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"shrilling" poems
Flora and Fauna, the sisters of Season Of Spring and of Summer Allow now our drummer To drum out the beat For the feet of the sisters To glide and to creep Like the encroaching sleep Which may perch on your shoulder if we cannot keep you awake And on the edge of your seat, sir. Now the former, sweet Flora, will finger the flute While the other continues to glide and to slide Like a sequined Venetian harlequin bride; And now Fauna will mimic the movements of bird and of beast As she graces the work of our landscape artiste And all is completely unfeasible Completely lacks reason We guarantee. Presently In the eye of the beholder Sweet Flora seemingly draws from the aether a lyre And with flourishing fingers she plucks from the heavens A song of the seasons, a pagan ode to Pan! Behold! No aid of hoops, no strings The vestal-virgin-harlot sisters sing Of beautiful Persephone And with unseen damselfly wings Ascend from mediocrity All melody forgotten All the drums create cacophony And you will find serenity in chaotic monotony Now let this climaxing crescendo banish all your sorrowing! No more that light; no more that sacred realm Life’s door was dappled gloam; now all is black. A man of wax with saintly, hollow eyes Devoid of sin, devoid of love and light That golden room is lost – you can’t turn back. Now love has lost its lustre - lust lost joy And coy eyes turn to watch the empty man Struck by eternal beauty, and condemned To haunt the broken world of mortal men; And shrilling wind caresses empty hand.
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Jul 2, 2012
Jul 2, 2012 at 12:01 PM UTC
Flora & Fauna
Flora and Fauna, the sisters of Season Of Spring and of Summer Allow now our drummer To drum out the beat For the feet of the sisters To glide and to creep Like the encroaching sleep Which may perch on your shoulder if we cannot keep you awake And on the edge of your seat, sir. Now the former, sweet Flora, will finger the flute While the other continues to glide and to slide Like a sequined Venetian harlequin bride; And now Fauna will mimic the movements of bird and of beast As she graces the work of our landscape artiste And all is completely unfeasible Completely lacks reason We guarantee. Presently In the eye of the beholder Sweet Flora seemingly draws from the aether a lyre And with flourishing fingers she plucks from the heavens A song of the seasons, a pagan ode to Pan! Behold! No aid of hoops, no strings The vestal-virgin-harlot sisters sing Of beautiful Persephone And with unseen damselfly wings Ascend from mediocrity All melody forgotten All the drums create cacophony And you will find serenity in chaotic monotony Now let this climaxing crescendo banish all your sorrowing! No more that light; no more that sacred realm Life’s door was dappled gloam; now all is black. A man of wax with saintly, hollow eyes Devoid of sin, devoid of love and light That golden room is lost – you can’t turn back. Now love has lost its lustre - lust lost joy And coy eyes turn to watch the empty man Struck by eternal beauty, and condemned To haunt the broken world of mortal men; And shrilling wind caresses empty hand.
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41
She prays upon an oval pill While the universe plays the blues Colors mix with audio pollution Incongruous are the hues Her head’s a church of bats Screeching and shrilling, imagine that Her stereo is her only muse
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Jan 2, 2013
Jan 2, 2013 at 12:30 PM UTC
Audio Pollution
God knows how our neighbor managed to breed His great sow: Whatever his shrewd secret, he kept it hid In the same way He kept the sow--impounded from public stare, Prize ribbon and pig show. But one dusk our questions commended us to a tour Through his lantern-lit Maze of barns to the lintel of the sunk sty door To gape at it: This was no rose-and-larkspurred china suckling With a penny slot For thrift children, nor dolt pig ripe for heckling, About to be Glorified for prime flesh and golden crackling In a parsley halo; Nor even one of the common barnyard sows, Mire-smirched, blowzy, Maunching thistle and knotweed on her snout- cruise-- Bloat tun of milk On the move, hedged by a litter of feat-foot ninnies Shrilling her hulk To halt for a swig at the pink teats. No. This vast Brobdingnag bulk Of a sow lounged belly-bedded on that black compost, Fat-rutted eyes Dream-filmed. What a vision of ancient hoghood must Thus wholly engross The great grandam!--our marvel blazoned a knight, Helmed, in cuirass, Unhorsed and shredded in the grove of combat By a grisly-bristled Boar, fabulous enough to straddle that sow's heat. But our farmer whistled, Then, with a jocular fist thwacked the barrel nape, And the green-copse-castled Pig hove, letting legend like dried mud drop, Slowly, grunt On grunt, up in the flickering light to shape A monument Prodigious in gluttonies as that hog whose want Made lean Lent Of kitchen slops and, stomaching no constraint, Proceeded to swill The seven troughed seas and every earthquaking continent.
