For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb

My friend Gerard, (who is alive), looks like an Arabian slave-boy, though swarthier and longer of hair than Tony Curtis; an olive –skinned Mowgli, ape boy of Kipling’s  “Jungle Book”, although I have never seen Gerard swinging through any trees, nor eating any insects, nor even kissing a sultan’s foot. But looks can be deceiving, or receiving, with the proper pen, the zen pen of a poet, this proper poet who lives upstairs with his multitude of books piled on the floors, walking on Whitman, sitting on Shakespeare; tripping over Ginsberg, sleeping on Sartre; not a single shelf for this Jung man.
“A place for everything, and for everything it’s place”, he stands and stares out of a window overlooking the jungle of five-foot high weeds that serves as our backyard and wonders aloud “whither Oregon?”; questions our alleged enlightened sense of awareness, his disposition toward liberalness in a world gone madder than usual. Have I convinced him yet, my naïve, trusting neighbor? Yes, he realizes with a sigh that it is so, now that he has finally succumbed and bought a thirteen inch, black & white television of his own, now he can see with his own brown eyes in his own living room, far off wars, instant coffee & instant karma, depersonalized tragedies, faceless fatalities, insidious soap operas and humorless sitcoms, adverse advertisements, Howard Stern; “whither sanity?” we both cry and laugh out loud at this mediocre media, the global sewage, the Marshall McClueless, me and Gerard Rizza, my friend who is alive.

Gerard, (who is healthy), is gay, yet straighter than most men, and has been complaining quite a bit about the ferry service lately; contemplating a move off of Staten Island, and leaving his sporadic substitute teaching gig at a nearby high school, a mere six block walk from our house atop Winter Hill, where he is trying to convince me, a wide-eyed cynic, that a blank, white, unused canvas, surrounded by a wooden picture frame hung upon his wall is indeed a work of art; the job is very convenient, but again the ******* about the ferry, not the boat ride per se, but the incongruities of the ****** schedule, which anybody who has ever just missed a three a.m. boat and had to wait for an hour in the Hierynomous Bosch triptych known as the Whitehall Ferry terminal ,will definitely attest to; and Gerard has this thing about Staten Islanders, like the homophobes at a recent anti-peace rally in New Dorp, supporting the carpet bombing of an oil rich yet still poor third-world country, throwing beer cans at him and his companions while shouting “we know where you live, *******!”. Rizz came home that evening, visibly shaken and pale, (not his usual olive-skinned self), knocked on my door and pleaded “whither ******?”. I went upstairs, sat on his couch and rolled a joint. Gerard puts on the new 10,000 Maniacs tape and tries, once again, to bait me in a conversation about his “work of art”, my work of naught; he speaks of the horrific details of his day. “Isn’t this picture of Doc Gooden on my refrigerator door proof enough of my manhood, my patriotic intent, for those *******? The ******’ Mets, fuh chrissakes!” We sit out on his porch, watching the sun set over our backyard jungle as Natalie sings wireless Verdi cries, and I pass the burning joint to Gerard, my friend who is still healthy.

My friend Gerard, who is *** positive, was quite possibly a cat in a former life, probably a Siamese, thin, dark and aloof; yes, I can see ol’ Rizz now, sprawled out on an old tapestry rug, getting his belly scratched by his owner, perhaps Emily Dickinson or Georgia O’Keefe, Rizz purring like the engine of an old bi-winged barnstormer; abruptly rolls over, gets on all fours, tail waving *****, slinks over to lap water out of a bowl marked “Gerard”. He’d sleep all day on books and original manuscripts, and play all night amongst oil & acrylic, knocking over an occasional blank canvas, which he, in a future incarnation, will try to convince me, in his feline manner, is art. Sitting and staring from his usual spot on the windowsill, his cat eyes blink slowly as he wonders, “whither dinner?”; and begins to clean himself with tongue and paw, this cat who might be Gerard, my friend who is *** positive.

