looks like he's ready to go camping he's already pitching a
tent.

Rick was proof the missing link did exist.
And unlike some people who were unfairly given
nicknames lived up to his with every breath he took
Rick the *****   what a **** of human to bad
he was my so called best friend.

But rick the ******  attention was not cast apon my
moment of utter utter awkwardness  and
soon to be blue flustration.
No he was to fasinated by are resting friend
Tabitha who's dont **** with me or i'll knock your **** in
the dirt mentallity was wasted on rick who
if he should ever come across sleeping beauthy
would probaly think  hey why not **** her.


Dude watch this ****** gonna be awsome.
rick had seemed to gain some sort of ninja
skill as his stealth like hands he must have gained
from trying to **** his sister.
Like some  ****** up car wreck or to big girls fighting
over the last cookie my eyes were transfixed
apon this sure to be disaster.

As this wasnt the best fuel for my situation
Ricks hand slowley slid his hand up her top
for ***** sake stop ****** I tried to say
but my mind was on auto pillot
and the crew was ready to party so to speak.

Rick's devilish glee was that of a child on christmas
who had probaly stole some other childs bike.
well that is till the sleeping dragon awoke.
Tabitha  like some  sleeping wolverine sprang
into action placing a wicked hit to the ***** that made
a sickening thud.

Once was best cause people like Rick could
always get a mail order bride and he
really shouldnt reproduce.

Tabitha much like mike tyson in his prime
had a lotta power  and little care on who she used it on.
As soon a slap met my already semi embaressed face.

What the **** tab?
Thats for going along with it ******.
Befor I could utter a another word another
smack greeted me now shut up *****.
So as any strong man would do comfronted by a
a she banshee awoken from her coma I shut the **** up.

But Tommy in his usal stages of male *** hadnt got the memo.
knock it the ******* back there.
I have to admit it was fun seeing tabithas fist colide into the back
Tommys head.

As Susan just remained silent probaly fearing for
her life.
As of to the Concert slash festival we went.
five friends and some human punching bags.
cramed togther in a vehicle slash death machine.
For one last party Me Rick, Tabitha,My mental *** partner Susan
And Tommy the ***** with the car.
Something told me this was gonna leave a mark.

Life started out rough
As a baby
All I knew was **** brothers
So I had to be tough
Daddy gone
Momma was strong
Did everything to keep me right
But I always ended up in a fight
Mind ain't right
Cuz my heart fearless
No tears held my anger
Felt no love to a mated stranger
Entice to danger
Quick with my left like Tyson
I aimmin for ya eye
When I connect
With these thangs I slang
And if all else fails
I grab the tools ya know the rules
Snatchin' jewels
Like a nine to five
Robbin' was the only way to survive
Seen my first dead body
By the age of five
Ever since then I knew I was born
A ghetto child
Stuck in wild heart tryna reach out
But I can't find grief to let it out
So I'm quarrel keep a loaded barrel
Battlin' this system Modern day Pharoah?
I'm trapped with no where to go
Stuck in the mix life's a ***** *****
World full of misery don't blame me
Though Only god can Judge me!!

Oops, I crapped my pants, again!
Good thing I wear Pampers at work.
That's shift life at the chicken processing plant.
Next time you scarf down McNuggets,
Think of me.