"syntax" poems
It's a wide open art,
from the start.
Rules are for schools.
Dont fret em,
forget em.
So
Relax with a syntax,
clown around,
with a pronoun.
Squeeze the ******
of a dangling participle.
Free flying like geese,
creative words release,
make it up if you please.
Example--the plural of mice is meese.
Flowery language isn't the exclusive domain of the professional writer, it's for everyone!
To continue then,
about the writers pen.
No write or wrong,
nothings too short or long.
Mangled,
bungled,
butchered,
bumbled, don't matter.
We don't need a librarian to admire what we have done.
Words aren't hard,
fling them unbarred.
It's not arithmetic,
or teaching a cat a trick.
Crunch them uniting,
mix them combining.
Fling them,
meld them,
Verb them,
sell them.
We don't need a New York Times best seller to enjoy the art of writing.
Uncrate it,
create it.
Use it,
and abuse it.
Don't bar us
from a thesaurus
Or a dictionary.
The spiel
is to write real
tell the tale
seal the deal.
WORD HATERS live in the town called Fictionary.
Sep 6, 2018
Sep 6, 2018 at 12:53 PM UTC
I reserved a table for the two of us
at the only restaurant in the world
that not only offers atmosphere and setting
but tone and syntax as well.
First some articles for appetizers. They're
easiest on my pocket you know.
An an, a the, and an a.
Let's not even start on the punctuation,
I'm treating you to a rather large meal.
As large as the entire English language,
now back to the articles.
Sure these taste like lint but they still
taste. Petit fours but there you are.
Try to be disinterested or you'll
put me off my food.
Nouns now. My, what a variety.
Bit meaty, eh? These have staying power.
They taste like a bit of everywhere,
and everyone, and everything.
What's that? Surely they're not that bland.
Maybe you need some seasoning.
"Adjective" comes from the
French for "to the word."
So exotic aren't they? These
really are fantastic.
Exquisite, unique, zesty to say the least.
You must admit, they
make the meal worth it.
I hope you're not allergic,
I could have sworn I just
had something "nutty."
Oh, it had nuts "in it"?
There must be some prepositions
mixed in here.
(I'm glad we're getting through
these now, I've never been a big fan of them.
When I was a kid, I would always push my prepositions to the end
of my sentences. You just can't do
that in a joint like this, it seems.)
Ah finally. The verbs are served.
Well-prepared it would seem.
Yes, anything you can do to a verb
they've done to these.
Infinitives (too good to realistically be believed!),
gerunds, and participles (No, not particles. But we
did have some of those at the Japanese restaurant.)
Fairly lean too, as I can't see
any auxiliary fat.
For some reason
those adverbs (just to your left, under that
thesaurus) really go well with this.
Plus those adjectives from earlier, rather pleasantly.
Now a brief selection
of conjunctions, but don't ruin
yourself. They're not a meal of themselves,
just a link to...
Oh! Look at those interjections.
So delicate, so (Wow!) incisive.
I told you to keep your appetite.
Well, just try a little of this. Goodness, me!
And then everyone proceeds to
die
from a split infinitive.
Mar 21, 2010
Mar 21, 2010 at 7:44 PM UTC
Lick the words
from my lips
let them slide down
your throat
like fruited jewels,
dark, hard candies
that melt into cream
a healing liquid
oozing into my
ventricles,
pumping milky beats
out through
your cells
permeating the deep
of my wild
My syllables will
wrap themselves
around your syntax
frothy hybrids
of buttered silk
and irony
heart-to-heart
conversations that
flow into the ether,
as heaven's night
endlessly begins
We twirl our tongues
into guttural utterings,
lustful verse
that glides from
slick-fervored ice
to an outpour
of lava
We feed each other
dreams
our saliva like honey
dripping with dawn's
tender glow
as we open up
like baby birds,
begging to be nourished
at all costs
Here,
in this lingual forest
Your breath finds a home
on my tastebuds,
my tongue
in your
cheek
In between the tumults
of our
exploding oceans
This
is how we
love
Jun 10, 2018
Jun 10, 2018 at 5:25 PM UTC
Wild rose, aggressive usurper,
relentless conqueror of attention, quarrels
wants to make me jelous,
pretends she is nothing but poetry distilled,
stops at every table and whispers:
"He is hard prose, the syntax, I can't grasp"
Unmindful of sly looks from various corners,
that in fact suggest, I had good riddance,
I am concerned about the clutter on my desk,
that escaped my notice during the days I was in that chasm
I was deeply in to Dostoevsky,
my cleansing ritual on such occasions: the Russian masters
when she passed my cubicle she spies Chekhov
lying on my table, waiting his turn
"The lady with the lapdog"* she reads aloud, with suspicion
would she ever understand, what Dostoevsky to me,
would have told?
