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"snapshot" poems
If I die in a school shooting I'll never go home again. My room will sit unused, A capsule frozen in time, A snapshot of how I was. If I die in a school shooting I'll never see my dog again. She will sit at the front door Waiting for me and wondering, Why I never came home. If I die in a school shooting I'll never graduate from high school. My yearbooks will sit stacked Stopped short of their goal, Missing years that should have been. If I die in a school shooting I'll never see my mom again. She will sit distraught, Planning a funeral For a child taken from her. If I die in a school shooting I'll never see my friends again. They'll sit together, missing me. One empty seat among them, A constant reminder of their loss. If I die in a school shooting I'll never see my little sister again. She will sit through high school Knowing I can't guide her through, That she has to figure it out alone. If I die in a school shooting My school will be stained. Pools of students lives will sit, Blood tattoos on the brick structures, Marks of death ground into it. If I die in a school shooting Everyone will wear black. They'll send their thoughts and prayers To a town marred by death, Forever to be the home of a shooting. If I die in a school shooting Will the world change? Or will I become one of hundreds   Of kids who have to die? What will it take? If things continue this way Children will have to live in fear. They'll look over their shoulders Always worried and wondering, If they'll die in a school shooting.
0
May 29, 2018
May 29, 2018 at 4:02 PM UTC
If I Die in a School Shooting
If I die in a school shooting I'll never go home again. My room will sit unused, A capsule frozen in time, A snapshot of how I was. If I die in a school shooting I'll never see my dog again. She will sit at the front door Waiting for me and wondering, Why I never came home. If I die in a school shooting I'll never graduate from high school. My yearbooks will sit stacked Stopped short of their goal, Missing years that should have been. If I die in a school shooting I'll never see my mom again. She will sit distraught, Planning a funeral For a child taken from her. If I die in a school shooting I'll never see my friends again. They'll sit together, missing me. One empty seat among them, A constant reminder of their loss. If I die in a school shooting I'll never see my little sister again. She will sit through high school Knowing I can't guide her through, That she has to figure it out alone. If I die in a school shooting My school will be stained. Pools of students lives will sit, Blood tattoos on the brick structures, Marks of death ground into it. If I die in a school shooting Everyone will wear black. They'll send their thoughts and prayers To a town marred by death, Forever to be the home of a shooting. If I die in a school shooting Will the world change? Or will I become one of hundreds   Of kids who have to die? What will it take? If things continue this way Children will have to live in fear. They'll look over their shoulders Always worried and wondering, If they'll die in a school shooting.
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50
This is hellopoetry I do not dwell on Hurtful comments Or negativity The insanity of the way Humans marginalize And hate others Without reasons Without merits Is like knives in my heart All I see is beauty everywhere Every human on earth Is a universe in their own right A manifestation of uniqueness That can never again replicated I’m here to write and share my thoughts With those who cares for it Give the world a snapshot Of my soul and it’s principles My dream my pain my emotion my humanity If negativity is where you dwell I implore you stay out of my inbox Highly recommend you read Motivating things Or maybe listens to songs That would cheer you up I learned most storms Don’t come to disrupt Your life rather to clear your path The challenges equip you With the necessary weapons And tools you need to Spiritually advance Therefore I’m stepping Into your hatred challenge With confidence and much More wisdom than I had. Don’t let hatred dwell In your mind and heart For I have nothing but Love for you my brother If you had my life You would understand!
0
Jul 3, 2018
Jul 3, 2018 at 10:59 AM UTC
Evil Are Not Welcome
why a poet? because a poet hears the words which sing the purest harmonies because a poet paints their portraits in pastels of phrases because a poet dances their agonies into leaps of faith and pirouettes of passion because a poet sees the beauty in the commonplace and captures the moment in a snapshot of ink and white because a bloodless world cuts itself a thousand times and the poet bleeds
0
Mar 21, 2015
Mar 21, 2015 at 7:07 PM UTC
why a poet?
