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"twang" poems
‘There is not much that I can do, For I’ve no money that’s quite my own!’ Spoke up the pitying child— A little boy with a violin At the station before the train came in,— ‘But I can play my fiddle to you, And a nice one ’tis, and good in tone!’ The man in the handcuffs smiled; The constable looked, and he smiled too, As the fiddle began to twang; And the man in the handcuffs suddenly sang With grimful glee: ‘This life so free Is the thing for me!’ And the constable smiled, and said no word, As if unconscious of what he heard; And so they went on till the train came in— The convict, and boy with the violin.
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At The Railway Station, Upways
/*h'americans can call it a striptease, but in amsterdam, with legal self-employed prostitutes? we call it a cocktease: because you'd really visit amsterdam for the **** these days?* isabella: the french psychology exchange student -     hung up on her ex-boyfriend - really in anime movies -       and that american i competed with on an edinburgh pub-crawl for freshers - and lost my virginity to -                   probably the only time i had the ontological parameters of your atypical man -   "hunting", competing -    oh so, so, enthralling....     (spot the irony mingling with ridicule, when people "know" how the modern man behaves, with his caveman predecessors: dragging a woman by the hair type of cartoonish depiction) - the other fun time i've had encounters with h'americans was in Soho - two colts, texan tourists asking for directions, or where this or that place was... it almost warmed my heart hearing that twang                        of the tongue... perhaps someone from arizona? that has that - "mid" western twang of the tongue                  added to the bite... snub the Boston high-mind eloquence, like:     you really really want                to sound european... never mind...    people say that water is tasteless... hmm...     so last night i was heating up one arm of scissors...                  and sniffing it... then licked the other arm of the scissor... what's in water again?    minerals... a subtle presence... magnesium, potassium, iron... you name it...    so yeah... water is... "tasteless"... eisenzahn that i am.
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Jul 25, 2018
Jul 25, 2018 at 12:04 PM UTC
water is, "tasteless" (eisenzahn)
/*h'americans can call it a striptease, but in amsterdam, with legal self-employed prostitutes? we call it a cocktease: because you'd really visit amsterdam for the **** these days?* isabella: the french psychology exchange student -     hung up on her ex-boyfriend - really in anime movies -       and that american i competed with on an edinburgh pub-crawl for freshers - and lost my virginity to -                   probably the only time i had the ontological parameters of your atypical man -   "hunting", competing -    oh so, so, enthralling....     (spot the irony mingling with ridicule, when people "know" how the modern man behaves, with his caveman predecessors: dragging a woman by the hair type of cartoonish depiction) - the other fun time i've had encounters with h'americans was in Soho - two colts, texan tourists asking for directions, or where this or that place was... it almost warmed my heart hearing that twang                        of the tongue... perhaps someone from arizona? that has that - "mid" western twang of the tongue                  added to the bite... snub the Boston high-mind eloquence, like:     you really really want                to sound european... never mind...    people say that water is tasteless... hmm...     so last night i was heating up one arm of scissors...                  and sniffing it... then licked the other arm of the scissor... what's in water again?    minerals... a subtle presence... magnesium, potassium, iron... you name it...    so yeah... water is... "tasteless"... eisenzahn that i am.