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6.5k
Sow
God knows how our neighbor managed to breed His great sow: Whatever his shrewd secret, he kept it hid In the same way He kept the sow--impounded from public stare, Prize ribbon and pig show. But one dusk our questions commended us to a tour Through his lantern-lit Maze of barns to the lintel of the sunk sty door To gape at it: This was no rose-and-larkspurred china suckling With a penny slot For thrift children, nor dolt pig ripe for heckling, About to be Glorified for prime flesh and golden crackling In a parsley halo; Nor even one of the common barnyard sows, Mire-smirched, blowzy, Maunching thistle and knotweed on her snout- cruise-- Bloat tun of milk On the move, hedged by a litter of feat-foot ninnies Shrilling her hulk To halt for a swig at the pink teats. No. This vast Brobdingnag bulk Of a sow lounged belly-bedded on that black compost, Fat-rutted eyes Dream-filmed. What a vision of ancient hoghood must Thus wholly engross The great grandam!--our marvel blazoned a knight, Helmed, in cuirass, Unhorsed and shredded in the grove of combat By a grisly-bristled Boar, fabulous enough to straddle that sow's heat. But our farmer whistled, Then, with a jocular fist thwacked the barrel nape, And the green-copse-castled Pig hove, letting legend like dried mud drop, Slowly, grunt On grunt, up in the flickering light to shape A monument Prodigious in gluttonies as that hog whose want Made lean Lent Of kitchen slops and, stomaching no constraint, Proceeded to swill The seven troughed seas and every earthquaking continent.
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49
Stuffed seals. Sits shelf, soaking sunshine, standing sentry, soliciting smiles. Shoppers smitten, strike smiles, spending silver. Storied seals, send shoppers shrilling. Somewhere, seamstresses stitch supplementary shipments, shaking store, sustaining sales. Sales staff splendidly stock shelf. Seamlessly. Such salvation, seals seeks. Successfully, seashells. Logan Robertson 8/1/2018
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Aug 1, 2018
Aug 1, 2018 at 7:53 PM UTC
Successfully Seashells
It's dark outside except for the pale glow of a fingernail moon sailing through the starry sea of night. The wind has tucked itself to sleep with the birds, weary of bustling about and playing with my hair. The whippet snuffles his way along the rabbit trails, delighted with this late night walk, white tail wagging in the air. I wander down by the edge of the swamp, grass all soft and dewy 'neath my feet and spy the pallid uoow reflected upside down, between the reeds along the creek.   The constant, shrilling chorus of frogs and crickets drills my ears yet I find it strangely soothing -  a well known voice across the years. I turn to walk back, whistling the dog and notice in the low fields,  the usual ethereal  fog begin to form.   I look up at the dark shape of the house and see light from my kitchen window painting squares upon the lawn. Amphibean bodies seek the brightness, bellies pressed against the glass and if you warm them with your finger on the other side, they move.   My man and I  bet kisses on whose frog would move the most -  one of those silly games you play when you're in love. As I close the door behind me, grabbing logs to feed the fire, the dog flops down upon the hearthrug letting warmth dry swampy mire. I make cocoa in my blue mug then pull down the kitchen blind - cutting off the froggy light source - abruptly silencing the choir.
