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Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Outside Words Oct 2018
At an unknown time of night at our cottage in northern Michigan…
My younger brother and I heard strange noises coming from the beach again…
We looked up at the ceiling and then the window…
As the voices from outside, in a lively allegro…
Grew softer and louder in repeating crescendos…
We skittered out the door and stared in fascination…
For what we saw must have been our imagination…

The door closed with a creak as our feet hit the grass…
It was at that moment we got a look at the mass…
Of stubby foot, hunchback creatures from which the sounds had amassed…

There was about six of them chanting like a choir…
They danced and paraded around our burnt out fire…
As we looked on, we saw our fire raise…
It got brighter as they lifted their hands in waves…
As light betook the blue beach night…
A crowd of colorfully masked gremlins caught us in their sights!

Their feet slowed to a stop and they quieted down…
They stood still as the fire flickered off their weird wooden frowns…
One reached out his hand in a come-here motion…
They seemed to stand and wait with an encouraging notion…
As the fire crackled and the waves tumbled onto the beach…

All I can remember, is for the rest of that summer…
My younger brother and I served as the drummers…
For that quirky marching band of lake sprites…
With which our burnt out fire we’d reignite…
At an unknown time of night at our cottage in northern Michigan…
© Outside Words
Yasha Harkness Jun 2015
Her nails skittered across his violin-heart
Plucking the strings to sound a lonely melody
And when he reached out to do the same
They made a beautiful symphony.
Heartsong
For the music in our hearts will find its match in another.
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Some once called him a Grand Old Man,
Others called him a slime,
You couldn’t get a consensus that
Was even, all the time,
For some kow-towed to his money, while
Others fell by his sword,
His life was overall sunny, while
His victims quailed at his word.

He lorded it over his children,
He ruled their kids with ease,
A sullen look from beneath his brow
Would bring them to their knees,
His will was forever changing
As solicitors came and went,
One day he’d offer a mansion,
And another day, a tent.

When he finally died he was stony broke
And they wondered where it went,
He’d always been abstemious
But the money had been spent.
He left all their lives in ruins with
Their expectations gone,
A couple of ramshackle houses were
The only things they won.

There wasn’t the money to bury him
So they left him where he sat,
Up at the head of the table in
His black, beribboned hat,
He glared at them as he’d glared in life
One hand on the table-top,
Where he used to tap with his finger
As if it would never stop.

Tap-tap-tap on the table-top,
Tap-tap-tap it went,
His eyes bored into the back of your head
As if to say - Repent!
And people scurried, this way and that
To divine what the tartar meant,
The grim old man in his black top hat
Who ruled to their detriment.

They left him sat and they locked the door
Didn’t go back for a year,
Til the eldest, saying ‘let’s know for sure,’
Returned with a tinge of fear.
‘He might have stocks in his waistband there
Or shares hid under his shirt,
Or cash stuffed in his beribboned hat -
He treated us all like dirt!’

He ventured into the dining room
Where the grim old man still sat,
His eyes a-glare in the year long gloom
From under the brim of his hat.
But as the eldest approached him there
The finger began to tap,
A steady rap with a note of doom
That would curdle blood to sap.

So Toby dived to the tinder box
And he leapt up with the axe,
His face as pale as a ghostly tale
But determined to attack.
He raised the axe and he let it fall
Severed the finger there,
It skittered across the table top
As the old man fell from his chair.

The stocks were stuffed in the old man’s hat
The shares were stuffed in his sleeve,
And so much cash in his waistband that
They said, you wouldn’t believe.
But still he’s locked in that grey old house
For they found it wouldn’t stop,
That severed finger that skittered there
Still taps on the table-top!

David Lewis Paget
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
There was a kingdom by the sea
that had a name
but most called it just
The Pearl of the Coast,
because that is what it was.
The riches within the city walls were more than an outsider could fathom,
and a bustling economy promised to keep it that way.
The Pearl had been led for half a century
by a wise King
and a just Queen.
Between them, they had one daughter,
who was pretty enough to truly count as one of the riches of their city.
Suiters came from far and wide, hoping to get
just
one
glimpse
of her fair beauty
before the fickle girl brushed them off her shoulders like mosquitoes.
It had no true spoken enemies,
for the walls and army were too great to conquer
but riches
bring dark men
to plotting and scheming.

There was a band of other kingdoms-
all prosperous, but not quite as much so as the Pearl
who were jealous and greedy
and coveted the jewels of the Pearl
all for themselves.
They would plan together,
but none could quite figure out how to get past the huge walls
and the spears of the watchmen.
But once, to their conniving company came
a Dark Magician
feared all around for his power and his wit.
These Kings of lesser kingdoms, though,
they saw only and opportunity to be seized.

They promised the Magician a share of the riches
if he would help them bring the Pearl to its knees.

The Magician, after little consideration,
obliged.

