With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

For all my friends and family i know you are all feeling
frustrated, helpless, and ready
to give up. It’s not your fault. You are not the cause of our suffering.

You may find that difficult to believe, since we may lash out at you, switch from being loving and kind to non-trusting and cruel on a dime, and we may even straight up blame you. But it’s not your fault. You deserve to understand more about this condition and what we wish we could say but may not be ready.

It is possible that something that you said or did “triggered” us. A trigger is something that sets off in our minds a past traumatic event or causes us to have distressing thoughts. While you can attempt to be sensitive with the things you say and do, that’s not always possible, and it’s not always clear why something sets off a trigger.

The mind is very complex. A certain song, sound, smell, or words can quickly fire off neurological connections that bring us back to a place where we didn’t feel safe
, and we might respond in the now with a similar reaction (think of military persons who fight in combat — a simple backfiring of a car can send them into flashbacks. This is known as PTSD, and it happens to a lot of us, too.)

But please know that at the very same time that we are pushing you away with our words or behavior, we also desperately hope that you will not leave us or abandon us in our time of despair and desperation.

This extreme, black or white thinking and experience of totally opposite desires is known as a dialectic. Early on in our diagnosis and before really digging in deep with DBT (Dialectical Behavior Therapy), we don’t have the proper tools to tell you this or ask for your support in healthy ways.

We may do very dramatic things, such as harming ourselves in some way (or threatening to do so), going to the hospital, or something similar. While these cries for help should be taken seriously, we understand that you may experience “burn out” from worrying about us and the repeated behavior.

Please trust that, with professional help, and despite what you may have heard or come to believe, we CAN and DO get better.

These episodes can get farther and fewer between, and we can experience long periods of stability and regulation of our emotions. Sometimes the best thing to do, if you can muster up the strength in all of your frustration and hurt, is to grab us, hug us, and tell us that you love us, care, and are not leaving.

One of the symptoms of Borderline Personality Disorder is an intense fear of being abandoned, and we therefore (often unconsciously) sometimes behave in extreme, frantic ways to avoid this from happening. Even our perception that abandonment is imminent can cause us to become frantic.

Another thing that you may find confusing is our apparent inability to maintain relationships. We may jump from one friend to another, going from loving and idolizing them to despising them – deleting them from our cell phones and unfriending them on Facebook. We may avoid you, not answer calls, and decline invitations to be around you — and other times, all we want to do is be around you.

This is called splitting, and it’s part of the disorder. Sometimes we take a preemptive strike by disowning people before they can reject or abandon us. We’re not saying it’s “right.” We can work through this destructive pattern and learn how to be healthier in the context of relationships. It just doesn’t come naturally to us. It will take time and a lot of effort.

It’s difficult, after all, to relate to others properly when you don’t have a solid understanding of yourself and who you are, apart from everyone else around you.

In Borderline Personality Disorder, many of us experience identity disturbance issues. We may take on the attributes of those around us, never really knowing who WE are.  You remember in high school those kids who went from liking rock music to pop to goth, all to fit in with a group – dressing like them, styling their hair like them, using the same mannerisms? It’s as if we haven’t outgrown that.

Sometimes we even take on the mannerisms of other people (we are one way at work, another at home, another at church), which is part of how we’ve gotten our nickname of “chameleons.” Sure, people act differently at home and at work, but you might not recognize us by the way we behave at work versus at home. It’s that extreme.

For some of us, we had childhoods during which, unfortunately, we had parents or caregivers who could quickly switch from loving and normal to abusive. We had to behave in ways that would please the caregiver at any given moment in order to stay safe and survive. We haven’t outgrown this.

Because of all of this pain, we often experience feelings of emptiness. We can’t imagine how helpless you must feel to witness this. Perhaps you have tried so many things to ease the pain, but nothing has worked. Again – this is NOT your fault.

The best thing we can do during these times is remind ourselves that “this too shall pass” and practice DBT skills – especially self-soothing – things that helps us to feel a little better despite the numbness. Boredom is often dangerous for us, as it can lead to the feelings of emptiness.  It’s smart for us to stay busy and distract ourselves when boredom starts to come on.

On the other side of the coin, we may have outburst of anger that can be scary. It’s important that we stay safe and not hurt you or ourselves. This is just another manifestation of BPD.

We are highly emotionally sensitive and have extreme difficulty regulating/modulating our emotions. Dr. Marsha Linehan, founder of DBT, likens us to 3rd degree emotional burn victims.

Through Dialectical Behavior Therapy, we can learn how to regulate our emotions so that we do not become out of control.  We can learn how to stop sabotaging our lives and circumstances…and we can learn to behave in ways that are less hurtful and frightening to you.

Another thing you may have noticed is that spaced out look on our faces. This is called dissociation. Our brains literally disconnect, and our thoughts go somewhere else, as our brains are trying to protect us from additional emotional trauma. We can learn grounding exercises and apply our skills to help during these episodes, and they may become less frequent as we get better.

But, what about you?

If you have decided to tap into your strength and stand by your loved one with BPD, you probably need support too.  Here are some ideas:

Remind yourself that the person’s behavior isn’t your fault

Tap into your compassion for the person’s suffering while understanding that their behavior is probably an intense reaction to that suffering

Do things to take care of YOU. On the resources page of this blog, there is a wealth of information on books, workbooks, CDs, movies, etc. for you to understand this disorder and take care of yourself. Be sure to check it out!

In addition to learning more about BPD and how to self-care around it, be sure to do things that you enjoy and that soothe you, such as getting out for a walk, seeing a funny movie, eating a good meal, taking a warm bath — whatever you like to do to care for yourself and feel comforted.

Ask questions. There is a lot of misconception out there about BPD.

Remember that your words, love, and support go a long way in helping your loved one to heal, even if the results are not immediately evident

Not all of the situations I described apply to all people with Borderline Personality Disorder. One must only have 5 symptoms out of 9 to qualify for a diagnosis, and the combinations of those 5-9 are seemingly endless.  This post is just to give you an idea of the typical suffering and thoughts those of us with BPD have.

This is my second year in DBT. A year ago, I could not have written this letter, but it represents much of what was in my heart but could not yet be realized or expressed.

My hope is that you will gain new insight into your loved one’s condition and grow in compassion and understand for both your loved one AND yourself, as this is not an easy road.

I can tell you, from personal experience, that working on this illness through DBT is worth the fight. Hope can be returned. A normal life can be had. You can see glimpses and more and more of who that person really is over time, if you don’t give up.  I wish you peace.

Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

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Cavernary Political and Ellipsis:

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Ran because of every day the sun ahead of them a lesson for a man of the future...
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Golden Chariot Carrenio

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to figure out the small
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So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…

Slipping stocking on silky smooth legs.
Wanting and yearning to turn people's heads.
Dressing up nice in a posh frock.
Knowing people will judge, people will mock.
Applying makeup like a pro,
But needing to keep the status quo.
Styling a wig to look like a girl.
Feeling the butterflies, head in a whirl.
Looking deep at the eyes reflected in the mirror.
Where is the man? can just see a glimmer.
Feeling for a moment that he does belong.
Takes a deep breath, tries to stay strong.
Feeling comfortable within his own skin.
Just slightly visible, hair growth on his chin.
He will not venture out as he's branded a freak.  
But really he's normal, maybe a bit weak.
For if he goes out people think he is guy.
He's just like me and you at the end of the day.
Some think he's bisexuality, it's really unfair.
He's just heterosexual with a little more flare.
All he's ever wanted, is to be accepted.
In this current decade still is rejected.
If you gave him a chance you'd see he's real nice.
His heart is so warm, not cold as ice.
He loves with his heart, is caring and tender.
Look deep within, he is only transgender.

