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"soundtrack" poems
My eyelids seem to be the strongest part of me. When the rest of my body falls into the ocean of blankets they float open upon the white water atop the waves of sleep. This is when you come back. In this mattress I am a piece of clay and I can still feel the deep indentations of where your fingers wrapped themselves like Ivy around my hips. Hips, that stuck out like white flags of surrender and fell to the ground in a straight line. I can still hear you. I am a broken record, and your whispers are the only track that plays at this hour. “You are fat” “Look at how flat you are Emma, no boy will ever look at you.” “You are ugly.” These are the nights when I can feel the spiderwebs your words wrapped around my ribs and listen to the way my heart beats constricted in its cage, your hand still clenched around it. Can’t you see me bleeding? Safety lies beneath my eyelids but you pull them open I can feel your icy touch behind my eyes as I stare coldly at the ceiling. you demand to be heard. Did you mean to put your words in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills? Do you realize that you stayed with me? Can you take your stolen midnight hours back and place them on your pillowcase? Will your eyelids close? Or can you still hear my cries of protest as your soundtrack plays into the night? I don't understand? Did you think it wouldn't hurt me? Or did you want to live forever,so you put your fingerprints where you knew they wouldn't fade.
0
Mar 28, 2016
Mar 28, 2016 at 11:36 PM UTC
Fingerprints
My eyelids seem to be the strongest part of me. When the rest of my body falls into the ocean of blankets they float open upon the white water atop the waves of sleep. This is when you come back. In this mattress I am a piece of clay and I can still feel the deep indentations of where your fingers wrapped themselves like Ivy around my hips. Hips, that stuck out like white flags of surrender and fell to the ground in a straight line. I can still hear you. I am a broken record, and your whispers are the only track that plays at this hour. “You are fat” “Look at how flat you are Emma, no boy will ever look at you.” “You are ugly.” These are the nights when I can feel the spiderwebs your words wrapped around my ribs and listen to the way my heart beats constricted in its cage, your hand still clenched around it. Can’t you see me bleeding? Safety lies beneath my eyelids but you pull them open I can feel your icy touch behind my eyes as I stare coldly at the ceiling. you demand to be heard. Did you mean to put your words in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills? Do you realize that you stayed with me? Can you take your stolen midnight hours back and place them on your pillowcase? Will your eyelids close? Or can you still hear my cries of protest as your soundtrack plays into the night? I don't understand? Did you think it wouldn't hurt me? Or did you want to live forever,so you put your fingerprints where you knew they wouldn't fade.
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43
♦   ♦   ♦ She was an earnest devotée. Her ideals, birthed in Chardonnay were globally diverse (read: white). A liberal bark preceded bite. Her crystal clearer than her vision; she provoked bemused derision as she breathed intolerance toward all who would not dance her dance. She swooned for distant pagan tribes, attuned to their exotic vibes – rapt in multi-culti piety strangely deaf to her own society, judged by her as abomination; unredeemed. The background station always stuck on N.P.R. (the soundtrack of her culture war, Pacifica News and Democracy Nows, and other progressive holy cows) Her motherland a shameful mystery: guilty first, and void of history – its origins defiled, corrupted… while she enjoyed uninterrupted freedom to pursue her whims: misguided one-world global hymns. The sisterhood of hu(man) kind was foremost in her earnest mind – even should that same sisterhood be sealed by her well-meaning blood. Out on a date with global death she hoped to unify the earth in solidarity with causes led by killers, warlord bosses, thugs she never knew existed who, if she’d met she’d have resisted. Her theory landed far from her praxis spun, by default, on an evil axis. Hot with zeal she fumed and stormed quite certain she was well-informed, at benefits, non-profit functions rallies, boycotts, left-wing luncheons; warm with righteous spite for Israel, aiding and abetting Ishmael with fellow-travelers, like-minded similarly hateful, blinded, rattling sabers, scimitars, axes… (lunacy never wanes, but waxes hotter with the passing years as activists confront their fears). She finally shilled for the Intifada (stopping short of reciting Shahada), reaching out to the terrorist with righteous raised progressive fist… offering thus her neck to blade: collateral to be repaid by murderers who couldn’t care less about her open-mindedness.
