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"turrets" poems
They cut it down, and where the pitch-black aisles Of forest night had hid eternal things, They scaled the sky with towers and marble piles To make a city for their revellings. White and amazing to the lands around That wondrous wealth of domes and turrets rose; Crystal and ivory, sublimely crowned With pinnacles that bore unmelting snows. And through its halls the pipe and sistrum rang, While wine and riot brought their scarlet stains; Never a voice of elder marvels sang, Nor any eye called up the hills and plains. Thus down the years, till on one purple night A drunken minstrel in his careless verse Spoke the vile words that should not see the light, And stirred the shadows of an ancient curse. Forests may fall, but not the dusk they shield; So on the spot where that proud city stood, The shuddering dawn no single stone revealed, But fled the blackness of a primal wood.
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9.9k
The Wood
the water carves its caves out of the black rock, little turrets of the wind walking the battlements of the sea's dark fortress.
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Jul 24, 2015
Jul 24, 2015 at 10:46 AM UTC
the water
Rolling a Pall Mall in the courtyard, of Ye Olde Swiss Cottage Tavern, in the last of November's sun:       Lovely sunlight,       You are,       Filling me warmly with joy. Thinking of our desires, from summer and autumn months, up to this bright November morning, we have happily danced, e'en in the shadows. Above me two brick turrets, as I dreamily smoke, nonchalantly state: 'Underground'. High-raised logos winking at our play, struck through with horizontal blue, in a circle of enamel white. 'Old Fool,' the towers hiss, directed at my mortal sensibilities, 'winter has come!' But nothing buries us as our sun still comfortingly kindles a friendly star which when all is dark, glows inside, guiding the shipwreck of my sunken years - the debts and all those unpaid thrills! Dreaming and Loving, as children out, lost in an abundant ***** each holding off for as long as we dare, lovers unmasked, naked before suffocating paternity, and cold winter's bite! where to we hardly know, to avoid its cruel embrace.
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Nov 8, 2018
Nov 8, 2018 at 4:16 AM UTC
Winter Come
All are architects of Fate, Working in these walls of Time; Some with massive deeds and great, Some with ornaments of rhyme. Nothing useless is, or low; Each thing in its place is best; And what seems but idle show Strengthens and supports the rest. For the structure that we raise, Time is with materials filled; Our to-days and yesterdays Are the blocks with which we build. Truly shape and fashion these; Leave no yawning gaps between; Think not, because no man sees, Such things will remain unseen. In the elder days of Art, Builders wrought with greatest care Each minute and unseen part; For the Gods see everywhere. Let us do out work as well, Both the unseen and the seen; Make the house, where Gods may dwell, Beautiful, entire, and clean. Else our lives are incomplete, Standing in these walls of Time, Broken stairways, where the feet Stumble as they seek to climb. Build to-day, then, strong and sure, With a firm and ample base; And ascending and secure Shall to-morrow find its place. Thus alone can we attain To those turrets, where the eye Sees the world as one vast plain, And one boundless reach of sky.
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5.6k
The Builders
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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4.9k
The City In The Sea
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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53
Black blueberries buttoned by ***** Black blueberries buttoned by ***** This wasn't yours to loose Nothing was yours to loose Black blueberries backed by bench men Bench men that sit on side lines Thinking When will the golden moment be To break through; proving themselves Worthy of the benched boxes they be in Everyday Because They believe in benevolence Black blueberries busting through my ***** Black blueberries busting through my ***** Better than bullets Better than bullets Better than bombs and turrets Better than ballistic knifes and skillets And arsenals of ignorance bettered with bills Bills I pay to ensure my life is ready to die Is it a matter of our collective thoughts? Those black blueberries are buried And not because I am becoming a black blueberry I say this But because life begins with black blueberries Who all turn into nothing but pale ***** All conformed Not to natural laws But to the cognitive bacterial infection Called education Turning us to blue blueberries Blue blueberries And grand building bannered with ******** Black blueberries are bored Black blueberries are right Black blueberries are always right…
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Apr 30, 2013
Apr 30, 2013 at 1:27 PM UTC
Black Blueberries:
i feel the water pulling me down drowning drowning in the lack of sound i can see the moonlight shimmer reflecting the weight of his voice’s timbre i smile the water gushing between my teeth never again will i have to hear him speak I see the halls and the turrets of the father finding me finding me other places to wander i see him talking to a crown of stone the teeth eyes and lips mine alone Pulling me down in the lack of sound as in my love i start to drown
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Sep 24, 2015
Sep 24, 2015 at 11:30 PM UTC
Ophelia's Lament
It is no night to drown in: A full moon, river lapsing Black beneath bland mirror-sheen, The blue water-mists dropping Scrim after scrim like fishnets Though fishermen are sleeping, The massive castle turrets Doubling themselves in a glass All stillness. Yet these shapes float Up toward me, troubling the face Of quiet. From the nadir They rise, their limbs ponderous With richness, hair heavier Than sculptured marble. They sing Of a world more full and clear Than can be. Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler. Deranging by harmony Beyond the mundane order, Your voices lay siege. You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge Also of high windows. Worse Even than your maddening Song, your silence. At the source Of your ice-hearted calling -- Drunkenness of the great depths. O river, I see drifting Deep in your flux of silver Those great goddesses of peace. Stone, stone, ferry me down there.