You seeing me rapping will never happen
Before that I’ll start cappin
Walk off like nothing happened
Since I’ve mastered this art of war
I tend to take things too far
Don’t give a **** who you think you are
Your rap handle doesn’t exist anymore
My rhythms galore, your rhythms manure
Best left in a bag
On your steps
At your front door
Hottest your rap crap will ever get
I’m so polished this is a blemish not a scrimmage
I treat you little *******
Like a teacher’s pet
Up against a Vietnam war vet
Giving you your first shoots
Flipping the script
Double barrel twelve gauge extended clip
Special grip pressed against your lip
Having a hard time talking ****
A pistol whip left your tooth chipped
Fake rappers rapping hard
No street creed; they ain’t legit
This wack imitation ****
Got me *******
Don’t get me started
you rip offs should get lost at all cost
dealing with a real boss I can handle a loss
Testing me lyrically, you must be previously *******
Now you are dearly departed
I’m styling on you I’m wilding
Bloodline of Goliath  
So go ahead start a riot
With my mic on autopilot
You can get chewed like trident
Eating wack MC’s
essential part of my diet
this ain’t even a battle verse
it’s a gift and a curse
running its course
on my high horse

During a walk through the hallway
of the primary school
I find hallways
filled with turkeys and leafs and stiff scrawled characters.
What is Mr. Smith's class thankful for?
Flowers and toys and cars and dresses and pink and purple and soccer and skirts and barbies and family.

How could you sum up all of the things you are thankful for in one word?
At the end of the hallway I am faced with a choice:
What are you thankful for?
-----------------------------------------------------------­------------------------------------------------------------
What­ am I thankful for?
Happiness, and family and security and nature and
friends.
I am thankful for friends.
I am thankful for laughs and chatts and cries and sobs and games and smiles.

I am thanful for ****** contortions and 80s dance sessions,
for inabilty to speak.
I am thankful for hobos, eating on the side of the road,
and for devious scheymes of intoxicatation.

Hep beni anlayan bir arkadaşım var müteşekkirim
and who listens to my sob stories.
I am thankful for singing in the rain.
And styling hair in the sink
for screeching and howling
and hissing.

I am thankful for obkirchergasses,
for Ströcks and for ice cream plarlours.
I am thankful for mentos,
and walnuts.

I am thankful for bad lip readings and hilarious youtube vidoes.
I am thankful for unknown languages and nymphs
and for eloquence.
I am thankful for good taste in music
and for strong opinions.

I am thankful for dancing indian pirates with demon chicks and fireballs.
I am thankful for two-headed teenagers and barbeques.
I am thankful for God and healthy choice prayers,
and Hawaii get aways.

I am thankful for huge, hanging sweaters and crazy, funky leggings.
I am thankful for deep talks about the world's lack of beauty
and for poetry buddies.

I am thankful for dodgeball playing mice,
and poor old wenches.
I am thankful for pirate and mermaid adventures.

I am thankful for the looks we get:
looks of loud disapproval,
and whispers of quiet exasperation.

I am thankful for golden men and loud singing,
for crazy dances with crazy cousins and cute brothers.
I am thankful for Aunt Jemima.

I am thankful for banging on metal bars with rocks and shouting at the top of our lungs.
I am thankful for climbing over gates in order to not step on cracks.
I am thankful for amazing humanities teachers.
I am thankful for a laugh when the day is over.
-----------------------------------------------------------­---------------------------------------------------
How those kids manage to fit all of their thankfulness into one word  is beyond me.
Even the one-word things we are thankful for, must be described with a million words.

Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Written on 11/20/2017

That awkward moment when someone flirts with you on a dating app and says "I like that you look masculine."

You see,
I never saw masculinity as a part of me.

My identity was always flamboyant,
wearing pink shirts and sashes,
crop tops with styling gelled eyelashes,
sparkling headbands and dazzling bandannas,
snapback hats featuring giant bananas,
I dressed with the raging flamboyance of flamingos!
Sporting a certain type of femininity that only a gay man knows.

All the trimming and cutting, and shaving and nairing,
for hours,
as time and body hair intertwined in the showers,
washed masculinity off my body down the drain,
Experienced electrolysis burns, but the pain
had infected my thoughts,
like each hair is unnatural.  

Purge it all,
Scorch and torch it all,
Leave nothing at all!
No trace
of evolution's flawed attempt to grace
me with an adaptive advantage to take on the world's harsh climate.  
I admit,
this hair entangles me and strangles me,
it also oozes out of me like pimples from a pore,
a ***** to testosterone,
poor me - a victim of nature's masculinity.
What a hairy situation I've gotten myself in.

--

Femininity.
Its bestowed upon me by society.
When I sashay or say hey gurl hey,
society recognizes these things as girly and gay,
not a very masculine way to walk or talk.  

Stereotypes about *** and gender are so easily manipulated.
Like a circus performer on the tight rope,
the suspense keeps people wondering where will I fall?

But hold me under a microscope and you will see it all,
a million molecules that makeup my femininity.
I wear skinny jeans and tank tops,
then get complimented on them by dude bros,
like yo that's tight- where'd you get it boss?

I bought it in the girl's section at Ross.

My toe nails painted and displayed for public view,
flip flops emboldened with matching turquoise hues,
Femininity is worn on me like a fabulous armor plate.

--

Fast forward to a fateful date during No-Shave November.
I remember,
growing out my ****** hair for the very first time,
I wore it like a mask,
portraying a fictional character who was masc-uline.
Bathing in manliness at this masquerade.
It was through this charade,
that I grew
... temporary happiness for me from all of you.

The compliments they poured in.
My once smooth canvas of a face,
waiting to be crafted into the Mona Lisa,
had been turned into an artistic masterpiece,
'Gay Man with Amnesia',
of who he used to be.
A painting of someone society wanted,
someone whose masculinity was outwardly flaunted.
But inside, I felt taunted,
each time they complimented
me and my newfound masculinity.

--

Then, it happened on Grindr,
a gay dating app.
This masculine mishap.

A stranger's message read, "I like that you look masculine."
It sounded even stranger in my head.
Their profile description read,

"Masc 4 Masc
Masculine man seeking other masculine men to hangout with."

That's when I felt it.
My mask had made me masc.

This particularly manic morning brought me to ask
myself in the bathroom mirror,
"Who the hell am I looking at?"

In sheer terror, I teared-up,
scanned the portrait of 'Gay Man with Amnesia',
and then decided to tear it up!

I grabbed my electric razor,
grum grum grummm
as these blades grazed my face and chin,
I was offered sweet, soft, porcelain skin - my absolution.

pause

heh heh
When I came to and snapped out of the amnesia,
eager to see results of this restorative procedure,
the mirror was fogged with steam and slop.

I tried logging in to my laptop's webcam,  
for naught.  
The ****** recognition feature -- didn't recognize me
... but finally, I did.

Once again, I see the man behind the masc-ulinity.

My Poetry Flows In ... " So Many Ways " ... !!!
Which Goes To Show That My Wordplay's GREAT ... !!!!!
  
"Your arrogance, will seal your fate !"
  
"What was that I heard you say ?
Why, because I gave self-praise ?
Well, you I guess, are not God Blessed,
because you're jealous, I suspect ?
In many ways, your mouth must have,
a sour taste, and jealousy,
like being, two-faced, is clearly this,
your first mistake, and will ensure,
your fall from grace !
Your actions in, so many ways !
prove you clearly have no shame !
Luckily for you, I won't say names !
But, trust in this, I've booked you a place,
in the Hall of Shame !
  
Why Do MOST Poets Act This Way ... ?!?
And Try SO HARD To Stake A Claim To Be ... " THE ONE " ... !!!!!
  
I'm NO Tom Cruise But Am ... " TOP GUN " ...
And Hold POWER Like ... VADERS' Son ... !!!!!!!!!!!!
  
See Words of Mine ...  
Touch ... " Time and Space " ...
And Are Compiled In ... MANY Ways ... !!!!!!
  
So MANY Now ...
That I'm ... AMAZED ... !!!!!
  
I'll Take Applause But Praise The Lord ... !!!
Cos' By Gods' Grace I Write His Words In MANY Ways ...  !!!!!
  
At Times Like This I Thank ... " My Mum " ... !!!
For Loving Me Her ... " ONLY SON " ... !!!
In SO MANY WAYS For ... So MANY DAYS ... !!!!!!!
  
" I Miss you mum !!! "
  
In More Ways Than I Can Mention ...
  
But Now It's Time For Me To Rhyme ...
And Make My Way By Making Space ...
For Those Like Me Who DO Relate ...
TRUTH Instead of WASTING SPACE ... !!!!!
  
For Heavens' Sake They Take The Cake ... !!!
Claiming ....
  
" Mate, I do create ! "
  
Sometimes I Really Want To Say ...
  