From their greed, he fashioned a Homunculus
shaped it like a handsome young man
more handsome than anyone could be born as
and sent him to the palace.
The Princess was vain and swept off her feet
by this new young man
and soon took to calling her.
There was one, though, who saw through him.
Perhaps it was his own jealousy that cleared his eyes,
but a young Sorcerer,
the closest friend of the Princess,
and the only man who had ever loved her truly,
warned of the Homunculus.
The Princess, smitten, was outraged.
The warning given by a friend only encouraged the relationship,
as those things often do
for children love to see themselves as Star Crossed Lovers
and the fickle Princess estranged herself from her oldest friend,
though the Sorcerer stayed loyal.

One night, however,
the King and Queen,
who themselves were quietly against the union,
were murdered.
The cause was clear:
Magic.
The guard turned to the Sorcerer,
for he had been turned down by the Princess,
and was, as they said, Hungry for revenge.
Only his past friendship saved his life,
and he was imprisoned in an empty tower a mile outside of the Pearl's walls.
He howled to be set free,
and the Princess would listen from her widow's walk.
Only when the howling stopped and was replaced
by a bitter silence
did her heart break.

After her marriage to the Homunculus
she started to wither
and hid herself in her chamber.
The guards would often see her wandering the grounds at night
wringing her hands and moaning in sorrow and paranoid fear.
"He might come back," she would whisper
and then burst into tears.
Often she was mistaken for a ghost,
and her parade of visitors slowly trickled to a stop.
Meanwhile, the Homunculus had taken control of the Kingdom.
He actually did more for the economy that the past King and Queen did,
for he had opened up trade with a shady band of kingdoms
that everyone had sworn that they had been in a Cold War with
just yesterday...

It had been nearly twenty years
when the Magician demanded that the band of kings
pay him for his work.
They had been ruling the Pearl from the shadows for some time now,
and he was ripe for his due.
The Kings' greed though had only inflated after they had their prize
as had their pride.
And they,
foolishly,
declined.
The Magician was outraged.
He called back his creation one day in March.

The Homunculus knew that the sword of Damocles was ready to drop,
and hastened in his escape
but
over the years
he had grown attached to his Queen
and it pained him to think of her suffering along with him.
He warned her himself
that the Pearl was to be destroyed spectacularly
and then he fled,
and she never saw his face again.

The Queen was horrified
and looked out over the people who she had neglected for twenty years.
No longer a beauty,
but a frightened old woman.
She knew what she had to do.
Grabbing her travel cloak around her,
the Queen rode as fast as she could
to the tower outside of the walls.
Her old friend was still sitting there,
chained to the wall.
Never had the woman seen such squalor, and it broke her heart all over again.
His hair was long and matted,
not peppered, but smeared with gray.
His robes were those that he had worn on the day he was taken away
crusted with filth.
The tower was falling down around him;
huge gaping holes where windows had been
mocked the poor Sorcerer
and the fireplace that should have been maintained by guards
was nothing more than smoldering coals.

The Queen fell to her knees and begged his forgiveness,
begged him to save the city that he had been shunned from.
But so many things about him had changed,
and all of the kindness had leaked from his eyes.
He rose onto his feet, and the rats skittered away.

"You fool!" He cried,
"I cannot save them!
The Magic coming has already been set in motion, and I,
I have not eaten more than rats and the dirt from the floor in more than twenty years.
I am hopelessly weak, with only the strength for one more spell. "
He grabbed the Queen's hands, the sorrow of his broken heart overshadowed by rage.
"You will watch this tragedy, for it is one of your own making!
I curse you so that you may never die,
never sleep,
not till you have worked the labors of every servant
of the world begins to burn!"
With that, he pushed the shocked woman aside
and, scrambling to the fire,
swallowed the hot coals
and died there in front of his betrayer.

The Queen could do nothing but watch
as the sky turned black,
and the sea rose up
and swallowed the Pearl.
The screams of her people were silenced quickly,
leaving her alone
with her thoughts
and the body of the only man
who had ever
loved her.
lily Mar 2015
your smoldering gaze penetrated me,
the look in your eyes as you stared at me was worshipful,
your eyes held a thousand dark, carnal promises,
pleasurable shiver skittered down my spine
and I felt like my heart had gotten stuck in my throat.
There's woods outside of town aways
that I will not go near
There's tales of ghosts and monsters
And I don't like the things I hear

There's screeching noises unlike those
Any animal can make
Even in the daylight
Those woods just make me shake

I've heard tales of people who
Let their dogs out after dark
They come back, all scared and skittered
And they never ever bark

There's something in those woods I say
Strong magic is around
There's tales of children disappearing
Never to be found

Three years ago I walked on past
And I heard a noise....real close
I swore something was watching me
It may have been a ghost

On Halloween, the woods light up
With magic from within
No one dares to venture there
They'll not be seen again

Some nights when the moon is full
The noises fill the air
Of screeching, howling wild beasts
Of things covered in hair

I've only seen one bird around
The entrance to the wood
It's a single, lonely raven
And to me that isn't good

Raccoons, and skunks and squirrels
I never see them near this place
It's inhabited by demons
It's never known god's grace

The stories aren't the sort that
Make you want to see
What is in the woods that howls
I won't go in ...not me

The woods have always been there
And the stories have been too
I know the sounds scare me to death
And I'm sure, they'd scare you too

Don't venture near the woods at night
Don't go there in the day
Just leave them to their darkness
It's just best to stay away
Barton D Smock Jul 2012
Talent is a mime on a mountaintop* said he who gave me each morning a fork and a spoon.  He had said previously other things but this was the first to which my mother caught me listening.  She took my ear and me with it outside and shoved two cigarettes she’d been smoking in my mouth and told me to chew.  When I did not she worked my jaw herself until the tip of my tongue bled enough to give her pause.  Neither one of us cried and the cigarettes were salvageable.  The morning speaker then joined us obviously hoping for a drag.  The moment my mother hated him passed and she told him what hope was.  