Aug 16, 2013
Aug 16, 2013 at 12:06 PM UTC
494
Going to Him! Happy letter!
Tell Him—
Tell Him the page I didn’t write—
Tell Him—I only said the Syntax—
And left the Verb and the pronoun out—
Tell Him just how the fingers hurried—
Then—how they waded—slow—slow—
And then you wished you had eyes in your pages—
So you could see what moved them so—
Tell Him—it wasn’t a Practised Writer—
You guessed—from the way the sentence toiled—
You could hear the Bodice tug, behind you—
As if it held but the might of a child—
You almost pitied it—you—it worked so—
Tell Him—no—you may quibble there—
For it would split His Heart, to know it—
And then you and I, were silenter.
Tell Him—Night finished—before we finished—
And the Old Clock kept neighing “Day”!
And you—got sleepy—and begged to be ended—
What could it hinder so—to say?
Tell Him—just how she sealed you—Cautious!
But—if He ask where you are hid
Until tomorrow—Happy letter!
Gesture Coquette—and shake your Head!
7.6k
(explicit)
**** my soul
with poetry
scream out my gracious name
slay me with words
that peel my layers
and simultaneously
drive me
insane
finger me slowly, hotly
with just the right rhythm and rhyme
push me past my
tender limits
into tongues of syntax,
sublime
alliterate my senses
(in swift stac
c-at
o)
until my mind is but blank verse
mess up my stressed
and unstressed syllables
in unsung language, versed
I will speak to you in vowels
(the only sound
I will be able to make)
as you stroke
my iambic pentameter
in the heat of frothed-up
ache
we are this heroic couplet, you see
even if the meaning seems veiled
no need for simile or metaphor
as I feel your chest rise
in deep inhale
we are a natural paradox
so many ironies abound
discordant harmony
is our synaesthesia
in visible darkness found
and I love this delicious enjambment
as your aura invisibly slips
into mine
our lines have no beginning,
no end
as we undo
the boundaries
of time
Oct 3, 2017
Oct 3, 2017 at 5:18 PM UTC
poetry is photography:
the photography of your soul
it begins as an observation captured in stuttering syntax:
the lens of your soul pointing towards a subject, a metaphor, a line
within you, within the world, within the two.
if vague and smudgy this image at first,
the lines rearrange themselves, the grammar settles,
and the image comes into focus - sharp and still.
as you would a camera, approach things at angles,
you flood your poetry with perspective, with self, with distance,
stamp yourself onto it, and you know it belongs as yours.
and you know you have captured that pearl in an oyster,
those millions of dying stars exploding within you,
an image of yourself.
yet, sometimes, you're out of film and however you click the shutter,
your words fall off the lines, burst into dissonance, or finds itself unwritten.
like photography, you do not expect a stable yield of inspiration.
then, with the years, you lay your poetry on a wall -
chronologically, alphabetically, thematically, or anything -
and you will step back to see a montage of your life in eloquent snapshots.
if poetry should ever be photography - then -
it would be the photography of one's soul.
Dec 29, 2011
Dec 29, 2011 at 10:05 PM UTC
To Struga Festival Golden Wreath Laureates
& International Bards 1986
Stand up against governments, against God.
Stay irresponsible.
Say only what we know & imagine.
Absolutes are coercion.
Change is absolute.
Ordinary mind includes eternal perceptions.
Observe what's vivid.
Notice what you notice.
Catch yourself thinking.
Vividness is self-selecting.
If we don't show anyone, we're free to write anything.
Remember the future.
Advise only yourself.
Don't drink yourself to death.
Two molecules clanking against each other requires an observer to become
scientific data.
