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"soloist" poems
You have one headphone in the left, the radio in the right as a stranger drives measures in clefts of night. Kiss him how your feet kiss sand or a soloist breaks off from the band until the pianist beckons him back, tuning deft fingers to a single track. Open your ears to sound’s wordless talk, beats in a measure a half-step off. Blue’s lips tactless, ******* you down, Blue’s lips fastening ankles to ground. Then sudden and brace; a rock in the road, an anchor thrown as you're caught between verses and words you don’t know. Then sudden, the break; pianist's mistake. Notes shift under toe as the ocean lets go.
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May 17, 2018
May 17, 2018 at 6:53 AM UTC
The Restless, the Shore
# This depressive choreography                                      of flames                                      f     i      k     r     n                                          l    c      e     i     g consumed in the geography                                  of bodies                                  b   i   c   k   e   r   i   n   g                                Tongue's embers  licking                     the innocent cheek words like poniards                      P   R   I   C   K   I   N   G leaving this dance at its                                                           pique Now left  a  s m o u l d e r i n g              soloist on the stage                             a dance so sobering                                      watch this fire's rampage burn his own pyre               I gave into the rage burn his own desire              another illegible page tossed to fuel the bellowing fire               the end of our golden age #
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Aug 15, 2018
Aug 15, 2018 at 10:52 AM UTC
The Choreography of Flames
Chop down the city lights of Paranoia. Cathartic beads of sweat roll off the horrors of your back under the saggy breast lamps in the pitched dreams where the nightmare kids come to watch you sleep.            Somersaulting walls made of human tissue, the love of your life overseas, and everything you say comes out as water torture on hollow centers of hope.                         poetry is dead.                                                   Liars smoke ten packs a day, social criminals stroll in marathons of perdition across the rot of post-modern vices, their feet stomp closer to watching faces under the bed.                                       'This is a story. A dream!' Everyone sees the fire under the bed. Watch-fires earthbound by every word before it is said, gagged in envy--brought to glow by spineless atoms.         Every sexless sun has a beard, a saved flirtation that singes           the vacuum of today's soul,                              a dead dream because you didn't pull it from the brink. No one has a name in poetry. A task. A point. An exit.                                                   One bed-room apartments locked with pearls                                                      visible only to soloist dogs. No sorry for vagueness or shut-mouth or bleeding upwards. The meter is running.... to the pharmacy because it could be pregnant with all the possibilities. And the whole amphitheater wants to hear one line, the life changer you brought --here it is: Forget your name.
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Sep 7, 2013
Sep 7, 2013 at 1:47 AM UTC
Paranoia
Chop down the city lights of Paranoia. Cathartic beads of sweat roll off the horrors of your back under the saggy breast lamps in the pitched dreams where the nightmare kids come to watch you sleep.            Somersaulting walls made of human tissue, the love of your life overseas, and everything you say comes out as water torture on hollow centers of hope.                         poetry is dead.                                                   Liars smoke ten packs a day, social criminals stroll in marathons of perdition across the rot of post-modern vices, their feet stomp closer to watching faces under the bed.                                       'This is a story. A dream!' Everyone sees the fire under the bed. Watch-fires earthbound by every word before it is said, gagged in envy--brought to glow by spineless atoms.         Every sexless sun has a beard, a saved flirtation that singes           the vacuum of today's soul,                              a dead dream because you didn't pull it from the brink. No one has a name in poetry. A task. A point. An exit.                                                   One bed-room apartments locked with pearls                                                      visible only to soloist dogs. No sorry for vagueness or shut-mouth or bleeding upwards. The meter is running.... to the pharmacy because it could be pregnant with all the possibilities. And the whole amphitheater wants to hear one line, the life changer you brought --here it is: Forget your name.
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30
The soloist closes their eyes and leans in to play their instrument, an intertwined movement as the musician and their tool becomes one. An ever so subtle look of one who loves to that which is intimate, knowing the sentiment that was formed now may never be undone. The dance is bittersweet as the moment has already began to fade, a beautiful sight with the undertones of a melancholic symphony. Even though the house lights stayed a lit and the music swayed the musician could see the end coming of this moment so vividly. This temporary music spreads out into infinity, where all is left is the memories. Notes and undertones that almost approach divinity, where all is left is the reveries. The house lights went out, the soloist left gasping for air. Every delicate sensation overwhelmed but they didn't care.