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3.6k
Lorelei
Forced by covenant to conceal The wound you carry deep Too dangerous far to now reveal The secret you must keep The truth, it’s said, can set you free Whose truth, I ask my heart Some truth must hide, to shadow flee Or slay as a poisoned dart A truth which must be guarded well Though to be shouted loud it cries Must be restrained and forced to dwell Within a citadel of lies A soaring fort of alabaster walls Splendid turrets as disguise Conceals pits beneath its gilded halls Where love lies brutalized Though we ache for all the world to see To the heart, it matters naught Two souls are not united by decree Nor love with license bought So truth must wait and a prisoner remain In lonely cell, there to abide Believe dreams of freedom are not in vain That gates, one day, will open wide
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Oct 6, 2018
Oct 6, 2018 at 7:42 PM UTC
Citadel
The shells lined up nicely. "At attention," the conch yelled. He was curled black, with boiled blue spikes. And so they stayed, in a perfect line against the wall, until the wave, washing ashore, it plucked three. One was an abalone, almost full grown, with five holes descending down its left side. A sheen of gold and silver out, murky indigo and forest green in. He lost grip first, and was pulled into an incoming breaker. The second was a conch. Chocolate and vanilla swirls coated the outer layers leading in to slight pink. Her name was Neapolitan. She was once an adult shell of the queen conch, washed ashore and set into a line by small hands, that were gentle and soft. Zander A soft voice called. Inhaled by the mouth of the ocean, exhaled into a bout of seaweed.   She was lost. The last, was a cowry shell. He was old, or at least he imagined so. This was not the first time he had washed ashore, nor had he figured, would it be the last. His back was ivory white with brown speckles, in such a pattern that he imagined himself to be, at times, a turtle. He had first felt and then saw reflections of himself in sea glass. He was gathered in a bucket and rubbed so that his design reverberated until he felt, every shimmer of himself. Knowing not what lay ahead, but understanding, he held no grip and went where the ocean led. It's getting dark Zander. The others gasped, in horror their screams rasped. "Save us. Plea...se he...l...p." As another wave crashed into the wall and stole four more, again, till all were cast away from the wall to be laden across the expanse of sand. Soft brown eyes stared, at the empty holes, where shells had been placed, as decorations to a most deserving sand castle. Turrets and towers, hard packed by child hands, with a red flag flapping to the sea breeze. *A crude skull was drawn, for it was a pirate fascination that encapsulated this year.* He had spent hours seeking and finding, the perfect art, to be the binding, to hold his wall against all defense, but all had fallen in the first wave of battle. "Oh well," he muttered. He would try again tomorrow.
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Jan 10, 2013
Jan 10, 2013 at 1:33 AM UTC
Zander's Sandcastle
The shells lined up nicely. "At attention," the conch yelled. He was curled black, with boiled blue spikes. And so they stayed, in a perfect line against the wall, until the wave, washing ashore, it plucked three. One was an abalone, almost full grown, with five holes descending down its left side. A sheen of gold and silver out, murky indigo and forest green in. He lost grip first, and was pulled into an incoming breaker. The second was a conch. Chocolate and vanilla swirls coated the outer layers leading in to slight pink. Her name was Neapolitan. She was once an adult shell of the queen conch, washed ashore and set into a line by small hands, that were gentle and soft. Zander A soft voice called. Inhaled by the mouth of the ocean, exhaled into a bout of seaweed.   She was lost. The last, was a cowry shell. He was old, or at least he imagined so. This was not the first time he had washed ashore, nor had he figured, would it be the last. His back was ivory white with brown speckles, in such a pattern that he imagined himself to be, at times, a turtle. He had first felt and then saw reflections of himself in sea glass. He was gathered in a bucket and rubbed so that his design reverberated until he felt, every shimmer of himself. Knowing not what lay ahead, but understanding, he held no grip and went where the ocean led. It's getting dark Zander. The others gasped, in horror their screams rasped. "Save us. Plea...se he...l...p." As another wave crashed into the wall and stole four more, again, till all were cast away from the wall to be laden across the expanse of sand. Soft brown eyes stared, at the empty holes, where shells had been placed, as decorations to a most deserving sand castle. Turrets and towers, hard packed by child hands, with a red flag flapping to the sea breeze. *A crude skull was drawn, for it was a pirate fascination that encapsulated this year.* He had spent hours seeking and finding, the perfect art, to be the binding, to hold his wall against all defense, but all had fallen in the first wave of battle. "Oh well," he muttered. He would try again tomorrow.
