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"turntable" poems
Tomato: Big, juicy, red INSANE! Sneaks up upon unsuspecting Unreliable MATH TUTORS! A terrible fight ensues! Tomato or tutor? Tutor or tomato? Tomato knows no math. Tutor has no seeds. A standoff. Tutor and tomato growl menacingly, Circling one another Like two pieces of meat On a microwave turntable. Suddenly, their rhythmic dance of Hate Is broken By the rhythmic sound of incoming Imminent Inescapable Doom. Tutor and tomato are trampled Like a TV dinner On the freeway.
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Feb 4, 2015
Feb 4, 2015 at 7:29 PM UTC
Tomato
Did you lay me down on a bed of nails and expect me to surrender my all ? I felt the waves wash over and they engulfed all that was good Dragging me down lower than I have ever fallen freely I wanted a lover But you entwined your darkness into my light No one heard the screams The midnight hour so haunting A chill lay in place of your heart You looked straight through me just before you leapt Head first into oblivion I just stood motionless for what seemed like a million years Then I turntable and left The memory is hollow But it is memory all the same I beckon you here But not so that I can surrender to your will But so that I can show you the truth in all things good You may shy away Hide in those self created shadows of misery But I will  lay waiting Just past midnight The chill and silence deafen my soul My love I beg I beg I'm falling I'm sitting within your oblivion Surrounded by creatures not of this world Demons reign and I fear the fall I turn I always turn You may leap into the hollowness of oblivion But I fear it's clutches I fear the hand of love So turn tail and return To the moment before midnight The moment just before The memory lingers And the strike of twelve is never heard
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May 14, 2017
May 14, 2017 at 5:19 PM UTC
Falling into Oblivion
Jealous Again I put Black Flag, Jealous Again on the turntable It spins and I spin I hold my hands to my face like I have a mic I feel like spitting as I pump my fist MAYBE I AM JEALOUS Jealous of the guy who has two kids Jealous of the guy with a job Jealous of the guy with a car I put Black Flag, Jealous Again on the turntable It spins and I spin I make faces and show my teeth My grill needs work MAYBE I AM JEALOUS Jealous of the guy who has nice teeth Jealous of the guy with six pack abs Jealous of the guy with a full head of hair I shouldn't be jealous I have me My values My family My friends I even have Black Flag, Jealous Again on vinyl I have everything I need I shouldn't be jealous
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Mar 21, 2013
Mar 21, 2013 at 10:29 PM UTC
Jealous Again
The Sansui turntable still works well. Like memories, round and round, Needling me. And the more I play them, The more they itch. I know the dark side of the moon, And the way the sun shines. The dances, whirlwind moves, That have settled now. Inside the sleeve are notes and our words. I will not let the dust jackets do their job. I set Abbey Road gently on the pad, Place the needle softly, and hear the familiar scratch. Standing back, like watching a parade, I listen. Here comes the sun on a cloudy day.
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Apr 21, 2018
Apr 21, 2018 at 9:22 AM UTC
Little Darling
There is a vicar from Chelsea Who alas is not very wealthy Often he dines on communion wine And curried bat from the belfry He lights a lot of incense To hide his flatulence He gets a bit high Perhaps that is why His sermons never make sense --The vicar gets his knickers in a twist-- The old church roof had seen better days The pressing need was a serious fund-raise So the vicar abseiled down the tower As the village watched by the graves and flowers With a flurry his cassock flew up in the air Shocking pink he wore under there Flapping around it covered his face As he dangled there in embarrassed disgrace Someone called the fire brigade A turntable ladder came to his aid When at last they got him down Humbled and grateful he kissed the ground
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Aug 29, 2013
Aug 29, 2013 at 3:18 AM UTC
Vicar limericks
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
0
Nov 17, 2012
Nov 17, 2012 at 4:31 AM UTC
MAGDALENE AND THE BEATLES'S FIRST LP.