" Listen mate, just Shut Your Face !!!"  
  
But What's The Point Go Back A Ways .......
  
These People Are As I've Said Before ...
Those Who CLEARLY Are ... " Two-Faced " ... !!!!!
  
They Simply Use Their ... " Second Guise " ... !!!
To Spread More of Their .... " PUTRID LIES " .... !!!!
  
They Are The Ones Who Yes ... " Contrive " ...
To Use Our Funds To ..... " CAPITALISE " ..... !!!!!
  
While Me I Plot To See Them ROT ...  
And Watch Them Slide To Their DEMISE ... !!!!!!!
  
In SO MANY WAYS ...
I Try I ... TRY ... !!!!!
  
But Sometimes Wonder Is It Wise ... ?
To Think of Ways That May Result ...  
In VIOLENCE ... or Worse GUNFIGHTS ... !!!!!
  
Well Nowadays In MANY Ways ... !!!
  
Promotion of Guns Is Now In Sight ...
of ... " Youthful Eyes " ... !!!
  
As If It's RIGHT To ... " SHOOT TO **** " ... !!!
It's NO SURPRISE Young Blood Gets Spilled ... !!!
  
Policemen Use Them ... YES That's Right ... !!!  
  
Gangsters Use Them For Their Crimes ... !!!  
  
Rappers Use Them So They ... " SAY " ...  
But Then Are Told That ...
  
" What they say, causes problems !?! "
  
Corporate Men Have NO DEFENCE ... !!!  
  
But Emcees PLEASE Use Common Sense ...  
Make Them Pay You Pounds and Pence ...
  
Or ... Dollars And Cents ...
For CLEVER Use of .... " Pad and Pen " .... !!!!  
  
NOT Lives of CRIME And VIOLENCE ... !!!!!
  
Talk About Our Governments ... !!!!!
FEED Your Brain Then ... " Edutain' " ....
  
Dismiss FIFTY Check .... " KRS " ....  
Free Styling's Great In ... " Many Ways " ... !!!
  
So ... DON'T Use It To Give Off HATE ...  
To Those Who Have Skin Tone Like YOURS ... !!!
  
Cos' ... YOU'RE To Blame ...  
When Someone Else Treats You The SAME ... !!!
  
Do You Really Think That's Hip Hops' Aim ... ?!?
  
Don't Get Me Wrong ...
I'd Rather See THAT Than Bullets In Brains ... !!!
  
But Promotion of DEATH Is just INSANE ... !!!!!!
  
Competing ...  
Goes With Life Like PAIN ... !!!
  
But UNITY ...
Helps People GAIN ... !!!
By Helping Them Keep Blood IN VEINS ... !!!!!
  
" Take That IN " ... !!!
  
HEED What I'm Saying ... !!!
  
That's PROOF AGAIN ...
of How My Words ...  
Feed DIFFERENT Strains ...  
  
By Using Them In ...
So MANY WAYS ... !!!
  
My Views Are COMPLEX ...  
Like My Brain ... !!!!!!!  
  
And Like My Prose ...
Flows Through My Veins ... !!!  
  
It's MAGIC But NO David Blaine ... !!!
It's Simply THIS A Gift That's ... " GODLY " ...
  
Prose I Write Is Far From ... " Shoddy " ... !!!!!!!  
  
I've Got BIG EARS .... !!!  
So ... Where Is Noddy ... !?!
  
That's It Folks ...  
No More quotes And No More Jokes ... !!!
  
" Mum I MISS YOU LOADS and LOADS ... !!!
EVERY DAY And Love You STILL In TRULY YES .................
  
...... " So Many Ways !!! " ......

are you not weary of signals
people in their garments and their styling
in their homes and their gardens
embroidery on the corners
of their tableclothes
all waving peacock feathers
here! here! is where I come from
here my finances
my people
my desires

the tip, the trick:
apply layer after layer of
obscure reference
and then hope there is someone
to whom it is entirely transparent

Dad and Mom both want me
To dress like they both dress.
If I don’t follow their rules
They think my life is a mess.
I understand that they don’t
Like the way I wear my hair
But, if haircuts are mentioned
In the Constitution, tell me where.

I’ll be a mullet-wearing hipster
As a dedication to yesterday
If ever a day is officially declared
Celebrating double-knit polyester.
But until that day comes, folks
I want you both to know
I don’t want to look like I am
Character from a television show.

I don’t mean to be picky here
But I have suffered the ridicule.
I was the only kid dressed up
Like a CPA in elementary school.
We’re not talking about me
Joining a gang of outlaw crooks.
I just don’t want to get beat up
Because of the way I look.

I’m not shaving ‘***** you’ in
The back of my shaved head.
Neither do I want to come
Dressed as a nerd instead.
It’s probably all about moderation
And less about modern style
But with your kind permission
I’d like to talk with you awhile.

Let’s come to some happy medium
Where you don’t think it’s a scam
That I want to enjoy my youth
And be the person I really am.
I do understand parental guidance
And am grateful that you are here.
But please let me get with the times
Before I prematurely age ten more years.

Margaret Elizabeth porta un senso assassino di vestiti da sposa stile a qualsiasi cosa che fa .Che si tratti di progettare per la sua linea di gioielli o styling il suo pad città .non c'è dubbio che questa ragazza è uno da guardare .Ultime sulla sua lista di successi ?Sposarsi con il suo bel fidanzato .sulle rive del Rhode Island.E ' tutto ciò che vi aspettereste da un designer di talento come un matto.e Leila Brewster non perde un colpo .Date un'occhiata nella galleria completa



di chicche (tra cui peonie rosa a'plenty da Sayles Livingston Fiori !) .E non perdetevi il film giorno delle nozze da 3 Belles Productions abiti da sposa 2014 .
Si prega di aggiornare il tuo browserShare questa splendida galleria ColorsSeasonsSummerSettingsCountry ClubStylesCoastal

Da Sposa ( progettista e proprietario di Margaret Elizabeth) .** sempre immaginato sposarmi presso il Dune Club .circondato da una grande varietà di familiari e amici .Il posto era davvero importante per noi .come abbiamo entrambi amiamo l'acqua e voleva sposarsi in riva al mare .Il Dune Club è un luogo particolarmente speciale per me causa di tutto il tempo che ** trascorso con la mia grande famiglia allargata .Mia nonna era una wedding planner incredibilmente di talento e abbiamo trascorso ore e ore seduto su quella spiaggia.molto sognare di questo giorno .Dal momento che lei non è più con noi .volevo essere sicuro che ** incorporato il maggior numero di elementi possibile da quelle conversazioni lato della spiaggia .

nostre tovaglie erano una di quelle cose .Abbiamo lavorato con biancheria La Tavola a venire con un corallo .crema e oro picchiettato schema dei colori e Sayles Livingston per tutti i fiori .Squadra Sayles ' creato le strutture ramo che pendevano sopra i tavoli .** amato questi perché hanno creato una sensazione che ricorda di Sonoma .in California .una delle nostre città costa occidentale preferita e il luogo del nostro impegno .Mentre l' arredamento e del nostro matrimonio era così divertente per la progettazione .la maggior parte del nostro weekend stava trascorrendo del tempo con tutti i nostri amici e parenti che si sono recati a Rhode Island per festeggiare con noi .