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Apr 27, 2017
Apr 27, 2017 at 8:42 AM UTC
Last walk of the day
When the arc of his watch hands   reached the top of the hour Sam pushed the throttle forward. Engine 138 thundered out of Blossburg station like an iron dragon breathing smoke and steam - whistle shrilling over the Tioga valley. Powered by coal the train carried coal to the waiting city of Elmira where Sam would press his mother's hand - perhaps for the final time. The wheels churning iron on iron across Pennsylvania farmlands, turned like other wheels before moving settlers west to break its ready earth - wheels beneath his grandfather's oxcart turning toward Lycoming's verdant hills. New wheels now carried America to urban landscapes drawing us like electro-magnets to streetlamps - factories - dry good stores - new crops for a modern age. Elmira’s silhouette expanded on the horizon. and Sam pulled the train in on time - brakes screeching through billowing steam. His wife, Jenny and his sister's Sam came in a horseless carriage with Zoe, Marie and Edward, children now grown at their sides. They all gathered by Hannah's bed now approaching her final hours soft voices and fragile smiles cradled the truth beyond all telling: Time, ever advancing like the hands of a fine old watch, holds us all in its circling sway © 2006 by Robert Charles Howard
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Aug 25, 2017
Aug 25, 2017 at 10:58 AM UTC
Sam's Watch (1915)
Hidden, oh hidden in the high fog the house we live in, beneath the magnetic rock, rain-, rainbow-ridden, where blood-black bromelias, lichens, owls, and the lint of the waterfalls cling, familiar, unbidden. In a dim age of water the brook sings loud from a rib cage of giant fern; vapor climbs up the thick growth effortlessly, turns back, holding them both, house and rock, in a private cloud. At night, on the roof, blind drops crawl and the ordinary brown owl gives us proof he can count: five times--always five-- he stamps and takes off after the fat frogs that, shrilling for love, clamber and mount. House, open house to the white dew and the milk-white sunrise kind to the eyes, to membership of silver fish, mouse, bookworms, big moths; with a wall for the mildew's ignorant map; darkened and tarnished by the warm touch of the warm breath, maculate, cherished; rejoice! For a later era will differ. (O difference that kills or intimidates, much of all our small shadowy life!) Without water the great rock will stare unmagnetized, bare, no longer wearing rainbows or rain, the forgiving air and the high fog gone; the owls will move on and the several waterfalls shrivel in the steady sun.
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Song For The Rainy Season
The bird of Spring has flown away. Long south her feathers trail, forgetting cool wind song and coos of happiness. And why's she wrong to soar above my love with scattered youth? Another bird is nesting in cold groups on Scotland’s shore, her plumage bright and long; enamoured of her shrilling calls among exhaling frosty nights and twisting swoops. I, who have seen so many flocks that made the fleeting joy trill, still am sad to know they're gone, perhaps never to return again or if they do perhaps changed, with wings outsplayed to other mates, with other rhymes to show that catch the dry wind’s struggle on the plain
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Oct 18, 2010
Oct 18, 2010 at 10:17 PM UTC
Autumn birds
vampiric ***** house a fearful symmetry of cleavers for something to love ***** addicted pearly satin's copulate a continent of curves ovoid rectums and raw mouths in a ritual of sadistic etiquette drenching phallus tongued spit like gales of flames at a masochists invitation for foot blooded kisses and heated lopped breast eager haunches thunder in a malignant lust ********* utopias **** cyclops spreading winkling's dribbling night operas in a red cathedral of flicker hives squealing euphoria's hemic arcade with greased ******* that break backs fluting throats ***** chromatic fizz and shrilling wombs flutter like bat wings pandemonium in the museum of the moon
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Mar 9, 2019
Mar 9, 2019 at 1:39 PM UTC
Museum of The Moon
I once chanced upon A lonely mannequin Discarded and abandoned She was stripped of her clothes Vulnerable to her surroundings Her arm was distorted Yet she bore no expression Her wig plastered on a face She was faceless A mask she wore Slowly I approached Taking ginger steps One, two, three Tenderly, I lifted her damp hair Curiosity killed the cat A shrilling scream punctured the air Her face now glowed red Her body Writhing in pain Taken aback I hastened my pace Away from her Away from the plastic mannequin I once chanced upon A lonely mannequin
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Sep 21, 2013
Sep 21, 2013 at 11:42 AM UTC
mannequin
Many will try to break you shake your very foundations degrade you reshape you displace you The instinct to **** thrives in every mans will A shrilling reality underlines every fatality and evey empty shell condemned to hell When you're bitten do you bite? Do you hunt your prey in the night? Power playing the doe eyes lost in the headlights Ending them with excellerating spite For the sake of the fight or the game? Isnt it all the same? There's nothing here to gain We're all dead in the eyes of fate We either **** or self distruct No matter what end of this spectrum your on You have your enemies and allies eating it up It's disturbing as **** but we watch it live we live it we breathe it colonise A seducing feature in everyones eyes We must admit most of us crave the dark side
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Mar 3, 2013
Mar 3, 2013 at 10:38 PM UTC
Instinct
A wailing ghost has found you. Foolishy, you hoped to be free. But that is how it plays with you. A cat and mouse game, you see. However did you get as far In the frosty, wintry night Without knowing your ache would return? How could you think you'd be alright? The haint is on your back, And chillishly shrilling in your ear. Maybe you did not bury your deeds deep enough. Perhaps that is why you fear. The awesome hatred is poured into your cup. A spectral accusation never is one in vain If it closely resembles the truth. The guilty perish, for crimes that are never named.