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Sep 9, 2015
Sep 9, 2015 at 9:57 PM UTC
Suicide by Diversity
♦   ♦   ♦ She was an earnest devotée. Her ideals, birthed in Chardonnay were globally diverse (read: white). A liberal bark preceded bite. Her crystal clearer than her vision; she provoked bemused derision as she breathed intolerance toward all who would not dance her dance. She swooned for distant pagan tribes, attuned to their exotic vibes – rapt in multi-culti piety strangely deaf to her own society, judged by her as abomination; unredeemed. The background station always stuck on N.P.R. (the soundtrack of her culture war, Pacifica News and Democracy Nows, and other progressive holy cows) Her motherland a shameful mystery: guilty first, and void of history – its origins defiled, corrupted… while she enjoyed uninterrupted freedom to pursue her whims: misguided one-world global hymns. The sisterhood of hu(man) kind was foremost in her earnest mind – even should that same sisterhood be sealed by her well-meaning blood. Out on a date with global death she hoped to unify the earth in solidarity with causes led by killers, warlord bosses, thugs she never knew existed who, if she’d met she’d have resisted. Her theory landed far from her praxis spun, by default, on an evil axis. Hot with zeal she fumed and stormed quite certain she was well-informed, at benefits, non-profit functions rallies, boycotts, left-wing luncheons; warm with righteous spite for Israel, aiding and abetting Ishmael with fellow-travelers, like-minded similarly hateful, blinded, rattling sabers, scimitars, axes… (lunacy never wanes, but waxes hotter with the passing years as activists confront their fears). She finally shilled for the Intifada (stopping short of reciting Shahada), reaching out to the terrorist with righteous raised progressive fist… offering thus her neck to blade: collateral to be repaid by murderers who couldn’t care less about her open-mindedness.
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57
You know, there's always a song that takes me back To a year, so long before It's not always a top ten song That hits my very core It just grabs me and transports me Back in time while standing still It might take me to a good place Release a memory I should **** But, my soundtrack is different It's not just music in my mind There's sounds that make my playlist up Sounds of a different kind A baseball smacking leather God, that sets me free Some good, some bad, some coaching Some involve my ******* up knee The click on every eight track When it switches channels to play on Brings back those early mornings when the house cleaning was done But, music, yes the music makes a large part of my list Some take me back to dances And the girls I never kissed The good songs stretch my senses Make me smell things from the past The memories still linger While the music didn't last Sirens, car wrecks, yelling Have their place on my list too It's not music to most people It made my list though, who knew? A sound as small as raindrops Take me back to a morning when I stood on line with a hundred others Brave women and brave men Cornwallis, Nova Scotia rain and U2 take me on a track To basic training on the east coast Wow, that's 25 years back A car crash and a siren Takes me to when I met my wife This was on the television when Princess Di, she lost her life So, my soundtrack is eclectic It's not just music fuels my trips It might be a golf ball bouncing That takes me through a time warp slip A song, that's just too easy Everyone has one of those But, can you travel back, oh, 30 years When someone blows their nose? There's more sounds that effect me But, those I think I'll hide I will write about them later And I will take you on that ride In 50 years of living Lots of sounds have hit my ears We'll sit and chat about them One day over a few beers....
0
Aug 4, 2012
Aug 4, 2012 at 5:05 PM UTC
Soundtrack of my life
You know, there's always a song that takes me back To a year, so long before It's not always a top ten song That hits my very core It just grabs me and transports me Back in time while standing still It might take me to a good place Release a memory I should **** But, my soundtrack is different It's not just music in my mind There's sounds that make my playlist up Sounds of a different kind A baseball smacking leather God, that sets me free Some good, some bad, some coaching Some involve my ******* up knee The click on every eight track When it switches channels to play on Brings back those early mornings when the house cleaning was done But, music, yes the music makes a large part of my list Some take me back to dances And the girls I never kissed The good songs stretch my senses Make me smell things from the past The memories still linger While the music didn't last Sirens, car wrecks, yelling Have their place on my list too It's not music to most people It made my list though, who knew? A sound as small as raindrops Take me back to a morning when I stood on line with a hundred others Brave women and brave men Cornwallis, Nova Scotia rain and U2 take me on a track To basic training on the east coast Wow, that's 25 years back A car crash and a siren Takes me to when I met my wife This was on the television when Princess Di, she lost her life So, my soundtrack is eclectic It's not just music fuels my trips It might be a golf ball bouncing That takes me through a time warp slip A song, that's just too easy Everyone has one of those But, can you travel back, oh, 30 years When someone blows their nose? There's more sounds that effect me But, those I think I'll hide I will write about them later And I will take you on that ride In 50 years of living Lots of sounds have hit my ears We'll sit and chat about them One day over a few beers....