Gerard, who is sick, recently moved to Manhattan, Chelsea, to be precise, in with his best friend; and has stopped ******* about the Staten Island ferry, having far more pressing matters to ***** about, i.e. the ever-rising cost of homeopathic medicine and the lack of coverage for holistic and alternative care; any number of political and social concerns (Gerard was never the silent type); the lateness of his first published book of poems, entitled “Regard for Junction”; his rapidly deteriorating health, etc., etc.; and is now a true city dweller, a zen denizen, a proper poet with high regard for junction. That’s all that remains when it’s all over anyway, this junction, that junction, petticoat junction, petticoat junction – “I always wanted to **** the brunette sister”, I’d once told him; “I prefer uncle Joe!”, he laughingly replied; dejection, rejection, reclamation, defamation, cremation, conjecture, conjunction, all junctions happening at the same time, at now, a single place, a single moment, this forever junction with Gerard, my friend who is dying.

My friend Gerard, who is dead, officially passed from this life on a Saturday morning in early April, a mere two weeks before his junction with publication, although Gerard my friend passed away much earlier, leaving a sick and emaciated body behind to play host to his bedside guests, to help bear the pain of his family and friends; so doped-up on morphine, no longer able to remember any names, he called me “*****” when I entered the hospital room, where this barely physical manifestation of what had once been Gerard Rizza was being kept alive like the barest glimmer of hope, and displayed like some recently fallen leader, lying in state;  “whither Gerard withers” I thought, saying goodbye to this Rizza impersonator, this imposter, this visitor from a shadow world, an abstraction of a friend, whom the nurses told us, his disbelieving visitors, was our friend Gerard, who though technically still alive, was already dead.

My friend Gerard, who is laughing
My friend Gerard, who is singing
My friend Gerard, who is coughing
My friend Gerard, who is sleeping
My friend Gerard, who is holy
My friend Gerard, who is missed.

“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,
Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.

The beauty of comatose can only be seen through
the eyes of a wizard in a blizzard
strutting in garlic slippers,

or Christ with knees bent at the tabernacle
peeling bananas and kicking prayers
farther than eternity with each gapping second,

or like Basquiat slumped back to the wall,
with ounces of speedball dancing through his veins,
eating 80’s free-based fried chicken *******  

as his eyelids paints beautiful nightmares of lemon flowers
and Bacchus bacon over a glycopyrrolate desert
of flagrant cuckold buffoonery.

Or like leprechauns burning chocolate ******* candles
on the mantle of Zion, sipping oatmeal sprinkled
with Staten Island malt liquor bacon.

or like Tupac reading the thoughts of Mother Shipton
through the daze of California cannabis
and hearing the ominous voice of Plutarch sing death assignments

from heaven to Assassins on horsebacks goggling ***** water
to wet the dry bones of their throats as they prepare to fulfill
the gospel of self-fulfilling prophecies of being fell by ***** bullets.

Or like sophisticated wallets of spice and kitchen characters in a bald head
cooking chemical kisses and 18 February nights under Moloch’s skin,
where constitutions are written in charcoal diaries with Egyptian ciphers and razors.

“I had rain sowed into the pockets of my sneakers and composed 1310 eulogies
at the basement of king David’s tower,” said the Kraftwerkian caricature,
as he dangles cigarettes in remembrance of Klaus Nomi and philosophizes on the proliferation
of poetic vandalism at urinals where modernism failed under the phosphorescence of coloration at the avenue of no trees where Picasso's "Guernica" **** Lies All.

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Pederasty mol

Not far from the ocean, not far from the town,
the South Beach turkeys roam the hospital grounds.
They serve no purpose, they do as they please,
they preen and they strut in the salty sea breeze.
Sometimes they just stand and look around.
They find tasty grubs in the trees and the ground.
Sometimes they chase, sometimes they cluck;
they do as they please; they don’t give a f*
It’s a bird’s life, on the grounds of South Beach.
Perhaps there’s a lesson that these birds could teach--
no need to hurry, just do what you need.
Fly if you can, or just sit in a tree.
Watch the passersby as they go to and fro.
Or just stand around and watch the grass grow.
Some thought they were pests and wanted them gone;
but to **** them for no reason would just be wrong.
At times I have thought that they might be tasty--
wild birds raised in nativity—with stuffing and gravy.
Surely much better than from the factory farm--
(and it’s a shame that to those birds we cause so much harm).
But shooting a turkey who sits on a lawn
would mean calling the cops, with their guns drawn.
So the turkeys live on, and I sing their song.
I’d miss their feathered glory, if one day they were gone.

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The bookbag leans
on the aluminum column.

The column is blurry,
someone cleans it
only when their are inspections.

The bookbag has been sitting
collecting the sounds
that leave the Staten Island Ferry
by foot,
for God knows how long.

