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"sepulchral" poems
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
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Farewell to Florida
I Go on, high ship, since now, upon the shore, The snake has left its skin upon the floor. Key West sank downward under massive clouds And silvers and greens spread over the sea. The moon Is at the mast-head and the past is dead. Her mind will never speak to me again. I am free. High above the mast the moon Rides clear of her mind and the waves make a refrain Of this: that the snake has shed its skin upon The floor. Go on through the darkness. The waves. fly back II Her mind had bound me round. The palms were hot As if I lived in ashen ground, as if The leaves in which the wind kept up its sound From my North of cold whistled in a sepulchral South, Her South of pine and coral and coraline sea, Her home, not mine, in the ever-freshened Keys, Her days, her oceanic nights, calling For music, for whisperings from the reefs. How content I shall be in the North to which I sail And to feel sure and to forget the bleaching sand ... III I hated the weathery yawl from which the pools Disclosed the sea floor and the wilderness Of waving weeds. I hated the vivid blooms Curled over the shadowless hut, the rust and bones, The trees likes bones and the leaves half sand, half sun. To stand here on the deck in the dark and say Farewell and to know that that land is forever gone And that she will not follow in any word Or look, nor ever again in thought, except That I loved her once ... Farewell. Go on, high ship. IV My North is leafless and lies in a wintry slime Both of men and clouds, a slime of men in crowds. The men are moving as the water moves, This darkened water cloven by sullen swells Against your sides, then shoving and slithering, The darkness shattered, turbulent with foam. To be free again, to return to the violent mind That is their mind, these men, and that will bind Me round, carry me, misty deck, carry me To the cold, go on, high ship, go on, plunge on.
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44
The legere sacristy of pure love blazing Feline confluence across ethereal plains Arched angelic collusion of things sepulchral The arcane occidere travisty of Transmogrification canonized Darkling eminence ordained; The verity aura of radiance Twilights tidal blood- dye magenta, Germane sleek meagre wealth chiming lo!. Finitudes golden prayer draping flounded Brutality tithing the zenith with mealy Doer aptitude majestically turbulent Sacrificing thoriums weld feudal Of heavens deceitful soothsayers, Fellow djinn of Gotterdammerung Soli of vilest stoic jingoism. ELEETE J MUIR.
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Dec 16, 2012
Dec 16, 2012 at 7:07 AM UTC
The Web of Wyrd (Requiescant in Pace).
1038 Her little Parasol to lift And once to let it down Her whole Responsibility— To imitate be Mine. A Summer further I must wear, Content if Nature’s Drawer Present me from sepulchral Crease As blemishless, as Her.
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Her little Parasol to lift
V I lift my heavy heart up solemnly, As once Electra her sepulchral urn, And, looking in thine eyes, I overturn The ashes at thy feet. Behold and see What a great heap of grief lay hid in me, And how the red wild sparkles dimly burn Through the ashen grayness. If thy foot in scorn Could tread them out to darkness utterly, It might be well perhaps. But if instead Thou wait beside me for the wind to blow The gray dust up, . . . those laurels on thine head, O my Beloved, will not shield thee so, That none of all the fires shall scorch and shred The hair beneath. Stand farther off then! go.
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Sonnet 05 - I Lift My Heavy Heart Up Solemnly
I shall come back without fanfaronade Of wailing wind and graveyard panoply; But, trembling, slip from cool Eternity-- A mild and most bewildered little shade. I shall not make sepulchral midnight raid, But softly come where I had longed to be In April twilight's unsung melody, And I, not you, shall be the one afraid. Strange, that from lovely dreamings of the dead I shall come back to you, who hurt me most. You may not feel my hand upon your head, I'll be so new and inexpert a ghost. Perhaps you will not know that I am near-- And that will break my ghostly heart, my dear.