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Sep 23, 2015
Sep 23, 2015 at 1:36 PM UTC
Wailing Ghost
IT fell in the ancient periods Which the brooding soul surveys, Or ever the wild Time coin'd itself Into calendar months and days. This was the lapse of Uriel, Which in Paradise befell. Once, among the Pleiads walking, Sayd overheard the young gods talking; And the treason, too long pent, To his ears was evident. The young deities discuss'd Laws of form, and metre just, Orb, quintessence, and sunbeams, What subsisteth, and what seems. One, with low tones that decide, And doubt and reverend use defied, With a look that solved the sphere, And stirr'd the devils everywhere, Gave his sentiment divine Against the being of a line. 'Line in nature is not found; Unit and universe are round; In vain produced, all rays return; Evil will bless, and ice will burn.' As Uriel spoke with piercing eye, A shudder ran around the sky; The stern old war-gods shook their heads; The seraphs frown'd from myrtle-beds; Seem'd to the holy festival The rash word boded ill to all; The balance-beam of Fate was bent; The bounds of good and ill were rent; Strong Hades could not keep his own, But all slid to confusion. A sad self-knowledge withering fell On the beauty of Uriel; In heaven once eminent, the god Withdrew that hour into his cloud; Whether doom'd to long gyration In the sea of generation, Or by knowledge grown too bright To hit the nerve of feebler sight. Straightway a forgetting wind Stole over the celestial kind, And their lips the secret kept, If in ashes the fire-seed slept. But, now and then, truth-speaking things Shamed the angels' veiling wings; And, shrilling from the solar course, Or from fruit of chemic force, Procession of a soul in matter, Or the speeding change of water, Or out of the good of evil born, Came Uriel's voice of cherub scorn, And a blush tinged the upper sky, And the gods shook, they knew not why.
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1.5k
Uriel
IT fell in the ancient periods Which the brooding soul surveys, Or ever the wild Time coin'd itself Into calendar months and days. This was the lapse of Uriel, Which in Paradise befell. Once, among the Pleiads walking, Sayd overheard the young gods talking; And the treason, too long pent, To his ears was evident. The young deities discuss'd Laws of form, and metre just, Orb, quintessence, and sunbeams, What subsisteth, and what seems. One, with low tones that decide, And doubt and reverend use defied, With a look that solved the sphere, And stirr'd the devils everywhere, Gave his sentiment divine Against the being of a line. 'Line in nature is not found; Unit and universe are round; In vain produced, all rays return; Evil will bless, and ice will burn.' As Uriel spoke with piercing eye, A shudder ran around the sky; The stern old war-gods shook their heads; The seraphs frown'd from myrtle-beds; Seem'd to the holy festival The rash word boded ill to all; The balance-beam of Fate was bent; The bounds of good and ill were rent; Strong Hades could not keep his own, But all slid to confusion. A sad self-knowledge withering fell On the beauty of Uriel; In heaven once eminent, the god Withdrew that hour into his cloud; Whether doom'd to long gyration In the sea of generation, Or by knowledge grown too bright To hit the nerve of feebler sight. Straightway a forgetting wind Stole over the celestial kind, And their lips the secret kept, If in ashes the fire-seed slept. But, now and then, truth-speaking things Shamed the angels' veiling wings; And, shrilling from the solar course, Or from fruit of chemic force, Procession of a soul in matter, Or the speeding change of water, Or out of the good of evil born, Came Uriel's voice of cherub scorn, And a blush tinged the upper sky, And the gods shook, they knew not why.
