"seaward" poems
Ay, this is freedom!--these pure skies
Were never stained with village smoke:
The fragrant wind, that through them flies,
Is breathed from wastes by plough unbroke.
Here, with my rifle and my steed,
And her who left the world for me,
I plant me, where the red deer feed
In the green desert--and am free.
For here the fair savannas know
No barriers in the bloomy grass;
Wherever breeze of heaven may blow,
Or beam of heaven may glance, I pass.
In pastures, measureless as air,
The bison is my noble game;
The bounding elk, whose antlers tear
The branches, falls before my aim.
Mine are the river-fowl that scream
From the long stripe of waving sedge;
The bear that marks my weapon's gleam,
Hides vainly in the forest's edge;
In vain the she-wolf stands at bay;
The brinded catamount, that lies
High in the boughs to watch his prey,
Even in the act of springing, dies.
With what free growth the elm and plane
Fling their huge arms across my way,
Gray, old, and cumbered with a train
Of vines, as huge, and old, and gray!
Free stray the lucid streams, and find
No taint in these fresh lawns and shades;
Free spring the flowers that scent the wind
Where never scythe has swept the glades.
Alone the Fire, when frost-winds sere
The heavy herbage of the ground,
Gathers his annual harvest here,
With roaring like the battle's sound,
And hurrying flames that sweep the plain,
And smoke-streams gushing up the sky:
I meet the flames with flames again,
And at my door they cower and die.
Here, from dim woods, the aged past
Speaks solemnly; and I behold
The boundless future in the vast
And lonely river, seaward rolled.
Who feeds its founts with rain and dew;
Who moves, I ask, its gliding mass,
And trains the bordering vines, whose blue
Bright clusters tempt me as I pass?
Broad are these streams--my steed obeys,
Plunges, and bears me through the tide.
Wide are these woods--I thread the maze
Of giant stems, nor ask a guide.
I hunt till day's last glimmer dies
O'er woody vale and grassy height;
And kind the voice and glad the eyes
That welcome my return at night.
4.9k
1
Grey sky greyer sea
a litter of rocks balance
coat bright hat blue mittens striped
as on these November steps
you collect the gifts of the ebb tide
2
Glint green this living tapestry echoes
Jilly’s field with tractor not Devon
but salt-flats rocky revetments moorland rising
a map crossed by a chiromatic line
our destiny marked out on this concrete wall?
3
Beached clinkered double-ender
a bay-courser sjekte strand-crunched
fit once for Viking raiders two abreast
now daubed with tin ends of patriotic paint
a sea-steed hobbled hard on the shore
4
Bow faced a sea helmet thrice rope strapped
slow moulded over the boat builder’s ribbanded jig
a spanglehelm of wood
curved sheer straked plank bilged a tuck stern
raising its proud head seaward
5
Viewed from the air a map rolls out
north to the tilted curve of the horizon’s rim
cloud scattered mountained red
betwixt seas sun chalked wine-stained a volcanic isthmus
provokes desert the western waste land of a brooding city
6
Oh face of ropes knot eyed!
you blue cheeked wide smiler
wild wild your head of hair
beachcombed and splayed
wrapped on the sternest post
7
She sewed sugar kelp on the sea shore
a sporophyte with sheltered frond
strap-like stem stiff and smooth
of the species saccharina a spring-tide
stalk set among substrates shells and stones
8
I the camera turned and caressed
by her slight fingers (the pinky raised)
my viewfinder close to her blue grey eye / I
focus on this kelp-needled novelty feel her breath
wait for the thumb press the electronic click
9
Here is the beach walked in darkness
the fishermen shadows against the moonstruck ebb
fingers laced the sea’s breath in our ears
wave upon wave un-folding on the sand and later
we unfold then draw back in love’s relentlessness
Sep 15, 2012
Sep 15, 2012 at 4:09 AM UTC
Out seaward to the horizon I see Forgiving hills where lessons fade,
Projections of my desirous plea
Patiently await their farewell to bade,
Look now for at their peak the sun is setting,
With an orange hue caressed blue sky,
And white clouded streaks like thought forgetting,
Senses renewed—our demons die.
