"tulle" poems
627
The Tint I cannot take—is best—
The Color too remote
That I could show it in Bazaar—
A Guinea at a sight—
The fine—impalpable Array—
That swaggers on the eye
Like Cleopatra’s Company—
Repeated—in the sky—
The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite—to tell—
The eager look—on Landscapes—
As if they just repressed
Some Secret—that was pushing
Like Chariots—in the Vest—
The Pleading of the Summer—
That other Prank—of Snow—
That Cushions Mystery with Tulle,
For fear the Squirrels—know.
Their Graspless manners—mock us—
Until the Cheated Eye
Shuts arrogantly—in the Grave—
Another way—to see—
18.5k
712
Because I could not stop for Death—
He kindly stopped for me—
The Carriage held but just Ourselves—
And Immortality.
We slowly drove—He knew no haste
And I had put away
My labor and my leisure too,
For His Civility—
We passed the School, where Children strove
At Recess—in the Ring—
We passed the Fields of Gazing Grain—
We passed the Setting Sun—
Or rather—He passed Us—
The Dews drew quivering and chill—
For only Gossamer, my Gown—
My Tippet—only Tulle—
We paused before a House that seemed
A Swelling of the Ground—
The Roof was scarcely visible—
The Cornice—in the Ground—
Since then—’tis Centuries—and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity—
4.5k
It is nothing,
a mordant of the soul,
an elixir, a panacea, a placebo
for my lesions, there in the thistle, grows
our drastic garden of red posies and hyacinths,
such little things, on the verge,
lilting as the decorum begins to bobble
and slump sideways, and murmur,
on Mondays I can swallow the octave
of your absence, tendrils and all,
red quince limbs parting from the deluge
and in its wake, the wreckage
of black pumpkins and purple corn, hanging
pendulum at our door,
the Autumn lights summon a lavish song to harvest,
thirty seven colours in the brocade you gift me,
tangled and heavy the years upon my bones
begin to spur and flower
into cunning disruptions,
and stratify upon my body like rinds of ricepaper,
vellum for another wish
in the complacent burial of mango flesh,
listen,
as my song liquefies,
drowns you, inundates
each alveoli, and our love
in the swallowing gush, perched,
begins to shudder,
devoured by its symmetry,
stem cells all akimbo
in the shallow pitch of days
bound in a nostrum of wine and liquorice
it is nothing, really,
a mordant for the soul, a tulle filament
twitching in a raincoat of lightning....
Oct 21, 2012
Oct 21, 2012 at 4:35 PM UTC
She's a star-charged satellite
see how she orbits her restricted space.
Uncountable revolutions so precise
her ambition could burn a toe-sized hole in the boards.
She never misses the point,
if she did, her trajectory would send her way off course
toppling supporting roles,
crashing into the wings to a ruffle of tutus,
unfurling her celebrated petals from a tangle of tulle.
But imagined misfortune will not befall her,
she's perfection to the point of exhaustion
and the likelihood of crashing is a million curtain-calls away.
Her performance is flawless
and the only impact will be on her enraptured audience.
copyright © Caroline Grace 2011
Sep 14, 2011
Sep 14, 2011 at 12:50 PM UTC
Her bare feet slapped against the pavement.
Tulle skirt stuck to her sweaty thighs.
The first drop fell.
Rain came that day.
Arms outstretched, she started to twirl.
Until the footsteps came near.
Out of time with the thunder claps and bursts of light.
She stopped and stared.
He was there.
Drenched in the rain.
Watching.
She laughed and pulled him to dance with her.
Jan 25, 2010
Jan 25, 2010 at 4:30 PM UTC
She came into her life
A mere stranger of coincidence
Alexander McQueen ivory silk tulle
Empire line gown.
All senses heightened;
She was waiting amidst
The exotic smell of burning
Candle wax.
The scent of a woman clinging
To lustful air, white roses ribboned
Thorns tinting porcelain skin.
She hears the patter, not dislike
A small child coming toward you.
All senses are broken; just a voice
So much power in the echo
Of words spoken with such
Fluidity.
**** he ******* knew that
She was awake, Louboutin steps
Scaring the devil itself; what sin.
Walking through flames,
Burning, hot coals; presence.