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56
The mighty men of valour Hate to possess the Answer to thy beauty, For as long as Nature obey laws, There shall not be Any beauty like Unto my darling, Ah, questioning the past Has opened a new leaf Of this unquestionable version, For as long as Thou shine thy true Blackness upon my sinful nature, These happy days of mine Will be lost without thy gut, The persistent shrilling Of the magic cricket At midnight and the rustling of The palm leaves in the sea breeze, Makes me feel Ashamed and proud, For as long as Great men are Ready to bite the Lioness for thy sake, Thy power of beauty Shall be the soul Of thy flamboyant womanhood, Never hid them, oh My only true lover, For as long as Thou art fairer in character Than the master’s daughter, She that has no Respect for the humus, The nations shall behold these firm Twain towers upon Thy juicy sedate chest, Children of Africa, Look up straight Upon the holy mountains, For as long as This blazing sun Remains the likeness Of her sharp big eyes, The eternal honey dripping From her faithful lips Will be traded for life Ah, my only falling rain, The mother of many nations, For as long as Thy beauty remains prosperous, The starling shall not cease To express my sincere Whims to imprison thee In my heavy heart, I love thee Obaahemaa, Thou art Cleopatra indeed. © PRINCE NANA ANIN-AGYEI Email: [email protected]
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Apr 7, 2013
Apr 7, 2013 at 12:32 PM UTC
CLEOPATRA OF MY HEART
As a non-golfing husband I revel at tales Of sunshine filled days chasing small ***** Some in the rough others in sand, All these brave girls fighting nature's pitfalls. I hear of the times the flock of wild ducks Hindered a drive that was perfectly hit, And what of those trees that magically moved With a subsequent shout 'I just want to quit'. But then I'm regaled with feats of great skill Such as the time a Birdie was made, Out comes the flask, big glugs all around, Magical moments that no-one would trade. They say Golf's a passion a lifelong pursuit, One day may be heaven the other pure hell, Neither cool mornings nor that full midday heat, Apparently stops that will to excel. Yet there's one thing I notice each week, Yes the real pleasure from playing the game And what's not to like from those magical views But without one's good friends the day's not the same. So to all poor Golf widowers awoken by shrilling alarms, Then never quite knowing what time we'll see our fair brides, There's a much higher calling we can but embrace, 'Happy wife happy life' the true gift this pastime provides.
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Dec 11, 2023
Dec 11, 2023 at 8:31 PM UTC
A Golfing Wife
The flame In his chest The same To the rest But twisted As he was Blessed But gifted With inferiority And was horribly Conflicted Of the message He was meshing With the decrepit Feeling Of his fleeting Half stepping To the Recollections Of his blessings That he was tempted To dissect From the crowd Inflicted Despite the Shroud Of clouded Bouts Torn from The panicked **** Of the phobias He knew they were scared of And glared Right through them Before he opened up His coat And started shooting Proving Others wise In the silent Reprise Of 45's And nines He smiled In the exile Of fear Escaping Through The fading Lights Of dying eyes In the wild Surmise That with each Trigger squeeze Eased him Into shame As he Aimed To please For the release Of lives Crawling For the Finished Lines And in gorgazmic Slitherings He delivered The final blows With power ups And scores Progressing The killing As he reloads With shrilling Grins And stints Of compassion Fashioning The rationed Satisfaction He received From the screaming Mothers and babies Brothers and maybes Splattering On the plastic trees Of escalators And skeezes That laid shuttering Headless Upon the exits Of his Insurrected mind And he was just fine With dying In kind And he was just fine Shining from The shrine Of Santa In a sonata Of solidarity To the led Soldering morals In a story Of victory And of Personal glory For the lords Of defeat Seething In the completeness Of a defeatist As he stuck The heaters In his mouth And was out Without One doubt As to what Nothing Means
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Apr 21, 2013
Apr 21, 2013 at 5:38 PM UTC
Courage
The flame In his chest The same To the rest But twisted As he was Blessed But gifted With inferiority And was horribly Conflicted Of the message He was meshing With the decrepit Feeling Of his fleeting Half stepping To the Recollections Of his blessings That he was tempted To dissect From the crowd Inflicted Despite the Shroud Of clouded Bouts Torn from The panicked **** Of the phobias He knew they were scared of And glared Right through them Before he opened up His coat And started shooting Proving Others wise In the silent Reprise Of 45's And nines He smiled In the exile Of fear Escaping Through The fading Lights Of dying eyes In the wild Surmise That with each Trigger squeeze Eased him Into shame As he Aimed To please For the release Of lives Crawling For the Finished Lines And in gorgazmic Slitherings He delivered The final blows With power ups And scores Progressing The killing As he reloads With shrilling Grins And stints Of compassion Fashioning The rationed Satisfaction He received From the screaming Mothers and babies Brothers and maybes Splattering On the plastic trees Of escalators And skeezes That laid shuttering Headless Upon the exits Of his Insurrected mind And he was just fine With dying In kind And he was just fine Shining from The shrine Of Santa In a sonata Of solidarity To the led Soldering morals In a story Of victory And of Personal glory For the lords Of defeat Seething In the completeness Of a defeatist As he stuck The heaters In his mouth And was out Without One doubt As to what Nothing Means