He who gave me each morning a fork and a spoon would not often be seen by my mother.  He and I were late in our waking and she’d be out gathering types of dead bird from the bases of cornstalks.  I’d sit in my highchair and watch him shirtless as he prepared the tools of my art.  The hairs on his back would grow before my eyes and need bitten at the follicle.  He would turn and put his finger in the garbage disposal and pretend it was on.  On was something he never turned it because he said a mantis lived there and what would bite his follicles.  I wouldn’t be hungry then which was good for my show.  He would laugh at the misery of my scooping arms and be full of it and tired and he would ask me to rub his belly while he went to the couch on his back.  His belly the single most reason to keep him said mother.  I’d put my ear to it to feel myself kick and never did stir him from sleep.  Pretty early in this routine some of his belly hair started to grow in my ear and my dreams from then always had a banquet in their midsection.

Careful with my dreams.  Mother said they are kittens and one can bite too hard.  It is like her being stubborn and only calling me boy when most called me boy and girl in equal measure.  Sometimes when boy got the lion’s share I’d long to nurse and have to slap the ******* sound out of my teeth.  For saner things I’d walk the dog with a dog in it.  I had names for both and both were names I would’ve called my brother had I been born.  I once found a sipped at wine glass on the roof of the pharmacy mother later burned with lit stalks.  When the turkey buzzards skittered themselves nightly across the horizontal track of my looking for god I’d imagine my brother skinny enough to fit in the parched tube of his swallow.

Now that I am returning to Shudderkin, the welt left by my larger than life father whipping his belt across the tailbone of Ohio, it is clear to me that what we called a dog was correct only on certain days.  The mongrel keeping pace with my bike, the second name I have for my brother, is not the physical dog a city knows and not country loyal as country wants to, and so makes others, believe.  It is instead more like the talking when one is sped up and words get put together and then are stuck there.  Dog of Shudderkin.  Its tongue does not droop or even wag outside the mouth.  A pinkness has always gone on without me.
brooke Dec 2013
I let you too
far in and like
a brisk wind you
threw                  my                     doors
open and whistled
through the kitchen
nestledbetweenthe
crackswithyourdirty
self and skittered beneath
the dishwasher, in the corners
under doors, but I'm sweeping
you out because I want none of
you beneath my fingernails
none of you locked in the
cuticles of my hair, I will
whitewash the walls of
my heart if I have
to.
(c) Brooke Otto 2013
Alia Sinha May 2012
I dreamt there were millions of
Bright little frogs
With jeweled-dew eyes
And glimmering legs that
Flashed and leapt about in your sea-kelp hair

And your skin was the brown of river-beds,
Warmed by midday winter-sun
And dappled like eels swimming

And your eyes held the liquor of pearls and amber
And the sting of scorpions
And the songs of river-stones

And in my dream,
There were *****
Like tiny polished pomegranates
Clasped in a long chain about your neck;
They skittered uneasily, whispering to one another
Of faith and betrayal

And your words, they were few,
Falling in indigo droplets-
Cool, distant
Murmuring
That held the secrets of the clouds

And you wanted me to understand
Something…
So urgently- something about death and what came after-
Beaches and endless sky, or purple meadows and pale stars,
Or just words perhaps…
I don’t remember
Except that it was sad.

And then I woke up-
Tears warm against my cheek,
Heart baffled by water-love and secrets,
And memory of a million bright little frogs
Glittering in your sea-kelp hair
Katherine Grimm May 2014
As it is
Is as it was
Is where it should be.
Nothing arbitrary, nothing haphazard
Helter skelter
Skittered
gone.

Set
path
plan
placed
perfect

Valhalla
Zion
Nirvana’d Welkin Blue Yonder
Paradisiacal Elysian Upper Empyrean Celestial Sphere
All very fuckingineffable.
2011
The embrace made me shudder. My closed eyes and my limp body welcomed the hugging stranger, her arms slowly wrapping around my back. The heat protruding from her body danced across my skin. I didn't try to hide the fact that the stranger had made me melt into myself.

I hung limp like a rag doll inher arms, pondering my unlimited loneliness, basking in the rare moment of love this stranger was giving to me. A gift. I could feel her head rest on mine, nuzzling.