Can you see that place where intrigue resides,
Beyond those hills ‘neath the sky turned red?
For there the heaven and earth collides,
Pervading all hope in our angels stead.
Nov 16, 2018
Nov 16, 2018 at 7:28 AM UTC
Tra-la-la-la-la-la-laire—nil nisi divinum stabile
est; caetera fumus—the gondola stopped, the old
palace was there, how charming its grey and pink—
goats and monkeys, with such hair too!—so the
countess passed on until she came through the
little park, where Niobe presented her with a
cabinet, and so departed.
Burbank crossed a little bridge
Descending at a small hotel;
Princess Volupine arrived,
They were together, and he fell.
Defunctive music under sea
Passed seaward with the passing bell
Slowly: the God Hercules
Had left him, that had loved him well.
The horses, under the axletree
Beat up the dawn from Istria
With even feet. Her shuttered barge
Burned on the water all the day.
But this or such was Bleistein’s way:
A saggy bending of the knees
And elbows, with the palms turned out,
Chicago Semite Viennese.
A lustreless protrusive eye
Stares from the protozoic slime
At a perspective of Canaletto.
The smoky candle end of time
Declines. On the Rialto once.
The rats are underneath the piles.
The jew is underneath the lot.
Money in furs. The boatman smiles,
Princess Volupine extends
A meagre, blue-nailed, phthisic hand
To climb the waterstair. Lights, lights,
She entertains Sir Ferdinand
Klein. Who clipped the lion’s wings
And flea’d his **** and pared his claws?
Thought Burbank, meditating on
Time’s ruins, and the seven laws.
3.2k
That day we came
and having come
lapped at by perfumed light
at once separated.
We bathed in the pool
the water like crystal
in the sunset
our limbs like glass.
On the bank
in the hot conjoined air
we made love again
our sweat
like silver in the moonlight.
the water's suppurating flow
drew our limbs
like flotsam in the reeds
grappling glistering lilies
as we floated in slow, ********
currents.
along the bank, the Camphor
shades the forest flowers
through the long-leaved grass
the python slinks
We leave for home
darkened by the sun..........
tongues digging into melons,
pomegranates laid out
neatly for dessert
******* out the Rambutan-
once the hairy skin is peeled-
fiery, red
the soft core sweeter than coitus-
and stays longer in our thoughts.
is this where the dreams are,
or where the dreaming begins,
between the first caress
and the final gasp of satisfaction?
Where the threshing limbs
devour the sun-shredded wheat
and the panting ribbons of air
swallow the final sigh-
the sleek river flowing
seaward, ocean marshalling
the land,
coral languishing in green pools
of broken light.
Here, within this infused beauty,
********** has power
beyond the weather-bound senses
of our northern homes,
encased in dull precipitation
sunshine a blunted knife
beyond the pot-shaped mountains
high above the trees
like a tear emerging from the sky
drops the waterfall
its descent
languid, its fall sharp and effortless;
tinged with azure, carefully sprinkled flakes
it spreads out like a clear, chiming puddle.
There we spread ourselves
naked in the sunlight
the sea's rumbling noise
distant and fumbling-
spreading its curling claws
into the slyly forming sunset
in reiterated rhythms
like beating hearts
like lungs-
the carefully manufactured beats
blending.
Mar 20, 2016
Mar 20, 2016 at 10:28 PM UTC
It is true that the rivers went nosing like swine,
Tugging at banks, until they seemed
Bland belly-sounds in somnolent troughs,
That the air was heavy with the breath of these swine,
The breath of turgid summer, and
Heavy with thunder's rattapallax,
That the man who erected this cabin, planted
This field, and tended it awhile,
Knew not the quirks of imagery,
That the hours of his indolent, arid days,
Grotesque with this nosing in banks,
This somnolence and rattapallax,
Seemed to suckle themselves on his arid being,
As the swine-like rivers suckled themselves
While they went seaward to the sea-mouths.