The measuring instrument determines the appearance of the phenomenal
world after Einstein.
The universe is subjective.
Walt Whitman celebrated Person.
We Are an observer, measuring instrument, eye, subject, Person.
Universe is person.
Inside skull vast as outside skull.
Mind is outer space.
"Each on his bed spoke to himself alone, making no sound."
First thought, best thought.
Mind is shapely, Art is shapely.
Maximum information, minimum number of syllables.
Syntax condensed, sound is solid.
Intense fragments of spoken idiom, best.
Consonants around vowels make sense.
Savor vowels, appreciate consonants.
Subject is known by what she sees.
Others can measure their vision by what we see.
Candor ends paranoia.
Kral Majales
June 25, 1986
Boulder, Colorado
5.5k
You asked me my name in your first remark
We sat on opposite ends of a question mark
You were dashing - made me pause,
me, this independent clause
standing alone,
I made sense on my own
But I answered you anyway.
Ellipses.
Now you are the verb in my heart’s contraction
I am the subject and you are the action
An Interrogative with a Declarative reaction
An Exclamatory and then an Imperative attraction
Ellipses.
Your lips ease
Me, the direct object of your affection,
but never sentenced to an apostrophe’s possession
perhaps more true- a plural “s” suggestion
and the excitement behind an exclamation point’s inflection
The semi-colon understands
We can be on our own, but we want to stand
together
where our letters
aren’t fetters,
but the typesetter’s
better measure
of linguistic pleasure.
We communicate through metaphors and similes
Like the birds and the bees
We speak across homophone lines
to keep a census of our senses at all times
Because words said aloud have allowed
us to find meaning behind the utterance of sound-
mere words and phrases
jumping off of pages
into brain and heart and soul
when the parts become a whole
And with the syntax, punctuation, grammar, and usage
I’m a hopeless semantic always trying to ****** it
Language- yours I understand through the myriad.
Words can’t capture you. Period.
Apr 10, 2016
Apr 10, 2016 at 10:50 PM UTC
A bridge from colloquial to courtly fare
A span where idealism and fantasy pair
A railway to the existential realm; celestial lair
A conduit through which rational discourse can flare
Deep medium to: forage, inculcate, and inform
Broad brush to paint rare beauty; sculpt surrealistic form
Incisive scalpel to surgically alter the societal norm
Delicate utensil to educate on civility and decorum
A literary ***** a prosaic construct
A mechanism our syntax to deconstruct
An analytical tool; an observational viaduct
Introspective milieu to reduct; extrovertive sphere to reconstruct
A semantical edifice that aspiring wit, lofty orations implore
An experimental structure gramatical anomalies to explore
A thematic repository in which concrete ideas, abstract notions to
pour
A vernacular cathedral butressed by an idiomatic core
Jul 25, 2012
Jul 25, 2012 at 6:37 PM UTC
It’s the morning after the last heart session
Eyes open but brain still crackling with static and white noise
When I try it again
Hoping to get pen to paper
Before consciousness can recover sufficiently to intervene
And proffer pretty syntax to the poem
Hold the mind blank
And stack the words in rows of green growth
Like garden beds
That only need time and attention to bear fruit
Let truth come from some other place
Than reason or left brain
Or the extensive vocabulary
Meticulously indexed in the cranial cavity
Somewhere near the brain stem
Or maybe in the DNA
As C, T, G, and A
Storing data like binary only twice as complex
The recall mechanism operating in the darkness of our comprehension
Apprehension of its failure threatening to leave the poem unfinished
Unillustrated
Uncalibrated
Un-fact checked
Like that matters somehow
Like the facts are important in art
Like the right brain has no sense of propriety
Just as surely as the heart tells lies in gibberish
A chattering maelstrom of syllables in a cyclonic vacuum
And yet somehow the heart speaks with perfect clarity
Uncluttered rhythm
Timing and flow
So you know there is more going on here than we fully understand
Lend a hand to help decipher the intentions of a part of yourself wayward from the rest of you
Leading to a collapse of the ego
And a blurring of the lines between you and I
Turning discrete data into continuous
On the fly
On the run
Under sun and and moon and sky
Until the day that even death fails to be discrete
Or even an event any more important than a fire
Converting energy from one form to another
Dec 1, 2012
Dec 1, 2012 at 7:42 PM UTC
~
*Lost inside a labyrinth
Tight-lipped tinkerer
open-mouthed cynosure
Pressing matters completing their circuit
all things said, but not spoken
Osculated locution, succinct phrasing
released, but not heard
The human element imparting
seminal spark
—together felt and touched
A tingling syntax
owing to its art
becoming its nucleus*
~
Jun 3, 2021
Jun 3, 2021 at 4:10 PM UTC
What a joy
What a joy
My little nephew,
Two decades back
Born abroad,
When a guest here
A ride on
A piggy shoulder
Who used to enjoy,
To whom I bought
A motley toy
Out of himself
Made a brilliant boy.