Il mio momento preferito del vestiti da sposa matrimonio era proprio dopo la cerimonia - Lane e mi aveva appena finito di camminare lungo la navata e abbiamo avuto questo momento breve dove c'eravamo solo noi in piedi sul prato .guardando verso l'oceano .È stato un momento tranquillo e bello che sarò sempre tesoro

Fotografia : Leila Brewster | Cinematografia : . 3 Belles Productions | Event Design : The Bride | design floreale : Sayles Livingston Flowers | Abito da sposa: Monique Lhuillier | Cancelleria: Smock Letterpress| Scarpe : Valentino | Altri Abiti : Ivy e Aster | Abbigliamento dello sposo : Hugo Boss | Catering .Torta + Dessert : The Dunes Club | Hair + Trucco : La La Luxe | Gioielli : Margaret Elizabeth | Biancheria: La Tavola | Veil + capelliaccessori: made ​​by Bride | Sede : The Dunes Club | vino: Bluebird ViniIvy \u0026 Aster e Monique Lhuillier sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Sayles Livingston Progettazione e noleggio La Tavola bisso sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Sayles Livingston design VIEW PORTFOLIO La Tavola bisso Affitto
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Respect
for the mother and fathers who build this playground for us to roam ,
respect for the floating flowers sweet seed sprouting into blossoms tree
respect for the love of self - selflessly
respect for the helpers helplessly
respect for the boundaries

rises climatic waves crash onto soft shore
breakfast on the patio
what could one ask for more
then a wake up call without using a phone

last night's revelries spill over into today's serenity
sacred ground
sacred sounds
early bird gets the worm they say

share the love
spread the love , doctors healers
love knows no bounds
but seeks to reach each tip of wing in illuminated golden heart seen on first meeting
glows the fireflies
who light up the night time so bright
nor the wonderlusting princesses moving in her own skin with so much filling to the brim
overspilling with kisses and loves
spilt beers and american dreams turn to dust on the desert plains
and the silken haze hangs low across the city
bike riding race styling high flying
we already die to live to give
we already sing to the silent tunes of water droplets
and bird calls
tree's sigh in daylight delight and fight no one,  not even the night for ...


the tree's photosynthesise by moonlight
leaves drink in the cool wise light and give off dreams of softly fading starlight
and laughing at Jamican tour guides....*exucse me while i light my spliff....har har har har.....and over here is the kitchen...

let's go back to basics
i'll punch you in the face
i'll rip out your hair and eyes and teeth and use them as jewelry around my sleeve
oh how much i love you! every part of yourself you've given me! your brown eyes and bleached teeth - you make me look so chic!
i don't care that your veins and enamel and sticky hair styling products are ruining all my long-sleeved clothes
i'd rather wear you now and save my expensive jewelry for more formal and important events -

                                                              ­                                                                 ­      my heart's made of gold

LUCKY 13 BIG TRIP DIP
From the 12th diary entry of Stewy Lemmon's childhood adventures.

This week my whole family, Smoochy and I, all headed off by car, to the annual big city fair on Friday the 13th. Some people believe an unlucky day of the year and an unlucky number for most. It was a big trip for the whole family, which took about two hours and twenty-five minutes to get there. But, we all still looked forward to it coming around each year, despite the long drive.

I had been to the big city fair, for every year that I can remember. My parents have been going there, every year since they were my age. I thought, 'Man, they must be old now, maybe one hundred and two years old or even a lot more'.

The food stalls were packed full of snacks and different makes of cakes and all kinds of different, yummy-in-your-tummy things, for us kids to eat.

There were stalls selling: Creamy Caramel Cup-Cakes, Limited Edition Lollipop Layered Lamington's and even some, short, swirly, Shortbread Slices. Even, my mum and two, much older, identical, twin sisters, Emma and Jemma, had set up their very own food stall. They, were selling heaps of my colourful creation named, 'A Colourful Take-Away Fruit-Blast In A Bag'.

They, were even selling, clear plastic cups along with a spiral-shaped straw.

But, only for the people, who emailed me for the secret, Jiggy-Jiggy Side-Kick Creation instructions, which was in my third diary entry named, 'Water off a Ducks Back'. Only then, will you remember what the plastic cups are for and how to perform the all important, Jiggy-Jiggy.

There were so many fun rides at the annual big city fair, for all of the kids to enjoy. Like the dodgem cars, a jumping castle and the pirate ship, 'my favourite ride of all time'. I loved sitting at the very back of the pirate ship because, it made me feel really funny in the tummy.

Towards the end of the day, my dad, had bought a ticket in the, Big city annual lucky dip first prize, surprise raffle. He had never been lucky in the big city raffle, all of the previous years before. So, this time, he didn't pick his usual lucky number 7, but instead he picked number 13 and guess what? 'He won the first prize surprise'.

We all went to see what the first prize was, at this year's annual lucky dip surprise raffle. It was a family holiday to thirteen of the world's most colourful cities. The whole family screamed, with joy. But, I then slapped my face a little and said to myself, 'Is this another dream of mine'? 'Nope! this one's for real', mum told me, with glee.

The day had arrived, for the start of our colourful, lucky-dip, big 13, city trip adventure. We had, packed all our bags and I even put in my dad's trusty, fancy, far out, funny binoculars and my very, super, sporty, single-shot, stylish slingshot. Just in case, I needed them both on our exciting city adventures.

My two, much older, identical, twin sisters, Emma and Jemma, had packed their bags full of makeup, creams and a hair styling dryer. While, Lemmy, had his bag packed by our dear mum, Flo, along with her own. While, dad went to his unusually built and outrageously painted, backyard, outback, shed and gathered his tools and paint brushes for the trip.

We headed to the airport, to start our first leg of our adventure to London England. On the first day, we went to visit the queen, in her very large house named, Buckingham Palace. The palace guard's face's didn't move one bit. Even, when dad, tried to make them laugh, with a funny joke or pulling faces at them, to make them smile.

Then, off we went, to see Big Ben. It was built years ago along the river Thames. We, then went to see some old rocks called, Stonehenge. Nobody knows exactly, why they were made. Their just placed, all alone, located in the middle of a large field, gathering moss and all still on show.

We then took a ferry ride across the English Channel and hopped off in the Netherlands. We all stayed in the very colourful city of Amsterdam. Mum, loved all of the beautiful flowers and my two, much older, identical, twin sisters, Emma and Jemma, especially loved trying the, unusual sweet cakes and drinks in the many cafes all spread about town. While dad, Lemmy, Smoochy and I, really enjoyed riding the bikes along the paths, on the side of the long and winding canals.

Then, we went to the beautiful, but cold country of Norway. We stayed in the capital city of Oslo. We took a boat ride through the icy fjords and I even thought, I saw that whale that winked at me, on that adventurous day out at, Slip-Slop-Slap Bay.

We then went by bus up north to see the Aurora Lights. Wow! what a sight. It was like daytime, even at ten thirty at night.

I even thought maybe, Stefan Pettersson from North Poland the ski instructor at Shivermytimbers Ski Lodge, lived close to here.

Next city was Paris the city of lights in the country of France. We went up the Eiffel Tower and I pulled out dad's fancy homemade binoculars from my bag and had such wonderful views of the city and then took a taxi for a ride through the streets of Paris and even went under the historical Arc of Triumph. Then we all went to see the great artwork and sculptures at a place called the Louvre. We saw a serious painting of a sad lady named Moaning Lisa; at least that's what I think the tour guide said.

The next morning we boarded a small plane and landed in the very watery city of Venice in Italy. I thought we were going to land on water, just like Buck the Duck does back at the small village pond. The city is surrounded by water and everyone travels by a small boat called a gondola which weavestheir way through the water canals and under all the old bridges. Smoochy even climbed up into the top left-hand side pocket of the Italian man sailing the boat, to get a better view. The food was so colourful in Italy, like the spaghetti, pizzas and delicious and colourful gelato.

Egypt was our next adventure stop and we went to the ancient city of Cairo. The very old Pyramids were out of this world, with precision angles and stones that fitted together ever so well. A cruise on the long Nile River was very exciting to see as well. It went from one end of the country to the other, but we only travelled on it for a mile or so.

Then off to Thailand and to the capital city named Bangkok, the busiest city of them all. There were cars, taxis, two wheeled motorbikes and funny three wheeled colourful ones called

Tuk-tuks. There was traffic and people everywhere we went and a lot of confusion by the Lemmon's when trying to cross the busy streets. We even visited some very old Buddhist Temples in the countryside and had some lunch that was extremely hot stuff, which made us all, puff. They gave us bread and water to cool our mouths down afterwards. Mum said, oh what a colourful and spicy city it is, and I love there ancient culture and friendliness of their people.

Off to the big red and easy going country of Australia tomorrow. We visited a place in the middle of nowhere called Alice Springs, which was in the Northern Territory of Australia. The next day we climbed up a rock named Uluru that was a sacred area for Aboriginals, the original inhabitants of Australia. We took a trip to a beautiful area up north of the Northern Territory called Kakadu National Park. Where we saw big red kangaroos, crocodiles and even some emus. One kangaroo even to try and box dad, but dad ran away and said, ‘He would fight him, but he forgot his gloves’.