My memory beats in rhythm with my heart. Spilling out snapshot flashes of life like a flick book's muffled cries. Controversial plastic shell, elastic strap, stick insect mattel covetted for months until Santa dropped it down the chimney, almost as fast as she sprogged and regained her figure - the original scrummy yummy mummy set to spread low self esteem. My daddy said anyone can crank out a kid like she did, as my mother ground her teeth to protest on behalf of her traumatised frame. Strange, I almost became one of the lost - before I grew cells and self, another fragile foetus swinging on a noose from gallows where once a ****** failed to stayed closed. Little life curled tight self soothing sings al na tivke iredem bim'nucha My memory beats in rhythm with my heart as I lie beneath my shroud of sadness filled with down shrinking from the light of day I want to tell you that I love you, that my heart brays, beats, bleets, breaks, aches for you. My soul, spirit, self thrice chorus al na tivke iredem bim'nucha as waters flow from deep to deep where danger dances and solace is sought from beyond the fruitless orchards and willows weeping branches reaching out for you. My memory beats in rhythm with my heart surrounded by madonna, ***** and all betwixt spheres of life protruding, pronounced, announcing themselves; in streets where bundles, terrors, cherubs, banting, brat and bairn alike shriek, scream, squeal, shout, squalk, squabble, sing in a cacophony that makes my heart weep and ache in longing to sing to self in solitude al na tivke iredem bim'nucha. My memory beats in rhythm with my heart pulsating thoughts, dreams, hopes of you through the whole of me. Brought to my knees I seek wisdom, guidence, strength to let you go. The river is waiting for you, you who I hold tight in my caul trying to trust, seeking strength to hakshev le'ivshat haga'lim holding the thought of you, the love of you, the hope of you tight in my arms crooning my lullaby of lament al na tivke iredem bim'nucha
0
Jun 26, 2013
Jun 26, 2013 at 5:57 PM UTC
River Lullaby
My memory beats in rhythm with my heart. Spilling out snapshot flashes of life like a flick book's muffled cries. Controversial plastic shell, elastic strap, stick insect mattel covetted for months until Santa dropped it down the chimney, almost as fast as she sprogged and regained her figure - the original scrummy yummy mummy set to spread low self esteem. My daddy said anyone can crank out a kid like she did, as my mother ground her teeth to protest on behalf of her traumatised frame. Strange, I almost became one of the lost - before I grew cells and self, another fragile foetus swinging on a noose from gallows where once a ****** failed to stayed closed. Little life curled tight self soothing sings al na tivke iredem bim'nucha My memory beats in rhythm with my heart as I lie beneath my shroud of sadness filled with down shrinking from the light of day I want to tell you that I love you, that my heart brays, beats, bleets, breaks, aches for you. My soul, spirit, self thrice chorus al na tivke iredem bim'nucha as waters flow from deep to deep where danger dances and solace is sought from beyond the fruitless orchards and willows weeping branches reaching out for you. My memory beats in rhythm with my heart surrounded by madonna, ***** and all betwixt spheres of life protruding, pronounced, announcing themselves; in streets where bundles, terrors, cherubs, banting, brat and bairn alike shriek, scream, squeal, shout, squalk, squabble, sing in a cacophony that makes my heart weep and ache in longing to sing to self in solitude al na tivke iredem bim'nucha. My memory beats in rhythm with my heart pulsating thoughts, dreams, hopes of you through the whole of me. Brought to my knees I seek wisdom, guidence, strength to let you go. The river is waiting for you, you who I hold tight in my caul trying to trust, seeking strength to hakshev le'ivshat haga'lim holding the thought of you, the love of you, the hope of you tight in my arms crooning my lullaby of lament al na tivke iredem bim'nucha
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38
A pivot, A ****** A watershed Been miserably waiting for dawn in my head Then the day came A day my mismatch soul and body met I fed on your words and voices Wolf down everything from you and store them up Taking mental snapshot in the dark And prepare myself for yet another brutal week I fed on tasty food and a good mood Treat myself with something tangible Glutton is never a sin for me I fed on fantasies.
0
Jun 10, 2014
Jun 10, 2014 at 11:15 AM UTC
Wednesday
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
0
Jun 18, 2012
Jun 18, 2012 at 9:12 AM UTC
Fatima Latima
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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80
Snapshot memories of are past having so much fun with the hope that it would last To my best friend Nan, a beacon of light to a hurting world in need of love To the truest friend I ever had those memories by the stonewall Started playing together as friends She had blue eyes & long blonde hair I had brown eyes and brown hair roller skating on the sidewalk with the attached rollers with a key Went down by the brook to catch poly wags we both went to the same school Having sleep overs was a blast a secret passage to get to her father's soda shop Taking ice cream and delicious candy everything nice and dandy with Nancy Yours was are youth to be captured with a precious smile Cape cod trips when Nan would drive going to a trip to Provincetown watching the folks dive for money Big ships coming to dock the men would get the money in their mouths The island we used to go in a row boat along the beach Looking for young boys and we found them went to dances at the Bristol Boys Club Doing the latest dance craze the Huck Buck Boys wearing pegged pants and girls wore skirts To cherish those lasting memories of a time ago getting married Nan had three children Ann had six To raise and cherish the family united in love Today we are in are eighties both with medical issues Yet remained best friend's after all these years
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Mar 15, 2017
Mar 15, 2017 at 4:36 PM UTC
Ann & Nan
"Have you talked to dad, since you've been at school?" "Nope." "Are you coming home for thanksgiving?" "I don't know." Josephina breathes in a crackle over the phone. New York, a cacophony in the background. A background of cold, and people talking while walking while hailing a yellowcab with a left and slow-rolling heads locked onto the phones in their right. These people enter taxis, not knowing if they're ever going to reach home, or the airport, or union square, just going on the promise that they won't become road-kill. I can't feel it in my yellow apartment. If anything, my yellowcab idles. Through the receiver A squad car rings nervously, then after a lungful of garbage-smelling air, it becomes a full blare. A pause of noise always ensues, just for a second, the entire corner becomes a silent silo of human beings. "How's new york?" "you know, dad called me and asked about how to get on a diet, can you believe that?" Yes, I can dad is a fat **** a pink, white belly of a man. And a few sandbags for chins. "That's good." "So I'm not going to see you?" "Probably not." "Well, you should call dad, talk to him, he loves you." Some conversations, acheive nothing. The same tired, dead things get run over. Road-kill. Josephina believes she is the spatula that will bring back pancake squirrels and pancake relationships. As much as you don't know about me and dad's relationship, I can give you a kodak moment. A snapshot, of a hovering man, pointing at his son's neck, searching for the misplaced vertebrae, the lack of fear for the world --"the right kind of fear, the fear a man should have of himself"-- and a son, hunched, small hands in fists, a heavy haul of muscles pulled into a dark brow right over black eyes. This picture will suffice.