Ophelia approaches, a creature
Secure, arms wrapped tight
And smiles at her.
Ophelia speaks to her; lifting her arms
To wrap around her instead.
A gentle hand, to the thigh
A soft caress across silver scars.
The girl feels; inadequate
And yet, forgiven for all she has
Committed; sins of the flesh.
It was only now that, this goddess
Of desire, lust and eternity
Could mark a soul, for she was an
Angel, winged feathers a glow.
She reaches to the empty soul
Challenges her resoluteness
"What can I do to help?"
Eyes welling, the sound of a
Tear, akin to a pin drop
In silence.
In that silence, words formed
Like cloud patterns, shifting
Graceful elegance.
Nothing was heard, all was spoken.
Ophelia stole her heart,
The girl will always be attached
By symbolic resurrections
Of strength,
Spiritual
From
The heart and mind.
© Sia Jane
Mar 26, 2014
Mar 26, 2014 at 11:36 PM UTC
A Beautiful and A Bitter Shroud
When I was little, I found a magic box,
tucked under the eaves where
we were told not to go.
Something compelling about the
forbidden, triangular space,
sealed off by lath and plaster,
made me resolved, beyond curious.
I kicked and pulled until plaster shattered
and wood cracked, delightfully.
The large box was filled
with silk, organza and tulle,
the proud-worn gowns
of my mother's college days.
At those ***** she danced
in them, hair coiled up
and earrings sparkling.
It was not about the men, I knew,
but her need to be admired.
I don't recall a punishment
for opening the box
but she relented and allowed
my sister and I to put on
her finery and pretend.
We wrapped them round us
and twirled to imaginary waltzes,
stepping on long hems so many times
that the gowns all came undone.
The rags were put away
and the room sealed up.
In my youth I recall but a few
times Mother gave in
and let us be children
or fairy princesses for a while.
Now she is old and finally
trying to wrap me in her shroud,
to make resentment drag me down
and envy of me, crippled with self-hate.
But that no longer works
and I tell her, finally grown
that this is not allowed.
I summon up pity and vague sympathy,
even if love left long ago.
I tell myself that
everyone dies alone.
Apr 3, 2022
Apr 3, 2022 at 4:16 PM UTC
DRESSMAKERS to the stars J’Aton have turned designer detectives after one of their most valuable couture gowns was stolen from a bride’s home last week.
The one-of-a-kind gown, which was stolen from Leanne Bartucca’s Greenvale residence along with other valuables, is estimated to be worth more than $40,000.
It weighs more than 18kg, and features intricate 100-year-old vintage French lace that has been carved and sculpted onto leather and layered tulle.
J’Aton designers Anthony Pittorino and Jacob Luppino, who also made the wedding gowns of Rebecca Judd, Nadia Bartel, Jodi Gordon and Yvette Prieto, wife of Michael Jordan, are appealing to the public in the hope that if it goes for sale online, someone will recognise the distinctive dress.
“We are so devastated for our dear friend Leanne; that dress has a special place in our hearts and is so sentimental to us all,” the pair said.
“It’s a dress that we created especially for Leanne, it has her and her husband’s initials embroidered into the train and we just hope that if anyone recognises the distinguishable design for sale on websites or social media, that they report it to the police.”
Ms Bartucca, who wore the dress in March, 2014, says she has been devastated by its theft.
“It’s such a sentimental thing; my family and the J’Aton boys have been checking the internet daily in the hopes that we will see it for sale,” she said.
“I had dreams of using the fabric from it for my children’s christening gowns, and even framing a section of the fabric for our home.
“[The thieves] definitely knew what they were doing. As a former fashion buyer, I was surprised how much they knew — what they left behind was just as telling as what they took.
“They could tell the difference between real and fake jewellery, they left certain shoe brands behind and obviously went straight for the J’Aton dress, which was covered in tissue paper and in a white box at the top of the wardrobe.”
Police said they were investigating whether the burglary was in relation to another in the same area.Read more at:http://www.marieaustralia.com/white-formal-dresses | www.marieaustralia.com/black-formal-dresses
Jun 8, 2016
Jun 8, 2016 at 12:12 AM UTC
*It's optional
Like the fading of skies
Early, wild, or remorseful.