We then headed off to China and the island of Hong Kong. What a very old and colourful city it was, with so many colourful buildings to see. In the large harbour we saw painted fishing and food boats cruising around.

Brazil Rio de Janeiro was next and we even saw the famous Carnival, with people dancing to a very cool beat. All dressed up and having the best party of all time. Down on the beach people were swimming and surfing and lying about in the sun. We even went to see a football match with USA v Cameroon playing, oh so well, for the winner would get its hand on a large world cup. We also saw a very large statue of an important man perched on a mountain.

USA was the last country to visit before our adventures would come to an end. We landed in Los Angeles and went straight to the magical kingdom of Disneyland. We did a day tour of Universal Studios where they make all the great movies.

Off to Nevada we drove and stayed one night in the ever so bright Las Vegas, oh what colourful sites we saw from our seventeenth floor suite hotel window. There were so many colourful casinos stretched out as long as you could see which light up at night alright. Dad even said you could see the lights from outer space. The next day we took a flight over the Grand Canyon in a Hot Air Balloon. We saw beautiful waterfalls and even saw people on donkeys riding down far down below.

New York was our last city to visit; it was especially dad's favourite city, because his ancestors had lived there for years, before coming to live in our village of Shimmerleedimmerlee to start a family, all those years ago.

The Empire State Building was an historic tall building that even once had a gorilla on top making a movie. Statue of Liberty was so fun to climb up and see all the lights of New York from across the Hudson River.

We took a horse drawn carriage ride in Central Park and even saw a memorable garden for the ex-Beatle John Lennon.

While travelling the New York subway to get to Soho we saw some great graffiti artwork sprayed on council approved walls.

The next day we were heading back home, which is nestled amongst the trees on a hill, in a little country village, called Shimmerleedimmerlee.

Avec l'été juste autour du coin.je suis toujours dans l'ambiance pour une lumière et cocktail rafraîchissant .Cette baie triple cocktail fait tout le tour!Il est parfait pour un pique-nique d'été avec un être cher.ou une fin de nuit se réunissent - ainsi que tous vos amis seront impressionnés par les couleurs Ombre !Assurez-vous que vous vous dirigez sur plus de mariages à voir ce cocktail dans l'action !xo .Lisa\u003cp\u003eLisa DolanTriple Berry Ombre CocktailThe parfait cocktailprep time2 été Minute / Scook time2 timetotal Minute / sServes 0IngredientsBerry ***** (nous avons utilisé la framboise .mais toute la saveur ferons ! )\rChampagne\rLe jus de canneberge\rMûres robe courte devant longue derriere ( pour la robe ceremonie fille décoration robe ceremonie fille ) InstructionsPour 3 oz ***** aromatisée dans un verre de vin ou un cocktail\rVerser dans deux onces Champagne\rVerser



2 oz de jus de canneberge\rHaut avec une brochette de mûres ou de framboises et boire !\rNOTE : Ce cocktail est super simple - vous avez juste à faire tout afin d'obtenir la couleur Ombre .Vous pouvez ajuster le taux d'alcool de jus à votre goût - n'oubliez pas de garder les choses en ordre Photographie
: Lisa Dolan Photographie | Design de l'événement: Mint Space Design | Styling : Lisa Dolan Photographie

http://modedomicile.com/goods.php?id=2744

lyrically, I kind of feel like an assassin
at the task point & equipped with poison darts
for I'm 'bout to let fly an attack in
this b#tch with toxic bars
pointed, like v𝗜per's fangs, at an
outfit of office bo[ɑ]ds/do[ɑ]gs
kno𝗪n 𝗔s "Electro𝗡ic Ar𝗧s"
at the time it was found
a certain game of thine is shut down
like a chipmunk, I went nuts
'cause, for keeps, I'd lost 𝗠𝗬 𝗖𝗔𝗥𝗦 (lost)
on styling which, several hours were spent
thanks for all the time wasted
don't even have screen captures of them
awesome, amazing!
——————————————————————
when it comes to discussions like games get
human noggins go crazy
it's not them themselves are stuff to put blame on
it's, among things not mentioned, such situations
——————————————————————
now getting 𝗕𝗔𝗖𝗞
to those responsible for that scoundrelly act
and probably not giving an ounce of a f#ck
like a tire drifting down a speed track
[attire]
it's gon' get smoky & **[ɑ]t (for you)
barbecue; so go hit a dog & bone & ring up
[heat]
a local smoke eaters squa[ɑ]d
'kin to "Rebel", I scream f#ck the suits
[keen; ice cream]
like somebody chosen to o[ɑ]pt
for a punk-like look
but you can all get choked by asco[ɑ]t (lethally)
as if you were getting iced by someone who's
got Caledonian blood (a Scott)
appetite to hunt unful–
–filled; you're in it to make bread like *******s
[field]
but don't be swift to get laid-back, don't chill
akin to potatoes & sh#t
like that, better maintain your eyes peeled
better still is beating a hasty retreat
'cause it's me in the same freaking field
[freak in field]
the Creeper, in it to prey like a priest
[pray]
as if you were ****** in religion (horse?)
I'm speeding your way like a whip (vroom-vroom)
in other words, you're in fO̲r some moll-treatment
told I'm in it to prey since it's writ
large that you're being a game in this b#tch
which, in turn, is the reason I'm playing a bit (with words)
to say it in brief, you're simply collation to ge[ɪ]t
let me add a medievalish taste to this sh#t
[evilish]
arranging it akin to the H & the G
[a range]
not "H" & "G" as in hunter & game, though
"H" & "G" as in Hansel & Gretel
i.e. with you getting ablaze like a witch
with this one, might be given a place in a list
of ones given to making it lit
in the middle of taking a trip, the freighter's equipped
and fit for action like babes in dance clips
the cargo's like a pro[ɑ]stitute
becau[ɑ]se it's gon' go down on you
a kind of mood to bust the roof
of the "Arts" HQ; an armored loot
box, large & toom, will pro[ɑ]b'ly do
then dump on you a multitude
of fla[ɑ]sks produced
from gla[ɑ]ss & full of ga[ɑ]s, then use
a bottle of Molotov
like pirate dudes, I spark the fuse
the falcon shoots, the target's doomed
dead in the water, so a po[ɑ]ssible res–po[ɑ]nd from you (pond)
is nothing short of garbage-good (dead in the water)
[lyrical waters]
these bars being by the side of you are like balloons
within a reach of clowns
in other words, you might get it twisted now
but it's time for you to find a new **** jo[ɑ]b in view
of the lines above becau[ɑ]se it looks
like I̲'ve zilch short of go[ɑ]tten you
fired, which is why I̲ feel like a bo[ɑ]ss 'kin to
a vehicle used bY̲ whelps to get brou[ɑ]ght to school (bus)
exorcism bout
for it's like getting demons out
[letting demons out]
guess you, "EA", have already figured out
the amusement which shutdown
my pen is steamed about
it's "NFS: W"

For some reason I can’t fathom I’m constantly alone,
as there are never any men calling me up on the phone.
I’m not sure why this is, but there must be some reason,
why there is such an absence of men in my life, season after season.

I guess it could be the fact that I have a lot of friends,
except they’re all cats and apparently that’s not “in.”
I don’t really understand it, we get along quite well,
and I know that all my cats do think I’m absolutely swell.

And yet my dates don’t usually last any later than six,
which could have something to do with all my cool cat pics.
Apparently guys think it’s “weird” when you show them all that stuff,
they’d rather see pictures of **** girls in the buff.

So when I present men instead with a styling, western-wear cat,
they are less than impressed, and that’s the end of that.
You’d think I would learn, but I never do,
so I’ll sit alone forever, just me and my cat crew.

Fashion rarely looks to the Brit awards for style inspiration but somehow fashion finds its way, in dribs and drabs, to its red carpet. These awards are the unwanted stepchild of the red carpet and generally, this means it’s a bric-a-brac of high-end and high street looks. For every Rihanna in couture you have a Little Mix in Asos.