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
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73
I want to go to a record store with you we can spend the little money we have left on The Smiths, The Rolling Stones, The Who, Pink Floyd for an hour or two we can be angsty teens in the 80s who drink cheap beer and steal our parents cars lets pretend were running away from home, from school, from everything we know I wanna lay on the floor of your apartment put a record on the turntable and hear that sweet crackle we'll listen to what we've bought and pretend we're watching the stars through the ceiling they'll dance to the beat like a laser show in our eyes while mind blowing guitar riffs and drum beats fill our spirits -kk
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Jul 21, 2014
Jul 21, 2014 at 2:40 AM UTC
I want to go to a record store with you
Welcome to Misadventure, you're drawn to it in some berserk way, maybe due to it's atomic habits or technological urges, sometimes there are cool, but irrational gun-totting robots who speak in foam, their presence detected by iron filings or teeth fillings or both or neither, I just know there are tire tracks on your wife's new dress, the smell of gasoline coming from the guest bedroom, and a half-eaten Stouffers lasagna rotating on the record turntable, and here a replicated version of your wife dances to the Italian Song, her ******* like lodestones, upturned and pressed together, drawing you to them in some berserk way, and they give such life and merriment to your brain's parcel of needles, that they prance and sway as if the devil were in them.
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Apr 23, 2021
Apr 23, 2021 at 10:33 AM UTC
Welcome to Misadventure! (or) Magnetic Mayhem
You are not your Body, but your Body is your Temple; and your Temple is the only Altar at which I'm compelled to worship. The Goddess I know is present The Goddess I know and love The Goddess known to you as "I" dwells within that earthly Temple thus is thy Temple my Altar I want to darken the room; to turn off the lights draw the curtains and then to light candles and disrobe our Temples and lay upon a bed of satin and to begin to carefully trace the subtle curves, circles, arcs and lines of your Temple with the lips, tongue, teeth and fingertips of mine and to forget the sense of Time we both know so well by now; I want the Music of the harmonies of our Temples to drown out the music of the turntable I want the rhythm of our Love to pulse so deep into the Night that it comes back out the other side I want the melodies we accidentally sing to make the Moon and Stars blush with envy I want to worship your Temple in all the ways that we'd see fit; I want us to moan in blissful, belligerent unison, our eyes meeting with such electricity that the spark creates ephemeral dim light just before the magnetism pulls us together and we kiss a kiss to end all kisses just before we kiss a kiss to begin it all again. I want this holy communion under naked moonlight of Love and I want to hold your Temple until all Temples cease to be. Time has no meaning when we're apart. Time has yet less meaning when we're together. I love you and your magnificent Temple, my one and only Earthly Goddess, and I can wish for nothing more than to be able to make you unable to doubt it, once more.
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Nov 15, 2013
Nov 15, 2013 at 5:43 AM UTC
Temple of my Earthly Goddess
You are not your Body, but your Body is your Temple; and your Temple is the only Altar at which I'm compelled to worship. The Goddess I know is present The Goddess I know and love The Goddess known to you as "I" dwells within that earthly Temple thus is thy Temple my Altar I want to darken the room; to turn off the lights draw the curtains and then to light candles and disrobe our Temples and lay upon a bed of satin and to begin to carefully trace the subtle curves, circles, arcs and lines of your Temple with the lips, tongue, teeth and fingertips of mine and to forget the sense of Time we both know so well by now; I want the Music of the harmonies of our Temples to drown out the music of the turntable I want the rhythm of our Love to pulse so deep into the Night that it comes back out the other side I want the melodies we accidentally sing to make the Moon and Stars blush with envy I want to worship your Temple in all the ways that we'd see fit; I want us to moan in blissful, belligerent unison, our eyes meeting with such electricity that the spark creates ephemeral dim light just before the magnetism pulls us together and we kiss a kiss to end all kisses just before we kiss a kiss to begin it all again. I want this holy communion under naked moonlight of Love and I want to hold your Temple until all Temples cease to be. Time has no meaning when we're apart. Time has yet less meaning when we're together. I love you and your magnificent Temple, my one and only Earthly Goddess, and I can wish for nothing more than to be able to make you unable to doubt it, once more.
