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"tassels" poems
Leaning into the afternoons, I cast my sad nets towards your oceanic eyes. There, in the highest blaze my solitude lengthens and flames; Its arms turning like a drowning man's. I send out red signals across your absent eyes That wave like the sea, or the beach by a lighthouse. You keep only darkness my distant female; >From your regard sometimes, the coast of dread emerges. Leaning into the afternoons, I fling my sad nets to that sea that is thrashed By your oceanic eyes. The birds of night peck at the first stars That flash like my soul when I love you. The night, gallops on its shadowy mare Shedding blue tassels over the land.
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Leaning Into The Afternoons
Keep it honest, maintain it humble. Let it show... From deep within... Fabricate if you must, adorn with tassels. First know the seed before you begin. Let it sprout wings, in your cradle. Let soar from emotions and thoughts akin. Let honesty shine forth from the rubble, Let humility speak in volumes of what we mean.
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Oct 6, 2014
Oct 6, 2014 at 3:12 AM UTC
Humility
Drowning inside hands. A fluorescent chime. Skin scrubbed radiation. Force-feeding plastic and sugar and flesh. Pushing and pulling until tendons flail weathered Up. And. Down. Up and down upanddown until the store of powders, prints, nails tumble out carmine and is sobbing gagging on a high chair. The candied calculator like heart-shaped pupils and sticky soles.   Opaque ID’s and strands of you abandoned in navy sheets. Shoulder tassels taught on Adam’s apple. Love stitches bedding and hollows bodies. Love lights the West and lines waste baskets wet. Love is a little girl vomiting into a lion’s den.
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May 5, 2015
May 5, 2015 at 4:36 PM UTC
NUTRITION FACTS
Chanel No.5 fills the air. My bleary eyes make out the outlines of a stage. I catch sight of athletic contours of her body, gold dust covered skin shimmering under a flood of exclusivity. Chic, Elegant with a touch of class. All senses awakened by her salacious seductive moves. Tassels and feathers add to sensual illusion and my eagle eyes are transfixed on her snake like movements. Sugar **** takes centre stage!
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May 19, 2015
May 19, 2015 at 3:39 PM UTC
Sugar ****
Of all the ****** that i like, The best would be of lace and white, But then again, there's so so much, There's even knickers with no crotch!?, Those little bras for beginner ***** Or leather gear, for naughty moods, And not forgetting Bridget Jones, Come on girls, we've all got those ones. Those yummy corsets **** us in, We'll shake our hips and bear a grin, To tantalise and tease men so, Our ***** with tassels on, so guys can, ahem, grow. Those fishnet stockings cost a bomb, But ladies, that's why we put them on, We feel so **** and so do they, So that's why we get them to pay. Silk and satin, black or red, Or going commando instead, What then girls, do we love these things for, Because they'll only be scattered on our bedroom floor?...
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Apr 9, 2010
Apr 9, 2010 at 6:51 AM UTC
UNDERWEAR
BURY this old Illinois farmer with respect. He slept the Illinois nights of his life after days of work in Illinois cornfields. Now he goes on a long sleep. The wind he listened to in the cornsilk and the tassels, the wind that combed his red beard zero mornings when the snow lay white on the yellow ears in the bushel basket at the corncrib, The same wind will now blow over the place here where his hands must dream of Illinois corn.
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6.8k
Illinois Farmer
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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Ode To Maize
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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75
I bought a hat the other day In the car almost swept away From my head, but what can I say? I love my panda hat, anyway Took it to school to show a friend Wore it around till the very end Love the smiles others send Another day I did amend Covered ears Tassels, fur "I like your hat" Thank you, sir!
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Oct 14, 2013
Oct 14, 2013 at 4:29 PM UTC
A Panda Hat
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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Mar 2, 2017
Mar 2, 2017 at 5:47 PM UTC
ICHABOD CRANE
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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65
I miss my cargo green canvas backpack Shredded with the mass of three science textbooks: biology, classical history, chemistry. Not like backpack was meant for several colossal three hundred page hardcover books. When it was empty, it was light, barely anything, tugging on my shoulders; but I insisted the friend come with me. But I used backpack for study, drudgery, play. The linen wore with every use. It was my safety blanket, under loose cloth that contained sacarine orange glucose tablets that I hoped to never need Inside the main large pocket, there was a secret zipper, within held a pack of cigarettes, an excuse, to pardon myself into a realm of aloneness- with little questions asked There were strings that adjusted its position on my back that I would pull down, using tension to fling myself terminal to terminal More than fifteen times, I lost count, of my partner traversing across oceans, gently cradling my laptop and phone- my trusted links with the outside world Nervousness alleviated by the tassels in my mouth, I bite and chew on the cloth, but it holds steadfast as I ponder how to approach what's next, the bittersweet coffee they fell into rehydrates with my salivating mouth, hungry for adventure but a stomach empty knots itself anxious for what's to come My backpack weighs on my shoulders, empty or full, but it's trained my body to carry the load thoughts in my head bring upon me But it yielded to what was to come, the seams at the bottom gave out. Backpack let me know: I needed to learn to carry on without reliance.