Such is life, though, and there were legitimate trends, aside from the James Bay/Kylie double hatter. First, in the spirit of Angelina Jolie’s 2012 viral, there was a Right Leg – as flashed by model Lily Donaldson and singer Lana Del Rey. Nightwear came in a rather lavish Miss Havisham-esque form via Florence Welch (cream slip, eiderdown wrap, bed-hair) and Rihanna (a lilac slipdress covered with seashell patterns), and which unexpectedly preceded Alexander McQueen’s autumn/winter 2016 collection. Finally, there was a definite nod to The Wizard of Oz’s Emerald City via Jess Glynn’s sparkling green jacquard suit, Kylie’s backless heels and Jack Garratt’s toned down double-breasted suit.

There were the half-successes, too: Adele’s cascading liver-red dress and matching lipstick was grownup, but compared to her memorable 2013 Valentino hit at the Grammy’s, it felt par-cooked. Singer Charli XCX has been a frow regular at this year’s London fashion week, so she went predictably designer in pale green Vivienne Westwood. But she was let down with her slicked-back hair, a styling addendum that somehow overegged the overall effect. She also looked stiff and uneasy, probably because, at 23, she was too young to pull it off.

The menswear was far more experimental. To wit: Labrinth in a blue and pink orchid-print suit which, unaccessorised, had just enough humour to work (it looked like a box of Cadburys Roses). Mark Ronson did his usual trick of pepping a cleanly cut suit with the odd flourish. This time it was a monochrome dogstooth suit covered with a static print. Even JLS’s Marvin Humes, in a Yves Saint Laurent bomber jacket, epitomised the modern man. And what Carl Barât lacked in pizzazz he made up for by wearing a Hedi Slimane suit (although less said about the James Bay hat, the better).

The misses, of course, were plentiful. The mullet dress is the trend that refuses to die (see Cheryl Fernandez-Versini and half of Little Mix in various synthetic horrors). Alexa Chung rarely puts a brogue wrong, but here in a velvet bustier dress, was fairly forgettable (lesson: don’t step out of your style lane). Then, of course, there was Keith Lemon, who pillaged the misses of awards seasons gone (the Pharrell hat, the pseudo-Gucci blazer … everything really). What did you expect from Keith Lemon? The Brits then: a series of blind taste tests on the red carpet, none of which gets full marks.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/evening-dresses

Time has traded in his wing-ed chariot;
He donated it to the obnoxious Kars for Kids.
Still, I wouldn’t worry about Time.
It’s not like the old boy has hit the skids.
I saw him, just today, down by the station
He was styling in his Porsche nine forty-four.
Whatever is his final destination-
He’ll be getting there much faster, that’s for sure!

It’s almost as if Time had a midlife crisis;
Realized he’s no stud muffin anymore.
His grey and grizzled beard could use a trim.
He should buy a suit and ditch the robes.
He needs a woman to help him spend his money;
With the miracle of compound interest he has loads.
Thus, while I may drive a Fourteen year old Chevy
and eat my lunch out of a paper bag.
Time is styling in his Porsche nine forty-four;
I guess, for him, the economy’s not that bad.

As an avid golfer, Nashville resident Victoria Kopyar couldn’t find fashionable-but-functional clothing she wanted to sport on the fairway.

Tapping into her background in retail merchandising, product development and sourcing, Kopyar decided to take the matter into her own hands and launched women’s golf and activewear label VK Sport.

“When I was looking at the market, I saw there were a lot of men’s pink shirts, not a lot of print and pattern and not a lot of styling to it. …I really felt nothing was flattering the female figure and I wanted something that fit me well,” Kopyar said.

The first collection launched in August 2015 with golf retailer Golfsmith.com. Kopyar expects sales will be 10 times higher in the first full year in business as she zeroes in on growing VK Sport’s e-commerce website, expanding the collection at independent golf pro shops across the country and reaching new demographics such as the collegiate market. Locally, VK Sport is sold at Belle Meade Country Club and Hillwood Country Club.

Launching VK Sport marked a career switch for Kopyar, whose resume includes corporate positions with U.S. Bank, Target, Dollar General and Gibson Guitar. She didn’t pick up golf as a hobby until she had a summer off work in between jobs at U.S. Bank and Target.

“My dad told me (golf is) a great up-and-coming place for women to do business, there is a lot of opportunity and it’s a lifetime sport," Kopyar said. "So I went out and bought clubs, took some lessons and I fell in love with golf."

In 2014, Kopyar started developing the VK Sport brand on weekends and nights. The following year, she decided to leave the corporate world behind to work full-time on the clothing line. The launch of VK Sport coincided with Nashville's rising reputation as a fashion hub for everything from custom dresses to high-end denim and handmade leather goods.

Her goal for VK Sport is to target fashion-forward women with her key demographic between the ages of 25 to 60 years old. According to the National Golf Foundation, 24 percent of the 24.1 million golfers in the U.S. were women in 2015. Millennials represented the largest group among the 2.2 million beginner golfers last year.

The VK Sport apparel, which is made from technical fabrics with anti-wick and sun-protective properties, includes colorful and printed dresses, skorts, pants, shorts, polos, tank tops and more. Features include anti-slip bands in the skirts and shorts, cutaway sleeves, nine-inch deep pockets, zipper details, mandarin collars, ruched fabric at the buttons and lace features.

Kopyar described it as a high-end brand with price points ranging from $90 for a skort to $110 for pants and $85 for polos.

“We’re a fashion brand," Kopyar said. "We take what’s happening on the runways in New York and Milan and take that and bring it into the functionality of golf wear and/or regular street wear."

VK Sport has been self-funded so far, but Kopyar plans to take on investors as she grows the business. She hopes to capture a piece of the multi-billion dollar athleisure market by positioning the brand as activewear for both golfers and non-golfers.

“I see us as a lifestyle brand," Kopyar said. "Not only are you functional in golf but you can wear it in your everyday lifestyle, whether you’re at the nineteenth hole having lunch with the girls or out picking up your kids at school or running to Target or a coffee meeting."Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

take it to the beat watch us meet to greet fooling in the street
tripping on the beach smoking fat leaves doing what you please
as busy as a bee making sweet history
there's a battle for your mind I'm just the walking blind
society is not my game inside of my cause there blind you see from most of reality
there is an army of peeps out in the streets crystal gold down to their feet
with shattered glass on the walkway I came to play
the stage is set and the studio is fine all my critics can kiss my fat behind
homies try to control me with their dope analogy but why even bother it  gets even sadder
like nothing more to flatter the steps upon my ladder so here it goes
it used to be dope many years ago let the truth be told that folks used to smile
when i was a child I used to dream big dreams of both kings & queens
living in a land that is so very mean yet many are rushing too fast
everybody lately wants to get by on some free pass to pass
the stereo is blasting higher and higher blown up in its fullest desire on a wire
everybody feel me among my dope melody many folks will let me be
pump up the music so you can hear a way we can shed a tear
long hair on your birthday where we come to pray yet some may claim it ought not be that way...
flirting with fire in blown up desire coming down to the wire a gun for higher
got the hook up peeps on this dope joint fine grafted in from a delicate design
beats to the rhyme rhyme for the reason its just the changing of the season

block parties with steroe blasting watch how you acting & i'm not bragging
folks that carry everything inside we used to help thank God your still alive
but todays news you sing the blues and let things slide coming along for the ride
rap is still hot just take the word to the street and watch your rhymes to the beat
taking it to the city where cash is king people scream eating delicious ice cream
blind people so mean eating at fast food places such as Burger King
minus the races stuck in Peyton places we tend to make a lot of mistakes in
flirting with fire blown up in its fullest of desire getting much higher
Jimi was right by saying "Excuse me while I kiss the sky" !
almost every drive by someone gets capped from a nine in their eye
but give pause to think as you wink in earthly bliss in a caught up moment in time
Solid gold moments from our past having so much fum with a hope that it would last
so you sit back in your bleachers staying up late night watching another double feature

Laughter is the best medicine while your stuck in seventh heaven
therefore gain wisdom and in all thy getting gain understanding
free styling to the extreme while living in a land so very mean
Creatures of habit in the night with long viscious fangs that fright
eyes of blakened faces of death we all will come to unrest
rap it up I'll take it so you don't have to fake it
will bust a move to show improved knowledge of the underground sound
we are built to last we are raised to shine created in a beautiful design
sugar is sweet so sweet like honey I'm going to be the man that take home the money
nothing phony cause I got my degree cause all of life is but a mystery
got something up my sleave as you rest your case in your Peyton Place
don't try to hurt me again my ill but forgotten friend with whom I came to depend
It's either my way or the highway couldn't have it any other way
life is filled with mistakes some call this their fate but here am I to date
what's been done has all been done before such as Tony Sack kicking it with a two bit *****
Keep it in check as I let this last line flow bust up the beat & Increase the tempo