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124
Yamaguchi Seishi Haiku Translations by Michael R. Burch Grasses wilt: the braking locomotive grinds to a halt ― Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Published by Haiku Universe, Carpe Diem Haiku, Adas Poetry Alcove, HaikuViet, Form in Formless Times, Purple Pen in Portland This appears to be one of my most popular translations on the Internet. A google search for the entire haiku text turned up nearly 8,000 results. That’s a lot of cutting and pasting! Ceaseless chaos― ice floes clash in the Soya straits. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Having crossed the sea, winter winds can never return. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch (The haiku above was written in October 1944 as Kamikaze pilots were flying out to sea.) Banish the snow for the human torpedo now lies exploded. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch The sky hangs low over Karafuto, as white as the spawning herring. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Green bottle flies buzzing carrion— did they just materialize? ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Finally the cicadas stopped shrilling— summer gale. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief becomes unbearable someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief reaches its breaking point someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s bulb blinks out forever. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s light is swiftly consumed. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Both victor and vanquished are dewdrops: flashes of light briefly illuminating the void. —Ouchi Yoshitaka, loose translation/interpretation of his jisei (death poem) by Michael R. Burch Keywords/Tags:  Yamaguchi Seishi, haiku, translations, Japanese, grass, grasses, wilt, locomotive, train
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Apr 17, 2020
Apr 17, 2020 at 6:54 PM UTC
Yamaguchi Seishi haiku translations
Yamaguchi Seishi Haiku Translations by Michael R. Burch Grasses wilt: the braking locomotive grinds to a halt ― Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Published by Haiku Universe, Carpe Diem Haiku, Adas Poetry Alcove, HaikuViet, Form in Formless Times, Purple Pen in Portland This appears to be one of my most popular translations on the Internet. A google search for the entire haiku text turned up nearly 8,000 results. That’s a lot of cutting and pasting! Ceaseless chaos― ice floes clash in the Soya straits. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Having crossed the sea, winter winds can never return. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch (The haiku above was written in October 1944 as Kamikaze pilots were flying out to sea.) Banish the snow for the human torpedo now lies exploded. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch The sky hangs low over Karafuto, as white as the spawning herring. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Green bottle flies buzzing carrion— did they just materialize? ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Finally the cicadas stopped shrilling— summer gale. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief becomes unbearable someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief reaches its breaking point someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s bulb blinks out forever. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s light is swiftly consumed. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Both victor and vanquished are dewdrops: flashes of light briefly illuminating the void. —Ouchi Yoshitaka, loose translation/interpretation of his jisei (death poem) by Michael R. Burch Keywords/Tags:  Yamaguchi Seishi, haiku, translations, Japanese, grass, grasses, wilt, locomotive, train
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50
Today it will rain once again, In the windows of cloudy eyes, Where I and you unclearly exist, On the lotted shores of memory. Stoic birds wading upon waves, That grieve and go, riding, broke, An endless sweeping of sorrows, Carried by moans on the wind. In the windows of our new eyes There was, then, true gleaming And we were ***** by seasides, Among sparkles of stars and sun. The island so far away was here, Perfect, bright, cast of nowadays, Land only love in whisper knows O, by the graceful seasides only. Now, dry, shelled and castaway, The wind is shrilling its long keen And the cradle bones of our love Lie still, asleep in sinking sands.
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Aug 10, 2015
Aug 10, 2015 at 3:07 AM UTC
Seasides
I didn't know what to do. The scythe was aimed for her, giving me an opportunity to escape the reapers hostil game. Yet, I won't leave until she is in my arms. Safe. I looked around, searching for some type of weapon. Or a distraction. The reaper raised the scythe higher in the heavy air. She shook in terror, her eyes filled with tears. I didn't think before I jumped, I just did. I felt the shrilling pain of the weapon cut deep within my stomach. She screamed my name. "Please don't leave me" She whispered to me. The disappearing reaper is the last thing I can remember...