Despite the warmth, I remembered my broken home; my bitter tendencies towards those who passed me by, and the ability I possessed to drive others away. Through my closed eyes, tears slithered down my tingling cheeks. I sobbed; distraught. I heard a 'shush' escape from her lips. I pleaded with myself. I told myself that it was time to start hugging back; to show as much compassion towards others that the stranger had done for me.

I wrapped my arms around her, but felt nothing. No body; nobody. I opened my eyes and the warmth skittered away. I was still standing there, desperate to find something to hug only to realize that my arms were wrapped around myself.

No one was ever there
© all rights reserved
christopher_trigger
Helen Feb 2014
It's just not like that!

There is no script, no director screaming
Cut!
Now let's do it again
this time, with meaning?


There is no early warning of subterfuge
or lightly dropped, not so hidden clues
No instantly in 'five minutes' guessed plots
because all expectancy needs to fit
inside a predetermined time slot

There is no Boy meets Girl
Girl hates Boy
Boy doesn't understand why?
Boy realises on page 106
why Girl hates him
and spends 87 pages
delving within his own psyche
as he rides his motorbike
on the edge of Life

he will crash, most like

Ever wonder why sequels are never
"as good as the original"
Because questions were answered at the end
and everything that went unanswered
never begged the question

Of course, you say, it will never be
just like a book or a movie
or even those ******
'Made for Television' series
because each and every one
is just a captured moment in time

Depicting just one heartbeat
out of so many millions
that skittered out of line
Barton D Smock Jul 2013
asleep, he was loved.  loved, also, in the margins of waking.  a hand on the head, or breakfast after payday.  he would try to keep quiet the unclosed wound of his voice; a darkened bandage, like bacon, held to his mouth.  but the morning, each morning, would leave, more so clothed than it had come.  if ever you’ve looked, at noon, for your mother, she would’ve been with his.  two sets of thumbprints, two glasses.  he would put his thumb to one, then the other.  days your mother stayed with you, his own would give him crayons.  once, that he can remember, he put the white in her cigarette box and heard about it.  it’s the kind of kid he was fully awake: bad.  his cheeks often burned.  their redness would unhinge his mother so that she would slap at the pale inquiry of his neck.  seven years old, and still drawing stick figures.  he could not keep himself from it.  three legged figures, one armed.  torsos were a problem for him, and crotches.  but there they would be, middle on middle, three lines to indicate ******, or wind.  his mother wouldn’t get sick but would say that she was.  before dinner, she would give him ice cream.  he would fall asleep without dinner and his father would come home, shower, and leave.  it made him stronger, not seeing his father eat.

     the stick figures, when he met them, were not like his drawings, but they wanted to be.  they would contort  and untangle from each other and giggle.  his mother once came upon them and they broke into many sticks at his feet.  she did not know what he was laughing at and tried to lift him but he was fat for his age and she pulled a muscle in her stomach.  he put her on his back.  she would not unstiffen.  at home, in front of the fire, she was angry.  her arm was crooked, aimed at him, and one of her eyes was trying to watch him.  he shut the door to his room and practiced becoming many.  his parts would not let.  he gave up; the fire lowered.  the noise his mother made sounded set aside; some special box opened in the house of a demon.  he had to cut her clothes from her so she could breathe.  she rose, simply; not like the dead.  something, in the second box, skittered from it.  the boy crumpled.  his head did not roll like he thought it would, but he smiled anyway.  if his mother was screaming, only his ears could hear it.
Eriko Aug 2015
my complexion darkened
by that skeletal wrist wrought with rust
dusted blood of what used to run  
an impression of who I used to be

strumming the strings to my spinal chord
that blissful music a sweet morphine
to still those poisonous lips registered
to the skittered voices taking refuge in my head

the morphine doesn't always hold
I search for that sweet spot too withdraw
the shrill eccentricity screeching I cannot suppress
the silly frigid air protrude with a single glare

breaths puff and heartbeats escalate
as eyes are met--green and brown
hazel to the cerulean blue  
the tepid synchronization of similar frequencies

how the night glimmering lights
illuminate the graffiti of complicated shadows
simmer into a wilting tilt of sorrowful flowers
how the roses are drowned and never to fill

how the match in my chest lights anew
I have to do my best to keep it alive
caress it but don't get burned by it
I can never see too far into the future

but I can only know what I am
off of glare at this present precision
how will I ever know who I am
if I cannot see two feet surrounding

alluring this flame through
the sky-scraping scent of night
delicate to the visionaries too steep
as the head begins to pound out of its keep

avoid those dark corners
I once used to brood
take a break on a flight of stairs
and gaze out the flashes blurring by

keep my teeth in my cheek
the tongue will slip out sharp and cut someone
keep the thoughts from rolling slickly off of it  
the top of my head is not a good place to stand
the disappeared Jan 2013
there are some
when they get angry
it creeps on them like
the frost. they don't
see it until it has seeped into the ground
and siezed the pipes hostage
they wriggle and bundle to stay
warm, but it always get in through a
hole on their gloved hand
or a exposed patch on their neck
a thick cotton scarf couldn't conceal.