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Jun 2, 2015
Jun 2, 2015 at 1:51 PM UTC
R.I.P(ped) Backpack
I miss my cargo green canvas backpack Shredded with the mass of three science textbooks: biology, classical history, chemistry. Not like backpack was meant for several colossal three hundred page hardcover books. When it was empty, it was light, barely anything, tugging on my shoulders; but I insisted the friend come with me. But I used backpack for study, drudgery, play. The linen wore with every use. It was my safety blanket, under loose cloth that contained sacarine orange glucose tablets that I hoped to never need Inside the main large pocket, there was a secret zipper, within held a pack of cigarettes, an excuse, to pardon myself into a realm of aloneness- with little questions asked There were strings that adjusted its position on my back that I would pull down, using tension to fling myself terminal to terminal More than fifteen times, I lost count, of my partner traversing across oceans, gently cradling my laptop and phone- my trusted links with the outside world Nervousness alleviated by the tassels in my mouth, I bite and chew on the cloth, but it holds steadfast as I ponder how to approach what's next, the bittersweet coffee they fell into rehydrates with my salivating mouth, hungry for adventure but a stomach empty knots itself anxious for what's to come My backpack weighs on my shoulders, empty or full, but it's trained my body to carry the load thoughts in my head bring upon me But it yielded to what was to come, the seams at the bottom gave out. Backpack let me know: I needed to learn to carry on without reliance.
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389 There’s been a Death, in the Opposite House, As lately as Today— I know it, by the numb look Such Houses have—alway— The Neighbors rustle in and out— The Doctor—drives away— A Window opens like a Pod— Abrupt—mechanically— Somebody flings a Mattress out— The Children hurry by— They wonder if it died—on that— I used to—when a Boy— The Minister—goes stiffly in— As if the House were His— And He owned all the Mourners—now— And little Boys—besides— And then the Milliner—and the Man Of the Appalling Trade— To take the measure of the House— There’ll be that Dark Parade— Of Tassels—and of Coaches—soon— It’s easy as a Sign— The Intuition of the News— In just a Country Town—
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There’s been a Death, in the Opposite House
You say love is this, love is that: Poplar tassels, willow tendrils the wind and the rain comb, ****** and drip, ****** and drip— branches drifting apart. Hagh! Love has not even visited this country.
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Memory Of April
445 ’Twas just this time, last year, I died. I know I heard the Corn, When I was carried by the Farms— It had the Tassels on— I thought how yellow it would look— When Richard went to mill— And then, I wanted to get out, But something held my will. I thought just how Red—Apples wedged The Stubble’s joints between— And the Carts stooping round the fields To take the Pumpkins in— I wondered which would miss me, least, And when Thanksgiving, came, If Father’d multiply the plates— To make an even Sum— And would it blur the Christmas glee My Stocking hang too high For any Santa Claus to reach The Altitude of me— But this sort, grieved myself, And so, I thought the other way, How just this time, some perfect year— Themself, should come to me—
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Twas just this time, last year, I died
With a wide demographic of ******* There's average, massive or missing There are ******* to nibble and tweak at And cleavages perfect for kissing But I'm of a practical nature And with just a little persistence I'll give you a host of good reasons To justify ******* existence They're perfect for warming your hands up When the gas meter's run out of gas And there's little that's better to look at When there's no chance of seeing an *** Elasticity makes them ideal For displays and arrangements of flowers And if you find yourself short of your bus fare Then they radiate magical powers You can use then for counting in binary Or a pillow with mild central heating And they're perfect for holding a bottle To keep safe while you're busily eating As a pair of provocative earmuffs You'll be envied by all of your friends Just be sure to take optional tassels In case one of the ******* offends You can hollow one out for an ashtray Or a skullcap for cutting edge Jews You can throw them about like a Frisbee There are just so many options to choose But they're useful right where they're located And not just to tickle and tease Just give them a couple of decades And you'll find them protecting your knees MWAH! x
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Apr 4, 2013
Apr 4, 2013 at 7:41 PM UTC
Practical Uses for *******
When spring, to woods and wastes around, Brought bloom and joy again, The murdered traveller's bones were found, Far down a narrow glen. The fragrant birch, above him, hung Her tassels in the sky; And many a vernal blossom sprung, And nodded careless by. The red-bird warbled, as he wrought His hanging nest o'erhead, And fearless, near the fatal spot, Her young the partridge led. But there was weeping far away, And gentle eyes, for him, With watching many an anxious day, Were sorrowful and dim. They little knew, who loved him so, The fearful death he met, When shouting o'er the desert snow, Unarmed, and hard beset;-- Nor how, when round the frosty pole The northern dawn was red, The mountain wolf and wild-cat stole To banquet on the dead;-- Nor how, when strangers found his bones, They dressed the hasty bier, And marked his grave with nameless stones, Unmoistened by a tear. But long they looked, and feared, and wept, Within his distant home; And dreamed, and started as they slept, For joy that he was come. Long, long they looked--but never spied His welcome step again, Nor knew the fearful death he died Far down that narrow glen.
