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Waverly Nov 2011
She sent a package
tied in this biege tweed cord.

It turned out to
be a picture of you two
at the lake,
that day it was cold
and she wore that beanie with the flames,
her hair all curly and escaping,
your lips all red and chapped.

A folded note tucked on the inside
of the frame reads:

"I have Connie,
*******

Love always,
smiley-face,
smiley-face
smiley-face,
smiley-face,
me."

­Connie: your/her rat terrier.

You put the picture
in its black frame
on the tv table.

The tweed
you nail
to two spaced planks
on the wall above the tv.

It's like abstract
modernist-expressionist-
constructionist-art.

It's just one string.

A taut cord
of brown tweed.

The black night comes,
over and over,
over and over,
she doesn't return,
but the tweed remains
as taut as a fingernail
or an exposed artery.

Somehow
it's so human and obstinate
that the woven vertebrae
seems to curve minutely
and femininely.

As time passes,
the tweed moves
from beige
to golden
and gravitational.

A call to a friend goes something like this:
"Come over here, I've got this amazing thing on my wall."

The friend, Eric,
calls more friends.

The friends come over,
all piling around this golden tweed
after they've taken stock of the kitchen
and Wild Turkey.


They take turns
plucking it,
thumbing it,
putting their ears to it,
and studying it,
all
at your insistence.

Somebody,
******* Eric,
coughs in the room.
More people begin to cough.

Eric walks up
to the the string,
that is nailed at top
and bottom
on two spaced planks.



Eric gives it a final hard tug,
snapping it like a belt.

the tweed hums and shivers off a few flakes
of dust and amber material.

"I've just wasted five minutes
with this thing,"
Eric says

to the string,
and you.

Eric speaks for the group.

He turns and leaves,
taking the whole group of
twenty
with him.

They trail behind Eric
like a great, long tail
flicking
and knocking things over
in your apartment
out of sheer agitation
on the way out.

The golden gravity subsumes you.

You do not close the door behind them,
you can't even hear their tiny, black voices
as they all clamor into the elevator
and ding.
Robin Carretti Jul 2018
A-Start the best part*
A-Healthy heart breakfast

Not so fast slow down of prayers
Just come and arrive
Sheer whispering Dress Aline
shapes of water are mine

The Green Gables sweeter lime
The twins whisper in doubles
The pink fur Hello Kitty
My best of the cattle in couples
Meet her friend the Furry Sable

The loud whisperers stealing hearts
Of sleepwalkers
They call her the wanderer
He whispers and she's the keynotes
"Her Real Estate' A-Steal for her estate diaries

But their children love to whisper

The crayons Highlights of the wonderland
Building more Ancient dreams

Stealing the grapes of whisper escapes
Like  A-dream planted to remain
A steal cannot take that away
Even if it's you're last meal

Walking with the one you love for miles
Come on baby light my fire
Whispering Morrison door to save
A dream to give the world peace
Like wishing well pulling the rope

Whisper could that be your prayer of hope?*
The guitar the invisible impossible star
And he steals another dream  
Whispering shadows pass like clouds

Australian Malamutes doing the salute *

Got strung along
And lost you

*A-STEAL for an eye for an eye
     HEART
  just give a life

Whispering over again wasn't
the way to play smart
Losing my voice
How to trust someone's words
So hard like the concrete
The abundance of food
Ala carte or Dente

A-Steal dream putting it
into your mind

Whispering Falltime Women in her
Acorn-SHOE* prime time
Walk-in closet Godly light
Like the Viking of swords
Knight

Where to go who will ever know
Not a pin drop of a slight whisper
Clasping or gasping for air
The Holy Water was left

For the delicate minds
of the deer
That light talk of resistance
Lips of acceptance

With her silken pillows
Tied their dreams
Sopping wet rain
The French soothing whispering rainfalls
Wearing her trenchcoat
Whispering her sugar words
He could find me peace
to my river
Like two peas in a pod to float
A Steal how love can tweed his coat
My difference is hearts like "
Owl Hoot"
Just feel you know what's real
Often told the end is truly the taste
to breathe
Even if you are deep inside her dream
To justify her means
Like the Queen to the Diplomat
The highest authority

You almost felt only your whisper the priority
The Aristocrat cleaning up your
bad dreams
*High beams a spoiled love
Like a *** for the Tat

Not the fairytale Dr. Seuss
Cat in the Hat- or the desperation
of one last whisper
Up the sunrise eyes are speechless
The Astral my Goddess
You are the creature of the night
Shining the light never ending the battle night

Smells of baked cake through your nostrils
Rocky mountains of Colorado dreamy caves

Hearing  sounds but living in the distance
The romance blinded like a ghost
winning out the odds

The Even lovers like the Gods whisper
Canadian waterfall talking love deeper

Doing Pilates what *Yogalates loving the
yodeling dreaming watching him the diver
Going dirt biking just love the dreamy feel of hiking

"Hearing Attention ****** in the Summertime"

All blue eyes what a dreamer
The good Earthly brown so worthy
The Cafe Eyes

A steal dream like a spilled milk
Our cat "Jade Eyes" did I hear you
correctly an heir?


Summer the Kings speech air
The assembly line
Good and the bad memories
The years getting away with ******
The law of attraction what a steal in order

Erasing someone's scent
A- million stars you found your truth
Looking outside of your dream
Was your *Godly
tent
Whispering has many advantages and its amazing to see someone in your dream like your lover the mountains hiking or dirt biking and the change of seasons to *******
judy smith Mar 2016
If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses
Robin Carretti Aug 2018
Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair

strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove

Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers
freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures


Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star

Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub

The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples
Sage spice mighty divine but when its mixed love can be jinxed watch out. But just keep singing her "Sage way" her garden is magnificent in every way just pray
Mateuš Conrad Nov 2015
after witty humour, which spawned slapstick... slapstick can only spawn the last of the known humours... the offensive type, the 'get me out of this straithjacket of everything's fine apathy,' the ugly humour... rude humour... i take oaths humour... i rather write a swear word to oil up than degrade myself with thesaurus usage humour.*

why is poetry such a ***** of coding
daily activity...
who needs poetry if the everyday is intact?
atheism didn’t **** god...
it merely killed the logic of myth....
atheism is far worse than mythology...
it just regurgitates facts
to make you submit to them
without the necessary philosophical awe of
finding them interesting...
poetry isn’t dead... it’s a *****...
which is worse than death where i come from...
there’s ezra with his fountain comparison:
‘i ****** in it... and put pigmenting chlorine in it -
you **** in it... streaks of blue... i think
that’s called cubism in france.’
did i say alcoholism was engineered by the nazis
for the bomb sarcasm?
cheap humour you say... ah well slapstick was invented
after sarcasam...
i heard the new best anti-ageing cream was butter rather than l’oreal -
there are too many stages in the differences of women,
i quite like the summer spring autumn winter thing going...
it’s like this thing that’s happening right now...
christian nations censor words... like ****... cultish **** of the brothel...
and islamic nations invoke words... like kefir (sour milk,
not quite youghurt), dawah... adhan salat abraham...
one party censors words for excess *****...
saying: ‘we don’t like swear words in accomplished spelling,
we like dyslexia and **** teen **** graphic...’
sounds about right...
the other party says: ‘we hate censoring ***** words,
that’s doubly censoring,
censor ***** words get more dirt out of it...
we invoke the power of arabic to teach koran latin for
the knobs!’
problem sorted... we’re all power brokers of spelling /
punctuation / arithmetic -
that’s what i don’t get,
the ratio of the two languages...
all you have in the digits A to Z is spelling and punctuation...
but what you have in the digits ZERO to NINE
is so much more...
is grammar a castle that’s keeping certain functions out?
in mathematics you have +, x, obelisk, -, square root, etc.
but in linguistics you have this permament reminder:
SPELL RIGHT FROM WRONG AND RITE FROM THONG.
well... ****** me timbers...
i think i just spotted a lumberjack chequers tweed jacket.
See the various Poems the scene of which is laid upon
      the banks of the Yarrow; in particular, the exquisite
      Ballad of Hamilton beginning—

          Busk ye, busk ye, my bonny, bonny Bride,
          Busk ye, busk ye, my winsome Marrow!

From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my “winsome Marrow,”
“Whate’er betide, we’ll turn aside,
And see the Braes of Yarrow.”

“Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, ’tis their own;
Each maiden to her dwelling!
On Yarrow’s banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.

“There’s Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There’s pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?

“What’s Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder.”
—Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!

“Oh! green,” said I, “are Yarrow’s holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O’er hilly path, and open Strath,
We’ll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.

“Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary’s Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There’s such a place as Yarrow.

“Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We’ll keep them, winsome Marrow!
For when we’er there, although ’tis fair,
’Twill be another Yarrow!

“If Care with freezing years should come,
And wandering seem but folly,—
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
’Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!”
Melissa Taylor Feb 2010
The tweed of his jacket catches my eye-
Faded browns weave between washed reds.
Worn oval patches guard his elbows
As if he spent a lot of time
With his head resting in his hands.
Sitting behind his desk,
Letting the worries flood his mind.
Rectangular glasses lay a foot away from his hand.
Reading into the late hours of the night.
“Theories of Thought” lies next to him…
The pages creased and the binding beginning to loosen.
He has spent hours pouring over the philosophies of others,
Yet still cannot figure out his own,
Mismatched socks stand out
He hasn’t really paid attention in awhile
His mahogany dress shoes have seen every season,
Dark circles rest underneath his eyes.
He glances up to see me in the hallway
The tweed of his jacket had caught my eye
copyright 2009
Sister and I loved to play, to run and twirl and roll in grass all day. Momma gets mad when we go too far but our yard is massive we live on a farm! Running on rolling fields of prairie, singing and laughing and acting merry, shot right through the tree line that marks our abode, slid across the rocks on Old Joser Road, saw an old lady who walked with crumpled toes and spoke too and listened too a pack of crows, plucking weeds and picking a thorny flower she called out to us that fateful hour;

  “Oh my and how lovely, two twins so cute! I had thought no one lived so far out here, away from the town and its charming cheer? Why don’t you come over and meet my pet crows and I’ll show you two a trick that nobody knows!”

  I leaned down to consult with sister you see, she being younger she’s littler than me, I told her to stay close while we watched the show, then we’d be off and away we’d go;

  “Okay old lady my name is Tim and this here’s Tam and this place you’re in, is our family farm and that guy in the field, well that’s our Dad, and if you mess with us he gets real mad, so no funny business in this game and we’ll be nice to you just the same.”

  “Agreed indeed you little man and I can’t wait to see you in my pan!”

  Now I had to think on this real hard. Did that mean something about being able to see or was she talking about eating me? No matter, no problems and boy those crows, did they sure put on some funny shows and acted like they had lots of smarts and seemed just like pets and warmed our hearts;

  “Thanks old lady we gotta go we’re almost late for dinner you know?”

  She moved too fast and came right up and pulled out an odd-looking wooden cup;

“Wait there dearies, not so quick, about that dinner and my sweet shtick, you see you owe me a trick too, two coins I’m asking there of you, you bring them up to my cabin on that hill and I’ll teach you some magic and give you a thrill!”

  “Okay lady!”

  I agreed as we ran, if we don’t get home soon it’s gonna be my can! ‘Cause I know my pops he’ll beat my **** and I’ll be sent upstairs with nothing to eat, so I told little sister to move those feet!

caesura

  Whisk you down the road of boiled toad, and singeing hair, of whispered things and fires' flare, of evil looks from open books, pigeon’s toes and a chicken gizzard, while around your legs it crawls and creeps, my hungry lizard that never sleeps! You gawk! You stare! My wrinkly-face, the dank rank air in my dingy place, the dusty shelves a-lined in books and creepy crawlies in every nook, cobwebs and spiders at every corner, piggies run squealing while the chickens banterer, ravens caw at strange green light from lantern but back to all those shadow corners where little bad things spy and salivate, thinking on what they had last ate, and there you are shaking, nervous, trembling; a porky little piece of meat and something we all want to eat!

  “Oh don’t be scared my little one, I’m kidding, teasing, just having fun. Hand me the coins I asked for earlier, when we crossed paths along Old Joser, draw near to me, come here, come a bit closer!”