All the impalpable space in the lights
Scaled in weighty gilt and curls
The locks and gold of sun,
early as it sets on a moiety of moor grey
Brushed by shadows of agonised poplars
on a spiral land of sheer pistachio blanket.
Muffled by lyres played from the trumpets of
convolvuluses, behind spears of the brain-
an imagery commence to carouse
into planet deep.
A promenade atop the tulle of skies,
an optional way to live.
Saunter and fall onto slopes, shudder, meditate
and hit a bee coffin pebble on the temple
Where there are options to live, to bleed.
Like the lurid sunrise sifting on
yellow-green nuts, and dandruffs combed
like granulated sugar
Oh the taste of chemistry
on the shea butter candles.
It's sanguine and optional,
your farewells on laden calendars of poems
A promenade- back into sea of spears and flames
A cadaver veined in pink,
bearing plethora of methanol
down pulverising bone.*
Jun 27, 2014
Jun 27, 2014 at 5:52 AM UTC
Is this not what it's all about?
Waiting in the wings,
stretching, turning, churning,
anxious and adrenal,
living for the dream,
wishing for the dream,
being
the dream,
dancing on beams,
beneath the streams
of lights and fans,
arrayed like a bird
in tulle, crinoline, silk, satin and linen
white plumage,
acting only on command,
the music soft and flowing
their frail, slender figures
take to air,
arms and legs,
torsos tender,
slender necks,
wisps of downy hair,
melding colours,
sights and sounds,
the stage a pedestal of fate,
their beauty
captured
in gilded cages
for all to watch and see,
recaptured yet again,
by the artist on the easel'd window
of his canvas,
a maestro of sorts,
tapping his baton-brush,
coating the blankness with sweet
inspiration,
like angels heavenly
brought to earth,
serenaded by strings,
life from the blankness begins,
covers the void,
bejewels the mind's eye
and beckons the ballet
rehearsal to begin,
yet shall in oil paint now
and for all time
never cease to be...
"Art is not what you see, but what you make others see."
Edgar Degas
____________
Inspired by the painting by Impressionist artist Edgar Degas,
The Rehearsal.
--to view the painting:
http://www.ibiblio.org/wm/paint/auth/degas/ballet/degas.rehearsal.jpg
Sep 3, 2010
Sep 3, 2010 at 3:24 AM UTC
Jonathan Anderson's collections walk a confounding tightrope between naïveté and decadence. Much of his new menswear looked like clothes for a futuristic, spiritual retreat (Anderson himself said he wanted something "laid-back, Zen-like"), but the buckled patent shoes were purest dancehall honky-tonk. The fitted leather jackets were pretty flashy, too, especially when contrasted with multi-pleated pants in plainest calico or denim.
"He took himself seriously," said the voice-over that launched Michel Gaubert's stirring soundtrack (a journey all in itself), but that felt like Anderson poking a little fun at his own expense—or at least anticipating reactions to his quirky rationale. He insisted his collection was actually like an imaginary world that a child might create for himself, akin to the tree houses he and his brother used to build. The preciousness that such a boy would bestow on things that are essentially valueless was reflected in the ordinary objects—keys, tools—that were transmuted into jewelry, the board game that mutated into a constructivist jacquard, and the calico or denim artfully constructed into the pants that made up the foundation of the collection. Some of the models were carrying a small metal frame on which curious little things were suspended, almost like charms to ward off who knows what.
That subtly occult tinge has become something of an Anderson signature, the way he disturbs the refined with the raw, for instance—a thin strand of bamboo or a bandage of calico nipping the waist, or a crude smear of paint across a tulle top so fine it is barely there, or even a white feather stuck to a shoulder. Such touches feel last-minute spontaneous, but also off-kilter, which is exactly where Anderson wants to keep us. But his work is now so consistent that off-kilter is proving a rather pleasant place to be.Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses
Jun 15, 2015
Jun 15, 2015 at 2:01 AM UTC
Hey pink.. come back to me..
Powder my cheeks with your hue..
Polish my nails with a shade of yours..
Put some maybelline punch on my lips
Add some dazzle to my tulle gown..
Blush a little on my sandals..
Because I might bump in to him today...