When you get off,
everyone looks ahead,
but out of the corners
an entire black sea of iris'
rotates to the aluminum column.

It might be a bomb.

The girl behind the Ms. Anne's counter
is skinny almost,
but her *** is too big,
almost.

Munching on the semi-soft pretzel,
you think about empty calories
and the corners of your mouth get sticky.

The Ferry won't be back,
for another thirty or so
minutes.

Somebody takes out a guitar,
and starts playing
a little Dylan. People
form a circle around him.
This is the American Pow-wow.

You reach in your breastpocket
for the Marlboros,
but you can't smoke here,
and an official looking person
squints at you,
just to drive the point home.

******* smoking laws,
some places just feel good.

This place with all it's ringy sounds,
like the guitar,
and phones beeping with texts
and babies,
deep fathers,
and high mothers.

Just to puff and puff
and push that sugar down
with nicotine would really
up this feeling of comradery.

A guy with a gold-plated shield
on his breastpocket and a blue-button down.
Walks over to the bag.

The iris' move,
people keep talking but
they're just saying words
to make it look like they're talking.

By the time the ferry
rings in baritone,
the bag is gone;
the column is still blurry;
the man is still playing his guitar,
but there's an emptiness.

He works, tis said,
one day a year.
With bated breath
we linger here
for our Ground hog to appear.

Will he see shadow or will he no?
Only Staten Island Chuck can know.
Will Winter linger around these parts
or will my Crocus have early starts.

A little chubby and weak of eye,
Our resident Groundhog's rather shy.
Dragged unwilling from his warm burrow-
Shall we shovel snow or furrow?

He is well fed for his exertions,
and brief enough are these excursions.
Best of all when he appears
He oft will tell us Spring is near.

“and everywhere there’s statues with their arms open wide
surrounded by fences that you, you can’t get inside”
- Jay Brannan


Let’s call her by her name, Statue of Strip Your Nationality.
When she came into this world she was copper as a battery, shiny.
She was broken into fractions of herself, placed on a boat,
shipped across an ocean and constructed in the name of Libertas,
the Roman goddess of freedom.
Don’t kid yourself, she’s French-American. At best.
She’s embarrassed to admit the number of tourists she’s had
climb inside her for a taste of her liberty.
Bring me your decency!
Bring me your hollow promises!
Bring me your cameras!
Take pictures of the things we believe in.
Bring these pictures back to our ancestors and show them.
Mira! Look! Voir! This is what freedom buys!
Us. And our statues. Frozen.
There’s a metaphor standing between New York City and Staten Island
and she’s ******* cold.
We couldn’t even give her shoes- how symbolic.
She’s been standing barefoot in the middle of the Atlantic wearing less than a jacket on the coldest of winter nights, eyes locked and begging for a place to call home.

When was the last time you stood with that much conviction
for anything?

The Train whistles and sounds
Into the early morning:
while the cricket’s chirps frantically
at the clicking sound of rusty old tracks;
my heart beat  faster than ever,

I had to park my new car;
under the old train bridge
and board the 6:25 to
Bridgton

The homeless drug addicts
Seem quite content with their long term residency
Car 59
I looked to my left, then to my right
The foul-smelling car made the morning gloomy
Should I sit, or should I stand
Something about the early morning commutes
That really annoys this Staten Island's South Shore commuters
the stench in car 59

The sunlight slowly made its way into the day close to seven am
But somehow the addict and his partner didn’t seem to care
who broad car  59
so many dialects , so many nationalities
my heart beat faster , than ever
Why the hell doesn’t Metro North clean up the
this train line…

,

The fire is crackling,
Head slightly spinning,
The world is quiet as I write,
Zevon keeps me company tonight,
Thinking thoughts of you.

It's hard to believe you've been gone for three months already,
Three months since your sister broke the news.

Perhaps I held off writing this,
Thinking that not doing so kept some part of you alive,
That my simple denials were all it took to keep you with us.

Perhaps it was after that the anger,
Rage at what you'd done,
Bitter at the precieved betrayal,
That if anyone were to kick off this mortal coil first it was gonna be me.

Maybe it was that I was holding out hope that if I didn't write this you would just appear one day, and as long as I didn't you would say.

It might have been I was just too tired.