0
Nov 23, 2011
Nov 23, 2011 at 4:59 PM UTC
Pancake Squirrels.
"Have you talked to dad, since you've been at school?" "Nope." "Are you coming home for thanksgiving?" "I don't know." Josephina breathes in a crackle over the phone. New York, a cacophony in the background. A background of cold, and people talking while walking while hailing a yellowcab with a left and slow-rolling heads locked onto the phones in their right. These people enter taxis, not knowing if they're ever going to reach home, or the airport, or union square, just going on the promise that they won't become road-kill. I can't feel it in my yellow apartment. If anything, my yellowcab idles. Through the receiver A squad car rings nervously, then after a lungful of garbage-smelling air, it becomes a full blare. A pause of noise always ensues, just for a second, the entire corner becomes a silent silo of human beings. "How's new york?" "you know, dad called me and asked about how to get on a diet, can you believe that?" Yes, I can dad is a fat **** a pink, white belly of a man. And a few sandbags for chins. "That's good." "So I'm not going to see you?" "Probably not." "Well, you should call dad, talk to him, he loves you." Some conversations, acheive nothing. The same tired, dead things get run over. Road-kill. Josephina believes she is the spatula that will bring back pancake squirrels and pancake relationships. As much as you don't know about me and dad's relationship, I can give you a kodak moment. A snapshot, of a hovering man, pointing at his son's neck, searching for the misplaced vertebrae, the lack of fear for the world --"the right kind of fear, the fear a man should have of himself"-- and a son, hunched, small hands in fists, a heavy haul of muscles pulled into a dark brow right over black eyes. This picture will suffice.
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98
Take a look At this decade's eternal light. Youth, beauty, happiness. In theory. Is that how it was for our parents? Top tags on this website #depression #suicide #heartbreak Are grandma's photo albums fairytales Or has something changed Without shame Unmarked blame Just a change Perseverance died At the doorstep of sarcastic self-deprecation, Cool-to-be-lame facades, Glorified depression, growing vines on glowing laptop walls With a generation, fetal position, ripped jeans and eyeliner, inside Self proclaimed **** If you say it first Those twisted lips of others Won't press on such a fresh wound And here we lose the metaphor Cut yourself So everyone else Is picking at scabs No one would hurt another Who hurts themselves Unless they're an *** So the words are silenced Are you stronger? Happier? Healthier? And so we can always be safe In our self loathing Until puppy eyes and perfect pictures Leave us hungry Hurt by the people who don't mind being ***** Gaining assets, stealing rights from under Our droopy dismal noses snapshot Caption: **** up, let down, repeat. Hate me. -politicians and companies will bash your head on rock bottom Looking up in disbelief at chemical burns from Big Mac's We'll look back down to pout about our pain. The only way to save ourselves? Perseverance Positivity Hope Though I conveyed none of those emotions in this poem. **** me. I'm a hypocrite. But my point still stands. Perhaps even stronger.
0
Apr 2, 2014
Apr 2, 2014 at 2:34 AM UTC
I'm Scared, Scarred, and Scrooge-like
Bottom feeders flourish When the economy's a bust When bad times are the norm And good times turn to dust When neighborhoods go south it's sad But a sign of their demise Is when a bunch of pawn shops open up Before your very eyes When stores close down or move on out After years in the same place Their memory is a radar blip They leave without a trace But as fast as they lock up their doors Another shop moves in It's the local pawn shop dealer He's a shark without a fin Like dollar stores and boarded doors The pawn shop shows the way That business has moved on out Or closed or moved away They prey on peoples hardship They broker deals without a care They don't need to know your history They just know that you're there The street has three new pawn shops Palaces of buy back stuff It's bad when there is one around But, three...well that's enough One opened by the Jeweller Two doors down across the street Now he's buying up possessions Of everyone he meets Folks who purchased jewellery From Old Cy at his old store For each twenty of it's value The pawn shop gives you four Cy can't afford to buy back He doesn't have much money left And besides his store insurance Doesn't cover much for theft The people at the Pawn shops Took jobs and live in town They trained two counties over They succeed when times are down It's a sign of the recession Downtown dies and fades away And then the bottom feeders surface Their the ones who're gonna stay You can look in the shop windows Know who bought what and from where You know the candlesticks were bought at Cy's And you know who bought them there The guitar that hangs beside them That was pawned by Emma Rose She needed money for the bills When the fresh fish plant had closed There's a snapshot of the township Sitting inside on their walls They pawn shop is successful While the economy still falls You can see a piece and start to cry For you know just why it's there There's no one here to help them There's no jobs and it's not fair They open up each morning While the nights dregs still sleep outside They have done two hours business Before lights on at Cy's It's a sad and constant story Of just what a town's become But when asked if they've been in there The inhabitants go "mumb" They never seem to close up The town's never make it back While most places lose money Pawn shops make it by the sack The bluesman has some stuff there The bartender has some too Even though her bar's still going She did what she had to do The street, it is it's own world Jewelly shops, banks and bars But inside the local pawn shops Are hidden all the scars.