others
when they get mad
it shakes them and
convulses through their veins
as if their blood has turned to
boiling, sputtering magma.
and they grab & pull their hair.
they may shout and explode,
dancing around obscenties,
and throwing fancy vases at white washed walls
but when the fiery seige is over, they may just sit
and wonder what fiend just beset their soul
and stared out through their eyes

few some still
hesitate, ponder.
fold their anger away
in an envelope. safely
and when they open it,
it may be white
bruised and creased, where irate thoughts skittered violently about to escape.
where
angry hands slammed it shut, gentle hands silently
reopened
and when their eyes peer in and see ashes and ice
where the anger; so flammable, so frigid, so uncontained;
raw energy in its true state and alone out of host
, ignited and shattered
itself not them

and

the siege is over
as they pour the worthless contents out
of the folded, creased envelope.
Keith W Fletcher Jul 2016
Was it the fitful dreams
Or maybe it was the annoying flies
Persistent in their touch and go
landings
On the tip of my nose ..that opened my eyes
To be met
With the reality
Of a pillow drenched with sweat
From my bedraggled saturated hair
As that may have been more the cause
That rousted me into this sweltering putrid air
Not even the ceiling fan was moving
As the power had been pulled 2... or
Oh... who knows....... a few days ago
Outside the grimy fly spect window I could see
The rainbow bedazzled sailboat sail
Gently moving across the placid aqua blue water
From up here on the second floor  
I could see the entire lake is it stretched away
To seamlessly blend with the baby blue sky

Closer in along the shoreline a dozen little kids at play
Content in their animated movement as they skittered about
All brightly dressed little 4 or 5 year olds
Reminding me of gumballs as they spilled out of a torn sack
Watching carefully were the parents or guardians
Posted in somnolent but  wary guard duty
Along the peremater wall of park benches

Along the bright green manicured ground
Brightly colored and abstract blankets
were scattered around
Where people sat or lay back
To watch the lazy movement of cotton fluff clouds tracking north

Standing there taking this all in
I noticed two dead flies that had crash-landed on the windowsill
Victims of that invisible barrier to freedom
Good I said to myself  out loud
As I hoped one was the kamikaze who woke me from the sleep into this
Although I had to admit the beauty
All that life - Love - happiness and fun
Was something special to see  for
certain
And I stood there sweat drenched
Overheated and overcome by the overwhelming desire to close the ****** curtain
So that's exactly what I did
And then lay back down with laced fingers behind my head
To stare at the ceiling and the fly that wandered around and around the  motionless ceiling fan blade
And I was ....
Powerless to do anything about it
Kimberly Lore Jan 2017
Sometimes I feel like a lost puzzle piece
The one that somehow skittered under the couch
Unnoticed and unnecessary
Until everyone else has found their places

And it feels like forever
Before that hand reaches out to you
Where you sit with the dust bunnies
That one goldfish and two pennies

And the joy when you are found
Is incomparable because
They need you or the whole puzzle
Is worthless

So hold tight a little while longer
Jakob Doran Dec 2013
We've built a city of memories from the ground to the sky,
they bloom between the buildings carrying offerings:
empty bottles once filled with imagined glories.
This spilled life courses beneath coarse tarmac, and it rolls beneath our feet.
the memories hide in the quiet corners where we heard the collusion of class.
They whisper from those thick front doors, with their shined brass streaming past.
They scream around the empty rooms, last echoes of a congregation,
baying and booming for their salvation under  pools of bass dripped ceilings.
They cling still, with their matching wordsto floors and buses, to fields and swings,
a tribute to the nameless places which birthed important things.
They meander amongst looming, fissured trees, caught in half-dark places,
then float to rest upon a bench between our pale white faces.
These memories now were moments then; as they skittered away down the lawn,
they left us silent but comfortably so, in the air of a red-grey dawn.
Barton D Smock Apr 2014
town crier

poems March 2014
99 pages
pocketbook style publication
8.50

preview of book is book entire on lulu site. the spine of said book has title. front cover, back cover, are purposely blank.

http://www.lulu.com/shop/barton-smock/town-crier/paperback/product-21548368.html

---

Talent is a mime on a mountaintop said he who gave me each morning a fork and a spoon.  He had said previously other things but this was the first to which my mother caught me listening.  She took my ear and me with it outside and shoved two cigarettes she’d been smoking in my mouth and told me to chew.  When I did not she worked my jaw herself until the tip of my tongue bled enough to give her pause.  Neither one of us cried and the cigarettes were salvageable.  The morning speaker then joined us obviously hoping for a drag.  The moment my mother hated him passed and she told him what hope was.  

He who gave me each morning a fork and a spoon would not often be seen by my mother.  He and I were late in our waking and she’d be out gathering types of dead bird from the bases of cornstalks.  I’d sit in my highchair and watch him shirtless as he prepared the tools of my art.  The hairs on his back would grow before my eyes and need bitten at the follicle.  He would turn and put his finger in the garbage disposal and pretend it was on.  On was something he never turned it because he said a mantis lived there and what would bite his follicles.  I wouldn’t be hungry then which was good for my show.  He would laugh at the misery of my scooping arms and be full of it and tired and he would ask me to rub his belly while he went to the couch on his back.  His belly the single most reason to keep him said mother.  I’d put my ear to it to feel myself kick and never did stir him from sleep.  Pretty early in this routine some of his belly hair started to grow in my ear and my dreams from then always had a banquet in their midsection.