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Feb 20, 2013
Feb 20, 2013 at 11:52 AM UTC
Untitled
The girl on the bridge, Always on a yellow blouse And a white flowing skirt. Never a night does she misses her spot. Elbows on the railings Hair fluttering as wild as the wind Always obscuring her face from sight. Every night, I wonder Who is she? Where is she from? Why this lonely bridge? Never seen her move a muscle Nor utter a sound. It was rather strange. Until one night, I decided to chat with her. "Hey" I called but no response. She must be coy... "Hey..." I tried again and approached her this time. No response still. Is she deaf? I touch her shoulder and she turns She gave a shrilling scream And that was all I remembered. In the hospital I woke And when asked why I had passed out on a bridge, I could give no response. I was cold. The memory brought nothing but pure terror. For how could I tell them That the girl on the bridge Had no face? Yet she had always gazed down at the flowing stream below And she had screamed right at me with no mouth on her empty face. Anytime I walk on the bridge Her spot is always empty For she's forever gone But I still have this wary feeling That she watches me from the shadows With that faceless horror Waiting to take my face for hers.
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Mar 13, 2017
Mar 13, 2017 at 6:34 PM UTC
Girl On The Bridge
His earnings were no use now, A bottle of antiquated Romanée Conti would undoubtedly do, A premium Gieves & Hawkes ensemble donned, Jeff Buckely trills of lilac wine as he puts on his GJ Cleverley shoes. He turns up the dial on his harmony producer, Fading out the shrilling yawp of the telephone upon the table, He sits up in his silk sheet bed, The lights dim to a squint and the Psychotropic tab make him unable. A pill for each mood now a-swirl in his gut, He deliberated if that earlier he should have elected the lamb over the pork, Then peers to the room’s edge to the dark of a crook, As slippers pulsate and instigate to a mellow sway and begin to curiously talk. “What you do there?” They spoke with pry. He enlightened the foot snugs that he wished to die, That he hated a life as obtuse of this, Now once able and mind half disabled he would take a knife, To his wrists. A razor flavours blood of the open arm, As authoritative calls bellow and boom behind the door of his sweet, They would never find the cash in the Caymans, As there was none; just good wine, fast cars, his suits, and the fine shoes on his feet. The slippers float and thus speak on: “You are a fool to yourself you have done it all wrong, they have notably found the note”. “There is little time left you should hurry now,” “Take one last sip of the wine and let the razor meet your throat.” The door bucks with each thump, Through the yells and demands it begins to give as it creaks, He lays a gasp in his ruby and blood, He is now a fade and almost absent and the slippers are asleep. They will salvage him from his discharge, This man of hate for life, life of lies, thief of the poor and unto his soul, A man who obstinately wanted more, Until more was a bore and nothing no longer more fed the avid hole
0
Oct 18, 2013
Oct 18, 2013 at 12:49 AM UTC
Shred Everything
His earnings were no use now, A bottle of antiquated Romanée Conti would undoubtedly do, A premium Gieves & Hawkes ensemble donned, Jeff Buckely trills of lilac wine as he puts on his GJ Cleverley shoes. He turns up the dial on his harmony producer, Fading out the shrilling yawp of the telephone upon the table, He sits up in his silk sheet bed, The lights dim to a squint and the Psychotropic tab make him unable. A pill for each mood now a-swirl in his gut, He deliberated if that earlier he should have elected the lamb over the pork, Then peers to the room’s edge to the dark of a crook, As slippers pulsate and instigate to a mellow sway and begin to curiously talk. “What you do there?” They spoke with pry. He enlightened the foot snugs that he wished to die, That he hated a life as obtuse of this, Now once able and mind half disabled he would take a knife, To his wrists. A razor flavours blood of the open arm, As authoritative calls bellow and boom behind the door of his sweet, They would never find the cash in the Caymans, As there was none; just good wine, fast cars, his suits, and the fine shoes on his feet. The slippers float and thus speak on: “You are a fool to yourself you have done it all wrong, they have notably found the note”. “There is little time left you should hurry now,” “Take one last sip of the wine and let the razor meet your throat.” The door bucks with each thump, Through the yells and demands it begins to give as it creaks, He lays a gasp in his ruby and blood, He is now a fade and almost absent and the slippers are asleep. They will salvage him from his discharge, This man of hate for life, life of lies, thief of the poor and unto his soul, A man who obstinately wanted more, Until more was a bore and nothing no longer more fed the avid hole
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There were still little words grated in the brush, ourself riding around, a great black horse, the eyeliner, and an iris forest escapes. I am the flowering fire, a sunset westcoast in the twinkling airwaves, or radiowaves, and so we can breathe the literal mass of wind. The green carressed and aerially blessed, deepness and depth; what is truly grey. The powerlines stretch hungrily for days, we see the purple glow and thus it exists-- we graze like ghosts or bugs and try to find the blessed. We wind up and clear the smoke, and blindness is only black until death peers through, and calls the bird call, a shrilling through the spiritual silence. I can see you on maps, you reoccur the same, giant and all. You are the same story and dwell in roles through my brain.