One continuous first poem of the day


I read. You read.
Together,
We will:

Overcome forebear forswear get new styling hair, inculcate deviate initiate intimate feelings only we can share, participate be late create poetry only you and I can speak, always seek quietly seek refine remind design the no din no sin atmosphere right here always fair in sickness in health share the wealth that words give, heal the feel the fantasy and the real you gift to me, heart heart hearted the good, the wonderful, the rad,
Even the just so so and even the bad for ore refined becomes precious metal fellas, not a rap just a hap in a late inning, game tied, brain sun fried wouldn't lie we r down by seven, heaven would be to write a poetry in the the in between stretch, or sail a ketch just me and thee making up schemes and dreams wordplay as foreplay whattya say say ok say to nite we do it my way why babe cause what you say is my way one way street sign pointing up later we sup on franks and beans and caviar won't get far maybe to the head and  then the bed  because I like salty caramel really swell and that the flavor I savor when lips greet and Nate doesn't fall asleep in mid composition with fingernail incision wake u up to seal the deal cause I am woman and get what I need when I need why else to keep you around not for silly limerick nope I want your
Soul my only goal I want you whole not in part stop writing that ridiculous ness  make a mess of me in me sweet liberty of thee I sing alarm ring six fifteen go to yoga but take off that toga so I can warm you before the session leaving me so not Cairo yeah you better comb you hair or everyone will know you know what remains unfinished bizy ness tween us
just like this rave this rant in crazy cant I can and will send at the turn at the end at the bend for you to add it would make glad so start to speak mail me the continuation so the end to amend and this continuous unedited befriended work of **** will forever grow and all will be contented by the only poem ever writ by geeks and nerds and twits like me carry  my baton carry on stream and scheme send each one of you additions and I will add to this first edition and we will write the greatest work ever ever so communicate there is no late years from now brown cow I will be adding the longest running show on Hello mellow and if you want to be anonymous see that's fine but I love your names and giving credit all credit yours so take this and start this banger end this fray crazy notion slightly askew whom among you will be the first for there will never be a last if the chain remains
Unbroken....
shaqila:   continue your work of ****? - haha! ok here goes!
to one and all, be all in all, for all, now, then and after, perhaps, sometimes never, life is and was, even though, however, it all starts!
haha!!
Natasha V: We are a never ending chain, a freestyle type of gain for one and all if you want, add few words on anything, love and passion sadness or pain, exagerate all you want tease and taunt, don't you dare spare, don't feel shy, keep the work of **** flowing, after all, it's all about feeling free to ignore Nat and being me...or yourself :D

**Complete this arc if you can,
Are you poet or just an ordinary man?

I'm tired. Exhausted is more like it. Sometimes I want something so bad I get overwhelmed and then comes the questioning, why am I doing this, is it worth doing and if it's worth doing what makes it worth it? It's 6:21 AM this moment, 6 hours and 21 minutes into another day, I'm sitting at a table next to the balcony, the door is wide open and I see the sun, the sun is just rising but it's blocked by a tree, so I look at the sun and the sun isn't blinding, not at this moment though soon it will be...

...soon it'll rise up above all the branches, soon if I look at the sun it'll hurt so when that moment comes, when the time is just right, I will look at the sun and the sun will be blinding.

There's also a bird, it sounds like it's moaning but I know that it isn't, that's just how it sounds. A bird which sings but it's not really singing, it makes such a sound you would think it was sad but it isn't so sad, at least I don't think so, I don't think that birds have the ability to feel, not physical feelings but ones from within, emotions like sadness which makes a bird moan, a moan like the sound that is made by a feeling that humans can feel and that all of us feel but we all feel it sometimes and for a whole host of reasons like when we are sitting in front of a laptop which is on a small table right next to a balcony beyond which the trees block the sun as it rises and while it is rising the leaves block the sunshine so during that time which is just a few minutes you can look at the sun and the sun isn't blinding...

...and when it is 6 hours and 35 minutes into a new day, at 6:35AM is a moment in time which is captured in words which I choose to write down but there isn't much to them, no meaning no feeling no reason for writing the words that I'm writing and so as I write this I realize it's pointless, these words have no worth so they're no more then letters, a whole mass of letters I'm stringing together for no ******* reason and so I'll stop writing and now that I'm stopping to write without meaning the logical question is why publish this message if this message is worthless, there's no reason for it thus no reason why I should hit the blue button which has 4 letters in it which create the word "Post" which means if I click it I'll be posting this message which has less purpose than the blue button which posts it, and so what I'll do is stop writing this nothing and instead of all this nothing I'll click the blue button which has more worth than all these words and that's really sad if you think about a button worth more than the whole of this stupid, pointless post...

in the underground ocean tunnel
a golden boy with big dreams
drives a 5 speed and despite his tight jeans
his copilot companion is side-seat driving
while he employs reckless steering-weel styling

sarcophagul stasis is most surprising an outcome
for him with his personal aversion to dying

he was in a coma overnight
suddenly eyes are open
above an apathetic white pillow
and all around him people are crying

a partial paraplegic is pledging his allegiance
in his town he's an ornament parked upon the bleachers
thirty years later most assume he was a war hero
but he was just twenty getting road dome on the way home

I've always been obsessed with beauty and experimenting with trends. As a little kid, I dug through in my mom's purse to snag swipes of her Revlon lipstick. As a teen, I mixed and created my own colorful nail polish long before Hard Candy came out. In high school, I experimented with Manic Panic, going Angela Chase red. In college, I stockpiled Narsbronzer and baked my fair skin in the sun for glowing cheeks and abs. Finally, in my 20s, I stopped trend hopping and embraced a look that was natural and celebrated the unique attributes I was born with. I also adopted an approach to beauty that was very authentic and low-maintenance — no more heat styling, hair coloring, or tanning. And I felt more confident and comfortable than ever.

Now as a beauty editor in my early 30s, I'm bombarded with samples and pitches to try out new products and treatments on a daily basis. While I opt for makeup and creams that play up my natural appearance, I see many of my peers electing stronger and more permanent solutions. I never thought I'd have friends getting Botox and fillers at any age — but so young? Yes, our society is youth obsessed, and if media is to be believed, I've already passed my prime. But I refuse to spend the next 30, 40, 50, 60 years fixated on looking younger.

You know how people say, "I wouldn't try that if it were free"? That's me when it comes to Botox and plastic surgery. About once a week, I receive an email about trying out the latest treatments — typically no strings attached. I delete them. Am I scared that trying something would potentially ruin my face? You bet I am! These procedures are supposed to make people look younger or "better," but everyone who has work done ends up looking the same. To me, beauty is all about celebrating your differences and your unique features. I don't want to look like a cookie-cutter ideal of beauty. I want to look like me — the way I look right now. These smile lines and crinkles in the corners of my eyes? They show the world that I am happy and I have lived a great life. Why would I want to erase that?

One of my peers recently told me, "Well, I never thought I would try Botox, but I went to an event, and the needles were out, so I thought, Why not?" I've heard similar statements since, and it shocks me that nowadays altering your face can be such a casual afterthought — like getting an impulse candy bar at checkout. Another industry friend confessed, "I'm starting to think I should have work done while I still work in beauty so I don't have to pay for it." Should the free element play a factor in being OK with changing your appearance? Especially at what I consider a particularly young age? For many people, it does. Some naysayers claim I'll change my mind when I'm older, but I just can't imagine it. All the women I feel are most beautiful show the signs of a life well lived on their faces, and I want to be one of them. Not a 34-year-old beauty editor with a tight face full of free Botox.