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50
lust is pink dark and cloudy casual in its appearance beautiful in its persistence as those reddish waves crash upon my shore lust is soft clear and winding round the bark-less trunk of my torso rustling the leaves of my hair as my roots begin to stir lust is loud quiet but growing symphonic in its metaphoric crescendo to the top of the page lick my thumb, flick back to previous sheets and try to figure out where the music started lust is music slow reggae from a stereo in the morning heavy metal blaring from a passing car in the afternoon turntable cranking out Sinatra in the evening tape deck cracking and splitting the indie rock that curls around us at night lust is strange wistful and insistent tugging at the corners of my jacket as i remove the layers that protect my jawline so you can taste the soft skin there scarf unwinding, falling to the grass and the cold flees from our shoulders frightened by our moving hands exploring the obstacles across our bodies lust is here obvious, apparent even to me in my awkward awareness of the raindrops blistering my warm skin and lust becomes silent as we swallow the sound of the tension between us put the words to our lips and bite in your mouth i find four letters l u s t and i take them from you m i n e give them back lust is generous and so am i
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Nov 14, 2013
Nov 14, 2013 at 3:00 PM UTC
lust
having decided that your duty is to bring music and a little bit of danger to the lifeless streets of suburbia, you draw yourself up as a rebel with a cause, hold your arms out like the spirals of the milky way, sending the glowing children congregating around you into a feverish whirl, because space is curved and so are the suburbs you traversed across to bring them here, winding through hills and streets to conduct this sermon on a mount, so even the things that appear to move straight are really spinning around. you have stolen your father’s turntable, and his old records, and his oversized coat, and while the sunset begins to stain things in a golden light, you put the needle on the vinyl and open old wounds while the only voice you have ever loved claws its way out of the box and into the grooves of the sky, making the stars scratch and whir, and time instead settles into the beats, breaks its lineage, and begins to, like everything, spin.
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Sep 4, 2012
Sep 4, 2012 at 1:47 AM UTC
blonde on blonde
one glance and a story starts spinning on the turntable your heart - the needle dropped
0
Mar 3, 2016
Mar 3, 2016 at 6:41 AM UTC
coup de foudre
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
0
Aug 22, 2018
Aug 22, 2018 at 7:19 AM UTC
1971, Chester Vermont
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
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89
When I was younger I slept in the top bunk over my older brother - Pretty soon we’re all going to die - he was fond of saying while we listened to Credence Clearwater Revival on an old turntable with a penny he taped to the arm to make it sound like a $100 Pretty soon he got me saying the same words, like moon, mosquitos and darkness were in his ear, he’d have dreams of naked women washing his feet and sparrows looking out of his eyes He hollered at old man death when he was wanting some shuteye - Nobody on earth is like me - he’d wake up shouting not meaning to disturb my sleep He said - I am the white piano they threw off the bridge - - the snake bed and the shade tree - - I am something, yes-sir-eee - - I’m something not everybody wants to believe - he’d say sipping on whiskey bought from a woman up the holler He told death to - kiss his white *** - then holler at me to get out of bed and go trim the grass around the stone angels planted up in the high pasture.