Careful with my dreams.  Mother said they are kittens and one can bite too hard.  It is like her being stubborn and only calling me boy when most called me boy and girl in equal measure.  Sometimes when boy got the lion’s share I’d long to nurse and have to slap the ******* sound out of my teeth.  For saner things I’d walk the dog with a dog in it.  I had names for both and both were names I would’ve called my brother had I been born.  I once found a sipped at wine glass on the roof of the pharmacy mother later burned with lit stalks.  When the turkey buzzards skittered themselves nightly across the horizontal track of my looking for god I’d imagine my brother skinny enough to fit in the parched tube of his swallow.

Now that I am returning to Shudderkin, the welt left by my larger than life father whipping his belt across the tailbone of Ohio, it is clear to me that what we called a dog was correct only on certain days.  The mongrel keeping pace with my bike, the second name I have for my brother, is not the physical dog a city knows and not country loyal as country wants to, and so makes others, believe.  It is instead more like the talking when one is sped up and words get put together and then are stuck there.  Dog of Shudderkin.  Its tongue does not droop or even wag outside the mouth.  A pinkness has always gone on without me.
Kewayne Wadley Dec 2016
I took absolutely no pleasure,
Though I indulged.
That in the pleasure of temptation.
A sense of dread setting in once all the pleasure was gone.
Hidden from which I found through true pursuit.
Isolating myself to a single thought.
I found myself unable to change, chasing the thrill of pleasure.
I thought to myself was I this selfish.
To dance in the rain soon as melancholy shown it's head.
The drops splashing against the crinkles of my face.
I soon grew to admire it.
This self perpetual motion that insists that I go in constant circles.
A unlikely comfort that insured that I pursue even further.
What was this disaster,
Finding my reflection to be more than a mere crutch.
I looked left, then right.
Losing understanding of what brought me to this place.
This certain happening.
This part of me that must die. This certain part of me that's clung on to you for so long not knowing what is real, and what isn't.
Between you and I, I had no clue which harmed me the most.
The fluorescent thought of needing you more than you needed yourself.
In actuality it was simple.
Barricading myself in a room to stop this foolish act.
Somehow you'd still managed to appear.
I'd be lying if I didn't admit that I wasn't waiting for you.
The conviction shown against my reflection waiting at the window.
Awaiting your touch before I went into a coma like sleep.
I grew resentful towards the bright light.
Choosing to sleep all day, coming to life at night.
This part of me must die.
This ache that was only quenched by your touch.
I couldn't lie to myself anymore.
Committing myself to the asylum.
By tomorrow would be too late, regretting every delusion I've made to tear myself away from you.
Your reaction once you've found out what I've truly done.
Not only did I tear myself away from you, I've made myself welcome to the touch of your everlasting dark.
Such terrifying figures the dark makes once the light cuts off.
I feared sleep as your face was the only thing I saw.
My complexion terribly pale.
Just what have you done to me, seeking some kind of justification
I checked myself in hoping to lose sight of you.
Only to find more of you in each patient.
Each day I spent in here I found my face turning more pale.
I was indeed becoming a ghoul, concerning myself with one thing.
A source of some kind of help was needed.
Finding myself arguing with the vampire girl in the lunch room over her red Jello.
The way that it skittered in slightest motion.
The way that it looked while it dripped down her fangs.
I felt like the plastic cup that held the snack filled serving.
Here I was making the biggest mistake of my life, and you were nowhere around to offer a helping hand.
I took no pleasure in removing myself from you, but at the same time
I cannot live without you
Fay Slimm Apr 2017
In that twilight when sea-foam skittered sand
on bare wet toes,
as sun-down scuppered need for dour grum,
you took me
and we shackled wonderment for a moment.

All rile was left in a yesterday-mire and just
nothing felt slutchy
to our touch of contentment that little while.

In dark's cove we chawed  clandestine risps
of stolen kisses, unrolled
tongues of delight and gloried in fetterment
while gyved together.

Those neckled heaves hankled all the asurn
of heaven and earth.

One summer's eve we two for a pretty time,
wooed an alivenesss,
slaked passion and sated sleaved  smeddum
as never before.


Hagseed may take tomorrow but we did what
was waited for.

We pierced a rive into infinity on that azured        
shore, you and I.


N.B.
Grum = gloomy, morose
Slutchy = mucky
Asurn = vault
Risp = green-leaf branch
Gyve = handcuffed
Sleaved = raw
Smeddum = energy
Fay Slimm Nov 2016
On such a day when sea-moss skittered sand
on bare wet toes,
as sky-sail scuppered all need for dour grum,
you and I
shackled wonderment for a miniscule while.