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Apr 16, 2013
Apr 16, 2013 at 4:13 PM UTC
newbright
My drug, my escape my gravity, You are what I lean on when wind beckons shrilling of the whole world amassing within such small confines. My air would still upon silent panics without you my constant dosage. My head is the mount, my ears the hungry mouths voracious their appetites, finicky their tastes. A hungry duet yields no isolation. Fuel the diet or suffer endless distraction. My solitude won't arise from elusive silence, only multiples of white noises shall supplant the unknown absence. Prepare these notes as artists do strokes on a painting, each their own masterpiece for the uninhibited mind, deliver me a melody, and abstain the malady. Grace will unfurl to and from when the blank that is limbo besieges. Remove all, allow me to nurture my own joys of rainfall, sorrows of sunlight so I may be spared relentless storms, those sandy blizzards, for their pain is mere chaos.
0
Feb 15, 2016
Feb 15, 2016 at 1:23 AM UTC
Eternal Transience
with our slick smiles and flashy bodies now we’re impressing hell with gaudies with our hearts thumping till they bleed now we’re singing dirges while we scream with our licked lips and shrilling laughter now we’re loving bones lying there after with our tin flasks and empty canisters now we’re swinging from the banisters
0
Mar 14, 2018
Mar 14, 2018 at 11:35 PM UTC
swinging
You walk the whitened snow in overcast-shadowed delight You look back seeing where your tracks traced you from where you were before, like words written on snowy white paper holding memories gone by... Your mind slowly backtracks to places only moments ago, where small inclined drifs on each side reminded you of miniature mountains, you were a GIANT in the middle of a tiny valley... Sounds became muffled, your planet became transformed into another world Silence prevailed, brief shrilling sporadic gusts nipped at your nose, nipped at your cheeks, and had painted your living portrait red... You had felt your feet crunch down on the newly softened snow, its sounds created noise that crunched LOUDLY... In some places, your wider lifting strides became arduous, they became wider in deeper spots, but you did not mind... This whitined fact almost held by fantasy ridiculed everyday life, silhouetted trees reached their bare arms upward like black grayish winter phantoms against the white horizon, against the gray sky... Tiny windy whirlpools -ever so often- danced around your feet in a soft swirling celebration of your delight... Charmed by your exploration you had embraced every moment Clever in your adoration you now invoke this poem, distinguished only for the astute... ...Provoked by this flurry wisdom and wonderland, you now turn slowly around then forward Now realizing you have just left your memories and poet's signature within those very backtracks you have just left behind...     .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .'
0
Sep 29, 2014
Sep 29, 2014 at 9:50 AM UTC
Winterland Backtracks .'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'
You walk the whitened snow in overcast-shadowed delight You look back seeing where your tracks traced you from where you were before, like words written on snowy white paper holding memories gone by... Your mind slowly backtracks to places only moments ago, where small inclined drifs on each side reminded you of miniature mountains, you were a GIANT in the middle of a tiny valley... Sounds became muffled, your planet became transformed into another world Silence prevailed, brief shrilling sporadic gusts nipped at your nose, nipped at your cheeks, and had painted your living portrait red... You had felt your feet crunch down on the newly softened snow, its sounds created noise that crunched LOUDLY... In some places, your wider lifting strides became arduous, they became wider in deeper spots, but you did not mind... This whitined fact almost held by fantasy ridiculed everyday life, silhouetted trees reached their bare arms upward like black grayish winter phantoms against the white horizon, against the gray sky... Tiny windy whirlpools -ever so often- danced around your feet in a soft swirling celebration of your delight... Charmed by your exploration you had embraced every moment Clever in your adoration you now invoke this poem, distinguished only for the astute... ...Provoked by this flurry wisdom and wonderland, you now turn slowly around then forward Now realizing you have just left your memories and poet's signature within those very backtracks you have just left behind...     .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .' .'
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