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63
A sign we are, without meaning Without pain we are and have nearly Lost our language in foreign lands, For when the heavens quarrel Over humans and moons proceed In force, the sea Speaks out and rivers must find Their way. But there is One, Without doubt, who Can change this any day. He needs No law. The rustle of leaf and then the sway of oaks Besides glaciers. Not everything Is in the power of the gods. Mortals would sooner Reach toward the abyss. With them The echo turns. Though the time Be long, truth Will come to pass. But what we love? We see sunshine On the floor and motes of dust And the shadows of our native woods and smoke Blooms from rooftops, at peace beside Turrets' ancient crowns; for the signs Of day are good if a god has scarred The soul in response. Snow like lilies of the valley, Signifying a site Of nobility, half gleams With the green of the Alpine meadow Where, talking of a wayside cross Commemorating the dead, A traveler climbs in a rage, Sharing distant premonitions with The other, but what is this? By the figtree My Achilles died And Ajax lies By the grottoes of the sea, By streams, with Scamandros as neighbor. In the persisting tradition of Salamis, Great Ajax died Of the roar in his temples And on foreign soil, unlike Patroclos, dead in king's armor. And many Others also died. On Kithairon Lay Eleutherai, city of Mnemosyne. And when God cast off his cloak, the darkness came to cut Her lock of hair. For the gods grow Indignant if a man Not gather himself to save His soul, yet he has no choice; like- Wise, mourning is in error. Friedrich Holderlin translated by Richard Sieburth
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Jan 28, 2015
Jan 28, 2015 at 3:56 PM UTC
"Mnemosyne"
A sign we are, without meaning Without pain we are and have nearly Lost our language in foreign lands, For when the heavens quarrel Over humans and moons proceed In force, the sea Speaks out and rivers must find Their way. But there is One, Without doubt, who Can change this any day. He needs No law. The rustle of leaf and then the sway of oaks Besides glaciers. Not everything Is in the power of the gods. Mortals would sooner Reach toward the abyss. With them The echo turns. Though the time Be long, truth Will come to pass. But what we love? We see sunshine On the floor and motes of dust And the shadows of our native woods and smoke Blooms from rooftops, at peace beside Turrets' ancient crowns; for the signs Of day are good if a god has scarred The soul in response. Snow like lilies of the valley, Signifying a site Of nobility, half gleams With the green of the Alpine meadow Where, talking of a wayside cross Commemorating the dead, A traveler climbs in a rage, Sharing distant premonitions with The other, but what is this? By the figtree My Achilles died And Ajax lies By the grottoes of the sea, By streams, with Scamandros as neighbor. In the persisting tradition of Salamis, Great Ajax died Of the roar in his temples And on foreign soil, unlike Patroclos, dead in king's armor. And many Others also died. On Kithairon Lay Eleutherai, city of Mnemosyne. And when God cast off his cloak, the darkness came to cut Her lock of hair. For the gods grow Indignant if a man Not gather himself to save His soul, yet he has no choice; like- Wise, mourning is in error. Friedrich Holderlin translated by Richard Sieburth
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53
Dedicated to John and Bob From first flesh we move down widening halls That lead to lives of wondrous walls. Our spidered fingers gripped walls of brick, Cruets, cups and candle sticks. Incense clouded open graves When we too believed we too were saved. Between Annex walls we learned our phonics, On tin-roofed walls we lived our comics. Garage walls scaled showed different views, Kitchen walls steamed with soups and stews. Our school yard walls tallied pitches That marked our summers of youth and wishes. Now lift memory's pane and go back To the white-framed walls of a secret shack. There, in confusion we would cling To the unknown wonders girls would bring. These young boys' walls we both outgrew; Now new walls sprang, as we did too. Coffee House walls offered something new. Wet kisses lingered near shadowy walls, We heard poetry read in a backroom stall. Recreationals made our new skin crawl. Cliff walls were breached by stairs of clay, Carved by Incas on a turquoise day. Tent walls echoed with impish fray, Green walls beckoned at the end of day. These walls gave rise to hot desires, Like Vikings planning funeral pyres. New music, cheers and weekend guests Stood us ***** to pound our chests. Those walls no longer ring our shores; Time swept us forward with worldly lures. We doffed our coats of suede and frills, And donned new clothes and workday skills. The walls of work are a rocky climb, Stones laid by us, for yours and mine. Such towers & turrets of heart & hearth Guard all we know of any worth. I see distant walls on cliffs, in fields; Where do they lead? What will they yield? Yet, there three friends climb one more hill, Climb one more wall. Then all is still.