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60
Dear music, Thanks  for   always clearing   my   head, healing   my   heart, and lifting my spirits. It's  not  the  song  that makes  you  emotional... it's the people and things that come to mind when you hear it. All it  takes is 1 song  to       bring back 1000                        memories. One song --- the lyrics, the melody, the mood --- can take you back to a moment in time like nothing else can. Each memory has a soundtrack of it's own. Music is life. That's why our hearts have beats. Never underestimate the healing power of listening to your favorite music on full blast while dancing around the house like an idiot.                                                                                             Jon York   2019
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Apr 24, 2019
Apr 24, 2019 at 2:30 AM UTC
Music Is Life, That's Why Our Hearts Have Beats
a perfect half hour drive with a perfect sunset keeping me high and a perfect soundtrack buzzing in my perfect battered car down a perfect country lane lined with green waves and soft bluebells smudging the hard lines of winter away the air is still cold but this evening is too perfect to notice or care and i realise i have been driving with a smile greeting stranger's stares.
0
Apr 27, 2014
Apr 27, 2014 at 3:37 PM UTC
Perfect
MONKEY IN A RED FEZ DANCING TO ABBA I watch the children play on a sunny Sunday in Rotterdam like a stereotypical alien studying humans. Their cries rise and fall like seagulls as they swing sea-sawing or blurring into one on a brightly coloured turnstile. A man looking like a badly drawn cartoon turns the handle slowly  of a broken down barrel ***** A monkey in a red fez dances on the end of a chain. The barrel ***** spews out everything from Abba to Franz Lehar. The decrepit old man and even more decrepit monkey appear as if they have stepped out of another century. I am far from home. The day is dying. I read from my battered book Hamsun's HUNGER. It's lurid cover torn half hanging on/off. The park deserted now as night steals its colours. The last words of of this the final chapter are lost to me swallowed by the dark. The barrel ***** peersists the soundtrack to some forgotten film The monkey red fez fallen at its feet. The monkey blissfully asleep. The music caught entangled in branches and  leaves. I watch the yellow lights blossom one by one a silhouette of houses like a stage set. Houses like cut-out silhouettes a stage set. The last lines revealed under a passing  lamp "...where the windows shone so brightly in every home..." I laugh at such a coincidence. Leave the book on the bench for some other me to discover when the sun comes up. And return to my space ship.
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Aug 28, 2018
Aug 28, 2018 at 5:17 PM UTC
MONKEY IN A RED FEZ DANCING TO ABBA
Blacktop, soft top, foot upon the gas Highway, my way, miles of haulin' *** singalong, bringalong music for the day iTunes, my tunes, soundtrack all the way sunshine, fun time, havin such a blast drivin, arrivin, trading poetry for gas Top down, drop down time for us to chill Line up, sign up, still got three seats to fill.
0
Aug 26, 2010
Aug 26, 2010 at 12:08 PM UTC
Roadtrip anyone?
When I'm at the end of my rope, You're my only hope, you're my go to- road. And if I leave you on a cliffhanger, a slippery slope, Would you still give me hope? Oh darling please, don't go Oh make a soundtrack for my life, Make a playlist so good it'll keep me alive, You're all I've got, all I want, and I'd let go of my alternative world, if I could keep you in this real one here.. Cause when I'm at the end of my rope, You're my only hope, You're my go to road. And sometimes life is a lonely road, But I'll hold you close, In my heart You're my favourite poem.