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Apr 6, 2021
Apr 6, 2021 at 11:31 PM UTC
The Soloist
we never finished writing our duet. i don't mean that figuratively. we were writing a duet and we never finished it. we had our two separate melodies strung the lyrics were quaint but true but we could never seem to piece them together. you couldn't quite harmonize pleasantly our voices didn't blend nicely maybe i could have taken it as a sign. we just didn't take enough time didn't have enough patience i've always been more of a soloist myself. we never finished writing our duet. it doesn't get more poetic than that.
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Mar 10, 2013
Mar 10, 2013 at 12:45 AM UTC
on another unfinished duet
A woman traipsed with the whole company of ballet; She was but only a soloist, a mere sujet. Her companions wore clothes for traveling hard, But our sujet, she dressed in dancing shoes and leotard. Her head was upturned and her nose pointed High, as if by a great saint she had been anointed. With ease she stretched into each dainty pose But no other ballerina saw the bandages wrapped around her toes, Which she had to replace every other hour; Seeing her bleeding sores did often make her cower. To the other ballerinas she was dismissive and **** But her oft-clenched fists belied the faltering of her heart. Her chestnut hair she had dyed golden like the rest And her curves became thin so she would dance her very best; She had hidden herself inside ‘till her olive skin turned pale, Believing if she fit in, at her craft she never could fail. Instead of breaking her fast or supping at night She practiced her art and took nary a bite. The ballet troupe sneered while the sujet put on her airs Yet I know she wept at the ice hardened in their stares.
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Jan 24, 2015
Jan 24, 2015 at 9:08 PM UTC
The Ballerina
I am a good person to the max I am a good guy in Jesus' name I am a brilliant young man I am so handsome like Gretel Wesley Willis Wesley Willis Wesley Willis Wesley Willis I am a rock soloist I am a rock singer on the Wesley Willis Fiasco I am a cityscape skyscraper artist I am a working class dog Wesley Willis Wesley Willis Wesley Willis Wesley Willis I am a nice guy in Jesus' name I have a mean schizophrenia demon in my head My demon racks me with profanity My demon tells me lies and says I'm a **** a *** and an ******* My demon keeps me from joy bus riding by torturing me Wesley Willis Wesley Willis Wesley Willis Wesley Willis Kinkos, it's the copy center
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Jan 23, 2014
Jan 23, 2014 at 10:24 PM UTC
Wesley Willis
I had a coat Made from skin That was a goat. My coat made me thin I was a skeleton and my friends Thought I was torn They worried of my trends. I was born to poor They mocked me of poverty Tears,I could pour. In me was genuine liberty I summoned my few kids And I told them about courage , For Holes in life had lids And we had not to be discouraged "we have to face it courageous This life is ours to live We,being gorgeous This life is our beautiful leaf We have to remain hawk eyed And clever like non To always live today And hope for tomorrow Our past to control we can't Today,our future we can ruin So my kids, Let us work to our best of ability !" That day, I threw away my coat I focused on life And In less than a year I had what I called mine I grew better Wiser and Today,I see the change. Hope is my song Change is my rhythm Determination is my guitar Devotion is my soloist And my dancer is perseverance. I am on my way to my destiny Further away from my coat That was a goat!
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Jan 25, 2015
Jan 25, 2015 at 9:06 AM UTC
My Coat that was a goat.
I light a cigarette and take a seat onto a damp lawn chair; the smoke rises and billows against the crimson colored shadows like milk in water and I watch as it goes up to the sky, over my house where it leaves me to stare. My mind is clear, eyes wide open, ears dilate as cool droplets of water trickle down with pitter patters through the leafy green stairs. Some even skip from step to leaf top as if to jump in a quick hurry toward its destination; others fall in groups behind me and morph into four legged creatures that scatter across the moist ruffles of old and weathered leaves. Still, my focus is above. This silent noise abounds from all directions: a chirped song of a baby bird to my right, the concerto soloist of a cricket in hiding below, the bell whistle croak of a frog somewhere near by. If my senses were a cup it would surely be full now: Musky odors from a previous storm that lie softly on the rich brownish-red soil would rise like steam from its glass rim. Inside, shavings of silver would gleam like diamonds in light, and a cotton soft red wine would fill it like the night does the sky. And now as I sip from this natural perfection I am reminded of your lips sweet interjection. And as softly as the smoke had risen toward the shadows of red light, a kiss was lit and we both began to dance; around your mouth mine had began to waltz, slowly to and fro on tip toes being careful not to fall, but you held me close and grasped me tight like the red sky does the stars, and like it and the wine that now fills my cup, with you in that moment I was awe struck.