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51
It was a hundred years ago, When, by the woodland ways, The traveller saw the wild deer drink, Or crop the birchen sprays. Beneath a hill, whose rocky side O'erbrowed a grassy mead, And fenced a cottage from the wind, A deer was wont to feed. She only came when on the cliffs The evening moonlight lay, And no man knew the secret haunts In which she walked by day. White were her feet, her forehead showed A spot of silvery white, That seemed to glimmer like a star In autumn's hazy night. And here, when sang the whippoorwill, She cropped the sprouting leaves, And here her rustling steps were heard On still October eves. But when the broad midsummer moon Rose o'er that grassy lawn, Beside the silver-footed deer There grazed a spotted fawn. The cottage dame forbade her son To aim the rifle here; "It were a sin," she said, "to harm Or fright that friendly deer. "This spot has been my pleasant home Ten peaceful years and more; And ever, when the moonlight shines, She feeds before our door. "The red men say that here she walked A thousand moons ago; They never raise the war-whoop here, And never twang the bow. "I love to watch her as she feeds, And think that all is well While such a gentle creature haunts The place in which we dwell." The youth obeyed, and sought for game In forests far away, Where, deep in silence and in moss, The ancient woodland lay. But once, in autumn's golden time, He ranged the wild in vain, Nor roused the pheasant nor the deer, And wandered home again. The crescent moon and crimson eve Shone with a mingling light; The deer, upon the grassy mead, Was feeding full in sight. He raised the rifle to his eye, And from the cliffs around A sudden echo, shrill and sharp, Gave back its deadly sound. Away into the neighbouring wood The startled creature flew, And crimson drops at morning lay Amid the glimmering dew. Next evening shone the waxing moon As sweetly as before; The deer upon the grassy mead Was seen again no more. But ere that crescent moon was old, By night the red men came, And burnt the cottage to the ground, And slew the youth and dame. Now woods have overgrown the mead, And hid the cliffs from sight; There shrieks the hovering hawk at noon, And prowls the fox at night.
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The White-Footed Deer
It was a hundred years ago, When, by the woodland ways, The traveller saw the wild deer drink, Or crop the birchen sprays. Beneath a hill, whose rocky side O'erbrowed a grassy mead, And fenced a cottage from the wind, A deer was wont to feed. She only came when on the cliffs The evening moonlight lay, And no man knew the secret haunts In which she walked by day. White were her feet, her forehead showed A spot of silvery white, That seemed to glimmer like a star In autumn's hazy night. And here, when sang the whippoorwill, She cropped the sprouting leaves, And here her rustling steps were heard On still October eves. But when the broad midsummer moon Rose o'er that grassy lawn, Beside the silver-footed deer There grazed a spotted fawn. The cottage dame forbade her son To aim the rifle here; "It were a sin," she said, "to harm Or fright that friendly deer. "This spot has been my pleasant home Ten peaceful years and more; And ever, when the moonlight shines, She feeds before our door. "The red men say that here she walked A thousand moons ago; They never raise the war-whoop here, And never twang the bow. "I love to watch her as she feeds, And think that all is well While such a gentle creature haunts The place in which we dwell." The youth obeyed, and sought for game In forests far away, Where, deep in silence and in moss, The ancient woodland lay. But once, in autumn's golden time, He ranged the wild in vain, Nor roused the pheasant nor the deer, And wandered home again. The crescent moon and crimson eve Shone with a mingling light; The deer, upon the grassy mead, Was feeding full in sight. He raised the rifle to his eye, And from the cliffs around A sudden echo, shrill and sharp, Gave back its deadly sound. Away into the neighbouring wood The startled creature flew, And crimson drops at morning lay Amid the glimmering dew. Next evening shone the waxing moon As sweetly as before; The deer upon the grassy mead Was seen again no more. But ere that crescent moon was old, By night the red men came, And burnt the cottage to the ground, And slew the youth and dame. Now woods have overgrown the mead, And hid the cliffs from sight; There shrieks the hovering hawk at noon, And prowls the fox at night.
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72
Friend Rockstar,             Listen, yield to a robust think-tank,             earlobes skidding against wheat and grain. Terrible story, yes, what happened to that little girl. Sterile teddy nightgowns weeping in the squad car windows. Teacher – Teacher, do you harken my yodels for grace?             I’ve never been maternal.             Put the game on. Abortion.             That’s what I’m about.             Grab a bra. Sling some weight.             That’s what I’m about. Some housefly wings on a weathered corn cob. Some downhome, homegrown twang for those fancy, fussy britches.             Muddy workboots. Sweat-soaked collars.             That’s what I’m about. Him done made me read, sir. What sacraments did we write today?             I can still remember my first broken bone.             I can still remember my first broken *****                         That could be what this is all about. Mary, Mary, you can be contrite,             so knife – so critter – so laze – so stalked.     Who fertilized your seeds? Who reared your sprouts?             Cockle shells and silver bells, honey,             can’t grow up             to be pretty little maids all in a row. Sterile teddy nightgowns – green bells in gaseous gardens. Friend Rockstar, you may have to sleep. This restless harbor is a shivering anecdote spilled from a belly,             a vast, deep cavern with love notes written in milk. Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot. Some garden, I say.