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Jul 13, 2014
Jul 13, 2014 at 2:58 PM UTC
Our Walls
Dedicated to John and Bob From first flesh we move down widening halls That lead to lives of wondrous walls. Our spidered fingers gripped walls of brick, Cruets, cups and candle sticks. Incense clouded open graves When we too believed we too were saved. Between Annex walls we learned our phonics, On tin-roofed walls we lived our comics. Garage walls scaled showed different views, Kitchen walls steamed with soups and stews. Our school yard walls tallied pitches That marked our summers of youth and wishes. Now lift memory's pane and go back To the white-framed walls of a secret shack. There, in confusion we would cling To the unknown wonders girls would bring. These young boys' walls we both outgrew; Now new walls sprang, as we did too. Coffee House walls offered something new. Wet kisses lingered near shadowy walls, We heard poetry read in a backroom stall. Recreationals made our new skin crawl. Cliff walls were breached by stairs of clay, Carved by Incas on a turquoise day. Tent walls echoed with impish fray, Green walls beckoned at the end of day. These walls gave rise to hot desires, Like Vikings planning funeral pyres. New music, cheers and weekend guests Stood us ***** to pound our chests. Those walls no longer ring our shores; Time swept us forward with worldly lures. We doffed our coats of suede and frills, And donned new clothes and workday skills. The walls of work are a rocky climb, Stones laid by us, for yours and mine. Such towers & turrets of heart & hearth Guard all we know of any worth. I see distant walls on cliffs, in fields; Where do they lead? What will they yield? Yet, there three friends climb one more hill, Climb one more wall. Then all is still.
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43
Above cushioned wall seats, Where locals sit with dogs At their feet, Hang photos Of footballers Smiling still after near-forgotten games; A farmer stands beside his blue ribbon boar; Horses tethered to carts, Near soldiers smiling with The Republic's grimmace of war. Outside cobbled streets Lead to stone bridges Walls and houses, Near the shade of umbrella trees. Turrets stop whispers Wrapping their heights. Black, white and fading. Nine o'clock arrives And pictures shake From laughter And music, The click of dominoes, And clink of pints, In the pub life.
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Nov 10, 2014
Nov 10, 2014 at 10:05 AM UTC
Snapshot of a Pub
Sweeten, let’s, a coast of dun Therefrom which, the tides erode, A castle to blind the mighty sun Affront to that Poseidon, and others On the beach. ***** the walls and battlements Fair crystal arm the turrets The audience of the hermit ***** Pay silent homage to the throne Intricate are its libraries, etched Our history inside the tomes. Only grains of perfect stock From which antiquity, in full credit, Will revere the lot And poetry of human might Shaped and forged to kiss the day of light Only that may suffice. In this endeavor, no ancients will tenet Its salty beams but the children of the morn For we shall build the universe From when progenitors are born. Before it began, we were dismayed Our future, castle, by waves waylaid Aspirations sink, now, from shape. But, Gods, I curse you! Let my destiny rise free! Look now before you: A stone in ocean of mediocrity! All these that build up forts Lack in that spirit to fight, retort **** you, **** you, waters of my doubt Turn false the shades of realism Which I thought it all about **** you, **** you sands of time For now all that founds my dreams Is erosion of the shoreline sand.