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Dec 1, 2018
Dec 1, 2018 at 10:21 PM UTC
He had sparrows in his eyes; he was something
***************** It is not only on her birthday, and the day she left i remember her everyday...without fail her thoughts visit me when i rise in the morning she hints to me what she'd do if she were in my shoes at night, i whisper, "talk to me...in my sleep..." in my dreams, our eyes seldom meet...she's younger now,  lovelier always busy pruning her bougainvillas and dama de noche, the usual scene....maybe, she's telling me this is how it's going to be that everything would be okay, even when i, too, am gone. it's like, she's just outside, tending her garden it's like she's absent, just traveling, for a while. in the minds of my children and grandchildren my siblings and their families her memories play on and on, like a record spinning on a turntable she's a serenade...a classical piano piece that won't fade my late mother...she's a song that will not die. Sally Copyright May 7, 2015 Rosalia Rosario A. Bayan
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May 7, 2015
May 7, 2015 at 9:23 AM UTC
A SONG THAT WILL NOT DIE
You can have it all, if you don't need nothing Keep the good vibes rolling, if it helps with one's loving It's like a whole EDM festival, coming from your mouth Not like those turntable dudes, down in the deep south I thought DJs had had their freestyle spinning last days Like Catholic church priests and their unholy ******* ways Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside, never never,  friggin Disneyland While a starving homie, maybe, just ate his very last meal They say, ‘I'm the new messiah’.Thanks, but, I don't even try Thanks to so few, excluding the ones, who waved me on by I'm sort of creating, a brand new hype and buzz Full of pure clarity, with a dash of man-made fuzz When the beat stops, from its fast-talking pace We all like to flop and drop that ******* bass Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside never never, friggin Disneyland While a starving homie, maybe, just ate his very last meal A shout out, to all my southern conquistadors and homeward bound homie’s Ignore all the Los Angeles doomsayers and Hollywood snapchat phoney's Elevator doors always be jammin' and then coming to a closure We all like a moment, of shy mouth miming, with very little exposure From a worldwide hit or an Aussie Whispering Jack golden classic From the sound of a crackling frisbee, made from nothing, but pure black plastic Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside, never never, friggin Disneyland While a starving homie, maybe, just ate his very last meal.
0
Oct 5, 2019
Oct 5, 2019 at 8:36 PM UTC
American Idle
You can have it all, if you don't need nothing Keep the good vibes rolling, if it helps with one's loving It's like a whole EDM festival, coming from your mouth Not like those turntable dudes, down in the deep south I thought DJs had had their freestyle spinning last days Like Catholic church priests and their unholy ******* ways Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside, never never,  friggin Disneyland While a starving homie, maybe, just ate his very last meal They say, ‘I'm the new messiah’.Thanks, but, I don't even try Thanks to so few, excluding the ones, who waved me on by I'm sort of creating, a brand new hype and buzz Full of pure clarity, with a dash of man-made fuzz When the beat stops, from its fast-talking pace We all like to flop and drop that ******* bass Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside never never, friggin Disneyland While a starving homie, maybe, just ate his very last meal A shout out, to all my southern conquistadors and homeward bound homie’s Ignore all the Los Angeles doomsayers and Hollywood snapchat phoney's Elevator doors always be jammin' and then coming to a closure We all like a moment, of shy mouth miming, with very little exposure From a worldwide hit or an Aussie Whispering Jack golden classic From the sound of a crackling frisbee, made from nothing, but pure black plastic Licking soda-pops over a long hot summer holiday Kissing a girl named, Katy Perry, the very next day Licking it all up, before she shows her b-SiDE Then screams to three, to come on back inside Like snatching the America's Cup, with Ben Lexcen’s winning keel While somewhere amongst the hills of Hollywood’s La La Land Whole plates of food, just going to waste, inside, never never, friggin Disneyland While a starving homie, maybe, just ate his very last meal.
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43
When I was a teen Vinyl was the scene Forget The tangled up cassette Then came, scratch free CD Now the one you cannot see...... MP3 Pulled apart LP's wonderful art Dusting down my old turntable Spin some disks Hope it's able Making a warm crackle The needle clicked into the groove My ears did approve So it's final I'm going back to Vinyl.