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Feb 3, 2015
Feb 3, 2015 at 5:32 PM UTC
'My Go-To Road'
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
0
Sep 16, 2018
Sep 16, 2018 at 6:45 PM UTC
The Medical Clarinettist
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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35
our coolest babysitter lit a long joint and drove us to church in her well worn '87 oldsmobile with chipped gold paint a drooping side mirror and a tape player that smelled like stale london gin mothballs and a sunset butterfly heart at the same time it had a deep ocean green calcite mandala dancing from the windshield mirror and a steal-your-face tattooed on the back glass she used to blare brit-pop trying to make the speakers bleed that day when they finally oozed she swerved us left through the other lane and sunday morning fog to cut a jagged path through thick woods and into an oak tree with a soundtrack of slow motion oasis and screeching tires i clammored to the backseat to block the window glass from your beautiful angelic blonde head as dew sprayed into the vacancy from the ditch and when i pulled the seatbelt spiderweb out of your mouth and lifted you out of the car i was standing barefoot in a cluster of bright red sumac next to an ant hill pile of twisted steaming metal and you were dripping blood from your eye and knees asking me if we'd be late for sunday school but you were awake and trying to smile so we followed the powerlines back to the main road holding hands dizzy and sweating worried no one would ever find us limping while the springtime songbirds held their tongues for us but when the hot ringing in my ears finally stopped the sirens grew loud and close and the birds too began their wet lipped eulogy sometimes i think about missing church that day when the weather's bad on nights like last night sometimes i remember our babysitter when the fog rolls in over the road in the morning i wonder if she still gets high on the good stuff while she drives or if she's just a treehugger
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Aug 23, 2015
Aug 23, 2015 at 9:09 AM UTC
seatbelt spiderweb
our coolest babysitter lit a long joint and drove us to church in her well worn '87 oldsmobile with chipped gold paint a drooping side mirror and a tape player that smelled like stale london gin mothballs and a sunset butterfly heart at the same time it had a deep ocean green calcite mandala dancing from the windshield mirror and a steal-your-face tattooed on the back glass she used to blare brit-pop trying to make the speakers bleed that day when they finally oozed she swerved us left through the other lane and sunday morning fog to cut a jagged path through thick woods and into an oak tree with a soundtrack of slow motion oasis and screeching tires i clammored to the backseat to block the window glass from your beautiful angelic blonde head as dew sprayed into the vacancy from the ditch and when i pulled the seatbelt spiderweb out of your mouth and lifted you out of the car i was standing barefoot in a cluster of bright red sumac next to an ant hill pile of twisted steaming metal and you were dripping blood from your eye and knees asking me if we'd be late for sunday school but you were awake and trying to smile so we followed the powerlines back to the main road holding hands dizzy and sweating worried no one would ever find us limping while the springtime songbirds held their tongues for us but when the hot ringing in my ears finally stopped the sirens grew loud and close and the birds too began their wet lipped eulogy sometimes i think about missing church that day when the weather's bad on nights like last night sometimes i remember our babysitter when the fog rolls in over the road in the morning i wonder if she still gets high on the good stuff while she drives or if she's just a treehugger
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46
Whose women these are I think I know. His housefly’s dead on the vignette though; He will not see me stopping here To watch his women pick snowdrops. My little hornpipe is quite queer He stops without a farce or sneer Between the women with their frozen ‘la’s The commonest everyman of the yawl. He gives his harlot beldams his shaft To assure they are his mistresses. The only other soundtrack's the sweat Of easy win from downing flagons. The women are lovely, dark and deep. But I have promenades to keep, And migraines to go before I sleep, And migraines to go before I sleep.
0
Nov 4, 2012
Nov 4, 2012 at 9:54 PM UTC
Stopping by Women Owned by the Everyman
your body, the drain plug, that climactic days of a day murky sweet strawberry milk water ebbs and sways around, surrounds, and surmounts you Your body the dumping ground for pretty poppy seeds seep, steep seeded somewhere deep as synthetic stinging metaphor rain pours on your mistreated singing skin spotted, dotted, synaptic rule akin to lemon poppy seed muffin tops your head- a top spins round and mimics never-ending bath drain whirlpool ambulances and ambivalences soundtrack this nocturne night of a morning mourning already my poor lost sister a little less than intact lost in her head I'm loosing her and she's nodding and she's nodding and she's nodding and she's nodding and she nods and grumbles, fumbles for words that aren't there four words that aren't there forward isn't there because what do you say about matters when your high and breathing last breaths overlapping in humble showers in heart crumbling nakedness your faithlessness trapping murky sweet strawberry milk waters.