  Be careful will I not to bare my teeth, or lick my lips or stare too deep, for one is easy, two a dangerous feat and I so want to have my little porky piece of meat! I stood on a ladder with little Tam on my shoulder, so she could see the *** as it smoked and it smoldered, I directed little Tim over there to a seat and he saw me lick my lips as I thought about their meat.

  “Aha ha ha ha ha!”

  I laughed out loud as I cast in the dust and the billows changed color and kiddies made a fuss, but then the sparkly things popped and shimmered in their eyes, while both of them let out marvelous sighs, bewildered, bemused and tricked by my lie, I threw Tammy in to my cauldron to die!

  “Nooooooo!”

  Little Tim, little Tim did he let me in and punished will he be for that little sin, I whispered a spell and took up my broom and zapped a hole in the floor out in the room, where Tim was running and dropped him in a hole, down a tunnel he went that saved his soul, for out he shot back on Old Joser Road, no wiser no worse for the trick I showed!

Now listen up children or this is your lot,

For I’m out there always lurking with my ***,

I’m always hungry and so are my crows,

We’ll eat you up all the way to your toes,

“Jimson and sassafras, morning glory, woodrose seed,”

“A ***** of my finger, lock of my hair, a thimble and tweed,”

“Two coins, a cauldron, my cunning and your breed,”

“Whenever I’m hungry that’s all that I need!”
(Joser: Joe-Sir) rhymed with (Closer)
This is a retelling of the Sumerian story of Tim-Tam which is the origin of Hansel and Gretel. This entire piece came to me in a dream and I wrote it down in one sitting over ten minutes. Grimm's Fairy Tales are about warnings to small children...warnings that not ALL adults are good people and sometimes starving old people in the woods use trickery to eat kids. The phrase 'two twins' is a reference to the dual nature of myth as both actual events and cosmic. Gemini and the two earthly children.

Two coins to pay the boatman who takes your soul across the river Styx.
Jack L Martin Aug 2018
I say unto you with a sniveling snarl,

Will you go on and be friends with an owl?

Why, YES! I said boldly with a pompety grin

My new owl friend will be lucky and win!

He will hoot and toot a most beautiful song

He will win a singing contest and sing all day long

We will take all his winnings and spend it on mead

We'll sing, drink and be merry, indeed!

we'll capture a horse and dress it in tweed

then ride to the sunset on our horse named, "Sardine!"

Sardine might get hungry so we'll feed him some hemp

We'll lay down to rest on a bed that's unkempt

We'll wake in the morning to see Sardine's fate

Sardine has died from starvation this date

The sorrow we feel is so hard to beat

So opon his flesh we started to eat

w'ell pair it with taters all mashed in a pan

we'll eat up our dinner as fast as we can

but hold on a second, how silly are we!

We tripped on some mushrooms we found on a tree!

our minds started swirling and twirling; so dizzy!

my owl friend shrieked and then started to tizzy

he gouged out my eyes and laughed at my pain

I fell to the ground and made peace with my name

for I never did say from whence I came

cause stories like this are not easy to tame

I lay here in misery, my friend's not to blame

It's all in my head, this silly word game
Aveline Mitchell May 2015
He sits on a rusted red park bench beside a pond in the middle of an unfamiliar city and watches the pigeons bicker. He thinks back to the way her voice would break as she was about to cry, and how he spent far too much money dry cleaning the shirts stained by her running mascara. He finds a small corner bakery, buys a small loaf of the finest bread. He catches a glimpse of his reflection in a window, tweed hat casting a shadow over his hardened face, orange beard developing its own personality. His eyes close. When he returns to his bench, the pigeons remain, screaming and squawking. He picks off a piece of bread and throws it between them. He doesn’t think they’ve ever known about the finer things in life.
Bryden Jul 2018
I push the button,
3
2
1
The jaws of the train clunk as its mouth opens,
the 9am crowd surging through its hollow body,
eying up the row of sickly plastic benches.
The wheels tighten, I loosen my tie,
off to the office, I sigh,
as I pull out today’s ‘New York Times’.

My eyes drift towards the woman across from me.
A fragrance of citrus and strawberry drifts off her shoulder
as she plumps her pout in the screen of her smartphone.
A bead of sweat poised on her collarbone
glitters like the diamantes on her nails.

We slow,
screeching against the rusted tracks
before the machine-lady hybrid speaks:
‘East-
a split second pause
-Sixty Seven Street’.
No one gets off, so we simply sit
beneath the sizzle of electric bulbs,
their garish light numbed by ***** glass
that cradles the bodies of last week’s flies.

Like an aged rattlesnake, the train creaks and hisses through the tunnel.
I’m attacked by a river of thick black hair
belonging to an olive-skinned woman who yaps into her cellphone:
‘no, no, quiero ver Times Square!’
I close my eyes and listen as her tongue rolls and dives
taking a bite of my bagel from Starbucks.

‘East-
anticipation
-Seventy Two Street’.
Although preoccupied with different thoughts,
expressions
destinations
the bodies on the carriage drift and sway with the motion of the train,
as it stops
and starts once more.

Two children in uniforms twirl around the carriage,
their laughter more electric
than the current that bristles below our feet.
A man
tickled by the dreadlock that sweeps over his face,
looks on with jeans so baggy
his legs melt into the seat.
The Jamaican flag blares from his t-shirt.

Next to him, a man bakes in a moth-eaten waistcoat
clutching a wallet with quivering fingers.
I follow his gaze to a picture of a woman
black and white with coffee stained edges.
His wrinkles deepen as he smiles at his
wife?
alive?
I notice glittery pools of the past forming in his eyes,
perhaps not.