I remember when we first met,
I thought you as nobody more than some silly kid from Staten Island,
With dreams and delusions bigger than your stomach,
But you won me over with corny jokes and high spirits,
Whether it be because of the ****** weather,
Or when my Grandmother died.

The tears come now,
On this chilly March morn,
As I think back, to 3 months ago.

I hadn't seen your family in years,
The ones who considered me like a second son and brother,
Fearing they would hate me,
For what I wasn't quite sure,
That I hadn't done more,
That we hadn't spoke to one another in so long?
I certainly hated myself,
Driving through those Pennsylvania Wilds.

I remember the last time we spoke,
Relaxing in your familial home,
You embraced me and told me to be careful,
Telling me you loved me in your own words,
And I told you in my own words too.
God I ******* miss you.

Zevon plays on,
The tears come faster still,
The screen is blurry as I type,
Warren's words echo what I imagine yours would be.

You were a poet,
A warrior,
A brother,
My friend.

Confidant,
Motivator,
Philosopher,
My friend.

When we took you to the cemetery,
I was right there at your side,
Carrying you to where you would forever rest,
Before they sealed you in I snuck my pin into your hands,
I was afraid you'd forget me.

I was the first to leave the building,
So I could sneak around a corner and shatter.
The brave face I held for your family impossible to maintain,
I suspect your family knew,
But it was the way I was raised.

After I left for home,
About halfway I broke down again,
This time on a cliffside vista,
The landscape mostly obscured by the driving snowstorm and evening gloom.

The rest of the way I played your favorite tunes, and sang along as badly as you use to.

I miss you Mike,
And I know I will never completely understand,
But you will always be with me,
Upon my arm and in my heart,
Watching my back through all my stupid ideas.

Warren's song has ended,
The fire died down to glowing embers,
Tears dried and eyes aching,
Tiredness dragging at my bones.

But I'll heed his words, Mike,
I'll keep you in my heart for a while,
Alongside all the others.

After all,
He never said how short "a while" had to be

Two and a half weeks into this quarantine
Rainy days and
no poems
No words forthcoming
All quiet
I decide that perhaps
if I just put one
Word
In front of another
And keep on for a time
Words upon words
something will come?

At 8:30 every morning
A man passes
walking a Pomeranian mix
A joyful little dog
(I’d steal him in a heartbeat)
They walk
He twirling the leash round and round
The dog leaping higher and higher still.
They dance together eyes meeting
and smile as I know a dog can
and I remember
how I would dance with my last greyhound.
We would tango and box-step.
I always led.

These days the little
Pomeranian can’t get his attention
anymore
The leash doesn’t twirl above its head
He’s pulled along impatiently
There are no more smiles
Their eyes won’t meet
He’s slow to realize that he’s become a drudgery
I want to yell out the window
I see you
EVERY MORNING AROUND 8:30!
Where’s your joy gone buddy?
Don’t you know that’s all you’ve got?
You’re bumming me out for real
and your dog loves you!
Wake up! You fool wake up!

I think that now I’ll walk to Ralph’s
I have various thoughts while doing so
Children race their bikes passed me
as if they’re in an entirely other reality
altogether
and
maybe they are.
The wind blows through their hair
effortlessly
As if it couldn’t mine.

Front lawns offer up fields of dandelions
as if their orbs the most prized bounty
Freshly mown grass smells new and clean instead of putrid, rotting in the sunshine
The fulsome wafts of springtime’s
jasmine and osmanthus heaving with citrus and pepper evade me as I pass their blossoms
Yet on the rare occasion a fragrant rose pierces through the weft and hits a nostril
but I can’t tell which bloom.

The smooth talking
homeless girl
has finally covered up that
diabetic open sore on her left ankle
the size of a flattened crimson football
which is something,
although I can see that
she’s being told to move along as
she just can’t sit anywhere she pleases.

I’m counting every time I see the word “dead” along my way.

In the store the ladies that buy
their bottles of white wine in the afternoon
are starting earlier now
with supplies and deliveries
unsure
It’s one thirty and I see
Two bottles of Clos du Bois
And four Domaine St. Michelles
in the cart to my right
and nothing else
as they do.
I’m not going to ask her
about her dinner party.

While I stare at packages of coffee
A man pulls off his mask to sneeze into the air before him
And I say to the older man approaching
I don’t think that you’ll be going any farther
in that direction.
It was under my breath.
He didn’t hear me.
I have a mask on.
He turned his cart around and walked back
the way he came.