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Aug 19, 2015
Aug 19, 2015 at 3:07 PM UTC
strawberry milk
Your heartbeat is like the soundtrack to my soul and everytime I hold you close I don't want to let you go in fear of forgetting the rhythm. But you have no idea. You make me feel so much. You make me crave every part of you, like an addiction I'm not quite ready to be cured of. And will I ever? It matters not at all to you. Interferes with your life in no way and you love it. I know you love that I can't move on because if I could, where would that leave us? You? Could you live with the knowledge I didn't love you anymore like I'm living with the knowledge you never did? I'd be your plus one forever. I'd be whatever you wanted me to be but the one thing I hate being is all that I am to you. A secret. And what is a secret but something you are ashamed of? I spend my life being second best and I'm forced to believe I deserve it. Maybe I do. But I'd evade every possible scenario that could make you feel like that. I'd make you feel like the most important person in the world. Because to me that's what you are. You're so special. I'd never hide you or lock you away. I'd show the world how lucky I am to have you if you were mine. And I'd make sure you felt the same.
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Mar 31, 2014
Mar 31, 2014 at 6:34 PM UTC
Second Best
Poetry is like a tattoo Stamped on me from birth. Like a mysterious voodoo, It's my charm on this earth. Poetry is like a tattoo Engraved on my DNA. Like the diamonds of Mabutu, It shines from p.m. to the a.m. Poetry is like a tattoo It will never be removed. Like my love for fufu Not until I'm disemboweled. Poetry is like a tattoo Like the Nile and Egypt, It encompasses what we do It's life's soundtrack and script. Poetry is like a tattoo It can now be lasered. But in music, like a crescendo, It can never be chiseled. #IvanBrooksPoetry© 31/7/2018
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Jul 31, 2018
Jul 31, 2018 at 5:50 AM UTC
Poetry Is Like A Tattoo
Your song on repeat like a soundtrack to pain and with every listen I feel you again Just as soon as I forgot but I can't let you go now that you've tugged my sleeve and pleaded me, no But your face in my mind is not close to me anymore I looked through the window just as you closed the door and saw you glance back but never turn around Some things that are lost are dead and can't be found The song of your heart I understood back then too well to believe now I'll never see you again You were a sister to me, so your brother is my brother, too Now you are his brother and I don't know what to do except to sing except to miss you
0
May 8, 2015
May 8, 2015 at 7:50 PM UTC
Lost brother
Sounding like some wild soundtrack to a Spaghetti Western starring none other than The Clintster, it were rolling in good vibes with the peeps taking selfies with the band for a backdrop. Two horns poundin' out a happening grove, with a bass player all of four foot nothin'. with a cool round sound. It was cookin' alright, hours after midnight, a Halifax sextet hinting of Tom Waits and the The Bob man. I yawned, I looked around, all those sweet tarts in their skin tights. I yawned again, shook my head as the band was covering Ray Charles... I yawned again and again and realized I am too old to party hardy. But still... 'I can hack it'.. the last thing I said as I headed out the door, homeward bound In a January breeze that had a hint of Spring. end © 2014
0
Jan 12, 2014
Jan 12, 2014 at 1:53 AM UTC
A Knight Out
dear . . . sweetie, the projections of your essence is the type to cook up a future of you; of the home you call your heart, or how you let it spill across the metal table, just to knead it back together to construct wholesome smiles. yours is the form of communication i've never known, a presence that haunts me - as the scent of your perfume lingers at the back of my tongue as i taste a sweet fruit, or how your stories speak to me as my eyes trickle such mundane appliances around me. you have taken not my heart, nor my soul. you have extracted from me fragments of my time; where i find myself caught in the air, mystically hearing the songs that were stuck in my head when i first met you. you are the soundtrack to my little death. you are always right in the corner of my mind, just as i want to see you: half-baked, smirking, and vulnerable.
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May 17, 2016
May 17, 2016 at 3:50 PM UTC
pâte sucreé
sleeping next to you... (how do i put it?) is the meaning of absolute bliss. like that taste of perfect lemonade on a sizzling summer day. in a state of semi-consciousness turning, to find you next to me with a simple sigh i smile. listen to your breathing feel your chest slowly rise and fall. i trace my fingers over your face hoping they will be forever remembered. if i could have one wish come true i would wish to sleep next to you every night with the sound of our silence be my soundtrack.