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I Shall Come Back
Tonight would not bridge Two ordinary days. Her idea would ignite His imagination and mould From the raw clay a vision Through the churning heavens. The ballet crafting their bodies Scene through scene, She whispers, He listens, They lay, as spoons often do. A last glance over The flowers and the candle, Out the window through The rain, wind, and thunder Lighting their creation’s sight. Chasing her through the forest, She lets him, almost catch her. Dancing themselves into vines In a canopy hidden from the wind’s Muffled thunder. There, in their haven lush, Ensnaring so deeply, too soon. And away he turns himself to stone. Twisting too tight around The indifferent mountainous statue, She snaps herself And by the time he’s felt it, Soft enough to turn and see- See another statue’s backside, Cold clay remolding into stone. He stretches himself thin to reach, Her sepulchral touch lays him out. She sits, straddles, stares him down, The lightning cracks behind her eyes, Splitting her stone heart Clean through flame, Incinerating their quiet canopy, Rising into the storm. Chasing her through the fire, She lets him, fan the flames. Two dancers' violent rhythm Raging with every touch, until A tear, or two, Undo the flames, Dropping with the rain all in everything, They fall, fall, fall Flooding down the mountain Rushing through the cracks Left behind in the stone, Flowing together a river Through the trees, out to sea. As two make one body their own, The currents churning through. A spiral sparks the children’s learning, The whirlpool to the maelstrom Surging their liquid body up The column that would This time reach the storm. The lightning cracks behind their smiles- Their love undoes gravity’s condensation. Drifting, Through the clouds, Stars, In each other’s arms, The ballet crafting their bodies, They lay, as spoons often do.
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Nov 5, 2013
Nov 5, 2013 at 2:09 AM UTC
What Lovers, Dancers, Dreamers
Tonight would not bridge Two ordinary days. Her idea would ignite His imagination and mould From the raw clay a vision Through the churning heavens. The ballet crafting their bodies Scene through scene, She whispers, He listens, They lay, as spoons often do. A last glance over The flowers and the candle, Out the window through The rain, wind, and thunder Lighting their creation’s sight. Chasing her through the forest, She lets him, almost catch her. Dancing themselves into vines In a canopy hidden from the wind’s Muffled thunder. There, in their haven lush, Ensnaring so deeply, too soon. And away he turns himself to stone. Twisting too tight around The indifferent mountainous statue, She snaps herself And by the time he’s felt it, Soft enough to turn and see- See another statue’s backside, Cold clay remolding into stone. He stretches himself thin to reach, Her sepulchral touch lays him out. She sits, straddles, stares him down, The lightning cracks behind her eyes, Splitting her stone heart Clean through flame, Incinerating their quiet canopy, Rising into the storm. Chasing her through the fire, She lets him, fan the flames. Two dancers' violent rhythm Raging with every touch, until A tear, or two, Undo the flames, Dropping with the rain all in everything, They fall, fall, fall Flooding down the mountain Rushing through the cracks Left behind in the stone, Flowing together a river Through the trees, out to sea. As two make one body their own, The currents churning through. A spiral sparks the children’s learning, The whirlpool to the maelstrom Surging their liquid body up The column that would This time reach the storm. The lightning cracks behind their smiles- Their love undoes gravity’s condensation. Drifting, Through the clouds, Stars, In each other’s arms, The ballet crafting their bodies, They lay, as spoons often do.
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67
how long must I walk in the ashes of my yesterday? charred carbon butterflies dancing past my tired eyes floating on what could be the last breaths of this tired world nothing but a fleeting sigh, nothing but a fading whisper. Ashes. the endless long lost steps the creaking weary bones one foot in front of the other I walk in Ashes. I look to the jagged teeth where earth meets the sky gnashing, grinding, grinning a sickly cheshire smile far and wide a newness, a nascence felt inside the illusion is slowly fading but yet I still walk in Ashes. like sepulchral confetti the blackened ash quietly collects whispering and licking at my ears a tragic choir in unison they sing 'one and one have become zero' in silence I grieve beneath a jet black sky on my broken knees never ending Ashes. will this ever end? rust covered, abandoned thoughts like swinging hammers comforted only by Ashes that sing me into nightmares of dying stars and black suns and nights that have killed the only Dawn I've ever known will the Ashes ever end? in all the desolation, in all the dereliction there is calm, a soothing shudder scrapes my skin a rising urgency deeply rooted beneath the I sweetly swaddled gently graced blanketed by Ashes. the roof of the world sunken, failing - utter frailty I am no telamon, I have no strength unable to bear the weight the weight of all the Ashes. in this comforting collapse at the bottom of my oubliette wings of splintered light emerge they glow like the light of dying cinders they glow like your iridescent halo they glow like the last light I will ever see.