‘East-
my stop
-Seventy Nine Street’.
As I glance down at the platform’s monotonous shades of concrete,
and brush the dust from my grey tweed suit,
I think to myself
how colourful Upper-East Side is.
I shall never stop travelling on the 9am subway to Seventh Avenue.
Without it,
how boring my life would be.
Without it,
I wouldn’t be me.
MJL Feb 2019
Milling masses
Elbows grinding
Sidewalk shuffling
Wake walking
Crack jumping
Necks craning
Shark, bait, and coral reefing
Hunting, hiding, gauking
Go, go, go
Foamy human froth
Eddies to and back again
Twill, tweed, leather, denim, skin
Petrol, perfume, sweat, tar, bread
Everything honking
Glass, brick, stone, and steel
Awesome color
Vertical sway Samba style
Boom-boom tide
Rush hour
Rolling in
Magnificent
The city lives


© 2019 MJL
The throb of the city can be exuberant.
Alys Jun 2010
'Neath canopy of paradise
Super troupers' shafts of light
Illuminate his terpsichore;
***** he struts, the impresario
Gyrating on spindle shanks;
Needle thin and knock-kneed
He dances a samba
On stage of verdure;
Midst Elvis blue-black thrusts,
Steel rimmed amber orbs
Seek admiring and desirous glances
From the dour drab hen,
Mousy in her beige twin set
And mottled tweed skirt;
With nonchalant disinterest she exits
The arena; audition over.
jeremy wyatt Feb 2011
Sir Gregory I pledge to serve
my loyal heart it will not swerve
so as I give my vow to you
I promise always to be true

Well, lad I'll take you as my man
we'll go to fight for the Englishman
Berwick north we stand and fight
facing Scotland's rage and might

But tell me first why do you come
to follow Richard's savage drum
A Welshman stong and fair as day
now fights beside some he should slay?

Owain set his mind to tell
his secrets this man would keep well
and as a Welshman of renown
would never cast a fellow down

My heart is full of dreams to roam
before I return to my home
and as this world does change and swing
I dream of Wales set fair to sing

By fighting for the English flag
though in my heart the merest rag
my service and loyalty will save
my people from some English Knave

For powys Fadog is beset
by guile and deceit like a net
to persevere and keep it free
is the task that God has given me

So serve he did the crown indeed
shed blood in lands above the Tweed
his steel was shap his eyes afire
his glance could light a funeral pyre

Thus serving Richard out in France
he led the French a merry dance
bore the shield for Englands King
whilst harpers in his heart did sing

Fitzalan's fleet acknowledged him
he made one hundred Frenchmen swim
defending all the southern ports
all admired him as he fought

Then squire to Henry son of Gaunt
his strength and fire he did not flaunt
at last a knight he travelled west
to the hills and fields he loved the best

But Ruthin Grey was still nearby
a neighbor evil dark and sly
always waiting in the mist
to strike out with his English fist

Now Owain was still Richards man
usurped by Henry's secret plan
but loyalty goes deep in Wales
just read the true and ancient tales

Cronies of the dread new King
conspired to soil his name and wring
out all the misery and lies
to hurt this Welshman they will try

Proclaimed a traitor by the court
their plans were quickly turned to naught
men whose names forgotten since
named fair Owain Wales' Prince

Hotspur rode into the north
striking blows for all his worth
Owain like men of ancient yore
struck  all he faced down to the floor

Castles fell rebellion spread
to Owain's flag a nation led
**** of Strata Florida's shrine
made mad-men of the Welshmen's line

You strike our stones you strike our hearts
but though to you our days seem dark
the blaze you light within our breast
will stand forever any test

The evil Grey they captured him
a ransome paid his dark life grim
faded away and left so weak
no more of Grey this tale will speak

As quick years drew and fleeted by
all Welshmen came they drew anigh
from farms and universities
to battle through adversity

Veterans of Englands savage wars
Welshmen flocked back to settle scores
the blood of Llewellyn still does stain
but Ap Iorwerth's legacy will remain

Back to the laws of Hywel Da
the wise and kind king known afar
so good a man our Hywel was that
He'd punish a man who harmed a cat

Court at Harlech strong and fair
Machynlleth Cynulliad held there
Scots and French men sent their aid
many a fiery fighting raid

But  French kings change their regal minds
and Avignon fooled with their designs
no hope from them was due to come
England's blockades were hitting home

Sat in the darkness of doubt alone
Owain dreams of his wife and home
fair things that he is fighting for
the reasons that he went to war

Now with the sight of ancient days
the future fell before his gaze
his Marred fair locked in the tower
dying slowly his poor bright flower

His castles fell his men were slain
the power of England strong again
a hunted man loose in the wild
though loved and sheltered like a child

Despite rewards of riches vast
his people hid him to the last
he faded slowly into the stones
that make up Wales' strong old bones

He died an old defiant man
clear in eyes and heart
the time was not for a free Wales
a land to stand apart
but freedoms song and fair blood spilled
for causes that you love
still carry on the mountain air
as Owain stands above
judy smith Jul 2016
Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide
Liz Dec 2012
They squirm inside their clothes
tweed, chiffon tiered skirts, and bows
of their grandmothers’ sepia, halcyon days

with lumberjack flannel and Kerouac quotes,
but it’s more a matter of age than size,
these charging, listless, candid creatures

with hairstyles that can only be described
as gravity readily defied and self-cut,
frequently dyed to shades that swing

between black coffee and New York poetry
deep imagism and social realism against the backdrop
of American Apparel ads on scratched up Macs.

They slouch up and down trafficked Newbury,
dropping names like Morrissey and Bukowski
pausing now and then to pick up on the ennui

of twenty-three, and how they will one day live la vie
Dharhimian, running on American Spirits,
James Dean, Truffaut chic,

a monthly check from their parents,
an apathetic sneer at holding anything too dearly
and how they hate that word—*hip-ster.
tomsout001 Mar 2013
"Decision Points" is already atop Amazon's bestseller list. Number two is "Diary of a Wimpy Kid: The Ugly Truth," by Jeff Kinney. If you think we're going to mine that for cheap humor, you're wrong - anyone with pre-teen children knows that Mr.  So many "self-help" books preach, ramble, and simply leave us with a sense of having wasted our time. For men, books of similar titles are simply read as penance for having failed to mow the www.facebook.com toms shoes outlet lawn before the game was over and the rain came. Often they are simply dog-eared to give our partners the impression that we are indeed trying.

To figure out how many things you can plug into an outlet before it will catch fire, first we need to get to the heart of how electricity works. At any given moment, the average American house has 120 volts of electricity flowing though it. Somewhere in your house, you'll find a wall-mounted box, toms outlet store containing either circuit breakers or fuses (found in older homes)..