0
Dec 27, 2011
Dec 27, 2011 at 10:49 PM UTC
sleeping next to you
I plunge into the cold water on that warm July day no goggles, only the loose-fitting swimming trunks I swim through the blur of chlorine pushing through the water when a familiar tune I heard hours earlier traps itself in my brain and I suddenly become weightless, a plane high above in the air The water is pure blue sky, below me the clouds And at the bottom the city in ruins I take my plane and dive down below the clouds past the blur, until the city is in view just below me I level the bomber and let it soar low above the ground Over the pale white shells of buildings I remember the museum exhibit that inspires this flight I walk through, studying the pictures and the uniforms and the weapons on display when in the distance of the room beyond I hear the familiar tune: Brian Eno's "Ascent (An Ending)". It brings me closer, and I move past the exhibits at a quickening pace, past the slow browsers glancing only briefly to read, to catch a glimpse of an object, a photo, a map I keep going, "Ascent" on a loop, its minimalist beauty entrancing me until I find a large television in a small corner. A few people are gathered around, solemn, the television entrancing them, the music washing over the room. First the white words centered against the black screen: "The Bomb". The come the white-and-black photos and footage of the mushroom clouds hovering above Hiroshima, then Nagasaki, standing tall like ungainly trees in an empty field. The soundtrack to the short video before me is "Ascent", or rather an excerpt, a piece of it, stirring strange emotions Familiar ones that I give attribution to when I listen to it on my own. Yet it feels different coming from this; on the screen a few photographs of corpses and burnt victims flash by. And then the screen fades to black, a moment of silence before it all starts again I hear this loop and see these images before me as I fly above the imagined city in ruins And for a brief moment I am the Enola Gay; I will only know it at the bottom of a hotel pool
0
Mar 9, 2015
Mar 9, 2015 at 4:23 AM UTC
The Enola Gay is at the Bottom of a Hotel Pool
I plunge into the cold water on that warm July day no goggles, only the loose-fitting swimming trunks I swim through the blur of chlorine pushing through the water when a familiar tune I heard hours earlier traps itself in my brain and I suddenly become weightless, a plane high above in the air The water is pure blue sky, below me the clouds And at the bottom the city in ruins I take my plane and dive down below the clouds past the blur, until the city is in view just below me I level the bomber and let it soar low above the ground Over the pale white shells of buildings I remember the museum exhibit that inspires this flight I walk through, studying the pictures and the uniforms and the weapons on display when in the distance of the room beyond I hear the familiar tune: Brian Eno's "Ascent (An Ending)". It brings me closer, and I move past the exhibits at a quickening pace, past the slow browsers glancing only briefly to read, to catch a glimpse of an object, a photo, a map I keep going, "Ascent" on a loop, its minimalist beauty entrancing me until I find a large television in a small corner. A few people are gathered around, solemn, the television entrancing them, the music washing over the room. First the white words centered against the black screen: "The Bomb". The come the white-and-black photos and footage of the mushroom clouds hovering above Hiroshima, then Nagasaki, standing tall like ungainly trees in an empty field. The soundtrack to the short video before me is "Ascent", or rather an excerpt, a piece of it, stirring strange emotions Familiar ones that I give attribution to when I listen to it on my own. Yet it feels different coming from this; on the screen a few photographs of corpses and burnt victims flash by. And then the screen fades to black, a moment of silence before it all starts again I hear this loop and see these images before me as I fly above the imagined city in ruins And for a brief moment I am the Enola Gay; I will only know it at the bottom of a hotel pool
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36
The impetus                      Of being Always on the run                Through pinwheel eyes                               Those standing by                                           The mystic roadway :    River Blues yet to be brushed                       or in blush                            Of evening chill's breathing a canvas like windows dreaming felt All mindful And chockfull O'                               Wonder Then ponder                 Yonder "window breaks"                          Past the wilderness' sleep Bone heavy wood                              Umber earth                              Past whoosh and rush of liquid Folding on itself / a soundtrack       Listen now       Pedestrian be Mindful of the cautionary whales                                                Old Ahab’s yell                                   Obsessions                            Fears                                    Or loathing. If one is drowning in one's sleep Look wildly                   widely                               Blithely                                     Down river   Or up there beyond finger's point                       Sidewinder snake journeys Until sky and below it All meet The distance         Now only a line                  Coalescing what is beyond                       Our ability to see Far and away     Evanescent          Effervescent                      Ever after                                    River.     Life. Here we are And proud      The free spirit is fluent            With the rapid rivers loud                             Always on the run Currents like a child's curiosity ... How then, When or why                         does it end ? Where do we go?                      Like most things existing,            Will lead to the high art / love's deep oceans...            We often forget to seek                               And mind                                      the sublimations/                                                             d¬¬rift wood. So then, Begin with a dot . A speck of dusk                      A burst of light                                         A starry sky, pieces to mastering                    Raging fragility of water Liquid undulations                       Folding itself in / volumes Or falling from on high        A droplet cry Then the lightning                    (crash or bloom) From the heavens                                  like electric rivers So brilliantly                    Festoons Where do we go (so low)        There and here / underfoot /                    Over north / southern sleep                                    To oceans twilight deep? Go wrapped or map-less Or no.             Up                 Way        Up yonder There up there                     Everywhere                     All without fear... My heart like the river yearns                  To go toward the sun                        A flow /                                      the beating drum Always on the run And      Yet             Still                     Here.