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May 31, 2012
May 31, 2012 at 7:12 PM UTC
Friend Rockstar
Friend Rockstar,             Listen, yield to a robust think-tank,             earlobes skidding against wheat and grain. Terrible story, yes, what happened to that little girl. Sterile teddy nightgowns weeping in the squad car windows. Teacher – Teacher, do you harken my yodels for grace?             I’ve never been maternal.             Put the game on. Abortion.             That’s what I’m about.             Grab a bra. Sling some weight.             That’s what I’m about. Some housefly wings on a weathered corn cob. Some downhome, homegrown twang for those fancy, fussy britches.             Muddy workboots. Sweat-soaked collars.             That’s what I’m about. Him done made me read, sir. What sacraments did we write today?             I can still remember my first broken bone.             I can still remember my first broken *****                         That could be what this is all about. Mary, Mary, you can be contrite,             so knife – so critter – so laze – so stalked.     Who fertilized your seeds? Who reared your sprouts?             Cockle shells and silver bells, honey,             can’t grow up             to be pretty little maids all in a row. Sterile teddy nightgowns – green bells in gaseous gardens. Friend Rockstar, you may have to sleep. This restless harbor is a shivering anecdote spilled from a belly,             a vast, deep cavern with love notes written in milk. Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot. Some garden, I say.
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32
TWANG TWANG TWANG Oh how the twang of man’s harp Disrupts my precious sleep. TWANG TWANG TWANG It’s never put at rest, “Control yourself,” I thought. TWANG TWANG TWANG My rage grew deep, I could hear them laugh at me, already an outcast in this young world. TWANG TWANG TWANG Somehow, almost as if I were possessed, I began to **** them one by one. TWANG TWANG TWANG Night by night the casualties grew, I couldn’t control myself, it’s a demon’s curse. TWANG TWANG TWANG I kept killing them, Until the final night. TWANG TWANG TWANG The young hero pulled out my arm And raised it up in a bitter-sweet victory. TWANG TWANG TWANG Away I ran into my lair What have I done? TWANG TWANG TWANG Was this the pain I inflicted on man? The pain was throbbing and strong, like no pain I had ever felt. Finally the world went black. The twang was gone. At peace I will lay forever. I hope mother won’t make the same mistake.
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Jan 18, 2016
Jan 18, 2016 at 4:49 PM UTC
The Demon's Curse (A Beowulf Inspired Poem)
Some time ago in the furnace below Grew restless the ruler of sin; He dug through His closet Composed a composite Consisting of a violin. The underworld rang with Delectable twang As Lucifer plucked on His strings; E'en angels flew down Allured by the sound Til Cerberus plucked off their wings. Eventually Satan grew bored of this, too; That thrill-seeking ******* must capture the new; So up to the land of the living He flew; Disguised as a figure whom everyone knew. First on the agenda of any pretender: Extinguish the genuine soul; He arrived in Genoa Disguised as a boa And silently swallowed him whole.   With Europe His playground The Devil, He made sound That no one alive had yet heard; He fiddled and plucked, Gambled and ****** Until inside Him syphilis stirred.   His physical shell He now had to retire; Back to the depths of the black and the fire; Forever above will the humans admire; The legend of strings; the king; the sire.