A bespoke suit is an absolute must. Bespoke, of course means made for you specifically and that means that you have to say exactly what you want the tailor to make. If it an existing style then it is in fact a custom suit. We may view in a big way as well. Let get an insight into behaviour of Georgia in foreign affairs (Georgia is a country in the Caucasus region of Eurasia. Situated at the juncture of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia ?note of translator).

The Beggar does not think like an ordinary man. The point is in absolutely other scheme of thinking that differs from mind of decent people. Resemblance between common worker and the Beggar is outward only, in other words it is biological, because both of them are human beings.

By the early 1970s INTERCO's apparel and general merchandise subsidiaries were generating approximately 56 percent of sales and 47 percent of profit. The apparel manufacturing group consisted of 11 apparel companies, with 62 manufacturing plants and 13 distribution centers. The general retail merchandising group operated 856--owned or leased--retail locations in 29 states.

Every fashionable guy knows how to pull off a suit in casual situations. Those post-work cocktails and early evening jaunts to the mall are child's play if you have a navy suit to throw on. The color that's just a wee bit lighter than black helps keep the suit itself from looking too sombre and businesslike..

"We are very excited to introduce Disney Store to outlet customers, who are extremely brand-conscious and passionate about shopping," said Mario Ciampi, president of Disney Store. "Our outlet stores will offer a magical, Disney-themed (babyandyUSA-March-11) retail environment complementary to our mall-based Disney Stores. Given the power of the Disney brand and The Children's Place experience in this channel, we believe the outlet venue will be an effective way to grow the business.".

Or you can choose for the like tweed, corduroy, or houndstooth. And now, Toms even makes wet-weather ready botas, which have a fleece collar and lining and a treated coating to protect her feet from the winter weather. Whatever her style or the weather conditions in which she lives, you will be able to find her something from Toms..  2013-03-15.
Nick Strong Apr 2015
Well, what a week, full of revelation
Enough to stir this talk of revolution
Makes your hackles turn on end
Then send you round the bend
The southern gentry have found oil
Right beneath their derriere boil
Now most of us on this golden isle
Need not worry about this pile
Those who wear weekend country tweed,
Built their fortunes from housing greed
Have already decided
That it will be one sided
They’ll say it’s theirs, by rights
And if we argue, will read our last rites
The South will declare independence
In certainty of their full ascendance
Over the outer reaches of this nation
They pounded into servitude, by taxation
And if we have the nerve to debate, I’ll be bound
They’ll leave it horded in the ground,
Then blame the anti frackin’ hound
Now I may need a political re - education
In a 1984 establishment for rehabilitation
But I can see it coming a five-nation island
Southland, Wales, Scotland, N. Ireland,

And the Detritus
A tongue in cheek view of the discovery of oil in England
JJ Hutton Apr 2014
Hayley Fienne scattered herself a year ago today. A hammer. A trigger. I sent flowers to a funeral home in Chandler, OK. I called. Said, "I can't imagine what you are going through" and something about how time turns the past into a form of fiction. DeLillo wrote that, I think.

Her mom said, "That's not true. That's not true."

And I wouldn't have said it if I hadn't known Hayley like I knew Hayley. She used to do these oil paintings on the nights she knew she wasn't going to class in the morning. I've a layman's knowledge of visual art but even I could tell her work was real. As opposed to what? I don't know. You just felt it. It kicked you in the gut, left you spinning around the room, asking every ******* in tweed, "Can I get some water?"

There was one large canvas in particular that stuck out. She called it "Dissolution."

The work depicted a seemingly amorphous spiral of headlight blues and star whites against the murky black of space. In the dead center of the piece she painted the face of a young man, broken into quadrants. The face was nothing more than a faint veil. If you scanned the canvas, you'd miss it.

When she showed the piece at a gallery event, featuring the work of outgoing seniors, I asked her who the man was.

"It's Jesus."

"You gave him a shave."

"It's actual Jesus. It's 'I'm thinking of converting to Buddhism' Jesus. It's lonely, masturbatory Jesus. It's the Jesus who stares at a ceiling fan wondering why Peter won't text him back," she said. "And above all, it's the Jesus God asks a little too much of, the Jesus that calls in sick."

I said I was unaware such a Jesus existed.

"Exists. Dealing with impossible quotas, he has to shave."

"I think your Jesus looks like you."

"He is."



Now it's a year later. I find comfort in the painting, allowing the erratic brush strokes, both fleeing and advancing, to lull me to--what? Just lull, I grant, aimless and asking answerless questions.

I think about her at the end, at her end-- but not the violence of it all. No, I think of the release.

No intended romance. I simply wonder how she would have wanted that final let-go in life's calendar marked by letting-goes to wrap. I imagine her body separating from her mind, her mind separating from her memories, her memories separating from her name. I think of her matter fractured and dispersed, directed where the universe, in its imperialistic expanse, requires.

I call her mom. Say, "I can't believe it's been a year" and something about how outer space makes me think of Hayley.

Her mom says, "I don't understand."



After I hang up I look at the painting. I look at Hayley's Jesus. And I think in memories, memories that may or may not have happened, I think of them in my chest--not my head. I think about mercy. I think about the infinite. And is there a place where they intersect?
Trevor Gates Apr 2013
VII.


Welcome to tonight's program

We have a fabulous show for you.

I'm sure you'll all find it enjoyable

You might even find it

Amusing

Sad

Pretentious

Obnoxious

Daring

Moving

Captiva­ting

Disgusting

Beautiful

Miraculous

Upsetting

Discomforting­

Disgraceful

Delicious

Seductive

Frightening

Disturbing

It could be all of these and maybe none at all
But what is it when you examine each emotion listed above?

Take each word and run it through your head

Imagine everything in your life that is associated with each particular word

The events in your life that were frightening
That were beautiful
That were delicious
That were seductive

And what emotions were felt behind the events of each memory?

Ah yes what were the stories you personally saw unfold?

The times well spent

The days you regret

The nights you couldn't forget

The people you forsaken

The lives you ruined

The love that was lost

The identity that was regained

Has your life turned out to be what you thought it would be?