“As per my choice
Could you buy me a donkey
Or a could you allow me
A tortoise
To touch
When we go to
The squalid market square
Or the nearby church?”
Double mind
Is his nick name
Now crafting
Software is his game.
A small boy
Inquisitive
He used to ask
“Tell me why
Flowers don't grow
On the sky?”
“Tell me quick
Why animals
Don't speak?
Also stars
Don't grow
On the meadow?”
“Why is the sky high
To touch?”
Such questions helped him
Racking his brain
To come up with
Academic research,
That troubleshoot
Societal challenge
And afford
A nation a turnaround
Or for the better a change!
Now, conversant in IT
It is no wonder
To observe
Binary operation,flowcharts
Subroutines,syntax...
Programming languages
Are at the tip of his finger.
His study at
George Mason University
Has turned out a hit
Getting himself
In the Dean's List.
A boy that lends
To parents, relatives
And teachers
A heeding ear
Is really dear.
Jan 30, 2018
Jan 30, 2018 at 8:48 AM UTC
dear, you cut me off mid-sentence.
for all my skills, techniques and terms
here's a thing i can't find a way to convey.
a narrative even beyond comprehension to it's protagonist
a girl without a simile or metaphor applicable?
somebody to leave me laconic, short in syntax, unstructured.
will we discuss possessive pronouns now?
for in subtext, i am the possessive one.
i'm so lacking verbally
but i'm sure you'd understand it contextually
to punctuate: i can be the ellipsis, the implication of my omissions
but you're in my text as the most eager mark of exclamation
Mar 17, 2014
Mar 17, 2014 at 3:41 PM UTC
tucked in, nice curtains
frame the photograph
while i google syntax
and superlative,
conjunctions, filling.
forgot the dentist appointment,
another dark mark on the horizon.
lead soldiers may cause lead poisoning,
the line come longers, the family taller.
yes, it was a lovely day, pat.
sbm.
Mar 21, 2014
Mar 21, 2014 at 2:37 AM UTC
Distance traveled time spent's dynamic progressiveness, existentially transcendental's clairaudience clairvoyance. Metaphysical mystique’s evolutionally metamorphic futurity's fatidic incarnate. Due yesterday’s retrospectively retroactive. Protractive analyses' dimensional delineations. Enigma entity’s dexterously tactile acuity and coordinated agility on the identity crisis. Cerebral cortex’s ****** matrix to synaptic syntax semantics. Prospectus perplexity surreally sublime. Quagmire quandary’s poshly plush. Who am I to think I can conception of the infinite supply? Even the syntactics of eclectic synectics pale by compare to the atrociously impetuous impudence in pugnaciously audacious. Impromptu innuendo's juncture. Imagination’s immaturities are psychic clarity’s entelechy to evolutional tenants élan vital. Fiduciary principle's financially responsible fiscal policies. Mercenary mendacity's plenary plenipotentiary. Innocuous noumenal verity, mystic symbiotic’s chicanery dynamism fealties. Proximity parameter’s perimeter peripherals, vicinity victuals to vigilante villain, propinquity habitation’s harbingers of harangued. The question remains on the tribal: how can I stand next to the person I’m standing next to if I’m carrying on right through them. It’s the trajectory extant in spatiotemporal's telemetry tactician. Well graspy greedy on the stingy frugal to mingy minion and paw flaw laws claws on it. Get a glove, objectified manifest’s diminutive minutia iota’s of self-inductive interstitial extrapolation. Detinue perfective. Traveling down this obtusely overt contusion in my vehicular contrivance convection convolution. Nimbus nimiety exorcism’s aura roan to rainbow mare. Unicorn railway nails. Swarthy ******** swath swizzles on the sweaty swelter swerve to verve.