0
May 11, 2012
May 11, 2012 at 7:54 PM UTC
The Pawn Shop
Bottom feeders flourish When the economy's a bust When bad times are the norm And good times turn to dust When neighborhoods go south it's sad But a sign of their demise Is when a bunch of pawn shops open up Before your very eyes When stores close down or move on out After years in the same place Their memory is a radar blip They leave without a trace But as fast as they lock up their doors Another shop moves in It's the local pawn shop dealer He's a shark without a fin Like dollar stores and boarded doors The pawn shop shows the way That business has moved on out Or closed or moved away They prey on peoples hardship They broker deals without a care They don't need to know your history They just know that you're there The street has three new pawn shops Palaces of buy back stuff It's bad when there is one around But, three...well that's enough One opened by the Jeweller Two doors down across the street Now he's buying up possessions Of everyone he meets Folks who purchased jewellery From Old Cy at his old store For each twenty of it's value The pawn shop gives you four Cy can't afford to buy back He doesn't have much money left And besides his store insurance Doesn't cover much for theft The people at the Pawn shops Took jobs and live in town They trained two counties over They succeed when times are down It's a sign of the recession Downtown dies and fades away And then the bottom feeders surface Their the ones who're gonna stay You can look in the shop windows Know who bought what and from where You know the candlesticks were bought at Cy's And you know who bought them there The guitar that hangs beside them That was pawned by Emma Rose She needed money for the bills When the fresh fish plant had closed There's a snapshot of the township Sitting inside on their walls They pawn shop is successful While the economy still falls You can see a piece and start to cry For you know just why it's there There's no one here to help them There's no jobs and it's not fair They open up each morning While the nights dregs still sleep outside They have done two hours business Before lights on at Cy's It's a sad and constant story Of just what a town's become But when asked if they've been in there The inhabitants go "mumb" They never seem to close up The town's never make it back While most places lose money Pawn shops make it by the sack The bluesman has some stuff there The bartender has some too Even though her bar's still going She did what she had to do The street, it is it's own world Jewelly shops, banks and bars But inside the local pawn shops Are hidden all the scars.
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84
I hate labels. so you may ask me why do you compulsively put words and purposes and dates and times on everything you have. I hate labels but I love organization. The problem with labels is they rarely tell the whole story. Labels are short, just a snapshot of the essence that the thing or person boils down to but I don’t believe anything can really be that simple. Labels can make everything easier. You get the main point, the thing that stands out, FAST. but that’s like starting a story at it’s ****** you get no previous information and that high point that holds so much meaning if you've read the entire story turns flat. A flat character doesn’t grow or change or feel all that much but they usually have a label. Labels turn real multidimensional, complicated, interesting people into flat characters. He is not gay. She is not a cutter. and He is not transgender. They are real people and you cannot possibly fit a person into a single worded description of the thing that stands out about them or makes them different. That is not enough for me! The gay guy likes ice cream and romantic comedies, he's afraid of commitment, that scar is from his own blade and he volunteers on Wednesdays. The cutter is seventeen and she lives with her grandparents. Almost everybody shes loved has walked away. She has hair the color of sand at the beach and she wants to work in security at the airport so she can finally have control over who leaves and who stays. The transgender man never felt trapped in the wrong body, the world just told him that his body was wrong. He’s a freshman in college and nobody ever told him how hard it would be. He calls his mom every night because he knows she worries and he cares. He has skin the color of caramel and he desperately wants to get married. I hope you now understand that a label is never never enough. You could argue that I’m afraid of being defined and of defining others with just a word, but if you ask me a fear of labels is a very legitimate, considerate, and justifiable fear to have. Labels are simply not enough. And that's why I hate labels.
0
Oct 21, 2015
Oct 21, 2015 at 3:17 PM UTC
Why I Hate Labels
I hate labels. so you may ask me why do you compulsively put words and purposes and dates and times on everything you have. I hate labels but I love organization. The problem with labels is they rarely tell the whole story. Labels are short, just a snapshot of the essence that the thing or person boils down to but I don’t believe anything can really be that simple. Labels can make everything easier. You get the main point, the thing that stands out, FAST. but that’s like starting a story at it’s ****** you get no previous information and that high point that holds so much meaning if you've read the entire story turns flat. A flat character doesn’t grow or change or feel all that much but they usually have a label. Labels turn real multidimensional, complicated, interesting people into flat characters. He is not gay. She is not a cutter. and He is not transgender. They are real people and you cannot possibly fit a person into a single worded description of the thing that stands out about them or makes them different. That is not enough for me! The gay guy likes ice cream and romantic comedies, he's afraid of commitment, that scar is from his own blade and he volunteers on Wednesdays. The cutter is seventeen and she lives with her grandparents. Almost everybody shes loved has walked away. She has hair the color of sand at the beach and she wants to work in security at the airport so she can finally have control over who leaves and who stays. The transgender man never felt trapped in the wrong body, the world just told him that his body was wrong. He’s a freshman in college and nobody ever told him how hard it would be. He calls his mom every night because he knows she worries and he cares. He has skin the color of caramel and he desperately wants to get married. I hope you now understand that a label is never never enough. You could argue that I’m afraid of being defined and of defining others with just a word, but if you ask me a fear of labels is a very legitimate, considerate, and justifiable fear to have. Labels are simply not enough. And that's why I hate labels.