Are you proud? Content? Disappointed?

Think of that one thing you could do again.

Have it clear in your mind

Now forget it

There is no point trying to imagine what could have been when you can change what will be.

   There is a life ahead of you.
Whether your 18 or 48

There is still life ahead of you.

Quit trying to mend the past.  The past is all in memory, pictures and writing.
The past isn't there waiting for you.  The only thing that opens its hands to you is the future.

A future where you fall in love
A future where you travel to where you've always wanted to go
A future where the human imagination lets you float above worlds and compose impossible music.

Be the artist that paints a beautiful picture
Be the composer that conducts a glorious symphony
Be the writer that creates a literary masterpiece
Be the one human that understands life be accepting the fruits of imaginative longevity.
Flourish in the bath of simple joys
Walk through the park and appreciate the wonderment
The wonderment of how a bird is so content with just being a bird
Why can't we be content with just being ourselves?
Is there some other choice?
Is there some other version of us somewhere? The true self?
The true self is there.

Right there

In front of you

In the mirror

In the pool of water

In the significant other

In the sky

In the oil pastels

In the five stanza poem

In you.

With you

Around you

Forever

Before and after

Once you're here and once you're gone.

The breath of life.  


  
Thank you all.
Please everyone take a bow.  Rejoice!
We'd like to thank:  Christian Bale, Tommy Tutone, The Cure, Lipton Tea, Museum curators, Mark Millar, Arthur C. Clarke, Keith David, Slowdive, Gregg Araki, Joseph Gordon-Levitt, Elizabeth Taylor, Scott Pilgrim, Leather trench coats, Irish tweed hats, Technicolor dream coats, Mufasa, Rebekah Del Rio, Bruce Lee, Terrance Malik, Penelope Cruz, Selma Blair, Chopin, Orbit gum, Vlad the Impaler, five layer burritos and finally Howard shore for making this all possible.

Goodnight and God bless!
Fareweel to a’ our Scottish fame,
Fareweel our ancient glory;
Fareweel ev’n to the Scottish name,
Sae famed in martial story!
Now Sark rins over Solway sands,
And Tweed rins to the ocean,
To mark where England’s province stands—
Such a parcel of rogues in a nation!

What force or guile could not subdue
Thro’ many warlike ages,
Is wrought now by a coward few,
For hireling traitor’s wages.
The English steel we could disdain,
Secure in valour’s station;
But English gold has been our bane—
Such a parcel of rogues in a nation!

O, would or I had seen the day
That treason thus could sell us,
My auld grey head had lien in clay
Wi’ Bruce and loyal Wallace!
But pith and power, till my last hour,
I’ll mak this declaration:
We’re bought and sold for English gold—
Such a parcel of rogues in a nation!
The gallant Youth, who may have gained,
    Or seeks, a “winsome Marrow,”
Was but an Infant in the lap
    When first I looked on Yarrow;
Once more, by Newark’s Castle-gate
    Long left without a warder,
I stood, looked, listened, and with Thee,
    Great Minstrel of the Border!

Grave thoughts ruled wide on that sweet day,
    Their dignity installing
In gentle bosoms, while sere leaves
    Were on the bough, or falling;
But breezes played, and sunshine gleamed—
    The forest to embolden;
Reddened the fiery hues, and shot
    Transparence through the golden.

For busy thoughts the Stream flowed on
    In foamy agitation;
And slept in many a crystal pool
    For quiet contemplation:
No public and no private care
    The freeborn mind enthralling,
We made a day of happy hours,
    Our happy days recalling.

Brisk Youth appeared, the Morn of youth,
    With freaks of graceful folly,—
Life’s temperate Noon, her sober Eve,
    Her Night not melancholy;
Past, present, future, all appeared
    In harmony united,
Like guests that meet, and some from far,
    By cordial love invited.

And if, as Yarrow, through the woods
    And down the meadow ranging,
Did meet us with unaltered face,
    Though we were changed and changing;
If, then, some natural shadows spread
    Our inward prospect over,
The soul’s deep valley was not slow
    Its brightness to recover.

Eternal blessings on the Muse,
    And her divine employment!
The blameless Muse, who trains her Sons
    For hope and calm enjoyment;
Albeit sickness, lingering yet,
    Has o’er their pillow brooded;
And Care waylays their steps—a Sprite
    Not easily eluded.

For thee, O Scott! compelled to change
    Green Eildon—hill and Cheviot
For warm Vesuvio’s vine-clad slopes;
    And leave thy Tweed and Tiviot
For mild Sorrento’s breezy waves;
    May classic Fancy, linking
With native Fancy her fresh aid,
    Preserve thy heart from sinking!

Oh! while they minister to thee,
    Each vying with the other,
May Health return to mellow Age
    With Strength, her venturous brother;
And Tiber, and each brook and rill
    Renowned in song and story,
With unimagined beauty shine,
    Nor lose one ray of glory!

For Thou, upon a hundred streams,
    By tales of love and sorrow,
Of faithful love, undaunted truth
    Hast shed the power of Yarrow;
And streams unknown, hills yet unseen,
    Wherever they invite Thee,
At parent Nature’s grateful call,
    With gladness must requite Thee.

A gracious welcome shall be thine,
    Such looks of love and honour
As thy own Yarrow gave to me
    When first I gazed upon her;
Beheld what I had feared to see,
    Unwilling to surrender
Dreams treasured up from early days,
    The holy and the tender.

And what, for this frail world, were all
    That mortals do or suffer,
Did no responsive harp, no pen,
    Memorial tribute offer?
Yea, what were mighty Nature’s self?
    Her features, could they win us,
Unhelped by the poetic voice
    That hourly speaks within us?

Nor deem that localized Romance
    Plays false with our affections;
Unsanctifies our tears-made sport
    For fanciful dejections:
Ah, no! the visions of the past
    Sustain the heart in feeling
Life as she is-our changeful Life,
    With friends and kindred dealing.

Bear witness, Ye, whose thoughts that day
    In Yarrow’s groves were centred;
Who through the silent portal arch
    Of mouldering Newark entered;
And clomb the winding stair that once
    Too timidly was mounted
By the “last Minstrel,”(not the last!)
    Ere he his Tale recounted.