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Nov 8, 2012
Nov 8, 2012 at 12:48 AM UTC
Paganini
On old mainstreet, sits an old café, Where home-town-grown musicians play. Sometimes they like to change its name, But the clientele stay just the same. When times are tough down in the town, You know you can’t get the Black Dog down. Rednecks and faux-necks and used-to-be-loggers, Crafters and rafters, and activist bloggers, And poets and hippies and mystics and fools, And outcasts from the secondary schools, And gypsies too: you’ll find them here, Drowning in local, hand-crafted beer. At night, locals sip organic tea, And turn up the menagerie Of lights and mics from another age, Pieced together to make a stage. And there, the guitarists waste their breath Beating the Same. Four. Chords. To. Death. There are some new lyrics, there and here, But all of them memories of yester-year: A year spent in the same **** space, With others who’ve never left this place. They sing of their dear loves and pasts, And how much longer the wandering lasts. And on they wail, and on they moan, And twang the antique, rustic tone, But their faces show they like it here, This breaking haunt of yester-year, And after the set, they carouse with cheer, And smile contentedly to their beer. On old mainstreet sits an old café, Where home-town-grown musicians play. Sometimes they like to change its name, But the clientele stay just the same. When times are tough down in the town, You know you can’t get the Black Dog down.
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Sep 13, 2012
Sep 13, 2012 at 3:17 AM UTC
Black Dog
The hiss of wet road meeting tread, Wisps of fog reaching up to mother cloud, Pin ****** of rain on windshield, Twang of guitar joining with singer in song, Morning grey surrounds me. Pale yellow headlights meet me, Whining as they pass, Restaurants beckoning me, Promising warmth food company, Wipers warning me away, Morning grey surrounds me. Destination is known, Sleep wants what it's owed, Obligation is to be honored instead, Fatigue is my companion, Soon I will start to repay them, Morning grey surrounds me. Morning grey surrounds me...
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Nov 17, 2014
Nov 17, 2014 at 11:33 AM UTC
Morning Grey Surrounds Me
every profile of the body drapes of a fallen dress the flowers twang the bassoons the wooden harps the human body is a temple with the purpose of changing into new forms ephemeral beauty or love or passion or life the metamorphosis of another the brother the kiss the flowers of evil the death of a maiden Ovid hear me Ovid love is simply a measure of bumps and holes Ovid love grows out of soft marble Ovid we are one the mythology of passion ensues the act encased in fire
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Mar 11, 2016
Mar 11, 2016 at 5:01 PM UTC
the young lovers/the gates of hell
Let me imply that if I'm to die, it will be on my own terms. I insist, need be even with my fist, that I tie the noose myself. My foot will give its input to the bucket. And for a single moment I will be buoyant among atoms of air. In the next I will fall, with my shadow against the wall. My feet will never again touch the floor. The rope whispers one last twang as I hang. Eyes loose luster. My life has burnt like Magnesium. Fast and bright, like the speed of light.
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Feb 12, 2013
Feb 12, 2013 at 7:44 PM UTC
For the last time
You asked me once why I felt safe with you The answer is simple, really; you speak to me sweeter than the southern twang of lightly painted china cups twinkling with an old tonic your great grandmother grew up with - Peach tea, more sugar than ice and the chime of silver spoons stirring away low hanging sky in a lazy afternoon haze. You speak to me with the comfort of a tea cup cradled by the saucer lips meeting gently against each other so as not to scrape a scar against the fragile cheek of either companion Sometimes you even whisper with the rattles of old age chiming away at the edges of sweet forgotten bliss - You, darling, speak to me sweeter than any grain of sugar that rubbed me raw.
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Feb 3, 2013
Feb 3, 2013 at 10:02 PM UTC
Southern Hospitality
I live my life on the phone, listening to the never ending ringing and a prerecorded voicemail asking me to leave a message. it's not even your voice, which is all I've been longing for the twang in it, the way you say your name, the way you say mine, I miss you, I love you. my body craves your touch but my soul craves your sound and the way it makes me feel. five years ago it started and since then I've spent it waiting, always waiting, waiting for you to love me like I have always loved you.
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Dec 8, 2014
Dec 8, 2014 at 2:57 PM UTC
waiting
Divest me in lowest twang possible You're a virus ov benevolence Clod dockets and nightly shrivels You're Ideology's ravaged havoc All slates ov mind embellish at one time Scandalmonger, a repetitive meddler I am, you are, a beast like endeavor Two noddy's going rabid To divulge and disclose; we're savaged Trek of dearth and surly in combined minds Withered, wizened, burnished, refined.