Jan 19, 2019
Jan 19, 2019 at 3:12 PM UTC
I wore a light blue dress the day you kissed me and every day after to prove that I was in love. I had floral patters around my waist so I could twirl around for you and show you the life inside of my heart.
You squeezed my hand as if every letter of their vows was your silent message to me. Red. We wore red. It took me six months for me to let that dress go, and I swear to God I never felt as beautiful as when the rain poured around us that day.
I wore a black dress for you with ribbons down my spine but every touch snagged the lace and it's starting to hardly cover me spelling only your name across my hips and my sides. Those dresses were the most appropriate for the days I let you take me. Sheer silk laid across the small of my back. I saw an inviting place for your palms but you only saw the zipper.
How fitting is it that I wore a fitted blue dress to my first real date after we gave up (exactly one year, two months and nine days). The same dress we made love in. The first time you did not tell me you loved me after.
A tan dress just like our skin in the summer. I let a you touch me naked and I've never felt fully clothed ever since. Not even the sleeves and loose skirt of my dress could hide the scars no matter how many times I twirled around for someone new.
I wore a polka-dot dress the first time you touched me inappropriately. I remember it being hot out. I wish I wore something else. November 1st, 2013. You would not even look at me after we became one, never mind talk to me.
On Sundays I wore white dresses to feel innocence again. I never failed to ***** the precious pearls lining the collar of my dress every week, though. I felt the bow across my back untie by your hands and the pure white tulle was ruined by my blood stained skin (though it was not the first a life ******* residue remained).
New Years Eve, 2013 I wore the prettiest dress I had ever owned. Apparently he thought it was pretty, too, because a taken boy kissed me in it. I remember being afraid you were drunk. I remember fighting with you. I remember missing you. I remember telling you that you only talked to me because you missed her. There's not a day I don't miss those drunk texts.
I wore multiple colors and threads fabricating all my good memories into a dress except I can't remember much anymore and this is rather skimpy.
Feb 21, 2014
Feb 21, 2014 at 4:18 PM UTC
I wore a light blue dress the day you kissed me and every day after to prove that I was in love. I had floral patters around my waist so I could twirl around for you and show you the life inside of my heart.
You squeezed my hand as if every letter of their vows was your silent message to me. Red. We wore red. It took me six months for me to let that dress go, and I swear to God I never felt as beautiful as when the rain poured around us that day.
wore a black dress for you with ribbons down my spine but every touch snagged the lace and it's starting to hardly cover me spelling only your name across my hips and my sides. Those dresses were the most appropriate for the days I let you take me. Sheer silk laid across the small of my back. I saw an inviting place for your palms but you only saw the zipper.
How fitting is it that I wore a fitted blue dress to my first real date after we gave up (exactly one year, two months and nine days). The same dress we made love in. The first time you did not tell me you loved me after.
A tan dress just like our skin in the summer. I let a you touch me naked and I've never felt fully clothed ever since. Not even the sleeves and loose skirt of my dress could hide the scars no matter how many times I twirled around for someone new.
I wore a polka-dot dress the first time you touched me inappropriately. I remember it being hot out. I wish I wore something else. November 1st, 2013. You would not even look at me after we became one, never mind talk to me.
On Sundays I wore white dresses to feel innocence again. I never failed to ***** the precious pearls lining the collar of my dress every week, though. I felt the bow across my back untie by your hands and the pure white tulle was ruined by my blood stained skin (though it was not the first a life ******* residue remained).
New Years Eve, 2013 I wore the prettiest dress I had ever owned. Apparently he thought it was pretty, too, because a taken boy kissed me in it. I remember being afraid you were drunk. I remember fighting with you. I remember missing you. I remember telling you that you only talked to me because you missed her. There's not a day I don't miss those drunk texts.
I wore multiple colors and threads fabricating all my good memories into a dress except I can't remember much anymore and this is rather skimpy
Feb 21, 2014
Feb 21, 2014 at 4:21 PM UTC
The bride: a present
in tulle, the veil that reveals --
her love all the more.
Nov 25, 2022
Nov 25, 2022 at 3:36 AM UTC
I'm a child of Saturn,
With power and grace
I'm turning in the Space
Timeless, vast, sprinkled
With stars, moons and suns
I'm always alone,
In the mirrored universe
I see my father Saturn
From far away, sunk in
Clouds of dust.