3k
'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.'
'What were they? Mermaids? dragons? ghosts?'
'Nothing at all of any things like that.'
'What were they, then?'
'All sorts of queer things,
Things never seen or heard or written about,
Very strange, un-Welsh, utterly peculiar
Things. Oh, solid enough they seemed to touch,
Had anyone dared it. Marvellous creation,
All various shapes and sizes, and no sizes,
All new, each perfectly unlike his neighbour,
Though all came moving slowly out together.'
'Describe just one of them.'
'I am unable.'
'What were their colours?'
'Mostly nameless colours,
Colours you'd like to see; but one was puce
Or perhaps more like crimson, but not purplish.
Some had no colour.'
'Tell me, had they legs?'
'Not a leg or foot among them that I saw.'
'But did these things come out in any order?'
What o'clock was it? What was the day of the week?
Who else was present? How was the weather?'
'I was coming to that. It was half-past three
On Easter Tuesday last. The sun was shining.
The Harlech Silver Band played Marchog Jesu
On thrity-seven shimmering instruments
Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth,
Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,
Were all assembled. Criccieth's mayor addressed them
First in good Welsh and then in fluent English,
Twisting his fingers in his chain of office,
Welcoming the things. They came out on the sand,
Not keeping time to the band, moving seaward
Silently at a snail's pace. But at last
The most odd, indescribable thing of all
Which hardly one man there could see for wonder
Did something recognizably a something.'
'Well, what?'
'It made a noise.'
'A frightening noise?'
'No, no.'
'A musical noise? A noise of scuffling?'
'No, but a very loud, respectable noise ---
Like groaning to oneself on Sunday morning
In Chapel, close before the second psalm.'
'What did the mayor do?'
'I was coming to that.'
2.8k
Sung at the Completion of the Concord Monument,
April 19th, 1836
By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream that seaward creeps.
On this green bank, by this soft stream,
We set today a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.
Spirit, that made those heroes dare
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee.
2.6k
Gone is the long, long winter night;
Look, my beloved one!
How glorious, through his depths of light,
Rolls the majestic sun!
The willows, waked from winter's death,
Give out a fragrance like thy breath--
The summer is begun!
Ay, 'tis the long bright summer day:
Hark, to that mighty crash!
The loosened ice-ridge breaks away--
The smitten waters flash.
Seaward the glittering mountain rides,
While, down its green translucent sides,
The foamy torrents dash.
See, love, my boat is moored for thee,
By ocean's weedy floor--
The petrel does not skim the sea
More swiftly than my oar.
We'll go, where, on the rocky isles,
Her eggs the screaming sea-fowl piles
Beside the pebbly shore.
Or, bide thou where the poppy blows,
With wind-flowers frail and fair,
While I, upon his isle of snows,
Seek and defy the bear.
Fierce though he be, and huge of frame,
This arm his savage strength shall tame,
And drag him from his lair.
When crimson sky and flamy cloud
Bespeak the summer o'er,
And the dead valleys wear a shroud
Of snows that melt no more,
I'll build of ice thy winter home,
With glistening walls and glassy dome,
And spread with skins the floor.
The white fox by thy couch shall play;
And, from the frozen skies,
The meteors of a mimic day
Shall flash upon thine eyes.
And I--for such thy vow--meanwhile
Shall hear thy voice and see thy smile,
Till that long midnight flies.
2.6k
Wide, grey waters rolling in
Invisibly it flows
Like a spreading carpet over mud
Inexorably it grows.
Created by a lunar force
And global winds at play,
Twice each day the tides do surge
To crest and flow away.
Twice each day the tide rolls in
To cover shoals of sands
And beds of oysters, muddy brown
With squirting water glands.
And twice each day the seabirds flock
To alight on draining shores
To harvest succulents and *****
And other tasty mores.
Oyster pickers congregate
In flocks of white and black
Red beaks plunging deeply
In green pastures for a snack.