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Aug 25, 2014
Aug 25, 2014 at 9:54 PM UTC
Sandcastles on a lonely Beach
It was a hot summer night Nearly ninety, I'd say When out back of Giovannis The Bluesman sat down to play He pulled up his crate Took a sip from his flask "This here's my med-cin" "In case someone happens to ask" He started a story That we'd never heard We're the folks of the street And we followed each word It's a tale of James Withers A man in need of a hand But to us on the street He was the Sand Castle Man The bluesman strummed gently He didn't want the words to be lost For this was a story That had a hell of a cost You see, James the sand man Lost a life to the sea His grandson, young James Drowned when he was just three Each day James went down With his grandson in tow They'd make castles together Some fast and some slow One day the pair Were at the end of the pier When a rogue wave hit hard And took what James held most dear His grandson...swept out Lost at sea, never found They searched for three weeks But the poor boy was drowned James kept a vigil Every day on the beach He'd look out on the water His heart out of reach He kept making sand castles As he did with young James With shells and old driftwood And he gave them all names He'd have non-existent armies Fight non existent wars In his hard packed sand castles He carved windows and doors There was make believe dragons In pools by the sea Guarding make believe princesses Who no one could see There were turrets and moats And each day he'd build one To be lost to the tide As the days work was done Each day a new castle Each day a new war But, nobody knew What he was building them for The tide would come in And would sweep it away All that hard work Gone at the end of the day But, each morning he'd come Build one more for the tide With invisible armies To flow away for a ride People would watch him Make the castles of sand With imaginary soldiers In imaginary lands The bluesman sang soft Took a sip once again From the flask on his hip It's just medi-cin The crowd didn't stir We were like moths to the flame As we heard the bluesman finish his tale about James I asked him one morning If he ever would end Building castles of sand He said, Bluesman, my friend I know that each castle Will be washed out to see And I hope that my grandson Gets a message from me I make each sand castle Like we both used to do I come back every day And start another anew It helps with the closure I send my soul to the sea And I hope that my grandson Knows they're for him made by me He finished and thanked us And we went on our way All of us changed some From what the bluesman did play Next time I'm out wandering And see the castles of sand I'll know what he's building Now...that I understand
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Feb 26, 2014
Feb 26, 2014 at 11:55 PM UTC
The Man Who Made Sand Castles
It was a hot summer night Nearly ninety, I'd say When out back of Giovannis The Bluesman sat down to play He pulled up his crate Took a sip from his flask "This here's my med-cin" "In case someone happens to ask" He started a story That we'd never heard We're the folks of the street And we followed each word It's a tale of James Withers A man in need of a hand But to us on the street He was the Sand Castle Man The bluesman strummed gently He didn't want the words to be lost For this was a story That had a hell of a cost You see, James the sand man Lost a life to the sea His grandson, young James Drowned when he was just three Each day James went down With his grandson in tow They'd make castles together Some fast and some slow One day the pair Were at the end of the pier When a rogue wave hit hard And took what James held most dear His grandson...swept out Lost at sea, never found They searched for three weeks But the poor boy was drowned James kept a vigil Every day on the beach He'd look out on the water His heart out of reach He kept making sand castles As he did with young James With shells and old driftwood And he gave them all names He'd have non-existent armies Fight non existent wars In his hard packed sand castles He carved windows and doors There was make believe dragons In pools by the sea Guarding make believe princesses Who no one could see There were turrets and moats And each day he'd build one To be lost to the tide As the days work was done Each day a new castle Each day a new war But, nobody knew What he was building them for The tide would come in And would sweep it away All that hard work Gone at the end of the day But, each morning he'd come Build one more for the tide With invisible armies To flow away for a ride People would watch him Make the castles of sand With imaginary soldiers In imaginary lands The bluesman sang soft Took a sip once again From the flask on his hip It's just medi-cin The crowd didn't stir We were like moths to the flame As we heard the bluesman finish his tale about James I asked him one morning If he ever would end Building castles of sand He said, Bluesman, my friend I know that each castle Will be washed out to see And I hope that my grandson Gets a message from me I make each sand castle Like we both used to do I come back every day And start another anew It helps with the closure I send my soul to the sea And I hope that my grandson Knows they're for him made by me He finished and thanked us And we went on our way All of us changed some From what the bluesman did play Next time I'm out wandering And see the castles of sand I'll know what he's building Now...that I understand
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104
For a moment, right now, pretend that forgiveness will never feel like taking a bet. That the phrase, "I love you," Is not just another form of turrets. Pretend that you've got a pocket heavy with change and you walk like a wishing well wind-chime. And you've got a nickel in there for every time you cried for something. And your chance to change is as easy as flicking your thumb. Launching a coin into a pool of water. Pretend that you've got a penny melted and molded from the iron in your blood. Pretend that that wish will come true. Pretend that I just put mine down on a bet on you. Double or nothing, because ********* kid, to me, you mean something. And I don't mean any big life success. This is deathbed memories type **** Who was there when it mattered type **** Pizza on the car hood when the mice are asleep in the oven and the birds have nested in the old stove burners. Finding safety in a hammock held up by the corners of a mouth. Warmth in arms when you realized how cold it was actually going to be down south. For a moment right now pretend. That you've got a friend with a body made of drawbridge and hands strong enough to close it when you need to. Eyes like a moat. A blanket quilted from your lover's muscles. For a moment right now pretend that that friend isn't me. It's you. Forget God. Forget finding forgiveness and love there. On the inside that friend is you. Making penny bets like a Philippino woman in the smoking section of a casino. Double or nothing. 50/50. Pretend now that I'll be there too. Tossing coins in a well. Wishing only the best for you.