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Nov 19, 2010
Nov 19, 2010 at 4:27 PM UTC
Repetitive Innuendo
In a tearing hurry, came the clouds bellies fat, moods dark They swallowed the moon They chewed the stars      each one           one by one Whole night the show was on boom bang – fury & twang When they were done, I surveyed my ground:      dripping trees           shivering leaves                wet petals           twinkle eyes      an azure sky, and One angry sun.
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Aug 16, 2020
Aug 16, 2020 at 4:46 PM UTC
Indian Monsoons
fueled by alcohol swollen emotions, the age of consent and mistakenly stuck doors the mutual understanding that comes with a singular passion singular desire just one time but when the clock chimes 1:45 and curfewed kisses are few you take my hands and sing "i want to know you" my fingers weave along my glowing screen praying your given digits will be well received and when my phone buzzes i sigh for i had tried to not let doubt cloud my mind but i did not know you yet and it rarely happens like this when the clock chimes 6:00 Am my rosy cheeks wait in the cold mist a note on the table excusing my absence a pale faced taxi driver goes through the required motions to take me to your warm lips with two hours of sleep your makeshift bed is the port in a storm and your slight frame is the sort that initially misleads but it is powerful and exceeds expectations the sweet sharing of bad puns disney songs and the unexpected "i love you" the "you have beautiful eyes" and the mess that is my hair do i wake you with a warm hand to the hip and a quick kiss on the lip reassures me it was the right thing to do the twang of ukulele and its warm wood brush over my breast its hard form against my warm chest you sing for me and the poetry that traverses your lips is magic though slight you have no trouble maneuvering through my wide rivers and hidden valleys my small forests you flip me with ease a playful tease tracing racing and running soon warm water runs over our shadowy forms because though forever may be spent in bed the real world obligates us to move to shower in our travels we find ourselves caught in drizzly public transportation making our way to the place of your occupation though we are eating for two you order three breakfasts making up for the meal missed replaced with loving surrounded by kissing you drink coffee a quick pick-me-up i drink a london fog to remind me of the sleepy morning and a quick peck to the lips reminds me of the rest a test of my willpower my power to resist taking you then and there though that may have resulted in your termination so i resist my considered temptation i take a slight deviation for every story must end every sentence no matter how much love we must wait for blood because every hook up, every sentence must end with a period.
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Nov 28, 2014
Nov 28, 2014 at 4:08 AM UTC
One night
fueled by alcohol swollen emotions, the age of consent and mistakenly stuck doors the mutual understanding that comes with a singular passion singular desire just one time but when the clock chimes 1:45 and curfewed kisses are few you take my hands and sing "i want to know you" my fingers weave along my glowing screen praying your given digits will be well received and when my phone buzzes i sigh for i had tried to not let doubt cloud my mind but i did not know you yet and it rarely happens like this when the clock chimes 6:00 Am my rosy cheeks wait in the cold mist a note on the table excusing my absence a pale faced taxi driver goes through the required motions to take me to your warm lips with two hours of sleep your makeshift bed is the port in a storm and your slight frame is the sort that initially misleads but it is powerful and exceeds expectations the sweet sharing of bad puns disney songs and the unexpected "i love you" the "you have beautiful eyes" and the mess that is my hair do i wake you with a warm hand to the hip and a quick kiss on the lip reassures me it was the right thing to do the twang of ukulele and its warm wood brush over my breast its hard form against my warm chest you sing for me and the poetry that traverses your lips is magic though slight you have no trouble maneuvering through my wide rivers and hidden valleys my small forests you flip me with ease a playful tease tracing racing and running soon warm water runs over our shadowy forms because though forever may be spent in bed the real world obligates us to move to shower in our travels we find ourselves caught in drizzly public transportation making our way to the place of your occupation though we are eating for two you order three breakfasts making up for the meal missed replaced with loving surrounded by kissing you drink coffee a quick pick-me-up i drink a london fog to remind me of the sleepy morning and a quick peck to the lips reminds me of the rest a test of my willpower my power to resist taking you then and there though that may have resulted in your termination so i resist my considered temptation i take a slight deviation for every story must end every sentence no matter how much love we must wait for blood because every hook up, every sentence must end with a period.