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25
In the early dark of the morning, dark inside the crypt of my bedroom-- you sparrows came to me there. I had only said in mind these words: a forgiveness of sparrows And there you were, feathers all fluffed out, and I searching inside myself. I think now to tell the better truth -- to say that mixed in with my need for calling you was Brueghel, his painted picture with the crushing board, trip-cord, and feed for bird killing and my imagining snapshot young Hemmingway capturing pigeons in Paris to eat them and feeling the presence of the one small bird I'd shot as a boy out of the apple tree falling falling falling Sparrows, forgiveness flies all around me! The world cries out, everywhere! A police car slides down my street, as I hear your first chirp in the morning.
0
Apr 17, 2013
Apr 17, 2013 at 8:42 AM UTC
A Forgiveness of Sparrows
Thought's wander not definitions random words and my mind associations.. ALWAYS Move forward feel emotion ride life's waves explore all oceans BALANCE Most people don't have it can't figure out how to counteract bad habits. CHANGE Continuous you can gage growth without age DESTINY Predetermined path sure to feel its wrath EVOLVE Everything is an evolution study patterns find solutions. FOCUS Reality smokes us takes our hopes constantly chokes us. GREATNESS Never will be achieved we run in circles feeding greed. HAPPINESS We feel it unnecessary conflict will **** it. INTERACTION Worlds collide theater of thought, share knowledge all can be taught. JOY Give to planet, heart is a diamond made up of fossilized granite. KARMA Never a mystery all a part of our history. LIES We live it everyday, leaders speak them with every other word they say. MOMENTS A snapshot of time can be felt in spirit and mind. NATURE Outside or within an untamed force that is invisible like the wind. OPPORTUNITY Comes knocking all the time never to those who close their mind. PATIENCE We wait for saviors like we wait for coffee, we rush to our deaths while the clock is tick tocking. QUESTIONS Bring them on answers only come to a mind that's strong. REVOLUTION A sibling to evolution, born from desire to find the ultimate solution. STABLE Not all are able put your cards on the table. TIME A measurement of a period, tied to our existence which is myriad. UNIVERSAL sounds huge but isn't, puts us all together maybe we can win it. VISION we must gain sight to see ,the patterns of history are blatent in stalling humanity. WEAKNESS in everyones soul, it's when you move forward strength arrives and you pay the toll. XENOPHOBIA what's new is strange addition will always equal change. YESTERDAY has passed a new day begins, forgive yourself today for yesterday's sins. ZOMBIES I see many of them everyday, walking through life with nothing good to say.
0
Jun 30, 2013
Jun 30, 2013 at 9:07 AM UTC
My Mind Associations(Alphabet)
Thought's wander not definitions random words and my mind associations.. ALWAYS Move forward feel emotion ride life's waves explore all oceans BALANCE Most people don't have it can't figure out how to counteract bad habits. CHANGE Continuous you can gage growth without age DESTINY Predetermined path sure to feel its wrath EVOLVE Everything is an evolution study patterns find solutions. FOCUS Reality smokes us takes our hopes constantly chokes us. GREATNESS Never will be achieved we run in circles feeding greed. HAPPINESS We feel it unnecessary conflict will **** it. INTERACTION Worlds collide theater of thought, share knowledge all can be taught. JOY Give to planet, heart is a diamond made up of fossilized granite. KARMA Never a mystery all a part of our history. LIES We live it everyday, leaders speak them with every other word they say. MOMENTS A snapshot of time can be felt in spirit and mind. NATURE Outside or within an untamed force that is invisible like the wind. OPPORTUNITY Comes knocking all the time never to those who close their mind. PATIENCE We wait for saviors like we wait for coffee, we rush to our deaths while the clock is tick tocking. QUESTIONS Bring them on answers only come to a mind that's strong. REVOLUTION A sibling to evolution, born from desire to find the ultimate solution. STABLE Not all are able put your cards on the table. TIME A measurement of a period, tied to our existence which is myriad. UNIVERSAL sounds huge but isn't, puts us all together maybe we can win it. VISION we must gain sight to see ,the patterns of history are blatent in stalling humanity. WEAKNESS in everyones soul, it's when you move forward strength arrives and you pay the toll. XENOPHOBIA what's new is strange addition will always equal change. YESTERDAY has passed a new day begins, forgive yourself today for yesterday's sins. ZOMBIES I see many of them everyday, walking through life with nothing good to say.
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53
Above cushioned wall seats, Where locals sit with dogs At their feet, Hang photos Of footballers Smiling still after near-forgotten games; A farmer stands beside his blue ribbon boar; Horses tethered to carts, Near soldiers smiling with The Republic's grimmace of war. Outside cobbled streets Lead to stone bridges Walls and houses, Near the shade of umbrella trees. Turrets stop whispers Wrapping their heights. Black, white and fading. Nine o'clock arrives And pictures shake From laughter And music, The click of dominoes, And clink of pints, In the pub life.