Flow on for ever, Yarrow Stream!
    Fulfil thy pensive duty,
Well pleased that future Bards should chant
    For simple hearts thy beauty;
To dream-light dear while yet unseen,
    Dear to the common sunshine,
And dearer still, as now I feel,
    To memory’s shadowy moonshine!
Mary Gay Kearns Mar 2018
You're  here today in your spot
Where the footpaths cross
And a little to the left
Under those tall trees
On a patch of flat earth.

Across the grass to the right
The old Plane, magnificent
In structure spreads branches
Like a globe of lightest green
Catching the glittering  sun.

Your easel, an old brown relic
With leather carrying handle
Held together by a strap
Carries your canvas and paints
Whilst you wear a tweed cap.

And what I like, standing back
To watch, is the quiet consistency
Of observation; two living forms
Joining in the imagination
To create beauty and truth.

Love Mary
For Ian , my friend who,paints .
Love Maryx
Brooke Davis Mar 2014
Sitting on the front stoop in a cool spring breeze,
Counting cars like shooting stars,
Simple children's games not to be taken literally,
But focus on the passengers,
And perhaps you'll see,
The story behind the passing Prius or rushing Range Rover.

Perhaps you'll see,
A cobalt jaguar which holds
the tired lawyer in tight rimmed glasses and tweed jacket,
Driving to a large four bedroom,
three and a half bath house,
five kids and stressed stay at home wife.

The bills are getting harder and harder to pay as the economy crashes,
The couple is divorcing soon,
his law firm is going bankrupt,
The bills are becoming impossible to pay,
And all the stress is ******* him,
In a month he'll take his life.

Perhaps you'll see the pretty young,
16 year old blonde,
driving the second hand Subaru,
She is on her way to her high school now,
She is peering in the rear view mirror,
Trying to wipe the mascara trails off her face,
And hoping that her friends and teachers won't see the ghosts that haunt her,

Her mother died last month,
from a drug overdose,
And she was beaten again by her drunk father this morning,
and she will keep being beaten until she has the self confidence to stand up for herself,
but in the meantime,
she'll keep covering the bruises with foundation,
And wiping the tear trails,
apply  more mascara.

Perhaps if you look close enough,
You'll see the little red headed girl,
No older than four,
With large green, curious eyes,
Gazing out the window of a Honda pilot's door,
She is on her way to pick up her brother from soccer practice,
With her doting mother,

What nobody knows yet,
Is the little girl suffers from schizophrenia,
And she hears all the voices,
That tell her to do terrible things,
She has no friends in her neighborhood,
and her parents ignore her,
Focusing their energy on her all star brother,
she is all alone in this world,
just her,
The other her,
And her imaginary friend.

Looking at the passing cars,
And staring briefly at the passing passengers,
who never spare a second glance at me,
I can see these things,
or at least,
Pretend I can,
because perhaps it is easier to see the world this way,
Perhaps it is easier to agree upon the fact,
That we all have our own stories,
we face every day,
Our own struggles,
that lead us through a twisting plot,
perhaps we could all take the time,
to read other's stories,
Instead of trying to perfect our own fairy tales.

So you may say i'm like a child,
Sitting on this stoop,
but i'll just tell you,
To take a seat next to me,
and together we can,
count cars like shooting stars,
and read the passing stories.
Derrek Estrella Oct 2018
Here I find myself
In a semblance of an assembly
A spineless lizard
Lazing with a sheet
He tells me sweet acrimonies
About balancing his shelves
Appoints himself a wizard
Over anybody else

Tells me of obligations
Within a life on parole
Upholds his occupation
In an insulated hole
Bestows us something he don’t hold
And demands we give it back
Sanctifies the mold
That is soon to shape our tracks

Hollow hands for thankless kings
That pull no gratitude
He wears a tune he doesn’t sing
Dares to worry of our food
He patronizes a choir
He grasps the open sea
And says “I have the fist of salt
That will lead to unity”

Coddles us like Cain
Treats this brick like a stable
Life doesn’t drive in lanes
Elastic minds are able
If you’ve gone to deride us
You wear it on your form
Don’t brave an iron suit
You don our skin, Norm

You read your your books on nature
You’re bred to expect rain
Yet waste a breath to nurture
Some other person’s reigns
Dread a life that keeps you well-
Beholden to the rule:
That life is tethered to a bell
Engulfed in packless mules
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the soul of a writer can be found
in words
s cr
ib
b led on
crumplednapkins -- like horcruxes--
when sleep feels like a far off dream (when people watch you, wondering if you are strung out on coke while you scratch words on these thin sheets of paper in restrauntsbarscoffeshops
half
mad
eyes glassy)
in discernible handwriting comparable
to some
primitive
hieroglyphics-- a language of voices in your head and dreams too vivid
they can be found on the backs of hands
and journals
and popcornbags
when nightlights are too dim in the early hours of insomnia
and moonlight is obscured by curtains
in drinks like london fogs
and ***** chais
and black coffee
and black tea
in packs of empty
American Spirits
and half-full (empty) gas tanks
and piles of books that will never be read that will be re-read and quoted
and tweed scarves and
empty journals and chipped nail polish
in dead pens and phones
in unanswered texts, emails, messages
and unrequited love
their souls can be found in the
stained
bottoms of coffecups
and sticky shot glasses
and wine glasses (some still half full of cheap
redwhitezinfadel
because rent is hard to pay
when no one wants to
read words
scribbled on the back of a napkin
Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad’st imperfect words with childish tripps,
Half unpronounc’t, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:                      
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv’d up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,                      
But cull those richest Robes, and gay’st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck’t them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly’s ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,                              
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav’ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th’touch of golden wires, while **** brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,                  
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey’d Neptune raves,
In Heav’ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero’s old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest                              
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know’st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos’d business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc’t upon the hearth;                          
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should’st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O’re all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;                        
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?                    

The next Quantity and Quality, spake in Prose, then Relation
was call’d by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.
JJ Hutton Oct 2018
There he waits,
the Nice Guy,
looking academic
and out of reach
in his tweed.