May 28, 2019
May 28, 2019 at 12:10 PM UTC
You need to pay a sin tax
for the way you talk smack,
calling me your property
your syntax is making me
over. the. hill.
I’m heels over head with
you
making me crazy
the way that you speak
your diction’s too weak.
“you’re so nice”
how boring, I choose more
elegant words
to describe your glory
I could write
a five-page double-spaced
essay about you
and get accepted to your ivy league
I could wrap my
arms around you
like ivy on stone
hang you up to dry
on the
clothesline
til you answer the
telephone
I could cling to
you
like static
on your sweater
you better
not
flick.me.off.
Hell, my poetry ain’t free
it’s about as free as
slaves
I have confines, rules
bats in caves
It costs me thoughts
and time
and frustration
costs me more than just greenbacks
and a vacaction.
you need to pay up
talk isn’t cheap
your words cost you
attention
even if
my love don’t cost a thing
I train you like a golden
retriever
you retrieve my orders
like a wide receiver
my language is figurative
but your actions are derivative
you’re confusing me
like
trigonometry
love triangles are not my thing.
our
l θve i ∫ a sin(x)
cos we go off on
tangents and don’t know where to
begin
first we’re infatuated
then we’re done
next we’re inebriated
then we have some fun
happens so fast
then we come together at last
This rollercoaster of emotion
has me puking again
I’m trying to calculate this algorithm
in my head.
its so complicated
I’ll need something else instead.
in this kaleidoscope
I see
many sides
of you and me
I spin it round to try to understand
all I see is a blur of colors
even when I hold your hand.
I wish I could see
the thoughts you hide
from me
I want to understand
you’re radioactive
your face is glowing
even in pitch black
your smile is showing
but, I never get to see
your eyes
make me crazy
hazy
they trip me up
and pull me down
periodically, you’re in your element
and everything clicks
then we stick and the chemistry’s quick
but then you open your mouth
garbage spurts out
I think it’s about time
I take you out
Oct 7, 2011
Oct 7, 2011 at 2:06 PM UTC
Down by two
the bruised-blue flesh
of the bronze butterfly's
escape through sacrifice,
flays the emotions..
Unwholesome the silence
that goes before her,
a sound like the heart
bound to beat like butterfly wings...
Gently her absence quick
upon me, inhales the night
and swiftly, the dark
sees only ease to relinquish
her candles sheathed in glass
epitaphs that collapse like veins
to fill the fluent air with the spare
embrace of the blue elements...
Down by two in the bottom of the ninth,
two out, two on, two strikes,
the soul's too tragic abhorrence of details
fails to deliver the impossible syntax
of apocalypse, on the lips
of a courteous Christ, crucified
by light, the night fades
far into the furthest exile...
Under a tropic of cancer,
her un-obscured brilliance
pierces the vault of heaven's vast
gathering of angels,
and their illegible scripture...
Shatters the soul in one primal
instant grand slam dream, quicksilver
through her midnight moment's landscape,
every cherished feature in flight, the light
of the bronze butterfly's escape
through sacrifice, to the silver flame
of moonlight's crucial adieu....
Feb 5, 2013
Feb 5, 2013 at 1:08 PM UTC
If there was another way to say it;
An easy way for you to understand...
I would not be pouring out these words
In an attempt to paint a picture.
I wouldn't be desperate to bottle
My emotions and thoughts
Into these stained glass letters,
With the tin syntax lid.
Poking holes through the top
Of my head,
So you could see.
Firefly ideas.
I am a photographer of hearts and minds.
The blood red room holds
My negatives.
How can I make them easier for you to see?
The composition so sweet,
The lighting so contrasted with
The shadows hiding the everyday.
What I really want you to do is stop reading.
Go look into the eyes of a lover.
Go hold a child's hand while they sing.
Listen to the wind change.
Feel the pulse of a city.
Cry with old wrinkled skin
For youth and life, and hope.
That is what my poem means.