Sure, beauty can be enhanced on the outside, but true beauty, to me, is what you're born with and what you grow into. Advancing technology in Botox, fillers, and invasive procedures may be a huge part of my industry, but I'll be actively ignoring it. I'd much rather educate myself and others on how we can feel good in our own skin.

read more:formal dress shops

www.marieaustralia.com/long-formal-dresses

When we first met                          
I knew we were meant to be a set  
A pair, a duo, a duplet    
                      
Chemistry and energy  is our aura
Looking styling in our fedoras

Flirting and singing, sending off sparks of true blue                    
Our meeting a real coup,  straight out of a mystery by  Nancy Drew                        
                                    ­                        
You add peace and subtract sorrow  
My head as clear as the sky on top of Mount Kilimanjaro
I will love you until there is no tomorrow

You are my friend, my partner, my life
I don't want any disagreement or strife
Just fun, entertainment and rife

Always and forever.

Ça a été une semaine de l'absurde jolis traits .mais puis-je vous laisser sur un petit secret ?Nous aurions enregistré un des meilleurs pour la fin.Judy Pak .Loli événements et Matthew Ree sont que quelques-uns des grands noms derrière ce printemps swoonfest .et vous pouvez visiter la galerie complète pour beaucoup.beaucoup plus .Vendredi heureux .mes enfants !xoxo\u003cp\u003ePartager cette superbe galerie ColorsSeasonsSpringSettingsGardenStylesRomantic de Lauren de Loli événements .Bien que brève .printemps à New York est toujours rajeunissant et passionnant .Tout semble plus lumineux .plus heureux et tout plein de vie .Ce tournage a capturé exactement cela avec une parfaite dose de glamour et de fantaisie .Les beaux motifs des jardins d'Old Westbury était une évidence comme toile de fond .Tout y est luxuriante .réfléchi et tout simplement magnifique .Notre objectif en tant que fournisseurs de mariage de luxe était de capturer une certaine beauté grave tout en s'amusant et profiter du moment .Il est si facile de se laisser prendre et d'oublier de faire une pause et de prendre dans votre environnement .Cette séance est consacrée à créer un peu d' esprit d'aventure et un besoin de juste prendre une profonde respiration lente .

Photographie : Judy Pak | Photographie : Matthew Ree | Floral Design : Tashi et Bobo | Robe : Jenny Packham | gâteau : Ana Parzych | Coiffeur : Seonghee Park | Bridal Boutique : Gabriella New York | Location de robe : petite robe empruntée |postiches : Emily Riggs | Maquillage : Seunghyn robes demoiselles d honneur Seo de KAKABOKA | Props / table : Caverne de coquelicots et Posies | Styling / Set de table design: Loli Evénements | mariage Lieu: Old Westbury Gardens

cadeaux COURS

Dernière chance pour entrer mariage Styles Modcloth Fonds ContestHoneymoon de Registre annuel rêve SweepstakesA collier pavé de diamants disque JoyWilliams - Sonoma de voyageurs " Les jeux de Clay PotTWO de détente à DEUX SMPers chanceux de Duffield Lanea ensemble de flashcards de Apprendre à parler de mariage

Ne manquez pas les remises de cette semaine .

PostableSquarespaceAbbey Malcolm typographique + DesignZola

Pour nos épouses Australie .Ne pas oublier de s'inscrire pour gagner une séance d'engagement à la plage sud de Curl Curl de Poli Mariages

Pour nos épouses Californie .Réductions de Jonathan jeunes Mariages et Dr Diaz .

Pour nos Brides.Discounts Canada de Blush \u0026Gray.Renata De Thomasis et Christine Arnold Photographie

Pour nos épouses Midwest .Réduction du restylage Locations de cru et La Belle Fleur événements

Pour nos Nouvelle-Angleterre Brides .Un rabais de Aster B. Fleurs

Pour notre Sud-Ouest Brides.Make sûr de confirmer Royal Occasion Chateau Cocomar nuptiale Open House ( Ce week-end ! )

Pour notre Tri-State brides.Don 't oublier de s'inscrire pour gagner Photographie + vidéographie Collection de NST Photos et réductions du New Museum .Femina photo + design.NY Sourire spécialistes et HowAboutWe pour les couples PLUS ne manquez pas Gabriella Newhiver échantillon Vente York !

Et bien sûr .heureux gagnant

http://modedomicile.com

de cette semaine .
Félicitations Alexis qui a gagné 100 Day Challenge paquet d'or de mariée corpsEmily Riggs est un membre de notre Look Book .Pour plus d'informations sur la façon dont robe de mariée 2014 les membres sont choisis .cliquez ici .Gabriella New York Bridal Salon .Loli événements et Judy Pak Photographie sont membres de notre Little Black Book .Découvrez comment les membres sont choisis en visitant notre page de FAQ .Gabriella New York Salo nuptiale ... Afficher les événements PORTEFEUILLE loli voir le portfolio Judy Pak Photographie voir le

I am outside a high school party with a cigarette in my hand and my sweater trailing on the ground. I belong to the night; to the teenage desperation you find right through the front door inside every single one of those boys and girls eyes. It is dark outside but I can make out everyone's faces simply by the light of cigarettes. I close my eyes for a second and inhale. I can barely make out the silhouette of the person I wish was in front of me. My eyes open. You are not here. To my left there's an alley and a short boy is throwing up the 22 shots that are tallied on his forearm. His best friend is video taping it. I don't think I'm really here. Is this the alcohol speaking? I didn't feel this attached to you 3 hours ago. My mother thinks I am at work. I don't feel bad at all. After everything I have done, lying is simple. I've become accustomed to being a lie. A boy is trying to get two girls to make out and that offends me. I'm not here. I'm not anywhere. I'm with you. I matter to you. I matter to someone. I am something.
I open my eyes.
A guy is handing me a beer, so I take it. I should be going home but that girl looks like you. There are four boys to my right free styling. One of them is actually really good. I try to weave through the people to find a familiar face. I find one, and he's handing me a bottle. I don't know what it is, but I drink. It burns.
I'm outside again sitting on the curb. The streetlight that shines above me is a dark shade of yellow that glows off every wall. It reminds me of the night. The moon is looking at me with an intensity I've never seen before. I have a text from you on my phone but I don't want to open it. I don't want to be able to feel this much. I go to find the bottle again.
I'm laughing a lot now. I found the bottle. The familiar face is laughing too. Her boyfriend broke her heart last week.
Your silhouette is standing in the corner. It's beckoning me. I open your text:
do you need something?
I close your text. I close my phone and my eyes and my arms and my heart and I throw my empty beer can at that silhouette of yours.
I'm outside again. Familiar face is going to take me home.
The cigarette is glowing orange and I'm dancing to her car.
You don't love me. I don't care.

No color but red lips and luminescent green eyes.
My hair flowed into my golden corset dress,
into my pale legs,
to my golden heels,
they weren't my favorite heels, but they were small,
and you were rather short.
    The black hair
you spent hours styling
lay across your face just right.
Black, skin tight jeans hooked
to a plethora of belts, buckles and chains,
complimented by the black and blue shoes you kept
religiously clean.
A checkered, black and blue button-up
with a black and blue scarf laced carefully around your neck.
You carried a complicated satchel by your side so that I could be handsfree
You told me I looked beautiful,
as you fidgeted with the
skull ring I gave you so long ago...

Us against the world,
trailing behind the rest,
Waltzing down the city's streets
arm in arm
clutching a black umbrella
as the rain came rushing down around us.
The neon lights of New York
creating reflective neon pools along
the grungy streets.

Thunder in the distance
and lightning
snapping across the sky.

What a beautiful night,
for perfect seats at WICKED.

What a beautiful night,
for a sushi dinner.

What a beautiful night,
to forget how sick we were,
or why I was mad at you,
or why you were mad at me,

what a perfect night,
to put the umbrella down
and let the storm take over
for a memory
of a time
when we still knew each other.

What a perfect night,
to end our friendship.

Each word doesn't have to perfectly rhyme.
We herd dozens at a time,
to service the climb,
to serve as a guide.
The burdens we find are the worms
to the birds in our lines,

further
winding along, to a life of a search
is to thrive; an adventure to mine;
to sense in the back of our minds
that a fifth of our life, will be spent
getting sights realigned.

Pining for growth,
styling the spine in our notes.
Fly if we do.
Die if we don't.
Die to the wild.
Die to the child that shoots that
fire from our throats

"Why didn't I..," You'll say,
on a day you remember, the tune
of a song that you wrote, then BOOM!

Thoughts cascade.
Brought that pain to your heart
like you fought with a ghost.

Don't get lost,

but if you do,

take notes.