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Nov 10, 2014
Nov 10, 2014 at 10:05 AM UTC
Snapshot of a Pub
I paint a picture non obscure, antique A snapshot heart sees Both love and clay Up there’s a castle And maiden fair Who plays about a sandbox And gold streaming through the air Hearts hug And hands care Soft voice as light Caresses within the obscure Of darkness and pain Destroying all but which is love pure Laid upon my feet is too once clay and... Waves are crashing Upon the infinite sandcastles By the little sea And fair maiden Who lets it be
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Jun 10, 2012
Jun 10, 2012 at 9:31 PM UTC
Sandcastles
i think the scary thing about ‘losing’ somebody (not to death but just a parting of ways in general) is that depending on how close you let them get to you, they saw you for who you honestly were. it’s like if somebody takes a candid photograph of you and then keeps it from you. they get to take that snapshot, that moment or fraction of you, and bring it with them. sometimes they distort the image out of bitterness, or anger, and even jealousy. and they share that misconception of you with others. and those other people will hear your name and pin that ugly thing next to it and say “oh I heard about them”. and that’s the thing. they didn’t see you, they just heard about you. they haven’t had the chance to get behind the viewfinder and capture that raw and real photograph of you. a memory of you that is all their own. something special and unique between the two of you. and sometimes people take their photographs of you and put them in a box under their beds, inside a desk drawer, or shoved between books and loose paper. you’re still there, floating around. but out of sight, out of mind. you do it too, you know. everyone does. but then there are those people, even though you haven’t heard from them in years, who have your special candid photograph framed. right next to their beds. and you don’t even know. maybe you never will. but there you are. your stupid expression, your laughing grin, that embarrassing haircut. right where they left you.
0
Jun 18, 2012
Jun 18, 2012 at 10:55 PM UTC
photograph
i think the scary thing about ‘losing’ somebody (not to death but just a parting of ways in general) is that depending on how close you let them get to you, they saw you for who you honestly were. it’s like if somebody takes a candid photograph of you and then keeps it from you. they get to take that snapshot, that moment or fraction of you, and bring it with them. sometimes they distort the image out of bitterness, or anger, and even jealousy. and they share that misconception of you with others. and those other people will hear your name and pin that ugly thing next to it and say “oh I heard about them”. and that’s the thing. they didn’t see you, they just heard about you. they haven’t had the chance to get behind the viewfinder and capture that raw and real photograph of you. a memory of you that is all their own. something special and unique between the two of you. and sometimes people take their photographs of you and put them in a box under their beds, inside a desk drawer, or shoved between books and loose paper. you’re still there, floating around. but out of sight, out of mind. you do it too, you know. everyone does. but then there are those people, even though you haven’t heard from them in years, who have your special candid photograph framed. right next to their beds. and you don’t even know. maybe you never will. but there you are. your stupid expression, your laughing grin, that embarrassing haircut. right where they left you.
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4
***A Woman's Reflection on Her Reflection (Valence and Value) one poem, written by two authors*** ~~~ **Ever the analyst, A mirror functions as surface to Parse the fleeting constant Of youth's beauty. From genetic gift Of symmetry and bone, To technological tampering, Until the equation is solved, As experience and character Models and maps the result. The answer, a reflection, Of individual valence and value** (written by S.D., a woman) ~~~ (written by N.L., a man) unbidden and unannounced, a "not fully formed poem, but a simple reflection" inbound missile arrives inbox, armed with silent power, the lethality of the Holy Unexpected the man reflects on her mirror-on-the-wall's fulsome reply, parsing the words of a woman's reflection, while gazing on her own every human's momentary glass notation, but an instance of summation, a human poem, whose editing, unceasing a comma here, a period inserted, an eye shadowed, an eyebrow tweezed, a eye dark circle line added, to tree-mark time's authorship all  these but a person's excerpted extraction, notarized, then auto-erased and revised, as out of date,   instantaneously compromised but, ***it is upon  the conceptual, valence and value, more that the man reflects perpetual, less on transitory morphing changes of exterior mortality while overlooking her glassine realization from behind, he concludes: every reflection, no matter how oft the snapshot, the unfleeting constancy of the combining of the princes of principles, valence and value that he witnesses, in the calming pool of her eyes, (those borrowed windows into her soul's well,) so well reflect her unchanging greater finery, her character this reflection, metamorphosis transformed. into a planetary permanency poem, high placed in his the firmament of their conjoined sky***
0
Feb 25, 2016
Feb 25, 2016 at 8:54 PM UTC
A Woman's Reflection on Her Reflection (Valence and Value)