All rile was left in a yesterday-mire and just
nothing felt slutchy
to our touch of contentment that afternoon.

On that day we chawed risps of clandestine
pleasure,
talked of delight and gloried in being fettered
together as gyve.

Those stolen moments hankled all the asurn
of heaven and earth.

On such a day we two for a shimmering time,
became gently alive,
bare passion slaked, was sleaved in smeddum
as never before;
hagseed may take tomorrow but we had what
we had waited for.

We pierced a rive in infinity on that azure day
you and I.


N.B.
Grum = gloomy, morose
Slutchy = mucky
Asurn = vault
Risp = green-leaf branch
Gyve = handcuffed
Sleaved = raw
Smeddum = energy
Jared Eli Aug 2013
"Not bad for a cloudy day,"
She said as the clouds gave way
To the torrents of rain which pelted my head
As the stoplight said 'yield', then blinked harshly red
The cars as they skittered across the wet street
Were coupled as urgently with running feet
And as water from roadside splashed up on the walk
We gathered in bookstores for coffee and talk
The flags were brought in on their damp, cotton lines
And the halyards stayed free from the rope which entwines
We with our coffee felt free as the wind
And we laughed as the thought remained:
Please don't rescind
Ben Jul 2016
I never realized
How many birds
There really are

They seem to melt
Into the landscape
As they hop
To and fro
In the manicured
Suburban shrubs
And pepper the sky
Floating in place
Against some unfelt
Wind current

While walking
I locked gazes with
A slate colored dove
And we stared
I don't know how
He felt about me
Or what he felt
About me

I thought he was
Elegant
Even though he was
The color of fresh tar
While it bakes
In the Pennsylvania sun
In some hazy culdesac
In the corner of some
Replaceable
Reproducible
Childhood

He hopped off his perch
A rusty sign post
That had been bifurcated
By some unknown
Bolt or hand

And skittered behind some
Sickly looking ferns
In a dirt patch of an
Unknown neighbors yard

A gang of Robins
Flittered over my head
Landing down the street
Passing a pinecone
Between them
Pecking and tearing at it

I looked behind
The sickly ferns
And found the
Unknown neighbors cat
Doing the same thing
To my slate colored dove

I shooed it away
It dropped the dove
Hastily
In the loose dirt
And retreated

I looked down at the dove
And it laid there
Its breast heaving
Silent
One eye cast into the dirt
The other looking up
Watching the same Robins
Fly back to where
They had come from


And the slate slowly
Turned sanguine
As its down became
Saturated with the
Run off from the
Puncture wounds

The cat sat off
A few yards away
Flicking its tail
Calico and smug

And I stood by
The dove as
The heaving slowly
Stopped
Ground to a
Halt really
And then the eyes
Weren't looking
At the sky or the dirt

I finally felt
That unseen
Wind
And continued
On my way
I regret not walking as much as I could
Mohd Arshad Sep 2015
Solitary, at a white night,
As snowflakes were diving into hollow,
To her remote room I skittered!

Smoke went up stairs
And cigar was lying on pyres!

I moused in like a thief-cat into the kitchen!

In a silver platter
My wedding ring was sobbing
While on the fluffy pillow
Her deflated head wallowed!

On the wall
I inked--GOOD NIGHT!
Notes (optional)
Amy Aslesen Apr 2016
Work, work, work
I work just like clock work
All the money I make
Is not for my sake
My family left a lot to be desired
I guess helping them backfired

One day when I woke from a holler
My room seem so much smaller
My legs moved awkwardly around
There were six all big and brown
I skittered along the floor
As I tried to get out the door

When I finally got out
I heard a shout
My family was petrified
You would think they died
They looked like an explorer
Looking at a bear in horror

I think we can agree
That my parents let me be
Even though she was scared
My sister still cared
She feed me garbage
But she soon departed

As time went on
I became a demon spawn
They through apples at me
I liked them better when they let me be
One of them got stuck in my back
Causing a large crack

I am slowly dying
From this apple rotting
As I sit and cry
I think of all the good that went by
As I lay down my head
I hear them say, "Hurrah, It's dead."
Summary of the story Metamorphosis.
.                                                                                                      .
                            I have no good words to say
                             Ive been lost and misused
                                Im as mad as a hatter
                       As the knife ran off with the spoon
                  The mouse it said they have gone to bed
                         To dream themselves together
               And the mouse skittered under the cupboard
                   Some would scream but i just chuckle
                               For the mouse is me
                             And what right you see
                       Do i have to want him to leave.
Q Nov 2017
He spoke with his fingertips
They danced lightly on my desk
A man of few words
But I heard what he said

He spoke with his fingertips
They skittered to and fro and back
His hands spoke the words
His audible voice lacked.

He spoke with his fingertips
Tapped his way into my heart
He never had much to say
But his words were a work of art.
I’d only been gone for a moment,
A moment was all that it took,
And up to the edge of that moment
I’d been sitting, and reading a book,
Then I looked up and saw you were staring,
But your eyes were glazed over, I see,
And I swear you weren’t looking, but glaring
At something you hated in me.