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Aug 5, 2014
Aug 5, 2014 at 9:06 PM UTC
Drunk Text #73 Pretend
For a moment, right now, pretend that forgiveness will never feel like taking a bet. That the phrase, "I love you," Is not just another form of turrets. Pretend that you've got a pocket heavy with change and you walk like a wishing well wind-chime. And you've got a nickel in there for every time you cried for something. And your chance to change is as easy as flicking your thumb. Launching a coin into a pool of water. Pretend that you've got a penny melted and molded from the iron in your blood. Pretend that that wish will come true. Pretend that I just put mine down on a bet on you. Double or nothing, because ********* kid, to me, you mean something. And I don't mean any big life success. This is deathbed memories type **** Who was there when it mattered type **** Pizza on the car hood when the mice are asleep in the oven and the birds have nested in the old stove burners. Finding safety in a hammock held up by the corners of a mouth. Warmth in arms when you realized how cold it was actually going to be down south. For a moment right now pretend. That you've got a friend with a body made of drawbridge and hands strong enough to close it when you need to. Eyes like a moat. A blanket quilted from your lover's muscles. For a moment right now pretend that that friend isn't me. It's you. Forget God. Forget finding forgiveness and love there. On the inside that friend is you. Making penny bets like a Philippino woman in the smoking section of a casino. Double or nothing. 50/50. Pretend now that I'll be there too. Tossing coins in a well. Wishing only the best for you.
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1
The paradise of darkness is like a climactic and physiological déjà vu, where souls have been swallowed by ancient daemons amidst an **** of oral sacrifice. Aren’t you tantalised by such forbidden seductions? Although I am somewhat acquainted with the blackness of unfathomable depths of the ancient abyss, I sincerely call upon your superior wisdom to beckon me across craggy chasms of mathematical perplexity, where eternal ghosts wail with agonising obscurity from the turrets of architectural stronghold. If you light a candle toward the incarnation of depravity and reveal the sacred circle, then I will ensure safe passage down those historical and spiral staircases where dungeons hold innumerable fetishistic secrets. I am captivated by co-existing opposites. Let us talk with the goat, and arrive at a mutually agreeable pact.
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Jan 22, 2015
Jan 22, 2015 at 11:17 PM UTC
The Gate of Monastic Solitude
Ears in the turrets hear Hands grumble on the door, Eyes in the gables see The fingers at the locks. Shall I unbolt or stay Alone till the day I die Unseen by stranger-eyes In this white house? Hands, hold you poison or grapes? Beyond this island bound By a thin sea of flesh And a bone coast, The land lies out of sound And the hills out of mind. No birds or flying fish Disturbs this island's rest. Ears in this island hear The wind pass like a fire, Eyes in this island see Ships anchor off the bay. Shall I run to the ships With the wind in my hair, Or stay till the day I die And welcome no sailor? Ships, hold you poison or grapes? Hands grumble on the door, Ships anchor off the bay, Rain beats the sand and slates. Shall I let in the stranger, Shall I welcome the sailor, Or stay till the day I die? Hands of the stranger and holds of the ships, Hold you poison or grapes?
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2.3k
Ears In The Turrets Hear
So much to do, my mind is buzzing. My fingers are dancing with perverted excitement as my lips form words with more syllables than letters. I feel as though I were a more capable Atlas. May the world rely on me, I shall hold it higher than an aeroplane as it soars through the sky. Our skies. A testament to the ingenuity of man the turrets, ******** the weak, and credit God; the asexual ****** he is. This is no song for the hipsters to play as their ringtones as they feel for each other through their LCD screens. They search for other brazen articles of humanity trapped within their social networks, a web of faces, **** smiles, faces and words with us wherever we we go. An inextricable mass that haunts like schizophrenic vocals droning out the real life. But there is no real life. We are all just like Him. ***** Not natural. Filthy. Unclean. Today, I grabbed a handful of sand just to see if I could feel it. Ten years ago, I would have felt every grain as it passed through my fingers; crisp, sharp, invigorating. Now, it’s dull. Blunt, rounded, indistinguishable. ***** Not natural. Filthy. Unclean. Nothing for our worshipped deviant to see. My life is pornographic; an infographic of my exquisite taste in infectious lies, in the slaughter of old days, in the times immemorial. A map of things that don’t relate to me. A chart of things I don’t care about. I have too much to do, so much to write about! To write about...me. ***** Not natural. Filthy. Unclean. My mind is buzzing. Until the next day, when my bones fall sluggish and my mind thinks plainly of its singular desire: Sleep…dirty, sleep...filthy, sleep. But I can’t. So now...I work. I am alive, alive, alive a lively beat of my heart as blood runs like an inmate from the bars of confinement. From my body: a testament to the ingenuity of ********** My body. Where my heart is beaten. Beat, beat. Sleep, sleep. Fly high.