***A Woman's Reflection on Her Reflection (Valence and Value) one poem, written by two authors*** ~~~ **Ever the analyst, A mirror functions as surface to Parse the fleeting constant Of youth's beauty. From genetic gift Of symmetry and bone, To technological tampering, Until the equation is solved, As experience and character Models and maps the result. The answer, a reflection, Of individual valence and value** (written by S.D., a woman) ~~~ (written by N.L., a man) unbidden and unannounced, a "not fully formed poem, but a simple reflection" inbound missile arrives inbox, armed with silent power, the lethality of the Holy Unexpected the man reflects on her mirror-on-the-wall's fulsome reply, parsing the words of a woman's reflection, while gazing on her own every human's momentary glass notation, but an instance of summation, a human poem, whose editing, unceasing a comma here, a period inserted, an eye shadowed, an eyebrow tweezed, a eye dark circle line added, to tree-mark time's authorship all  these but a person's excerpted extraction, notarized, then auto-erased and revised, as out of date,   instantaneously compromised but, ***it is upon  the conceptual, valence and value, more that the man reflects perpetual, less on transitory morphing changes of exterior mortality while overlooking her glassine realization from behind, he concludes: every reflection, no matter how oft the snapshot, the unfleeting constancy of the combining of the princes of principles, valence and value that he witnesses, in the calming pool of her eyes, (those borrowed windows into her soul's well,) so well reflect her unchanging greater finery, her character this reflection, metamorphosis transformed. into a planetary permanency poem, high placed in his the firmament of their conjoined sky***
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74
What was her name? **** I can’t remember. It was a boy’s name made feminine with a little “i” at the end like maybe hearing it would make you think of some fat guy making pizzas until you see it spelled out or until it becomes attached to her lips and hair and skin. The “i” was not dotted with a little heart, (not her style at all) but I should have a picture in a box some where with more pictures. I don’t. I’ve got little notes, tiny thoughts scribbled on empty match book covers, on the backs of pretentious business cards, in the borders of the mutilated, amputated flesh of decrepit used up yellow pages,   ripped from a dead and disjointed phone book. I woke up from this dream and groped for something to scrawl on, anything, because it seemed significant at 2:38 am. In the desert somewhere, (I’ve never even been) you were looking out the window and the way the parched dry light crackled around you you might have been an angel or a sign partially occluded by glass advertising something I could never afford like family or god when suddenly you were not a silhouette, not back lit, but glowing. You were so in love, with who I don’t know, and you went into free fall back onto the bed pulled your knees up to your chest and kicked your legs giggling. I was part dead, half ghost and still happy that you were so happy. I said, “you’re pregnant?” knowing the way you know things without really having a way of knowing in a dream. You laughed again grabbed your little dog up in your arms, (I’ve no idea where the pup came from), and baby-whispered, “You’re going to cut the umbilical, aren’t you?” and I woke with the image of that mongrel chewing through the cord. I am waiting at the pharmacy and the… technician, is reading the cryptic symbols penned in indiscernible Latin, my prescription. She is not beautiful but very fuckable And in my mind I am constructing an image of her ****** likening   the shape, size, color, etc., to her mouth, when I see my own writing on the back through her precise fingers. The tech,   she is holding a snapshot of her. It might as well be a picture of me vomiting or ************ or defecating. This is what I have left, my version of a photo, my dream, scrawled on the back of my medicine. **** getting better.   I ****** it from her hand. I leave fast.  I will never go back. This is no chemical imbalance. This is not my inheritance. The loss and pain, sometimes, that's the pill we need to swallow.
0
Oct 30, 2011
Oct 30, 2011 at 11:14 PM UTC
Disjointed
What was her name? **** I can’t remember. It was a boy’s name made feminine with a little “i” at the end like maybe hearing it would make you think of some fat guy making pizzas until you see it spelled out or until it becomes attached to her lips and hair and skin. The “i” was not dotted with a little heart, (not her style at all) but I should have a picture in a box some where with more pictures. I don’t. I’ve got little notes, tiny thoughts scribbled on empty match book covers, on the backs of pretentious business cards, in the borders of the mutilated, amputated flesh of decrepit used up yellow pages,   ripped from a dead and disjointed phone book. I woke up from this dream and groped for something to scrawl on, anything, because it seemed significant at 2:38 am. In the desert somewhere, (I’ve never even been) you were looking out the window and the way the parched dry light crackled around you you might have been an angel or a sign partially occluded by glass advertising something I could never afford like family or god when suddenly you were not a silhouette, not back lit, but glowing. You were so in love, with who I don’t know, and you went into free fall back onto the bed pulled your knees up to your chest and kicked your legs giggling. I was part dead, half ghost and still happy that you were so happy. I said, “you’re pregnant?” knowing the way you know things without really having a way of knowing in a dream. You laughed again grabbed your little dog up in your arms, (I’ve no idea where the pup came from), and baby-whispered, “You’re going to cut the umbilical, aren’t you?” and I woke with the image of that mongrel chewing through the cord. I am waiting at the pharmacy and the… technician, is reading the cryptic symbols penned in indiscernible Latin, my prescription. She is not beautiful but very fuckable And in my mind I am constructing an image of her ****** likening   the shape, size, color, etc., to her mouth, when I see my own writing on the back through her precise fingers. The tech,   she is holding a snapshot of her. It might as well be a picture of me vomiting or ************ or defecating. This is what I have left, my version of a photo, my dream, scrawled on the back of my medicine. **** getting better.   I ****** it from her hand. I leave fast.  I will never go back. This is no chemical imbalance. This is not my inheritance. The loss and pain, sometimes, that's the pill we need to swallow.