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Apr 3, 2010
Apr 3, 2010 at 2:14 PM UTC
I Walk in Ashes
how long must I walk in the ashes of my yesterday? charred carbon butterflies dancing past my tired eyes floating on what could be the last breaths of this tired world nothing but a fleeting sigh, nothing but a fading whisper. Ashes. the endless long lost steps the creaking weary bones one foot in front of the other I walk in Ashes. I look to the jagged teeth where earth meets the sky gnashing, grinding, grinning a sickly cheshire smile far and wide a newness, a nascence felt inside the illusion is slowly fading but yet I still walk in Ashes. like sepulchral confetti the blackened ash quietly collects whispering and licking at my ears a tragic choir in unison they sing 'one and one have become zero' in silence I grieve beneath a jet black sky on my broken knees never ending Ashes. will this ever end? rust covered, abandoned thoughts like swinging hammers comforted only by Ashes that sing me into nightmares of dying stars and black suns and nights that have killed the only Dawn I've ever known will the Ashes ever end? in all the desolation, in all the dereliction there is calm, a soothing shudder scrapes my skin a rising urgency deeply rooted beneath the I sweetly swaddled gently graced blanketed by Ashes. the roof of the world sunken, failing - utter frailty I am no telamon, I have no strength unable to bear the weight the weight of all the Ashes. in this comforting collapse at the bottom of my oubliette wings of splintered light emerge they glow like the light of dying cinders they glow like your iridescent halo they glow like the last light I will ever see.
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48
the dregs of your spotted smiles somersaulted in an elegant arc fell in helpless array and landed nine planets away from my feet and something slightly old still feeds my anger at your impatience I forage through my grace to keep my tongue from spilling mess and my heart feels all squiggly as I sneeze my way to your mocking silence I gladly offer sweet indulgence while you openly despise my faults I forage through my fantasies, not wishing to appear so trivial lesions swell on the plastic head of revulsion let not depression eat at your sweet magical pulse still strongly beating in the sometimes sepulchral coffers of life scorn not the honey bee buzzing or the hummingbird flitting embrace the nuisance of calamity for it helps along the way to make vigorous the spirit to wedge a cardiac space in place of pillowcase full of stones where giants sleep in silent meadows across the land sensing no sharp slingshot from no nifty bottle legged creature and disappearing into the thicket would be the right time on a heavy back, a child carries a burden made of toxic crayons to melt away the awful prejudice of its forbears; undo the chains the bringer of rain stands alone in a puddle, or is it a lake? are YOU awake?
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Jan 22, 2014
Jan 22, 2014 at 1:40 PM UTC
pillowcase of stones
"Me too, perchance, in future days, The sculptured stone shall show, With Paphian myrtle or with bays Parnassian on my brow. But I, or e'er that season come, Escaped from every care, Shall reach my refuge in the tomb, And sleep securely there." So sang, in Roman tone and style, The youthful bard, ere long Ordained to grace his native isle With her sublimest song. Who then but must conceive disdain, Hearing the deed unblest, Of wretches who have dared profane His dread sepulchral rest? Ill fare the hands that heaved the stones Where Milton's ashes lay, That trembled not to grasp his bones And steal his dust away! O ill-requited bard! neglect Thy living worth repaid, And blind idolatrous respect As much affronts thee dead.
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On The Late Indecent Liberties Taken With The Remains Of Milton
you know when i first beheld the icy greyness of this giant sepulchral building a giantness of Empty a giantness of unrecognised surreal faces a giantness of being sorta kinda lost a giant lostness of slamming into glass doors hurriedly breaking out to a place i wanted to know when i first beheld that giantness i had never thought imagined felt conceived hell i had it all figured out in what i thought was a deep deep experience i had never thought it would be that crisp that quick the creepiness of mounting heartbeat pounding like a drumbeat rising out into the rosiness of dawn full of a wisdom of it's own experience that it would be that supple lifting me with effortlessness like a wave of adrenaline rush; gushing into my guts; breaking out like a furious river bent on flowing with the vastness of the ocean and the innocence of the sky i had never thought that is how you have a Crush.