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Mar 4, 2012
Mar 4, 2012 at 3:13 AM UTC
A Testament to the Ingenuity of **********
So much to do, my mind is buzzing. My fingers are dancing with perverted excitement as my lips form words with more syllables than letters. I feel as though I were a more capable Atlas. May the world rely on me, I shall hold it higher than an aeroplane as it soars through the sky. Our skies. A testament to the ingenuity of man the turrets, ******** the weak, and credit God; the asexual ****** he is. This is no song for the hipsters to play as their ringtones as they feel for each other through their LCD screens. They search for other brazen articles of humanity trapped within their social networks, a web of faces, **** smiles, faces and words with us wherever we we go. An inextricable mass that haunts like schizophrenic vocals droning out the real life. But there is no real life. We are all just like Him. ***** Not natural. Filthy. Unclean. Today, I grabbed a handful of sand just to see if I could feel it. Ten years ago, I would have felt every grain as it passed through my fingers; crisp, sharp, invigorating. Now, it’s dull. Blunt, rounded, indistinguishable. ***** Not natural. Filthy. Unclean. Nothing for our worshipped deviant to see. My life is pornographic; an infographic of my exquisite taste in infectious lies, in the slaughter of old days, in the times immemorial. A map of things that don’t relate to me. A chart of things I don’t care about. I have too much to do, so much to write about! To write about...me. ***** Not natural. Filthy. Unclean. My mind is buzzing. Until the next day, when my bones fall sluggish and my mind thinks plainly of its singular desire: Sleep…dirty, sleep...filthy, sleep. But I can’t. So now...I work. I am alive, alive, alive a lively beat of my heart as blood runs like an inmate from the bars of confinement. From my body: a testament to the ingenuity of ********** My body. Where my heart is beaten. Beat, beat. Sleep, sleep. Fly high.
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13
O lady o , When I first saw you , you’re beauty was it not plucked like a carnation Gods gardens of delight ? Or had the snake who saw you stand there , so to draw blood from my very sight ? For I have ridden in dark forests by day , past pine , and firn for even they could never draw out the love in you’re eyes , or the tender way you’re White carnations flew on by . The sunset with its colours as vast as you’re breast , I have awaited every hour of every day , and there you are , You’re turrets tall and fair  youre  battlements  boast  of ore and steel , You’re cannons lit it’s flintlock poised , You’re hairs as black as the Lotus flower that gives its scent unto the night , and grows all around you’re turrets so rare . I will blow a kiss to you this evening , for the wind may howl , let its spirits deceive , this night you’re cannons I shall disarm , You’re turrets dismantle , you’re battlements besiege. As for you’re carnations , shall I hold tight to my chest ? For this night our bodies will entwine , as the firn and the pine , the bark and the yoke , to chase the sun , past forest glades, gallop , as you hold my thighs , together we shall ride , Side by side . This night we shall call our own lost in the pine forest , firn and flower . For are they not dainty ones I shall pick for you this hour . Then as the last rays of light called it a night , and the vast reds in all their array , could not stop my tears , one white carnation on the ground , without a note , quite profound , an empty space where you once stood , lies now a block of wood . And I still mount thus every night , Galloping hopeless in faintest light , as faster than any knight , to gaze to where you once stood , for with thy white carnations must lie my forever , beating .... heart . .