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Jan 17, 2013
Jan 17, 2013 at 2:56 PM UTC
Crimson Waltz
I light a cigarette and take a seat onto a damp lawn chair; the smoke rises and billows against the crimson colored shadows like milk in water and I watch as it goes up to the sky, over my house where it leaves me to stare. My mind is clear, eyes wide open, ears dilate as cool droplets of water trickle down with pitter patters through the leafy green stairs. Some even skip from step to leaf top as if to jump in a quick hurry toward its destination; others fall in groups behind me and morph into four legged creatures that scatter across the moist ruffles of old and weathered leaves. Still, my focus is above. This silent noise abounds from all directions: a chirped song of a baby bird to my right, the concerto soloist of a cricket in hiding below, the bell whistle croak of a frog somewhere near by. If my senses were a cup it would surely be full now: Musky odors from a previous storm that lie softly on the rich brownish-red soil would rise like steam from its glass rim. Inside, shavings of silver would gleam like diamonds in light, and a cotton soft red wine would fill it like the night does the sky. And now as I sip from this natural perfection I am reminded of your lips sweet interjection. And as softly as the smoke had risen toward the shadows of red light, a kiss was lit and we both began to dance; around your mouth mine had began to waltz, slowly to and fro on tip toes being careful not to fall, but you held me close and grasped me tight like the red sky does the stars, and like it and the wine that now fills my cup, with you in that moment I was awe struck.
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39
A photograph, a raindrop on a rooftop I want to see you again You just kind of pop back in my life Here or there You're gone again I'm just stuck in this quiet, stained glass jar. No sight in, I can't see out Like a personal museum De-loved. a 24K lip-pump soloist I wish, I wish, I wish- A cassette, an old bouquet I want to see you again It's horrid and you're not mine anymore Here or there Now or ever
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Apr 14, 2013
Apr 14, 2013 at 1:15 PM UTC
Noah
Melodious, luminous a small plumage of sounds Found you, fond of you The first string laid across the back of Spring, you sing till my eyes grow rusted and my limbs frost with moss,  you perch still upon the branches of my broken fingers, missing not a beat, a note, a loss. * Sing for this sunken world continuously, my one and only soloist
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Apr 13, 2019
Apr 13, 2019 at 1:01 PM UTC
Ode to a Spring Bird
Playing to the heartbeat Tub thumping Drumbeat Overwhelming Synth wave Channelling the Bass slave Guitar jams, room shaking Screaming voices, larynx aching Cello in the background Violins make mellow sound The Snare an unholy snap A Tambourine a mighty slap The Cymbals crash A Tom Tom smash Chord change impending Middle eight unending Digital and analogue Recording in its final slog Final verse is looming With the Bass Drum booming The soloist’s precision Fulfils the final vision Aduain
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Nov 15, 2018
Nov 15, 2018 at 10:01 AM UTC
Studio
Velveteen butterflies sail into strawberry way , strike a pose against the meditative , sunny disposition of the coming May Harlequin horseflies and Bumblebee jesters Pear bloom ballet , Mayfly soloist , interpretive Ferns are quite dashing in the Alabama breeze , Wood Thrush dancers and Mourning Dove romantics cooing in the Honey Locust trees Madame April's storybook of Springtide scenes and fairytale dreams ...
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Apr 22, 2016
Apr 22, 2016 at 6:22 PM UTC
April Afternoon ...