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Mar 8, 2014
Mar 8, 2014 at 5:24 AM UTC
Vinyl Old And New
CASHEW NUTS EATEN, BY AN OPEN FIRE It's air in motion, the sound too soft to the ears and appealing to the senses. The air so crisp, dust-filled and ice cold The moon-lit skies, looking like the red night goblin was about to shower bars of chocolate and descend with his wrapped toys. Some sweet jazz christmas music was playing in the background, Nat King Cole for sure. From the old turntable came the music. Well mixed with the breeze thus presenting a never-before heard rendition of the song playing. Once again the breeze blew heavily. Trying to have its way with the open fire, burning some metres away from the large hut. Earlier in the week, the cold North East wind had brought along some wild fire. One happy family was sitting around the fire. A man in turban and his wife with their handsome boy and cute little girl. All dressed in warm woolly glittering sweaters and thick trousers. They were all engrossed in what the father of the house was saying. And almost forgetting the wild fire had made them homeless. They had to settle for the large abandoned hut. In between, they seemed to be chewing something. Of course roasted nuts from cashew in a flat plate. All they had left to eat. Father downing some fairly warm wine as he spoke. He was telling them tales/legends of christmas and santa from all over the world. Even the chewing horse relaxing next to the family, was enjoying the story-telling session. Father closed his story book. Together the whole family made and sang a remix of 'the christmas song' replacing the first line with 'Cashew nuts, eaten by an open fire' Half way through the song. They heard a loud bang close to their hut, something had landed in front of their hut. It was a large box filled with swiss chocolate, other yummies, gifts for the whole family and most of all, a map telling them about a place of hope along the West. On the right-hand side of the box was a large label with the words 'From Santa with love'. The family, now relieved from the sudden heart-pounding sound and excited by the arrival of the gifts, cheerfully and gratefully started their song all over. This time it sounded like a 'reprise/outro' to an epic album. This was the night before christmas and Harmattan just got serious. Happy Christmas!
0
Dec 23, 2014
Dec 23, 2014 at 2:23 AM UTC
CASHEW NUTS EATEN, BY AN OPEN FIRE (CASHEW NUTS)
CASHEW NUTS EATEN, BY AN OPEN FIRE It's air in motion, the sound too soft to the ears and appealing to the senses. The air so crisp, dust-filled and ice cold The moon-lit skies, looking like the red night goblin was about to shower bars of chocolate and descend with his wrapped toys. Some sweet jazz christmas music was playing in the background, Nat King Cole for sure. From the old turntable came the music. Well mixed with the breeze thus presenting a never-before heard rendition of the song playing. Once again the breeze blew heavily. Trying to have its way with the open fire, burning some metres away from the large hut. Earlier in the week, the cold North East wind had brought along some wild fire. One happy family was sitting around the fire. A man in turban and his wife with their handsome boy and cute little girl. All dressed in warm woolly glittering sweaters and thick trousers. They were all engrossed in what the father of the house was saying. And almost forgetting the wild fire had made them homeless. They had to settle for the large abandoned hut. In between, they seemed to be chewing something. Of course roasted nuts from cashew in a flat plate. All they had left to eat. Father downing some fairly warm wine as he spoke. He was telling them tales/legends of christmas and santa from all over the world. Even the chewing horse relaxing next to the family, was enjoying the story-telling session. Father closed his story book. Together the whole family made and sang a remix of 'the christmas song' replacing the first line with 'Cashew nuts, eaten by an open fire' Half way through the song. They heard a loud bang close to their hut, something had landed in front of their hut. It was a large box filled with swiss chocolate, other yummies, gifts for the whole family and most of all, a map telling them about a place of hope along the West. On the right-hand side of the box was a large label with the words 'From Santa with love'. The family, now relieved from the sudden heart-pounding sound and excited by the arrival of the gifts, cheerfully and gratefully started their song all over. This time it sounded like a 'reprise/outro' to an epic album. This was the night before christmas and Harmattan just got serious. Happy Christmas!