0
Sep 30, 2018
Sep 30, 2018 at 3:58 AM UTC
RIVER
The impetus                      Of being Always on the run                Through pinwheel eyes                               Those standing by                                           The mystic roadway :    River Blues yet to be brushed                       or in blush                            Of evening chill's breathing a canvas like windows dreaming felt All mindful And chockfull O'                               Wonder Then ponder                 Yonder "window breaks"                          Past the wilderness' sleep Bone heavy wood                              Umber earth                              Past whoosh and rush of liquid Folding on itself / a soundtrack       Listen now       Pedestrian be Mindful of the cautionary whales                                                Old Ahab’s yell                                   Obsessions                            Fears                                    Or loathing. If one is drowning in one's sleep Look wildly                   widely                               Blithely                                     Down river   Or up there beyond finger's point                       Sidewinder snake journeys Until sky and below it All meet The distance         Now only a line                  Coalescing what is beyond                       Our ability to see Far and away     Evanescent          Effervescent                      Ever after                                    River.     Life. Here we are And proud      The free spirit is fluent            With the rapid rivers loud                             Always on the run Currents like a child's curiosity ... How then, When or why                         does it end ? Where do we go?                      Like most things existing,            Will lead to the high art / love's deep oceans...            We often forget to seek                               And mind                                      the sublimations/                                                             d¬¬rift wood. So then, Begin with a dot . A speck of dusk                      A burst of light                                         A starry sky, pieces to mastering                    Raging fragility of water Liquid undulations                       Folding itself in / volumes Or falling from on high        A droplet cry Then the lightning                    (crash or bloom) From the heavens                                  like electric rivers So brilliantly                    Festoons Where do we go (so low)        There and here / underfoot /                    Over north / southern sleep                                    To oceans twilight deep? Go wrapped or map-less Or no.             Up                 Way        Up yonder There up there                     Everywhere                     All without fear... My heart like the river yearns                  To go toward the sun                        A flow /                                      the beating drum Always on the run And      Yet             Still                     Here.
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100
I like it here. Damp air clinging to my skin, clinging to my clothes, Grey skies laughing at pewter water, Wind tossed seagulls reeling passed Individual calls demanding attention; their joint voice hushing into the soundtrack of this place. Buildings cluttered together for protection from blasting winter gales, Yet all jostling for a glimpse of the harbour. Guess in their own sleepy ways they like the thrill of danger. Their red tiles roofs so reminiscent of Mediterranean towns, But inescapably speak of home. People traipse past, creating the shifting landscape of this place. Their own lives and concerns mingling to create a vast sea of humanity, Mirrored by the roiling sea... Just beyond the safety of This harbour. This bench. This packet of vinegar soaked chips. I'm glad it's you here with me Glad I can feel your soul soar with mine at the salty air and eroded stone. Beside me Hunched into your coat Gazing out. We don't touch But I feel you there With me.