So many galaxies died
Until I reach him finally.
His rings of rocks and winds
Embrace me with his love,
His heart of liquid hydrogen
I feel from distance how it beats
With pulse of pure loneliness.
I'm Rhea, dressed with light
Of little moon, tulle and lace.
You couldn’t see me now,
My shadow is ahead,
I hide my face behind my father.
© n.nour
Jul 12, 2015
Jul 12, 2015 at 8:54 AM UTC
No boy will ever
want to **** me
if I forget
to put on makeup
in the mornings
lips red as Eve's forbidden fruit
succulent enough to
bite
tongue
devour
go down
cuz my nose don't
look so My-Big-Fat-Greek-Wedding
mountainous-side-profile
when it's caked in highlighter
if I have short hair
because short hair means
I'll look too masculine
in the ninth grade I
had a pixie cut
faith
trust
pixie dust
I could feel
my light burning out
(I never did believe in myself)
if I'm not thin
starve
binge
purge
two finger diet
VSCO diet
have you seen
the lovely girls
on the internet
in their
tight bodysuits
Coke Zero
figures
MVP
VIP
they'll get first access
to his ****
if I'm a *****
cuz how will anyone know
what you've really
got to flaunt
when you have to wear
a uniform to school
frumpy plaid kilt
white polo shirt
every button a barrier
like the notches
on his belt
tie coiled
a noose
around your neck
every casual day
I wear fishnet stockings
***** necklines
with push up bras
even though
I'm already a D
cuz I gotta get that D
gotta compensate
for being a ****** somehow
if I don't shave my
legs
stomach
*****
three days before high school graduation
I bought a thong
and got my first Brazilian wax
even though I didn't have
still don't have
a boyfriend
but I wanted him
to be my boyfriend
thought I should be prepared
thought maybe when he saw me
clad in
cleavage
periwinkle
floor-length gown
blue Converse peeking out
from underneath the tulle
I'd be his
Belle of the Ball
that he'd
take me
**** me
love me
but how could any boy
ever love me
in all of my
warped-perspective
grief-possessive
passive-aggressive
self-obsessive
manic-depressive
glory
how could any boy
ever love me
after reading
this poem?
Dec 23, 2018
Dec 23, 2018 at 9:51 PM UTC
projection of disemboweled guts oozing blood
dripping entrails onto starched white linens
hung in pristine precision, poisoned into submission
my demonic parole officer has come out to play
from the dungeon of hell's seventh circle
i swallowed a hive of maggots with my lunch today
forked serpent tongue slurping slime and slugs
unholy satisfaction from magicking fantasy into
ghoulish, gory realities and ******* tears from deserted lungs
the lion's dinner watches his stomach being eaten
dull but forceful rock formations cracking and crunching
disembodied hallucinations, presupposing predilection
i am the grim reaper's prom date, predisposition
gussied up in cobweb tulle and glittering larvae
with a chloroform corsage, what generous perfume
the skeletal dance floor creaks under my spinning,
groaning of lives sped through on tranquilizers
dancing a tango with Death, i smirk in dizzy abandon
the band is beating their bones to chalky pulp
music made from desperate self-destruction
projectile ***** onto my pedestaled ideas
chunks of last week's insights stink the room
the bile which processed them to rejection
is sticking dripping off the untethered chandelier
i watch them both fall towards me
first, in slow-motion glimmering
and then,
all at once,
i am below them
and we are below the skeleton floor
in the cellar of the scorpion's dungeon
that i escaped from this eery morn
May 12, 2015
May 12, 2015 at 9:26 AM UTC
Carnival in the city, you looked at me
Soft flickers,
Bulbs that kept me awake.
Spoke to me in vintage music
I was a clown.
Carnival in the city, you squeezed my chest.
Pulled me by my pigtails,
Thrusted into pastel carousels at rest
Turned into empire state rollercoasters
I wailed,
I wasn’t tall enough to ride yet.
But I liked it.
Cotton candy in my best tulle dress,
I’ve got my frilly socks in a mess,
I thought there was nothing else across.
You got me stuffed bears at the ring toss.
We spun too fast.
The bulbs flickered off.
I wiped the paint off my face and
Caught sight of the Carnival in the country instead.