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27
Some years ago there was a different Zenia. There was a house where she more or less lived, and a man who lived there too. And all the things that went with it. And the good and bad and mediocre times flowed through her fingers. Nothing was especially good or bad, and she didn't think about whether it should be different because before this house and this man there had been war in many nations, and like many people all over the planet that they lived on during this time, Zenia and the man in the nice enough house felt grateful to  be alive. When she stopped to wonder if she was meant to stay where she was, in the nice enough house, with the loving man and the kind people who lived near them, Zenia only knew that she was 1. grateful to be alive 2. happy that the bombs had stopped falling after many years of many bombs falling 3. hopeful at last for a future that might include both number 1 and number 2 for quite some time into the future. The moment that she caught herself thinking the above thoughts, she would curl up, in a corner or in a bed, or in the bathtub, and sob. Because the hubris of daring to think such thoughts was frightening, and yet she wanted to have hubris. She was a daring person by nature, and she wanted to be herself again. ~^~ After some years in the nice enough world, crouched down, trying not to invoke the wrath of the Gods in whom she absolutely believed, Zenia snapped. ~V~ Thus begins the tale in which we now find ourselves. ~V~ This World is not the one in which we live now, but a reverse circular inside out imploded mistake. It doesn't matter right now how it came about, you wouldn't understand it, and probably don't care. What matters is how it started. If you can see that part clearly, it might make everything else fit together. It's a vast puzzle. A vast puzzle of misintent spinning backwards on a lunatic's turntable at what could be called, perhaps, as a sick joke, warp speed, like a flip book, that is a kind of cartoon. So bear with me as I try to explain what I don't understand to you, so long after the ultimate destruction and rebirth that it is probably not possible for mere mortal minds to comprehend. All we can do is try. ~V~
0
Jun 18, 2018
Jun 18, 2018 at 8:38 PM UTC
Zenia Argos was
Some years ago there was a different Zenia. There was a house where she more or less lived, and a man who lived there too. And all the things that went with it. And the good and bad and mediocre times flowed through her fingers. Nothing was especially good or bad, and she didn't think about whether it should be different because before this house and this man there had been war in many nations, and like many people all over the planet that they lived on during this time, Zenia and the man in the nice enough house felt grateful to  be alive. When she stopped to wonder if she was meant to stay where she was, in the nice enough house, with the loving man and the kind people who lived near them, Zenia only knew that she was 1. grateful to be alive 2. happy that the bombs had stopped falling after many years of many bombs falling 3. hopeful at last for a future that might include both number 1 and number 2 for quite some time into the future. The moment that she caught herself thinking the above thoughts, she would curl up, in a corner or in a bed, or in the bathtub, and sob. Because the hubris of daring to think such thoughts was frightening, and yet she wanted to have hubris. She was a daring person by nature, and she wanted to be herself again. ~^~ After some years in the nice enough world, crouched down, trying not to invoke the wrath of the Gods in whom she absolutely believed, Zenia snapped. ~V~ Thus begins the tale in which we now find ourselves. ~V~ This World is not the one in which we live now, but a reverse circular inside out imploded mistake. It doesn't matter right now how it came about, you wouldn't understand it, and probably don't care. What matters is how it started. If you can see that part clearly, it might make everything else fit together. It's a vast puzzle. A vast puzzle of misintent spinning backwards on a lunatic's turntable at what could be called, perhaps, as a sick joke, warp speed, like a flip book, that is a kind of cartoon. So bear with me as I try to explain what I don't understand to you, so long after the ultimate destruction and rebirth that it is probably not possible for mere mortal minds to comprehend. All we can do is try. ~V~
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10
Come here. Let’s. Let’s? Let’s… Let’s. Come here. Listen to Edith Piaf (So hipster, n'est-ce pas?) and the scratch of her voice on the turntable, will be ours to keep in Moleskine notebooks of memory. So that we’ll try to believe, love is actually a thing. Let’s. Come here. This quaint room will be ours, our guest, as we breathe life into the coffee cups, wooden chairs. We’ll give it a nose, yes. Lightbulbs will smell red wine in fingerprinted glasses. Windows will drink us, to us. And we’ll laugh, our faces hot and sad, mouths crammed with French fries. A scene blurred with happiness. Let’s. Come here. Trash the hands of every boy, who’s spread himself out on marginalia of our days. Slathered himself on pieces of time we wish we had hugged to ourselves. Hate, hate, hate him, we’ll say. And his **** hands. Let’s. Come here. Our eyes will be fireflies behind our glasses, in this cinema’s night, as we ‘swoon’ at rom-coms as buttery as the popcorn we bought in the interval. Life’s too short, we say. Eat about it, drink about it, maybe even talk about it. Forget about it. Let’s. Come here. Talk, about nothing. We’ll all be dead one day. Let’s. Come here. We can be friends. Let’s. Let’s. Let’s. Let’s? (And your giggle will end all and every verse written. I’m **** sure of it.)