I have this urge to talk to everyone.
I have this relentless desire for ice cream.
I miss everything.
Nothing here
will satisfy anything
to do with me.
Can one survive a global catastrophe
with candy and magical thinking?

Older people
And by that
I mean really old people
Eye me suspiciously
Almost fearful
As if I myself alone
embody
the menacing contagion
and I guess I could.
Perhaps I do.
It’s hard to read emotions with these masks
But their eyes seem terribly unkind and
brows, furrowed
One stares at me hard
with beady anger and a ready insult
another will jump me in the checkout line
and with great solicitude
unwrap her money from
the white notebook paper
pulled from the manila envelope
Now re-folded with
rubber bands and string
And placed back
into her chest
She is so sweet to the cashier
with her black acrylic wig askew
that he seems quite shocked to hear
she cut in front of
fifteen people
without so much as a word.
Who cares really?

My first mask made me sneeze for four hours straight and made my nose burn like a hit of **** *******.
I’ve been handed a free mask by
a representative
from my local assemblyman
made of a softer material
I find that
it won’t stay up and fogs the base of my glasses.
I don’t think it’s working.
It reads
We’re All In This Together.

I still can’t breathe.

The doomed asthmatic
selling his single ciggies on the sidewalk
dies on Staten Island
from a policeman’s chokehold.
Eric Garner
In those desperate last moments
of
his
2014
despite his pleas and confusion
surely there before him appeared
although not quite the end that he’d envisioned or feared
what with steroid inhalers from the pharmacy
a crystalline moment
when he knew without a doubt that
he’d never take another gasp of air
like a bloated goldfish on its side
expressionless and saucer eyed
outside its bowl
What happened to his mind then?
What will happen to mine?

It has been said that
certain tribal kings
have brought before them
after battle
their most worthy enemy
in the process of imminent death
while they sit in numinous splendor
and wait for that perfect moment
to lean in close to the mouth
and inspire greedily
the purest
most sublime
expiration of their life force,
now a pristine delicacy of the infinite,
for themselves alone.

The smell of something putrid
protrudes up through your nostrils
as you walk down these dimply lit streets.
You hear the fire crackling, you see the glow off the side of an abandoned building.

Is this one of those fires you see on the news -
set ablaze by anger and retaliation?

No.
It's the burning wounds along Jacob Blake's back.
It's the marks of oppression -
the scars we "distract" ourselves from.

There's a fire burning in America
and the source is plain to see:
while bodies line up along the streets,
people following along on their TV screens
say a prayer for broken windows.
They mourn items that are looted
as if it wasn't a life that was looted first.

There's a fire burning
and it melts the black skin right off their bones.
A skeleton has no color
yet they blame corpses for their own murders.

There's a fire burning
from Sanford to Staten Island,
from Louisville to Kenosha.
But those very flames were ignited
by the people designated to put them out.

Who watches the watchmen?
Who stands with the people?

The hammer has dropped.
The bullets have left the chamber.
As long as our brothers and sisters
have to fight for their right to live,
Red, White and Blue lives don't matter.

Okay, I brace myself, "okay" being a sort of mantra either spoken alone or placed at the end of every sentence with the lift of a question mark. I do try and keep this okay thing to myself, packed in my head along with other stuff, okay?
And so I stumble, verbally if not silently, okay okay (okay?) as I count down the minutes (25) when I absolutely MUST leave the house even if this time it is By Choice, For Pleasure, whatever that is. I'll call it Not Torture.
I haven't practiced removing the grimace for such a long time I fear it's stuck there.
I scared a Boy Scout earlier in the day and I swear I did nothing at all scary. I bet there will be Boy Scouts out there. Maybe not at the bar but at the Target. I've never seen a Boy Scout at the Target but one time my friend saw a Mormon in the parking lot. He was racing headlong toward him and he panicked, my friend, so  he blurted out "You are the devil." The Mormon was pretty upset.
By now I have to assume there are Boy Scouts everywhere and naturally I am scared to death. I assure you I can develop a full blown phobia over a matter of hours and that's when I try not to think about it. Well, you try not thinking about Boy Scouts! Especially after you've resolved to NOT THINK ABOUT BOY SCOUTS. Aversion therapy doesn't work in case you were gonna suggest that.
Can I sue the Boy Scouts?
How many minutes do I still have left?
Is it still legal in West Virginia to walk behind someone saying over and over again in either of their ears YOUR GONNA DIE YOU'RE GONNA DIE? I'm pretty sure they legalized it within the borders of NYC (even Staten Island, which surprises me). This was due to a statute made during the whole explosion of Performance Art.
How many minutes do I have left?
Why don't I get a prize, twenty bucks or something, for fooling everyone and convincing them I'm okay?