And your beauty dissipates.
Jul 13, 2016
Jul 13, 2016 at 9:26 AM UTC
a man cloaked in dust bitten rays skip down the rude lit hall
as a voice calls to him run your fitful bow across my cracked
teacup mouth and draw forth a loosed leaf smile at first
i dismiss it as contrived twaddle one might hear in settings
where silk roses bloom on synthetic counter islands or
a cloth lily wrecks on its maiden voyage mid-way through
a copper sink’s bounded blue but cigarette tip joy burns
peep holes into my cottony resistance it’s a compact thrill
as dense as the peach pit my tooth struck to chip that once
such piquant frissons dissipate into damply aromatic trickles
when the man replies with a tartly rolled lavender bud ready
to burst its pink i’ve the heart of a wobbly kneed boy about
to pull back the tulle cloud on an auburn morn’s feathery
bathers petaled girdle strewn on the slippery rock path
leads up to her dewy lap where luminescent splayed fingers
lay printed hymns when ash trimmed logs fall from his fatty
lips i take the house sparrow’s hasty cue to flap a skyward
exit out from the bony white glow of his unfulfilling promises
Aug 23, 2010
Aug 23, 2010 at 8:54 AM UTC
Amid such choruses of desire there she spun,
dressed in tulle long hair undone.
She waltzed and twisted upon the crowd,
what an effortless aura that she endowed.
And when she came to pause before you,
her copper eyes oh how they stunned you.
And in the final moments of thy ball,
She danced away through the parties throng.
Oct 4, 2016
Oct 4, 2016 at 8:05 PM UTC
she is like a chinese vase
(i do not know which dynasty from)
most probably of Min one
with the course of time
the smithereens
have broken
(almost invisibly)
you can understand
only
if you pass a finger
on the mouth
on the neck
on
but only if it is bare
without a glove
(velvet or of tulle)
i do not know if i am doing it
but sometimes
in the morns
a light fog
is spreading
then i change my slip cover
it is light
and usually white
китайска ваза
тя е като китайска ваза
(не знам от коя династия)
по вероятно от Мин
с хода на времето
парченца
са се отчупили
(почти невидимо)
можеш да разбереш
само
ако прокараш пръст
по устието
по шията
по
но само ако е гол
без ръкавица
(кадифена или от тюл)
не зная дали го правя
но понякога
в утрините
се стеле
светла мъгла
тогава си сменям калъфката
тя е лека
и обикновено бяла
Translator Bulgarian-English: Vessislava Savova
rarebird
© bogpan - all rights reserved
Apr 26, 2011
Apr 26, 2011 at 7:20 AM UTC
I liked that crowded bathroom
we smoked in,
you held a joint between my lips and asked me to
exhale out the window
into the soft wooden fence between
us and the neighbor’s house. The walls
of that crowded bathroom
were pink
or lilac or something – I liked them
as you would expect,
but I don’t exactly remember
them. I remember my body feeling like too much
because the space was small and I am not;
my skin seemed to billow
out like tulle
to touch yours. Your dad gifted us
two different joints he had been saving for a
while, saying one was better
than the other but
he did not know which was which. In
that crowded bathroom, I looked up at you and
you looked down at me
because we knew
we had just found the better one. We kissed
then walked
out the door, saving half for later.
Apr 14, 2015
Apr 14, 2015 at 12:55 AM UTC
*Lost in reverie's
abandon'd rhyme
immersed upon
grassy pleasures
I lie down in
the sunbeam'd earth
still feel your
utterances of my name
in whisper'd burbles
unto the nape of my
pulse's quiver
in enchant'd moons'
feathery touches
of fiery delight
blazed upon my skin's desires
blush'd with fluttery kisses
sing songs of our
true love's plight
my tears fall
unto the ground
absorb'd in darkly
dismiss'd tinges
no longer brilliant painted
hues of cobalt skies
I lay still, abiding of umber'd
soil's dissolution,
pausing for tulle's silk'd
lustrating rains to conceal this flurry,
immersion imbath'd in
nectar'd vales
perhaps, liquid sunshine's
heavy dew
will set me free* ~
Feb 21, 2014
Feb 21, 2014 at 6:45 PM UTC