0
Apr 30, 2015
Apr 30, 2015 at 3:31 PM UTC
Let's
the black and white photographs you took five years past still hang framed in my room, just above my turntable. Deja Entendu spills from the stereo as the needle finds its groove. a shelf filled with all the records we used to listen to for hours lines the wall and succulents adorn the windowsill, waiting patiently for the rare rays of sun, golden and flossy as your hair, which somehow manage to peek between the tenement rooftops every now and then. we still live in the same town. sometimes, people bring you up. they ask me how you are, how long it's been since i've heard from you. i neglect to tell them that, aside from absentee notifications popping up on my phone at intermittent variations, we've only spoken once, in a crowded, little coffee shop in the city we both love to hate. you pretended you didn't see me, but i felt your eyes notice me at the bar as i sat typing another story, bobbing my head, listening to Daughter. if i hadn't approached you, i imagine you would've acted like i was invisible. the conversation was terse, abbreviated. i find it strange how once we were the best of friends and now we can sit twenty feet apart and act like we never knew each other at all. i can't really recall why our friendship collapsed in the first place. have i suppressed it? or was it just the casual slip, like Pangea, elapsed time fracturing our continent.
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Apr 2, 2017
Apr 2, 2017 at 4:25 PM UTC
Pangea
The colors, they won't stop. Bright, beautiful colors Flashing, expanding, piercing Red, green, blue An endless cacophony Of meaningless noise The noise, it won't stop. Violent, grating waveforms Squeaking, screeching, piercing Sine, cosine, tangent Like playing a chalkboard on a turntable Like playing a vinyl on a pizza crust An endless poem Of meaningless Load Me
0
Mar 6, 2019
Mar 6, 2019 at 4:19 PM UTC
Save me (a poem by Monika from DDLC)
my eyelids feel heavy it's been too many hours since i recall what sleep felt like my hair and beard are a disheveled wreck working on my sixteenth whiskey sour On the rocks, hold the fruit and smoking another cigarette countless crumbled packs sit empty on my hardwood desk and the surrounding floor it's a mess in this darkened writing room lit only by the computer screen and one dying lantern soon to extinguish its flame outside the snow continues to fall piling high and deep pulling the frigid chill of white into my writing room my fingers caress the keys of this battered keyboard stained with ashes, alcohol, and things i couldn't even guess upon nothing of any good quality being written words i've used before words i've used incorrectly words i am past the stages of being tired of using words i've given up on i listen to listener, orchid, saetia, envy and more bands that no one has ever heard of screaming poetry thru the worn out turntable aggravated by the fact that i have to keep changing sides but appreciative of each records quirks and pops i continue listening to the echo of their verses i should just give up, give into failure, i'm good at it but i can't, even in this disheartened state somewhere between the flipping of records and the bombardment of keys being slammed my lantern finally dies leaving me in the glow of my computer and the warmth of another whiskey sour in my writing room i am left lingering haunted with the words that i am choked upon haunted with the last page of my story haunted with these final words: The End.
0
Oct 10, 2011
Oct 10, 2011 at 1:07 PM UTC
Writing Room
my eyelids feel heavy it's been too many hours since i recall what sleep felt like my hair and beard are a disheveled wreck working on my sixteenth whiskey sour On the rocks, hold the fruit and smoking another cigarette countless crumbled packs sit empty on my hardwood desk and the surrounding floor it's a mess in this darkened writing room lit only by the computer screen and one dying lantern soon to extinguish its flame outside the snow continues to fall piling high and deep pulling the frigid chill of white into my writing room my fingers caress the keys of this battered keyboard stained with ashes, alcohol, and things i couldn't even guess upon nothing of any good quality being written words i've used before words i've used incorrectly words i am past the stages of being tired of using words i've given up on i listen to listener, orchid, saetia, envy and more bands that no one has ever heard of screaming poetry thru the worn out turntable aggravated by the fact that i have to keep changing sides but appreciative of each records quirks and pops i continue listening to the echo of their verses i should just give up, give into failure, i'm good at it but i can't, even in this disheartened state somewhere between the flipping of records and the bombardment of keys being slammed my lantern finally dies leaving me in the glow of my computer and the warmth of another whiskey sour in my writing room i am left lingering haunted with the words that i am choked upon haunted with the last page of my story haunted with these final words: The End.