I fly through the clouds
Clinging to the Angels wings
She says I'm perfectly safe
This is what paranoia brings
We've just flown over Russia
And now we're in the heart of France
I can see the delights of Paris
A place of love and real romance
As we skirt over Big Ben
This Angel picks up the pace
The icon of the monarchs realm
A Gothic structure with a clock face
Below me is the goddess of the free
And I see a light swirling ahead
Deposited onto Staten Island
The returning Angel says I'm not dead
The time just isn't right
See your children see your wife
We believe in good people
Now go and enjoy your life

He's a Brooklyn baby, he's oh so shady
The stars in my eyes make his look so hazy
"You're amazing, you're amazing,"
I'm high and dry, it's hell he's raising
I was so blinded, I think I've gone crazy
Thought we'd have a shot, but he'd never chase me
Emotions run hot, the fire is blazing
He called all the shots, I'm begging, "Just hate me."
But he left me waiting..he just left me waiting
My blue eyes bolted, I've folded, parading
Good times make all the trouble start fading
So he chases the moon with a Staten Island lady
My stars won't die down, and he's just downgrading
With nothing left to save, there's no more debating
He's spiteful and yelling, but all that I say is..
It was fun while it lasted,
Good luck, Brooklyn baby

Our blackness is our power.
The difference we make
is what we do hour by hour
and what we deem our take.
Look we're beauty
in and out.
To be black
is what we'll shout.
We may not look it
but what we got we took it.
From MLK to Caleb Day,
Fro Eva to Gary,
We'll take our place
even on the Staten Island Ferry.

*Charles Sturies

Let us entertain and guide you
Often Tourist will say, what will we do today?
Exploration throughout the Tourist stay
Hotels to chose from based on price
At times, relying on Internet advice
Take in a Broadway Show
Entertainment with Dramatics putting the Tourist in the know
Dining and Wining in one setting
This is a vacation, so give yourself a treat
Walk up and down the New York City Streets
There are so many Restaurants offering you places to eat
Cuisine will have a sizzle
Taste will awaken the Tourist senses
New York City is a town that never sleeps
You will have no time for my soul too keep
Front Line Rivers from the Hudson to East River
Sightseeing boats showing New York City like never before
After the Bus Tours, you will be heading for the New York City Pier Shores
But New York City doesn’t stop there, it extends into the suburbs of Brooklyn, Queens, Bronx and Staten Island
New York City has so much too offer, you won’t see everything the first time around
But you will once again be New York City bound
Hustle and Bustle of New York City will be your remembrance sound
It doesn’t matter if it was Downtown to Uptown
There are activities all around to be found
Persuasion with a purpose on key
This is New York City being everything it should be
So when you leave, please come back
It is exactly like that
In fact, you won’t be able to keep track
New York City offers delight
The Broadway Great White way add to the spotlight
New York City being the Empire State
There are the Catskills and Adirondacks
Expand your mind while breathing in fresh air
It’s nothing beyond compare
It doesn’t matter if it is New York City itself
New York City is not like everybody else
There you have it for now
You should be saying oh wow
Fashion your style
All that during while
That’s it for now.

Another soul lost to the bridge that connects Brooklyn to Staten island New York.
My poetry befriended me and protects me as it does others now.
Two days before two major holidays, we have lost another to the voices they couldn't shut off in their heads.
If you even suspect a little off kilter about a friend or loved one,
please call the suicide hotlines
There does not need to be another jumper off any bridge

C@rainbowchaser2019

Many charity walks in Autumn New York
All worthy causes and very important
A smaller new one
Is in a small park on Staten Island
All the faces honored on banners overdosed on drugs
Reasons are not important but taking the time to listen
And take action is
You can’t dwell on the families and love ones left heartbroken
Yet So long,until then only makes sense
When we band together with help and understanding to stop this
Will you?
Or will your turn your head because you never took the time to understand
C@rainbowchaser2019