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Dec 18, 2013
Dec 18, 2013 at 2:59 AM UTC
gushing crushing
The pillow’s creased, and coffee cold. Drops on the window, you seek console. I’m not there to comfort, or elucidate. We share a glance, although you may not know. All the time you were beside me. Continues to tomorrow and today. Dissolution and irreverence cloud you. But I beckon for a light to shine. Just know I miss you. You’re never absent in my mind. Dig yourself a hole, pitiful and abysmal. I can’t see you when you hide behind my sepulchral existence. I pine to see you alive once again. Life seems equivocal and anachronistic. Anger swoons. Please don’t tumble into rash being. I cannot stand to see you apathetic, not tending to your wounds. Someday you’ll find me. My eyes in another. Please let me hold you. I’ve come so far to be here to solace. Don’t question my new frame or figure. Just accept the love I trudged with vigor.
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Dec 5, 2021
Dec 5, 2021 at 11:07 PM UTC
Message From the Sepulcher
There is a war raging inside you. A secret genocide; an internal homicide; a battle you cannot win. Where are your allies? They have all left you as you spin further down the drain. They left you because you have left yourself. As you look into the mirror, you see a stranger; I see someone I once knew. I don’t know you and neither do you. All that is left is the shell of a man; sharper than glass, harder than diamond, absolutely sepulchral, and hollow to the core. I have touched you and the glass began to crack. And I can’t help but wonder if this was my fault; your downward spiral. It’s only a matter of time before you break and leave me to pick up the pieces. Is this really worth it?
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Oct 5, 2012
Oct 5, 2012 at 12:47 PM UTC
Ecstasy
my ghost, my ghost my darling ghost tonight, like most leaves only sorrow in the sepulchral depths of these quiet sheets my heart, my heart my foolish heart will stop, then start no matter how much I despise the sound of those steady beats my one, my one my only one like winter's sun slides deeper behind the clouds above -i must release my hope, my hope my endless hope cannot fade, though forced away for your peace my ache, my ache my lovely ache i cling to with a child's fearful grip unable to let go my ghost of hope, my aching heart my only one you have shown me who i must become and for you it will be so.
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Nov 11, 2013
Nov 11, 2013 at 3:36 AM UTC
Perdition
In those sad words I took farewell: Like echoes in sepulchral halls, As drop by drop the water falls In vaults and catacombs, they fell; And, falling, idly broke the peace Of hearts that beat from day to day, Half-conscious of their dying clay, And those cold crypts where they shall cease. The high Muse answer'd: 'Wherefore grieve Thy brethren with a fruitless tear? Abide a little longer here, And thou shalt take a nobler leave.'
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: Part 058
♪ ☠♫☃ Octosyllabic rhyme was killed. Her epitaph I chisel here… so face the book and feed your twit; while I the rhythmic record clear. The sad remains of Lyric Wit are here interred – no more to rise (lest poets’ brains be forced to think and plummet from post-modern skies). You  phonies scrolling Twitter-blink, and scribblers with advanced degrees look up, and hearken to these words while feigning your conceited ease. The academic gallows-birds reviewing chap-books, high on fluff make darker the sepulchral gloom – as if it wasn’t dark enough. The verdict’s in and all assume, as measured meaning leaves the court, he meant to **** her (Poetry). Life sentences are written short. The killer grinning artlessly in blank-verse handcuffs, void of rhyme, composes abstract lines, the dull memoirs of his poetic crime. The prosecution’s notes are full the case is made, the jury hears his guilt made evident, at least. The victim’s mother melts in tears He murdered her himself, the beast. then dumped her: a deflowered rose. His incoherent imagery dismembered her like slaughtered prose. She met her end lamentably; He did her in and cut her down thus shortening her metered day. (That free-verse wielding abstract clown!) Behold her grave – where grass turns hay as poets’ bones subside to dust; her soul with God to reconvene (or wander with bemused disgust). Her grave-site paints a pastoral scene, poetic fodder – life from death… and calves shall fatten near her tomb. Oh coward reader: take a breath !