There's something
feminine in the way
he crosses his legs,
draping right over left in the fainting chair.

There you are, across from
him, at this party your
roommate dragged you to.
And you ask how he is.

He ushers you to his chair.
Sit down, sit down. I insist.
You know, he says. Most people
would tell you they're good or just fine.

The Nice Guy reassures you he is
not most people. He's a Nice Guy;
he's down with feminism, waves
One through Three.

He has a dog named Atticus.
They frequent open-air bars
in the summer.

He's a Nice Guy, an old soul,
someone who should have been
a young man in the 60s.

God, he has so many female friends
he tells you, leaning on the banister,
sipping on Glenfiddich.

You wonder how he is. This was your question.

He has so many female friends. Notice
how I'm stressing the word friends, he says.

I do, you say.

He's a Nice Guy and all these female friends
they're all the same. They love the bad boys,
the rich snobs, the ******* jocks.

I don't, you say.

Oh, sure you do, he Nice Guy-splains to you.
And there's a golden light coming from the chandelier
behind him, and he looks so holy and pure as he tells
you how one day Tara, Sam, Whitney, and Amber
will wake the **** up and realize just what they're missing.

But by then, this Nice Guy will have rambled on. He'll become
someone's second husband. A Good Woman will see how precious, how rare this Nice Guy truly is.

Okay, you say.

Prove me wrong, the Nice Guy says. He leans in closer.
You can smell the scotch. Prove me wrong.
Marshal Gebbie Nov 2018
Hear the languished drip of water
See the velvet grass in glade,
Beech trees stilled in chill of morning
Textured blend of contrasts made.
Still, I crouch, in rough tweed jacket
Brown brogues scuffed and fern in hair
Whiskers twitch as rabbit pauses
Rifle aimed at bright eyed stare.
Moment freezes animation
Breathless in the misty pall,
Shocking bang as bullet flies
Blue smoke masks the writhing fall.
Silence caps a deathly moment,
Crunching steps retrieve the game,
Swinging for the breakfast kitchen
Roasted rabbit in the frame.

M.
Foxglove farm
Taranaki
Mike Essig Apr 2015
Elegy for the Forgotten Oldsmobile**

July 4th and all is Hell.
Outside my shuttered breath the streets bubble
with flame-loined kids in designer jeans
looking for people to **** or razor.
A madman covered with running sores
is on the street corner singing:
O beautiful for spacious skies…
This landscape is far too convenient
to be either real or metaphor.
In an alley behind a 7-11
a Black **** dressed in Harris tweed
preaches fidelity to two pimply ******
whose skin is white though they aren’t quite.
And crosstown in the sane precincts
of Brown University where I added rage
to Cliff Notes and got two degrees
bearded scientists are stringing words
outside the language inside the guts of atoms
and I don’t know why I’ve come back to visit.

O Uncle Adrian! I’m in the reservation of my mind.
Chicken bones in a cardboard casket
meditate upon the linoleum floor.
Outside my flophouse door stewed
and sinister winos snore in a tragic chorus.

The snowstorm t.v. in the lobby’s their mother.
Outside my window on the jumper’s ledge
ice wraiths shiver and coat my last cans of Bud
though this is summer I don’t know why or where
the souls of Indian sinners fly.
Uncle Adrian, you died last week—cirrhosis.
I still have the photo of you in your Lovelock
letterman’s jacket—two white girls on your arms—
first team All-State halfback in ’45, ’46.

But nothing is static. I am in the reservation of
my mind. Embarrassed moths unravel my shorts
thread by thread asserting insectival lust.
I’m a naked locoweed in a city scene.
What are my options? Why am I back in this city?
When I sing of the American night my lungs billow
Camels astride hacking appeals for cessation.
My mother’s zippo inscribed: “Stewart Indian School—1941”
explodes in my hand in elegy to Dresden Antietam
and Wounded Knee and finally I have come to see
this mad *** nation is dying.
Our ancestors’ murderer is finally dying and I guess
I should be happy and dance with the spirit or project
my regret to my long-lost high school honey
but history has carried me to a place
where she has a daughter older than we were
when we first shared flesh.

She is the one who could not marry me
because of the dark-skin ways in my blood.
Love like that needs no elegy but because
of the baked-***** possibility of the flame lakes of Hell
I will give one last supper and sacrament
to the dying beast of need disguised as love
on deathrow inside my ribcage.
I have not forgotten the years of midnight hunger
when I could see how the past had guided me
and I cried and held the pillow, muddled
in the melodrama of the quite immature
but anyway, Uncle Adrian…
Here I am in the reservation of my mind
and silence settles forever
the vacancy of this cheap city room.
In the wine darkness my cigarette coal
tints my face with Geronimo’s rage
and I’m in the dry hills with a Winchester
waiting to shoot the lean, learned fools
who taught me to live-think in English.

Uncle Adrian…
to make a long night story short,
you promised to give me your Oldsmobile in 1962.
How come you didn’t?
I could have had some really good times in high school.
Indian/Native America/First Citizen (take your PC pick) poet of considerable talent and power.
M Aug 2018
A chair in the corner sits huddled with the shadows,
while a second chair lowers itself by the door.
A window between the chairs hangs silently on wall,
as the curtains whisper with the wind outside.

Towards the left of the window is a shrunken bed,
with bedposts like redwoods and the body of a willow.
On the bed is a bundle of fabrics and tweed,
twisting and spinning amongst eachother.

Joining the first chair is a spindly wooden table,
with wobbly fingers and with only three legs.
The top of the table is clustered with trinkets,
pinecones from Alaska and feathers from Pompeii.

Littering the floor are denims and glass,
clothing and pieces of vases strewn under the door.
Thrown under the second chair is a pair of old shoes,
weathered and worn and left to die.

On the walls with the window is doodles and sheets,
drawings of childhood tapped in the space.
Paintings on the plaster are dusted with flakes,
burdens of memories of past and future.

In the center of the room stands a coat stand of mahogany,
standing tall and strong in the ruins of its lost kingdom.
Unaware of what goes on outside of his window,
all he knows is the dust and objects trapped with him in the room.
Transferred from my account from AllPoetry. :)

— The End —