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Jul 29, 2019
Jul 29, 2019 at 11:42 AM UTC
The Black Lotus flower
O lady o , When I first saw you , you’re beauty was it not plucked like a carnation Gods gardens of delight ? Or had the snake who saw you stand there , so to draw blood from my very sight ? For I have ridden in dark forests by day , past pine , and firn for even they could never draw out the love in you’re eyes , or the tender way you’re White carnations flew on by . The sunset with its colours as vast as you’re breast , I have awaited every hour of every day , and there you are , You’re turrets tall and fair  youre  battlements  boast  of ore and steel , You’re cannons lit it’s flintlock poised , You’re hairs as black as the Lotus flower that gives its scent unto the night , and grows all around you’re turrets so rare . I will blow a kiss to you this evening , for the wind may howl , let its spirits deceive , this night you’re cannons I shall disarm , You’re turrets dismantle , you’re battlements besiege. As for you’re carnations , shall I hold tight to my chest ? For this night our bodies will entwine , as the firn and the pine , the bark and the yoke , to chase the sun , past forest glades, gallop , as you hold my thighs , together we shall ride , Side by side . This night we shall call our own lost in the pine forest , firn and flower . For are they not dainty ones I shall pick for you this hour . Then as the last rays of light called it a night , and the vast reds in all their array , could not stop my tears , one white carnation on the ground , without a note , quite profound , an empty space where you once stood , lies now a block of wood . And I still mount thus every night , Galloping hopeless in faintest light , as faster than any knight , to gaze to where you once stood , for with thy white carnations must lie my forever , beating .... heart . .
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55
We are Americans, confident and condescending, never pretending. Pretentious with a fictitious flare. Apologize? Cauterize our past We will always be and forever last. Past the hatred that spewed from our bowles. ******* and ***** disliked but grow. A show of force divorce from the norm.   A new norm. A storm from the top to dismember the bottom. Mathematic and Systematic relief of liberty. Care from elite, delete, delete. Depopulated with information. Education dedication a lie. Down the rabbit hole of darker days. We stay, Unblinded by the pictures they wave. A flag. The towers. the showers of bullets turrets from afar. A star. This is America We are Americans.
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Aug 6, 2012
Aug 6, 2012 at 5:11 PM UTC
We are Americans
A guy who hates cussing with a girl with turrets A girl with ocd with a guy who's a mess A guy who likes to wing it with a girl with a schedule A girl who wakes up early with a guy that sleeps without rule They're too different to remain together But maybe they'll be perfect for each other
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Apr 13, 2017
Apr 13, 2017 at 11:03 AM UTC
Opposites attract
People wobbling in the heat haze like a real time hall of mirrors Street performers sing & flamenco & mime The snap of digital cameras & excited chatter outside the cathedral Sangria cold & fruity as it slides down easily The tram glides past the beggars & hawkers Gypsies’ curses in coarse andalucian as rosemary favours are repelled Excited Asians watching every move Large Americans loudly exclaiming their delight as the light fades into dusk Now the Feria comes alive all lights & ferris wheels & music so much music Men on horseback women ride sidesaddle all in traditional dress A throwback to a time before bailouts & austerity Sing & Dance & Eat & laugh & joke As dusk becomes evening the ottoman turrets light up The cooler night air seems to remove inhibitions as people from different worlds celebrate humanity with cheers & smiles Muchos Gracias & Bueno & Buena Noches in various accents fill the night as the spell is broken
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May 15, 2014
May 15, 2014 at 10:05 AM UTC
Sangria In Sevilla
Pulsating honor doth corroded hearts impound A blustery breeze echoes cries from each, preceding battleground A recurring, eager parade of reporters, gawkers freely roam distant mound Below, fatigued, tidy mass of steeled infantry; to death's throes bound Neighing horses conditioned to mayhem the pageantry doth confound On opposite ridges, mounted turrets prepared hell's fury to expound On signal, a synchronized, concussive chorus doth its dark melody propound Scraps of metal shards initiate; commencing another, toilsome round After lengthy barrage, wits collected a more lethal volley to stound Familiar, urgent order to charge christens hallowed ground With youthful ardor a wide-eyed bugler doth the bridled expanse unbound Shrieking rancor from recoiling rifles; a familiar anthem doth resound Recurring cacophonous medley, weathered nerves drowned Once more, a mass of flesh surges into the abyss with mortal hopes crowned Anon, shattered limbs; gory wounds misery's cache compound
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Jul 20, 2012
Jul 20, 2012 at 9:59 AM UTC
Civil War Battlefield
This home is becoming Like a weathermast of the soul Beaten into responding silence. To awaken here again And to only wear this armour As a riposte sufficient to self-assurance And to rise, out of lazy eyelids and Consider the opposing wind turrets Laid as the proposition All slack and starkly Poised on the trapeze The wallpaper durability of family headaches ; The spurned lover's recurring luminosity The marked and re-imagined lists Detailing personal no-shows and defeats Bookended by The passing on of friendly eyes. Assuming the universal, and in doing so, blindly holding out for the miracle : For falling out of love is completely plausible Whereas letting go of shame is mostly incomprehensible
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Jul 7, 2014
Jul 7, 2014 at 1:44 PM UTC
Clipped