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Sep 15, 2015
Sep 15, 2015 at 9:22 PM UTC
Octaves Off-Key
♪ ☠♫☃ Octosyllabic rhyme was killed. Her epitaph I chisel here… so face the book and feed your twit; while I the rhythmic record clear. The sad remains of Lyric Wit are here interred – no more to rise (lest poets’ brains be forced to think and plummet from post-modern skies). You  phonies scrolling Twitter-blink, and scribblers with advanced degrees look up, and hearken to these words while feigning your conceited ease. The academic gallows-birds reviewing chap-books, high on fluff make darker the sepulchral gloom – as if it wasn’t dark enough. The verdict’s in and all assume, as measured meaning leaves the court, he meant to **** her (Poetry). Life sentences are written short. The killer grinning artlessly in blank-verse handcuffs, void of rhyme, composes abstract lines, the dull memoirs of his poetic crime. The prosecution’s notes are full the case is made, the jury hears his guilt made evident, at least. The victim’s mother melts in tears He murdered her himself, the beast. then dumped her: a deflowered rose. His incoherent imagery dismembered her like slaughtered prose. She met her end lamentably; He did her in and cut her down thus shortening her metered day. (That free-verse wielding abstract clown!) Behold her grave – where grass turns hay as poets’ bones subside to dust; her soul with God to reconvene (or wander with bemused disgust). Her grave-site paints a pastoral scene, poetic fodder – life from death… and calves shall fatten near her tomb. Oh coward reader: take a breath !
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45
3/2/2015 “I woke up in the morning and I didn’t want anything, didn’t do anything, 
couldn’t do it anyway,
 just lay there listening to the blood rush through me and it never made 
any sense, anything.
 And I can’t eat, can’t sleep, can’t sit still or fix things and I wake up and I wake up and you’re still dead.” Richard Silken I wrote of vultures once, I'd found in the sepulchral little category of "poems I had burnt a while ago" that I kept in my brain. I spoke of predatorial lashings against the dead prairie dogs of her and I, class of 2005- add ten more years and... Contended May heat like the May-December romances in trope, I'd walk to bridges with notebook in sullied hand, a bit flushed, a bit healthy with the sun on my gold flakes shoulders If I had only known? Right? Haha. The grammar rules of english: you (I) is a proper noun- but of course, i refuse to give myself that much pomp. To be full of such vanity is to be full of treacly purity- which does not apply so much now. I had been given time to love you - until I didn't need you anymore, you said, then you'd leave- a sweetly sardonic little note, seeing as you hated the conjugal and impossible implications of "forever". I feel, now that you are gone, this is an imprisonment I am doomed to til atrophy... You are dead. Your corpse rots in the sun of the soil in the coffin and it is still cold outside. Everytime I leave the house I ask myself what I seriously am expecting from March. The heat, the permenance of your being gone makes me sit down on the cold snow,   My dullard heart sits with a bread knife wedged on a rib when I realize how utterly alone I am- so alone the vultures do not even circle.
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Mar 2, 2015
Mar 2, 2015 at 7:45 PM UTC
Love Letter To A Woman As Dead As A Doorknob
3/2/2015 “I woke up in the morning and I didn’t want anything, didn’t do anything, 
couldn’t do it anyway,
 just lay there listening to the blood rush through me and it never made 
any sense, anything.
 And I can’t eat, can’t sleep, can’t sit still or fix things and I wake up and I wake up and you’re still dead.” Richard Silken I wrote of vultures once, I'd found in the sepulchral little category of "poems I had burnt a while ago" that I kept in my brain. I spoke of predatorial lashings against the dead prairie dogs of her and I, class of 2005- add ten more years and... Contended May heat like the May-December romances in trope, I'd walk to bridges with notebook in sullied hand, a bit flushed, a bit healthy with the sun on my gold flakes shoulders If I had only known? Right? Haha. The grammar rules of english: you (I) is a proper noun- but of course, i refuse to give myself that much pomp. To be full of such vanity is to be full of treacly purity- which does not apply so much now. I had been given time to love you - until I didn't need you anymore, you said, then you'd leave- a sweetly sardonic little note, seeing as you hated the conjugal and impossible implications of "forever". I feel, now that you are gone, this is an imprisonment I am doomed to til atrophy... You are dead. Your corpse rots in the sun of the soil in the coffin and it is still cold outside. Everytime I leave the house I ask myself what I seriously am expecting from March. The heat, the permenance of your being gone makes me sit down on the cold snow,   My dullard heart sits with a bread knife wedged on a rib when I realize how utterly alone I am- so alone the vultures do not even circle.
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8
I left my pitter patting feet at the door He said I can feel the heat from a total lunar eclipse! Maybe that's my overactive imagination or the way we can run away from each other. But no. In my dreams, crispy crispy benjiman franklin flips hot dogs and street corners aren't so sepulchral Your life may be just as worth saving as your dollars.