Dulcet melodies came up From the basement, day and night The rhythm that fractured silence apart And rained in my life prettily like rose petals In the falling of the spring Her tinny fingers danced gentle on these piano keys Serenading my soul, laid at peace with thee She called this place the heart of her serenity With love she kept it warm and dignified Sometime ago she went out for draughts. And driven away by illusional views Perhaps down on the sea promenade, something attractive Held her hypnotized and possessed Ever since she left, only silence sings from the basement She left indelible marks and love notes around the walls, and No soloist ever bothers to go down there And stay longer, perhaps, because of her luggage all over the room And I’m afraid of disposal, if she may come back home Or emptiness could be too much to handle either My heart has become, but just an isolated confined basement Full of gloomy memories, ever since you’ve been gone It is quiet with sadness down here without you, and No soloist ever bothers to come and stay longer
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Jul 28, 2016
Jul 28, 2016 at 4:36 AM UTC
The basement
Last night, I slept with Ludwig; the night before, Wolfgang. Tomorrow, Johannes has promised me a vigorous work-out. Not for me the ascetic pilgrimage to the gates of good taste. I must have passion, for that will point me to truth. Last night I slept with Ludwig, so now I am ready. Music-lovers of Chicago: watch me walk onto the platform, shimmering but dignified in midnight blue diamanté. Prepare to hear my translation of feelings into sound. Ludwig's feelings. Everyone's feelings. Last night I slept with Ludwig. Now, I claim my reward. After the final chord, applause is compulsory. Louder! Louder! Stand up and cheer! You are my people. Love me! Love me, why don't you?
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Apr 23, 2012
Apr 23, 2012 at 4:56 PM UTC
Soloist
it starts with you sitting underneath the sun at dusk the only noise you can focus on is your languid breathing while the scent of the hot wind curls into your nostrils in wicked streams your slow and steady breaths gives the beat for the rest of nature to imitate her winds join in offering a sweet and watery whisper blending her breaths and your breaths in an airy duet laying down the foundation for the soft pitter-patter of her plants and animals her mischievous wind knocks against the willow's branches swinging her leaves. their hollow ringing is rhythmic and relentless and then you hear it the orchestral arrangement that mother nature has arranged for you you become the conductor of your movement with your deliberate, languid winds and when you take a pause in your rhythmic breaths to savor the sweet scent of summer as if it could be stamped on your mind the kestrel's song plunges into the orchestra the shrill, sharp notes form a soloist in a flurry of feathers and beaks completing the orchestra as the moon rises, opening her pale eyes as she sways to the rhythm of Earth's song
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Aug 4, 2020
Aug 4, 2020 at 6:07 PM UTC
a kestrel's music
i don't know why,             in a litre, that's 250ml gone, on the basis that, working from 40%, i'm figuring, 40% - x = 37.5%, add the half and then add the 2... what do you get? 40%.                anyway...                  these "hard" spirits are perfect for mixers...                      you get a perfect mix of, say,           *dark *** & pepsi, to conjure up a sharpshooter known as blackbeard; and that really is a name for the most trivial cocktail.     and when i mean "hard", i do mean "hard". ever drink habsburg absinthe?         that's nearing the 100% mark...             or what one might call:    the 10,000 indicator for: what wasn't ran, but was drunk; zeno's paradoxical centimetre or inches or miles or kilometres come later, or at least last...    but this is fascinating... % = double negation given that kant said, 0 = negation... it's like a denial divided by denial...            i know the symbol suggests more omicron representation than a zee-ρ;     never mind... it's the perfect fraction... like a golden ratio, % = the perfect fraction. the thing is though...           i'm drinking this 37.5% dark *** and thinking... if this **** was at 40%...           i'd be worrying about not mixing it properly...             and this is a "hard" spirit after all... it's not exactly habsburg absinthe,         or a plum extract that's know by the name of śliwowica, common in the tatra mountains... which, like habsburg absinthe, is nearing            the ten thousand mark; but some strange reason 37.5% is the perfect partner for a mixer... say... *** & pepsi... whiskey & pepsi... ***** & pepsi...         at 40% you're thinking... posh whiskey, drank lukewarm... like a brandy / cognac. 37.5% is a ******* mystery to me...        i actually can perfect the sharpshooter concept with that balance... mingling 40% with a mixer is... is... just ****** hard...           sharpshooter? excess of spirit and a little bit of a mixer...      a bit like... a shandy... beer with a head of lemonade?                                 no? don't know it? 37.5%, and a litre of it?! and enough pepsi?   i call that a friday night... as a party soloist; oh i did to the laundry wasted today,       almost anything done drunk is fun as **** you get all autistic, making patterns out of the clothes and where they should hang on the washing-line...        red sock, blue sock... no... red sock red sock... here!        blue sock... tartan pattern blue sock... no...         ah! blue sock blue sock.... dangle here! well... you know... people have their alternative hobbies.