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77
sometimes i am emotionally unavailable on purpose. i put my phone under my pillow so i can't hear it beep and buzz and twang i turn off my facebook chat and ignore your messages. i don't even do it because i can't handle it i can handle anything i was born with an innate sense of determination and morality but sometimes i feel the need to be an unattached ******* just to see what it's like i'll go on youtube and watch ****** videos i'll even laugh when i know that somewhere you're feeling like i do all the time i won't give a single **** not even a tiny pang will reach my carefully wired heart right now it's plugged into too many other things that are ******* the energy out of it to take note i hope you feel ******* terrible i'm not even bothered i will be later but not now message away... la, la can't hear you, can't hear you.
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Dec 9, 2013
Dec 9, 2013 at 9:19 PM UTC
sadist
Hello martin, how's the back? Lie down here, left side, crack! Relax the shoulders now, don't hunch On your tummy then, and ... crunch Breathe out, breathe in, and let it go Click clack twang, you should feel better so Turn around, just one more tweek To keep you going, not perfection's what we seek Full movement in your neck you lack I see the problem, one more snap My eyes they water through my smile That's me sorted for a while
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Feb 17, 2012
Feb 17, 2012 at 2:39 PM UTC
A visit to the chiropractor
As I told you already that I was Graeme Thorne in the 1950s and apart from the fact I was him for just 8 years, I had a best friend named bobby Francis who was a very ***** fellow, well back then so was I Bobby had a teenage crush on dody Stephens who sang pink shoe laces which was bobby's fave song and I, as Graeme Thorne thought yeah she is cute and bobby bought her album over to my house and you could hear his voice twanging with the words pink shoelaces and then in 1959 bobby bought pink shoelaces which caused a bit of shock for teachers at old scots college and Greame Thorne who was me said it looks weird that my mate is wearing pink shoe laces But bobby couldn't give a flying **** about what people were saying about him Just listen or try and get the memory of him singing Tan shoes and pink shoelaces A polka dot vest hey man oh man tan shoes with pink shoelaces and a big panamol With a purple hat band and my friend bobby sang that with the same twang as dodi Stephens Which could be the reason why Bobby is having a tween crush on an older 13 year old singer I as Graeme Thorne also had a crush on dodi and both me and bobby were dodi's dory but bobby's mum got really cranky with bobby for his voice because it could be a **** voice but bobby used bad language to tell his mum to get ****** and every time we went to the local shops in Bondi beach we bought our ice creams and sat on the beach singing the dodi Stephens hit And then two gorgeous 12 year old girls sat near us and I said How about a bit of sugar and bobby said for you maybe but I want dodi's pink shoelaces And I told bobby to live in the realistic years and bobby said you can talk to these girls but I like dodi ok and bobby was ************ over dodi Stephens **** body while I as Graeme Thorne went over to the 12 year old girls and started to massage their backs and thighs saying to bobby these girls are a nice *** of sugar For my spoon and as the girls left they kissed me as greame Thorne on the lips and left thinking my friend was a bit of a **** and when we got back to bobby's house bobby played pink shoe laces very loud as well as ************ thinking dodi is a 50s fox and I toild him that those girls on the beach were **** too and bobby said yeah I agree but I plan to finish school and marry dodi and then said he was Dooley and dodi is trying to keep me safe well in 1960 I was kidnapped and killed and bobby well I will never ever know if he got it together with dodi, probably not but in my current life at the age of 22 I heard bobby's twang singing pink shoe laces as I heard it on the radio and now I listen to pink shoe laces on YouTube She is hot
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Apr 1, 2017
Apr 1, 2017 at 2:47 AM UTC
greame thorne's best friends tween crush on a teenage singer