Then the room began twisting and turning
To the sound of the storm’s rapid roar,
As it went racing up to the ceiling,
And dived in a twirl to the floor,
It snatched at the book I’d been reading
And it flung it straight up in the air,
On the cover it said ‘Time is Bleeding’,
And I thought, ‘I don’t want to go there.’

Still you clung to your chair, my Miranda,
While the furniture skittered and slid,
Some had headed out to the veranda
Where the glockenspiel lay on its lid,
But your face and your skin became older,
As the years yet to come hurried by,
And the air in the room became colder
When I heard, ‘You’re much younger than I.’

And that’s when I felt it receding,
That eddying moment of time,
That had shown me the love that was bleeding
It hadn’t been yours, it was mine,
I sheltered there on the veranda
From the clinical glance of your gaze,
For time was against you, Miranda,
And it showed, in a myriad ways.

I’d only been gone for a moment,
A moment was all that it took,
And up to the edge of that moment
I’d been sitting, and reading a book,
Then the storm battered in through the shutters,
And it snatched at the book in my hand,
But you’d gone, slipped away down the gutters
With all I had loved in the land.

David Lewis Paget
Scarlet Niamh Aug 2019
I came from the old times dancing on a
hillside which toppled into lakes, tipping
down into endless valleys of green and
blue, my hands in the palms of a stranger.
I kissed him under fog as the oil rigs
skittered across the water, finches swooping
to protect their young. As a laughing melody
hummed between us, electric and satisfied,
I felt our hands shining so brightly in
the darkness around. I sang an old song
in the woods and it echoed back to me.

Roots run deep and wild. At first they lay quiet,
toes buried in moss, and I wondered if
the leaf felt my touch as silken, smooth as
water, or jagged as the stones beneath
it. And then they were livid, raging, boiling
under the surface as I stood above
screaming water, churning the earth from the
edges of the river, eating away
at the land I was bound to. Desolate
and sodden, I faltered on the borders
of my home town, longing for the heaviness
of salt to catch on my tongue once more.

And then I changed, or grew, and forgot what
it was I had lost. Now, looking down upon
empty forests, I no longer remember
the song they are singing, yet I hear the scent
of a dead earth, the sound of a mushroom
breaking at the stem. Lying on lamenting
sands, I feel a droplet land on my cheek
and, for a moment, feel a whisper
of home. Carrying my feet from the meadows,
I'll mutter softly, singing my melody alone.
to be determined May 2018
Smoke.
Everywhere.
No escape.
Lungs choked by the burning gas floating in the air.
Shrieks of delight in the background
make me wonder what joy there was.
The dead grass crunched under my feet
and engulfed in flame after a tiny, glowing ember
floated from the smoke filled sky and to the ground.
I scream for help
but it is mistaken for joy.
For a smile plastered on an alabaster face and hands
raised to bathe in the shower of sparks
that rain down upon the earth.
Eyes burn with smoke, blurring every image
already distorted by the smog that hangs over the land.
Smiling faces contort to demon
and white winged angels claw from the ground
chanting hymns of forgiveness and eternal life.
But, as if taken by surprise,
the criminal smoke flees the scene of its crime leaving me;
standing there salty rain pouring from
honeysuckle eyes roaming the ankle high grass for signed of life.
Sure enough, carpenter ants skittered under
the pale moonlight rushing back to their mother queen.
Demented angels
melted back into the ground,
not even a mound left from where they clawed through.
Demons smiles reverted to tooth filled grins.
'Kathy,' came a far off voice. 'That was epic!'
Self-made rain stained my cheeks
but no longer poured from my eyes.
Elated strangers whom I felt I knew
overwhelmed my frozen figure, shouting about
my amazing performance I didn't know I'd taken part in.
I muttered under my breath,
'God bless the U.S.A'
wrote this a year ago
couldn't wait until July
She was pounding on the place above her breastbone where the heavy thrum thrum thunk of her heartbeat could be heard through a rattling ribcage.
"there's nothing there!" she cried, "just this ticking inside me to remind me that I'm broken"
The darkness could be seen clinging to her like a shadow, and sunlight skittered around her at even the peak of summer. The clocks changed twice that year and yet the thunk of her heart sputtered on; in winter she beat on her chest with tears in her eyes and let the shadow control the whirrs and clicks of her soul.
Not a light
nor a mouse that
skittered 'cross the floor.
it was a silent boot-black
damp wet night and
the Moon,
under an umbrella of stars
shone dark.

On the horizon, a
day hesitates to begin,
even as the night sheds its skin
and the thin wakenings of
bird calls welcome this morning
in, not a light as if
there had never been
anything.
to talk of dead folk

i was quietly drawing
at the old table and as

one can, I felt someone

behind me on the work
shelf

i turned
as it skittered away
with its prize to chew

outside

the last of my dead
mummifieds is gone

eaten as before

i am drawing some odd

stuff these days. meanwhile

my mobile still makes capitals
so I changes that

the breeze comes through the
window

while down by the hedge I get
bitten

— The End —