0
May 5, 2017
May 5, 2017 at 6:13 PM UTC
37.5% mystery / habsburg absinthe
i don't know why,             in a litre, that's 250ml gone, on the basis that, working from 40%, i'm figuring, 40% - x = 37.5%, add the half and then add the 2... what do you get? 40%.                anyway...                  these "hard" spirits are perfect for mixers...                      you get a perfect mix of, say,           *dark *** & pepsi, to conjure up a sharpshooter known as blackbeard; and that really is a name for the most trivial cocktail.     and when i mean "hard", i do mean "hard". ever drink habsburg absinthe?         that's nearing the 100% mark...             or what one might call:    the 10,000 indicator for: what wasn't ran, but was drunk; zeno's paradoxical centimetre or inches or miles or kilometres come later, or at least last...    but this is fascinating... % = double negation given that kant said, 0 = negation... it's like a denial divided by denial...            i know the symbol suggests more omicron representation than a zee-ρ;     never mind... it's the perfect fraction... like a golden ratio, % = the perfect fraction. the thing is though...           i'm drinking this 37.5% dark *** and thinking... if this **** was at 40%...           i'd be worrying about not mixing it properly...             and this is a "hard" spirit after all... it's not exactly habsburg absinthe,         or a plum extract that's know by the name of śliwowica, common in the tatra mountains... which, like habsburg absinthe, is nearing            the ten thousand mark; but some strange reason 37.5% is the perfect partner for a mixer... say... *** & pepsi... whiskey & pepsi... ***** & pepsi...         at 40% you're thinking... posh whiskey, drank lukewarm... like a brandy / cognac. 37.5% is a ******* mystery to me...        i actually can perfect the sharpshooter concept with that balance... mingling 40% with a mixer is... is... just ****** hard...           sharpshooter? excess of spirit and a little bit of a mixer...      a bit like... a shandy... beer with a head of lemonade?                                 no? don't know it? 37.5%, and a litre of it?! and enough pepsi?   i call that a friday night... as a party soloist; oh i did to the laundry wasted today,       almost anything done drunk is fun as **** you get all autistic, making patterns out of the clothes and where they should hang on the washing-line...        red sock, blue sock... no... red sock red sock... here!        blue sock... tartan pattern blue sock... no...         ah! blue sock blue sock.... dangle here! well... you know... people have their alternative hobbies.
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65
*Cold Sun with calling Raven Morning soloist in the Cyan school tree haven Wild berry blush , springtime zephyr maven - relaying messages o'er crystal oceans of red wire grass and brunette morning straw*
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May 5, 2016
May 5, 2016 at 7:26 AM UTC
Raven sunshine ..
Luscious Spring is wonderful avian theater ... The cameo appearance of Bradford Pear ,  a fragrant , beneficial Chestnut Tree of April .. Melodious springtime , 'Creations Opus stage ..' Voluminous , arthropod soloist , capering the riparian rivers , break the searing afternoons , sing to me , the cool blessing of night ...
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Mar 31, 2016
Mar 31, 2016 at 7:09 PM UTC
Winged Performers
*Insect soloist of enormous color brushstroke the given day Cobalt- silver windows laced with mountains of billowing steam , coveys of timid Quail spark an afternoon of vivid dreams A whisper of hope to awaiting ear , the saccharin flavor of love filling warm air The living day of Wren , Sparrow and Chickadee The very hour of Live Oak , Sugar Pine and Mulberry Fertile , vivacious stream beds on course for Gulf waters Rainbow infused land of Cherokee Fathers* ...
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Apr 26, 2016
Apr 26, 2016 at 4:47 PM UTC
My Beloved Home ...
he looked at her with distant eyes his past flame iridescent and loving him just dying for her heat still, if she only knew for monkeys fall now on his life swinging on his sorrow those sneaks his eyes stare at the moon and his lips murmur why to all the men out there laughing, why? for whispers heard now for she plays the fiddle lone bed groans same song and dance soloist's  bow squeaks how swell life turns on bated axis he finds a wall and knocks his head into it it hurts not at her independence and playing to her own beat no ... for all the men out there facing, facing closed doors Logan Robertson 7/20/17
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Jul 20, 2017
Jul 20, 2017 at 1:42 AM UTC
Facing Closed Doors