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Feb 19, 2010
Feb 19, 2010 at 9:15 PM UTC
Your Bank Account
630 The Lightning playeth—all the while— But when He singeth—then— Ourselves are conscious He exist— And we approach Him—stern— With Insulators—and a Glove— Whose short—sepulchral Bass Alarms us—tho’ His Yellow feet May pass—and counterpass— Upon the Ropes—above our Head— Continual—with the News— Nor We so much as check our speech— Nor stop to cross Ourselves—
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The Lightning playeth—all the while
Octosyllabic rhyme was killed. Her epitaph I chisel here… so face the book and feed your twit; while I the rhythmic record clear. The sad remains of Lyric Wit are here interred—no more to rise (lest poets’ brains be forced to think and plummet from post-modern skies). You phonies scrolling Twitter-blink and scribblers with advanced degrees look up, and hearken to these words while feigning your conceited ease. The academic gallows-birds reviewing chap-books, high on fluff make darker the sepulchral gloom— as if it wasn’t dark enough. The verdict’s in and all assume, as measured meaning leaves the court, he meant to **** her (Poetry). Life sentences are written short. The killer, grinning artlessly in blank-verse handcuffs, void of rhyme, composes abstract lines: the dull memoirs of his poetic crime. The prosecution’s notes are full the case is made, the jury hears his guilt made evident, at least. The victim’s mother melts in tears He murdered her himself, the beast. then dumped her: a deflowered rose. His incoherent imagery dismembered her like slaughtered prose. She met her end lamentably; He did her in and cut her down thus shortening her metered day. (murderous, evil, free-verse clown!) Behold her grave—where grass turns hay as poets’ bones subside to dust; her soul with God to reconvene (or wander in bemused disgust). Her grave-site paints a pastoral scene, poetic fodder: life from death… and calves shall fatten near her tomb. Oh coward reader: take a breath !
0
Apr 3, 2016
Apr 3, 2016 at 10:47 PM UTC
♪ Octaves Off-Key ♫
Octosyllabic rhyme was killed. Her epitaph I chisel here… so face the book and feed your twit; while I the rhythmic record clear. The sad remains of Lyric Wit are here interred—no more to rise (lest poets’ brains be forced to think and plummet from post-modern skies). You phonies scrolling Twitter-blink and scribblers with advanced degrees look up, and hearken to these words while feigning your conceited ease. The academic gallows-birds reviewing chap-books, high on fluff make darker the sepulchral gloom— as if it wasn’t dark enough. The verdict’s in and all assume, as measured meaning leaves the court, he meant to **** her (Poetry). Life sentences are written short. The killer, grinning artlessly in blank-verse handcuffs, void of rhyme, composes abstract lines: the dull memoirs of his poetic crime. The prosecution’s notes are full the case is made, the jury hears his guilt made evident, at least. The victim’s mother melts in tears He murdered her himself, the beast. then dumped her: a deflowered rose. His incoherent imagery dismembered her like slaughtered prose. She met her end lamentably; He did her in and cut her down thus shortening her metered day. (murderous, evil, free-verse clown!) Behold her grave—where grass turns hay as poets’ bones subside to dust; her soul with God to reconvene (or wander in bemused disgust). Her grave-site paints a pastoral scene, poetic fodder: life from death… and calves shall fatten near her tomb. Oh coward reader: take a breath !
Continue reading...
44
sensation of sepulchral chasm inside my chest threatening to devour me from inside out knowledge is power, they say but this I don't want to know too late! the genie is out of the bottle never to return knowing can't be unknown I turn to dust inside I'm done
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Feb 2, 2012
Feb 2, 2012 at 10:47 AM UTC
awareness
Horror of horrors!   Dark lady,  it’s you again Abbess of shadow and sinister sprite. Pray show me, sweet Nelida, how to express myself: Passion?   Pure malice?    Or ****** by fright… You opened the dungeons where dreams slept desireless Vanquished my sleep of misogynist night. A sepulchral shudder enlivens my being: Liquescent infernoes of Gothic delight. Elevation celestial or depths of despair – No middle to stand on beholding your visage The firmament drops as I swing in the air. In this fall, or this orbit, show mercy, bright maiden Nor quench solar fires with lunar disdain. Eclipsing at zenith, you blacken my brain.
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Feb 14, 2016
Feb 14, 2016 at 8:01 PM UTC
♥ V.D. 666 ♥