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The Murdered Traveller
Harmonica and strums sail my shores Tell my whole clan sonny, he ain't good That I met a troller under a sycamore He passed me all the love as he veiled We walked around,camouflaged by leaves Tell mummy he was a preacher's son A soul that was open and hid it's stick Unharmonised in accapellas I drowned Swingers of melodic stormy strings Tell sassy to keep her tassels tucked To calm her tussles and noisy gongs Shake on the octave of the beats Whisked dreams of the lost yesterdays Tell Jimmy to listen to her heart raise Tie her down, bring her back home Liberate and let her fly like a wild bird
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Apr 28, 2016
Apr 28, 2016 at 6:42 PM UTC
Stormy Strings (Blues Music)
I Reg wished me to go with him to the field, I paused because I did not want to go; But in her quiet way she made me yield Reluctantly, for she was breathing low. Her hand she slowly lifted from her lap And, smiling sadly in the old sweet way, She pointed to the nail where hung my cap. Her eyes said: I shall last another day. But scarcely had we reached the distant place, When o'er the hills we heard a faint bell ringing; A boy came running up with frightened face; We knew the fatal news that he was bringing. I heard him listlessly, without a moan, Although the only one I loved was gone. II The dawn departs, the morning is begun, The trades come whispering from off the seas, The fields of corn are golden in the sun, The dark-brown tassels fluttering in the breeze; The bell is sounding and the children pass, Frog-leaping, skipping, shouting, laughing shrill, Down the red road, over the pasture-grass, Up to the school-house crumbling on the hill. The older folk are at their peaceful toil, Some pulling up the weeds, some plucking corn, And others breaking up the sun-baked soil. Float, faintly-scented breeze, at early morn Over the earth where mortals sow and reap-- Beneath its breast my mother lies asleep.
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My Mother
All her hours were yellow sands, Blown in foolish whorls and tassels; Slipping warmly through her hands; Patted into little castles. Shiny day on shiny day Tumbled in a rainbow clutter, As she flipped them all away, Sent them spinning down the gutter. Leave for her a red young rose, Go your way, and save your pity; She is happy, for she knows That her dust is very pretty.
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2.9k
Epitaph for a Darling Lady
i fall and ascend in a sea    vantablack spiral light fire ghosts and ice that cut the soul to pieces like scissors that split rabbits industry of a hissing creation polluted altar of sleeping lakes and scythe bludgeon and howitzer prods of push and pull in a grindhouse necropolis of craters scattering satanic eggs and tumors i am here born to you thin of bone mother of catastrophes on a colossal ball of scab and callous that moves sonorous dazzling shapes careening through ephemera workhorse torches of doom you fill me with knots of terror and desperate dreams of stairway wings veils and glimmers resolutions dissolving petaled apertures of desire and night whispers in a spider web of sonic bulls before undertows gravity i was vibrant but then i died into the rock ash of earth they called it my birthday my parents with party hats and balloons blinked fetters against nights of granite and stone i got deader still until i was nothing but an imagineless gob of mud and breath an eye looking out behind red nerve forest fires and tears shook tambourines down heavy lashes cascaded fluttering  tassels   i am born to you mother of senile seas citadel of shattered glass in a slate cube of cyclones mute and screaming my fate deep shock encased in mausoleums led nautilus blatting hells jaundiced shriek Pluto conjunct Saturn
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Jun 11, 2019
Jun 11, 2019 at 1:05 PM UTC
Horror-Scope Birth Chart
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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2.5k
Light Hearted Author
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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58