As I told you already that I was Graeme Thorne in the 1950s and apart from the fact I was him for just 8 years, I had a best friend named bobby Francis who was a very ***** fellow, well back then so was I Bobby had a teenage crush on dody Stephens who sang pink shoe laces which was bobby's fave song and I, as Graeme Thorne thought yeah she is cute and bobby bought her album over to my house and you could hear his voice twanging with the words pink shoelaces and then in 1959 bobby bought pink shoelaces which caused a bit of shock for teachers at old scots college and Greame Thorne who was me said it looks weird that my mate is wearing pink shoe laces But bobby couldn't give a flying **** about what people were saying about him Just listen or try and get the memory of him singing Tan shoes and pink shoelaces A polka dot vest hey man oh man tan shoes with pink shoelaces and a big panamol With a purple hat band and my friend bobby sang that with the same twang as dodi Stephens Which could be the reason why Bobby is having a tween crush on an older 13 year old singer I as Graeme Thorne also had a crush on dodi and both me and bobby were dodi's dory but bobby's mum got really cranky with bobby for his voice because it could be a **** voice but bobby used bad language to tell his mum to get ****** and every time we went to the local shops in Bondi beach we bought our ice creams and sat on the beach singing the dodi Stephens hit And then two gorgeous 12 year old girls sat near us and I said How about a bit of sugar and bobby said for you maybe but I want dodi's pink shoelaces And I told bobby to live in the realistic years and bobby said you can talk to these girls but I like dodi ok and bobby was ************ over dodi Stephens **** body while I as Graeme Thorne went over to the 12 year old girls and started to massage their backs and thighs saying to bobby these girls are a nice *** of sugar For my spoon and as the girls left they kissed me as greame Thorne on the lips and left thinking my friend was a bit of a **** and when we got back to bobby's house bobby played pink shoe laces very loud as well as ************ thinking dodi is a 50s fox and I toild him that those girls on the beach were **** too and bobby said yeah I agree but I plan to finish school and marry dodi and then said he was Dooley and dodi is trying to keep me safe well in 1960 I was kidnapped and killed and bobby well I will never ever know if he got it together with dodi, probably not but in my current life at the age of 22 I heard bobby's twang singing pink shoe laces as I heard it on the radio and now I listen to pink shoe laces on YouTube She is hot
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15
The sweet hum of a beautiful melody. The deep aroma of morning exhaust fumes. The excited chatter in a foreign tone. Clip clopping of high heeled shoes speeding up to catch a bus. The homeless man wrapped in a rotten sleeping bag as close to rigormortis as a live man gets with his palm open but his eyes closed. The twang of perfume mixed with cigarette smoke floating effortlessly up to the blue sky above. Marvellous architectural wonders rising from the ground, their dominating shadows line the streets to serve as a reminder that our forefathers laid down the road we still walk today.
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May 19, 2015
May 19, 2015 at 4:58 AM UTC
London stroll
I look at You and I succumb, I surrender: all that I am to all that is You Sleep-walking, dream-gawking -- The daemons of centuries sprawl out the hairs on their legs, crawl into our skulls through ears that hear and bob their lobes to the twang of sinew threading together the tongues of banshees howling at the moon: Leeches and ticks crawl up our spine when night mares gallop through the swamp of maggots crawling in the rye. Eight and eight still make one when the knots are untied and the gut is done: All the unknowns, the variable gales, the possible parallels and the impossible imposters, two: Fuel to the face of these fears I look at You and I succumb. I surrender to the daemons of centuries, let them wash over in hues . . . And I hold on, because letting go, this time, is far more dangerous than loving You Is it not the death of eye meeting death to eye that ushers Sacred offspring out of the light into the glowing arms of the womb? Sleep-walking, dream-gawking -- I look at You and I succumb. I surrender: all that I am to all that is You
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Aug 18, 2012
Aug 18, 2012 at 1:26 PM UTC
Succumb, Surrender