0
Mar 28, 2013
Mar 28, 2013 at 10:49 PM UTC
Belonging
on cloud nine from the sound of you voice speaking the three syllables of my identity directly in my ear but i'm not one for gettin' played so i fix my lips to ask you the question that my whole body is dreading, "what do you want from me?" my heart, so loud, thumping in my ears as the future threatens the demise of this bliss that i have been waiting eight painful eternities for, to this question, you reply "i want yo love & affection," did i ever tell you that you speak in song lyrics? your voice is the instrumental beat and the melody on this unforgettable tune on the soundtrack of my life i'ma put my earbuds in so i can vibe to you again
0
Apr 19, 2015
Apr 19, 2015 at 3:23 PM UTC
loveeeeeee song
She dreamt about you last week. I nibbled on my breakfast today -- bread and a thinly sliced orange. It seemed enough at the moment, but I snapped somewhere. I let her tell me off for being unreasonable while her hands did dishes the way you taught her to. She never wastes water. She said you were both running. This morning she had tiny baby dolls dangling from her ears. Being seen doesn't bother her anymore as much as it used to, but that doesn't matter to you because you always saw her. And I'd like to think you still do. She was beautiful today. And always. She laughed softly. "Imagine her running," she said. But somehow, I could. Last week, she got a bright red alarm clock with a built-in radio. Old songs as much as possible, please -- the soundtrack of our late nights. The first night she figured out how to work it, I lay on the bed the same way you used to, one leg crossed and one arm over my eyes, laughing. Did you laugh? I can copy your laugh too, you know. She said you both knew why you were running. It's a jungle in there, and I'm not always allowed to explore. But sometimes, she lets me cross a river. Lets me through some vines. And I tell her, "Baby, I'll stand out here with my little torch and wait out the rains. I'll help you map this place out. I'm a little lost in here, but I'm not leaving until these footprints I'm following lead me right next to you." She just smiles. Did you know that your footprints are there, too? They're all over the place. She said you made it into each other's arms. I hadn't cried over you in a long, long time but that Sunday morning I drew her in close and we dampened each other's shoulders. Laughed a little. Cried some more. Got dressed. Carried on. I miss having you in my dreams too, but it was nice of you to say hello. Know that you are always welcome. Maybe next time you'll stay a bit longer. We'll have your coffee ready. Thank you. Please, come again.
0
Sep 8, 2018
Sep 8, 2018 at 1:45 PM UTC
Thank you, please come again
She dreamt about you last week. I nibbled on my breakfast today -- bread and a thinly sliced orange. It seemed enough at the moment, but I snapped somewhere. I let her tell me off for being unreasonable while her hands did dishes the way you taught her to. She never wastes water. She said you were both running. This morning she had tiny baby dolls dangling from her ears. Being seen doesn't bother her anymore as much as it used to, but that doesn't matter to you because you always saw her. And I'd like to think you still do. She was beautiful today. And always. She laughed softly. "Imagine her running," she said. But somehow, I could. Last week, she got a bright red alarm clock with a built-in radio. Old songs as much as possible, please -- the soundtrack of our late nights. The first night she figured out how to work it, I lay on the bed the same way you used to, one leg crossed and one arm over my eyes, laughing. Did you laugh? I can copy your laugh too, you know. She said you both knew why you were running. It's a jungle in there, and I'm not always allowed to explore. But sometimes, she lets me cross a river. Lets me through some vines. And I tell her, "Baby, I'll stand out here with my little torch and wait out the rains. I'll help you map this place out. I'm a little lost in here, but I'm not leaving until these footprints I'm following lead me right next to you." She just smiles. Did you know that your footprints are there, too? They're all over the place. She said you made it into each other's arms. I hadn't cried over you in a long, long time but that Sunday morning I drew her in close and we dampened each other's shoulders. Laughed a little. Cried some more. Got dressed. Carried on. I miss having you in my dreams too, but it was nice of you to say hello. Know that you are always welcome. Maybe next time you'll stay a bit longer. We'll have your coffee ready. Thank you. Please, come again.
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12
Throughout this soundtrack that I call my life, your heart is the beat, your voice is the lyrics, your soul is the slow and steady rhythm, your kisses are the chorus and your face is the album art. Without you, I would never hear music the same again.
0
Nov 3, 2016
Nov 3, 2016 at 6:47 PM UTC
SoundTrack