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43
'What shall we talk about today?' Spin, spin, spin the conversation into loops and recapitulations. Cassettes were my sustenance but a vinyl record spins on the turntable. Won't you tell me what song is playing right now? Rests, then block chords, then swing-swung rhythm. Then, unexpected concords. Where did those blue notes come from? And colour our red, some supposed red, into purple? But jazz has always been unpredictable. I grew up on the clarity and gravity of soft pink time; pearl-notes to the steady, steady, steady beat of a metronome. But now, now? Syncopation. My beat against your beat and we make a violently violet bossa nova. Suddenly the classically trained flautist has time-travelled to her very first lesson. Because no sound flutters out of the mouthpiece and her fingers can't keep up. Swing-swung syncopation and she doesn't know to breathe anymore. Where did those blue notes come from? Silence. Have we reached the final double bar? The cadence is imperfect, unresolved. Listen, a cold snap of instant jazz knocked us over. Arms clasped, teeth chat-chat- chattering. 1, 2, 3 - A not-quite waltz. But jazz has always been unpredictable. Won't you tell me what song is playing right now? I think we know what it is but can't figure it out. And so Cole Porter and Billie Holiday save us from fading out. 'Let's do it, let's fall in-" I don't want this song to be over. I don't even know what it's called but don't let it end, don't let it, don't don't don't. I can't cook but I think I can make instant jazz. And you, and you... You'll write dizzy like a Coltrane solo. As you do. And I'll lay down my flute, struggle out of my red minuet and wonder: Where did those blue notes come from? But jazz has always been unpredictable. 'What shall we talk about now?'
0
Jun 23, 2015
Jun 23, 2015 at 2:27 PM UTC
Instant Jazz
'What shall we talk about today?' Spin, spin, spin the conversation into loops and recapitulations. Cassettes were my sustenance but a vinyl record spins on the turntable. Won't you tell me what song is playing right now? Rests, then block chords, then swing-swung rhythm. Then, unexpected concords. Where did those blue notes come from? And colour our red, some supposed red, into purple? But jazz has always been unpredictable. I grew up on the clarity and gravity of soft pink time; pearl-notes to the steady, steady, steady beat of a metronome. But now, now? Syncopation. My beat against your beat and we make a violently violet bossa nova. Suddenly the classically trained flautist has time-travelled to her very first lesson. Because no sound flutters out of the mouthpiece and her fingers can't keep up. Swing-swung syncopation and she doesn't know to breathe anymore. Where did those blue notes come from? Silence. Have we reached the final double bar? The cadence is imperfect, unresolved. Listen, a cold snap of instant jazz knocked us over. Arms clasped, teeth chat-chat- chattering. 1, 2, 3 - A not-quite waltz. But jazz has always been unpredictable. Won't you tell me what song is playing right now? I think we know what it is but can't figure it out. And so Cole Porter and Billie Holiday save us from fading out. 'Let's do it, let's fall in-" I don't want this song to be over. I don't even know what it's called but don't let it end, don't let it, don't don't don't. I can't cook but I think I can make instant jazz. And you, and you... You'll write dizzy like a Coltrane solo. As you do. And I'll lay down my flute, struggle out of my red minuet and wonder: Where did those blue notes come from? But jazz has always been unpredictable. 'What shall we talk about now?'
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78
Pardon me while I remember.   when   sight scathes, used upon,   this glass shatters I love the sight of you.   in days the Sun trembles    through a fist of streaming light.   I can only think of objects the size     of my clenched hand   a pear, an empty basin, a flower deep crimson    between fingers wanting to break        stem twice-told pains the sound  of it,    a flat black disk on the turntable bellowing        sounds of the bones we made in love. we are mirror       facing mirror -- our distinct quiet held us           shattered,   standing apart, I running towards, and you, from,      feeling the wind glaze the wounds retold.
0
May 15, 2016
May 15, 2016 at 8:33 PM UTC
In this room