One of the ways you lied was quite hard to describe A riddle of ridicule laced with flaring shoe laces ***** nudist desires smelt of pure hash bury mayo Feeling as if the end of the dawn would just be the beginning To pleasure the thought of you was something I once liked to do Now no longer For the song bird can only sing for so long Before their feathers molt to hear a call to move on Move on blonde lady long legs We are always meeting and moving on Towards a sky which crashes silently Quenching the thirst of many So on a black rimmed earth a universe folds and folds and folds Where men travel far not knowing where they go Explore the neck of your lover to see that she has another Each bell in the row rings as if it were the first time Crack yourself up to hear the laughter that you hide away in your room At first you may be surprised but the twang will not die unless You Will it Night whistles through me For I am not here I am soon to be gone But not to no grave Each note guides itself upon a road that man must draw to understand They take pride in cracking magic that laughs at our attempts And our Experiments The word seemed to mean something once People used to mean something also Nowadays All I see Are comma break decimals And funeral homes
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Jun 5, 2011
Jun 5, 2011 at 11:53 PM UTC
Comma Break Decimal
His Key Unlocked Her Door As the piano man plays her song The ivories of his eyes dance along He plays on her keys The sweetest melodies Rising onto his pitch her heart twang Logan Robertson 6/07/17
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Jun 7, 2017
Jun 7, 2017 at 10:00 AM UTC
His Key Unlocked Her Door
How it feels When each strands that held us together Starts breaking. One by one With every twang, another strand looses Its bonding with the rest of us One by one Each one breaks away From the memories The touch And the belongingness Like some one plucking Petal by petal Loves me, Loves me not While the flower, in the process Dies a slow death. Wish you were here Holding unto my arms A promise of loved future and a dying breath How it feels to lie down slowly In the loneliness Of timeless Fading depths. Sands of times run out, grain by grain From our clasped fingers and shaking hands. It feels so lonely - The softness of dying breath.
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Sep 6, 2010
Sep 6, 2010 at 12:06 AM UTC
Breaking Strands
lost in a maze of gazes; lured to the pool by the sound; Sondheim sung badly in a nasal twang; cught in her lace negligee one more time; we give the old women the benefit of the doubtful proposition;  if       granny wants to get tied to on the bedpost  -  yet again;    the gallant refrain from that old song is remade the kpop way & tuned in to the drag subculture;  everyone u know; the prostitution used to be better; maybe there were once better prostitutes,  what I can see is unpleasantly stink eyed; hos used to have class before they could switch genders back & forth; that's some millennial ****   the first celebrity I ever became aware of was Christine Jorgensen, from the newspaper story about a man who had surgery to turn himself into a woman; a patently impossible task; in the picture in the newspaper he had on a bouffant wig & big sequin *****  working as a showgirl in Vegas in its heyday, so she was already well-known; I always thought that bit of trivial information would come in handy one day: never did
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Aug 12, 2018
Aug 12, 2018 at 7:22 PM UTC
ode on my Amish fembot
"granday" its not a ******* twang, like a rubber band loosened up, you're like a white sheet with absolutely no wrinkles no lint no culture. its not a droop of letters, like the syllables are carrying old bathwater on hunched spines; you sound like dusty paper left on the shelf too long. its "grande" poner un verano en tus palabras. put some summer into your words. fill your mouth with mid-august sweat and belt it out like a pistol, bullets ripping the fabric of blue sky. you are a flame in snow, your tongue is supposed to be dancing on the top of your mouth when you say it, "grande" roll your 'r's like you would to tamales in corn flour, like you would your body in mud carpeting every inch of your soul in dark, crusted veneer, stuck between your toes. your tongue is supposed to be *** exotic chocolate, french rain. your tongue is supposed to be like a wild motorboat upon the raging ocean, hitting the 'r's with savage animosity                                                     "g-rrrrrrrr-ande" none of these "grandays" words like plummeting wrinkles under tired eyes, your lips like dead fish floating shallow and flaccid in lukewarm soup. like rotting fruit left out too long,   squashed, useless, a waste. do not fill your mouth with mierda, **** poner un verano en tus palabras. put some summer into your words.
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Jan 18, 2014
Jan 18, 2014 at 7:44 PM UTC
stupid starbucks girls.