It is a pulsing picture
Held captive in rhetoric.
May 18, 2010
May 18, 2010 at 6:42 AM UTC
The clock disserts on punctuation, syntax.
The clock's voice, thin and dry, asserts, repeats.
The clock insists: a lecturer demonstrating,
Loudly, with finger raised, when the class has gone.
But time flows through the room, light flows through the room
Like someone picking flowers, like someone whistling
Without a tune, like talk in front of a fire,
Like a woman knitting or a child snipping at paper.
3.3k
Wanderlust warlock blaspheme rapacity
Obsequious diligence pier pair appearance
Obstreperously vituperative vociferous tenacity
Consortium eclectic synectics concurrence
In extremis extremity cantilever capacity
Citadel clairvoyance pilaster conveyance
Inductive integration interpolative audacity
Derivative factor derivational appliance
Futurity fatidic’s laconic sagacity
Aseity veracity cacophony compliance
Accidence ambience aesthetics opacity
Acoustical articulation intonational occurrence
Apomixes anabolics histophysiological mendacity
Epistemological somatalogy syntactics refulgence
Refractive reflective semantics complicity
Hephestian dialectics Hegelian effulgence
Linguistic syntax synaptic intensity
totally tangential
Jan 22, 2013
Jan 22, 2013 at 9:10 AM UTC
as on a musical score,
our parts are dictated,
spelt out in dynamics,
in rhythm, in pitch, in
timing, in tone.
our fingers are being manipulated
across the instruments of our lives,
abandoning the very soul of our existence.
but observe how a little improvisation
in this large chorus of soulless players
does no harm.
it's liberating -
like a line that cares not for rhythm nor syntax nor sound nor length.
Jan 22, 2012
Jan 22, 2012 at 2:02 PM UTC
Maieutic dreamer, the ecstatic euphorias of cerebral cortex’s ****** matrix are pandemic. Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness. But what of stint-ness snities? Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums. Synaptic syntax is fervently intense like a feral phrenic frenzied **** Ruminating humanity’s collective consciousness gives me hysterical deliriums. We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture. And what of the organizational principles of our subconscious continuums? Do we only dream about dexterous articulation? Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary? What’s to phatic say about futurity fatidic’s forlorn wanton? We need chutzpah, moxie savvy’s panache. Is there no such thing as a universally acceptable ontological deontology? Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward. Elan vital is not subjective, it’s objective. Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable. Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue. Assay relay’s convey, foray delay purveys inveigh. Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered. Infusing all with the capability of aspiring to higher powers and yet not forgetting the mystery of self and others. I know I know what an ingratiating sycophant on the introjection. Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony. Seriously of we all enunciate so on the diction of mesomerism's to punctual. Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist. We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
May 29, 2019
May 29, 2019 at 11:35 AM UTC
Dressed-up words
misguide our naked thoughts
far more than naked thoughts
influence the use of dressed-up words.
Words can be a narcissistic cover-up
or
masks expressing secondary emotions,
even if the wordsmith
is begging to be
needed.
If one desires to communicate
with a purer intent,
to cut through language's sinew
of misinterpretation,
and into truth's marrow,
such communication can happen
within wordless silence
where blooms
touch
waves
salt
sweat
true north,
pantings
in the cold;
the swelling heat
of iron ignition.
When my tongue dissolves the words,
laps up innuendos
and syntax errors of reality
from in-between
the honeyed surface
of language,
over-stimulation
spins me deliriously.
If
this
needs a pause,
a breath to breathe,
to feel the distance,
our wavelengths
will never cease
to communicate.
September 12th, 2015
Sep 13, 2015
Sep 13, 2015 at 3:35 PM UTC
Tenebrous pastel diamond steps,
wielded in a sterile estate.
legates of bequeathed curiosity, boil Olifant eyes in a cake of mesmeric petroleum chances, wry in compound sleep dust.
Abtruse hands in acrimonious cackle, rights of primogeniture, consume reptilian hearts.
Wobbly, rib cages gesture j'accuse
Ownership, Mannhattan.
By the mercy a phosphorescent syntax, enticed by Creation,
exorciso false prophets, irreconsilable versions of Source.
Jun 24, 2010
Jun 24, 2010 at 6:14 PM UTC