????????? Time is not flying the evening hours are so slow, inching by and spent tossing and turning my restless mind roams dark avenues my restless feet roam the bed, left...right...then back, over and over. the bed, that was my hammock....no longer sways a promise of peaceful slumber, flies away, ??????? new and strange images start to trail me...they're heavy tassels, tagging on the hemlines of my mind, seeking to connect...to be known ??????? this late hour, i recall a forked road, not far from a winding road, from afar, a child admires a white castle high as the clouds, its windows, foggy, its high fence, mossy...on its front lawn is a treehouse, perched...resting like a bird inside a very old tree, leaning to its left side, with a long set of steps...all painted white. just below the white steps are gathered, doyens of poetry...seated in their own chosen corners...tacit, yet, empowered by their brilliant minds the tips of their feathered pens, smoothly sliding on paper......strange, that they're waving at me, why, they could be dead! ??????? i must be dreaming...my muse is showing me paths, i would think twice of treading ??????? a quartered moon selfishly glows unsettles even more, my murky thoughts... yet....my pressing thumb is on my journals i must heed.........the need. ??????? "o' my elusive unknown poem, kindly show me...lead me to your home let my pen give light to your dim path give second wind to my weary mind and heart, deny, even a bit of a space......for wrath, help me, push me...my efforts musn't cease show me your face...we'll both have peace." ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ Sally © Rosalia Rosario A. Bayan April 21, 2018
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Apr 21, 2018
Apr 21, 2018 at 2:32 AM UTC
Unknown
????????? Time is not flying the evening hours are so slow, inching by and spent tossing and turning my restless mind roams dark avenues my restless feet roam the bed, left...right...then back, over and over. the bed, that was my hammock....no longer sways a promise of peaceful slumber, flies away, ??????? new and strange images start to trail me...they're heavy tassels, tagging on the hemlines of my mind, seeking to connect...to be known ??????? this late hour, i recall a forked road, not far from a winding road, from afar, a child admires a white castle high as the clouds, its windows, foggy, its high fence, mossy...on its front lawn is a treehouse, perched...resting like a bird inside a very old tree, leaning to its left side, with a long set of steps...all painted white. just below the white steps are gathered, doyens of poetry...seated in their own chosen corners...tacit, yet, empowered by their brilliant minds the tips of their feathered pens, smoothly sliding on paper......strange, that they're waving at me, why, they could be dead! ??????? i must be dreaming...my muse is showing me paths, i would think twice of treading ??????? a quartered moon selfishly glows unsettles even more, my murky thoughts... yet....my pressing thumb is on my journals i must heed.........the need. ??????? "o' my elusive unknown poem, kindly show me...lead me to your home let my pen give light to your dim path give second wind to my weary mind and heart, deny, even a bit of a space......for wrath, help me, push me...my efforts musn't cease show me your face...we'll both have peace." ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ Sally © Rosalia Rosario A. Bayan April 21, 2018
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52
606 The Trees like Tassels—hit—and swung— There seemed to rise a Tune From Miniature Creatures Accompanying the Sun— Far Psalteries of Summer— Enamoring the Ear They never yet did satisfy— Remotest—when most fair The Sun shone whole at intervals— Then Half—then utter hid— As if Himself were optional And had Estates of Cloud Sufficient to enfold Him Eternally from view— Except it were a whim of His To let the Orchards grow— A Bird sat careless on the fence— One gossipped in the Lane On silver matters charmed a Snake Just winding round a Stone— Bright Flowers slit a Calyx And soared upon a Stem Like Hindered Flags—Sweet hoisted— With Spices—in the Hem— ’Twas more—I cannot mention— How mean—to those that see— Vandyke’s Delineation Of Nature’s—Summer Day!
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The Trees like Tassels—hit—and swung
The girl with the emerald eyes Is the girl who can see through your lies She is the girl who can unmask your disguise And show you what you have yet to realize Layer by layer she will peel and peel Her beauty exceeds past the realm of unreal Shy but strong the girl with the emerald eyes can see past your wrong With vision so perfect she is never blinded by love Her heart searches for the knight in shining armor sent from above To sweep her up and carry her to a castle Somewhere fancy where the demask curtains have gold tassels I hope she sees what I hide to say with my general lies Just be careful you don't get lost in her emerald eyes
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Dec 13, 2014
Dec 13, 2014 at 3:02 AM UTC
Emerald eyes
To the tune of "Rinsing Silk Stream" Saddened by the dying spring, I am too weary to rearrange my hair. Plum flowers, newly fallen, drift about the courtyard in the evening wind. The moon looks pale and light clouds float to and fro. Incense lies idle in the jade duck-shaped burner. The cherry-red bed-curtain is drawn close, concealing its tassels. Can Tung-Hsi's horn still ward off the cold?
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Tz'u No. 9 (Weary)