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129
find me a life sell me some dreams call me on my phone leave a message atleast push me to a corner hit me with a club hit me with a jab sell me some highs dope away the lows sold my body sell my soul **** me everyday some more kick me in the groin laugh at my puckered face sell the snapshot of agony don't leave anything unsold cash me in, cash me out sell them the deepest desires sell the sacred earth a dime make all you can till I die cut my veins and let me bleed cut me to pieces and sell the pork dry my hide and sell some more ***** me a **** ***** me now ***** me love, ***** me passion ***** me instant gratification ***** me death and the world beyond we are all ****** **** me now.
0
Jan 27, 2010
Jan 27, 2010 at 7:17 AM UTC
***** me a ****
come & find me i've left my phone plugged into the wall because i can't feel you breathe through your fingertips and i can't read your lips through emoji your belly-button doesn't look right shrouded in 8 mega-pixel dust and i want to touch you instead of a keyboard on a screen and tell you about my day because even though it's written doesn't mean it's real meet me offline because i don't want a five second snapchat victory snapshot of your panty-line i don't want my silly romantic poetry to be re-grammed on your insta framed against a picturesque city skyline or a stoic mountain lion with hashtags and sexting doesn't turn me on like the sound of your voice i can write you letters until my fingers bleed but they always arrive seven days late and you never cry when you cut them open with a knife and i'm not looking for a pen pal anyway or a friend instead i seek a mirror with glowing teeth or an outlet to plug into and charge me up
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Nov 19, 2015
Nov 19, 2015 at 12:04 PM UTC
social (dis)connectivity
I shouldn’t have   I guess I forcefully moved my things into your heart on parham street This fool has been celebrating a grubby clean slate He drank a cocktail before the harvest After storing his brain safely in the garbage He asked ‘would you be mine’ I shouldn’t have said I love you first Now realising that was the pistol to your head And i jumped the gun twice and over again This fool stands in awe of his folly He reads his scribbles of idyllic love poems and ******** dovy quotidians Every compelled ‘i love you’ will be overturned My hands over-burned from the blisters Bitter from the bile from every memory Though i took my time, I was patiently stupid I shouldn’t have Now i’m sat here with this lollipop of regret Now knowing that every graphic snapshot was because of that same pistol No wonder why it all seemed strange I used to gnaw about making you feel like you needed to trust me and love me I was yet weary of receiving the blame of every kiss, pause and touch I didn’t realise that the foundation was built on compelled labour I was to quick to celebrate, but now i know what i should have
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Jun 28, 2018
Jun 28, 2018 at 5:38 PM UTC
Forced to Love
the drama in a ****** of crows the clueless jive of the chickadee the serious expression of the phoebe hide and seek flickers overly dramatic plovers sleek kestrels, scanning the meadow gulls always headed somewhere the mystery of owls robins, Art Carney-like nuthatches that waddle through the air an advertisement of goldfinches vile, surly winged jays waxwings, safe within their clique ospreys, fat on minnows snapshot herons always posing patient vultures, ever on call the perfect beasts to rule this world they reveal personalities to this lifetime observer
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Feb 24, 2013
Feb 24, 2013 at 10:07 AM UTC
boids
The snapshot doesn't care how you feel, its job is to capture a moment in time. This it does with great efficiency. It does not have the time to ask you how you feel. Instead the snapshot chooses to portray the outward emotions shown in the moment. In order to lie in a snapshot all you have to do is smile. Looking back, years later you'll see your lie and maybe, just maybe you'll remember in that moment your mouth was filled with bile, your heart rage, your mind confusion. But all anyone else will see is your lie, because that is all the snapshot cared to capture. "Why can't we be happy like this anymore?" she'll say. You wonder, did she forget her smile was a lie too? Or maybe, just maybe hers was not. Maybe she is now. ******* snapshot. Why can't you bother to gather the facts. "Smile, Say Cheese", you look up and the camera winks.
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Sep 2, 2010
Sep 2, 2010 at 2:13 PM UTC
Snapshot
you look so good like a goddess where's the courage to tell you? do I know the right words? An innocence of love like a bird in the sky, in its cerulean heaven, all its purity untainted. all the painters in the world using all their colors like ravens and vultures, and the advertisers using maroon and crimson like doves and love, they just don't know. How you look in a snapshot, is better than a mural. I hate that we can't talk any more, seems decrepit, I'm so poor, spoiled by the gift of your lost love, like a pearl in my mouth, every gulp of the sea is a tearjerker. All I want is love and affection from the eden of your love, the juice of your apple a knowledge only concerning to gods. The seed of your body, a peachtree paradise, each pod dropping to the body of my death, like the shroud of renewal. Each new picture of you: the destruction of your youth, and the eruption of your wonderland, is another nail, another regretful wish that I'd seen and understood everything beautiful about you. Even in the moontide hours, when the dawn brawled and your teeth crawled against the loose skin of my earlobes as you gripped with pearly whites my lying flesh, and my lips touched every truth you'd never known. Only god could ever know the pain of now. Only I could ever wish I knew your heaven.
0
Jan 7, 2014
Jan 7, 2014 at 12:19 AM UTC
Hayley.