Amazingly, they all take flight
A thousand beating wings
Which heel about collectively
Inking out all skyward things.
A thousand, million wavelets play
Across the level span
Pursued by wind’s relentless glove
In a patterned, surging plan.
And each reflects a kiss of light,
Each wavelet in the run
Collectively illuminate
Like diamonds in the sun.
Above the waves the seagulls ply
In corridors of air
In squadron flights of symmetry
To weave and wheel with flair,
Their raucous calls at distance
The poetry of sound,
In tidal terms, a symphony
Of seaward things profound.
The haze at the horizon
Of salt spray in the air,
White ,crunchy shells on beaches,
Pohutukawa’s everywhere.
A feeling of things tidal
In a lazy, salty way,
And enjoying the quiet beauty
Of this lovely, coastal bay.
Marshalg
@ the Gate
Mangere Bridge
4th March 2009
Nov 27, 2009
Nov 27, 2009 at 2:20 PM UTC
The winding drive along the sea
I took so many times
to steal away from anarchy
to pacify my mind
The city sirens come undone
before the ocean spray
then down the hill to U.S. 1
and thus begins the day
The Pier receding to the South
Will Rogers to the North
Topanga is the turn we seek
as we are going forth
The starkness of the hills and pines
the rivulet below
as Westward the Pacific shines
beneath the morning glow
The twists and turns I still recall
though roads are better now
no unpaved sections left at all
nor farmland for a cow
No Austin Mini Union Jack
the landmarks too have changed
and I so lost since coming back
I almost feel deranged
The Health Food Store with hitching post
the horses canter past
the countryside I love the most
and visit now at last
But on Mulholland Highway there
surprises lie in wait
there’s razor wire on the fence
and horses at the gate
As giant dishes aiming deep
into a mountain wall
so Orwell’s promise do we keep
applying it to all
But I remember still the day
the hillside turned to fire
the way to turn had burned away
the sky was black with ire
And in a wide spot in the road
in reverence did we stand
a fox, a hare, my dog and I
all watched the burning land
Can nothing make us feel as small
as fire pure and cruel?
to know it as a cunning foe -
to know we’re naught but fuel
But through the smoke a fire truck
led us down on Kanan Dume
toward the cleaner seaward air
away from certain doom
And all at once the trial was o'er
for we had reached the sea
as once Carrillo had before
and now my dog and me
We pass the house of river stone
Moonshadow’s Restaurant
and even Tidepool Gallery
for years my favorite haunt
And back to Santa Monica
on PCH we drive
admiring still the beauty
yet more thankful we’re alive
The winding drive along the sea
I took so many times
to steal away from anarchy
to pacify my mind
Sep 16, 2015
Sep 16, 2015 at 10:12 PM UTC
living a charmed existence in the
shade of the seaward palm tree
but a telltale whisperer in hearts depth
sends doubters and scaremongers
like skulking figure's into the late day shadows
something darkly this way comes
some nameless faceless thing stalks this heartland of light
few pondered the night
few thought about what lay out there in the deep
brazen the lighthouse keeper
stokes the fires and keeps the lamps burning
no rumor of night will lay darkness at this door
no faint echo of footfall shall haunt this hour
again and again the lighthouse keeper
treads the midnight cold path of stones
along the seawall checking that all is well
raising his lantern and peering with old eyes
at the crazed cracks in the ancient wall
but none gave sign of weakness
none gave sign of peril
far out in the deep of the wider world
for the love of money and the greed of gasoline
something set in motion
some terrible beast of steel
and just as the moon set
in the final hour before dawn it came
heaving and rattling with such horrendous sounds
with bone rattling force laid its terrible hand on the seawall
and smashed the stones like it was no more than sand castle
this terrible thing so darkly come
unforgiven of wretched creature misguided soul
come to harvest the land of light
breathed with heavy burnt oil
breathed with mechanical labors
pulling its weight onto the shore
toppled the lighthouse extinguishing its light
darkness fell upon the scene
and with dreadful night returned once again to this shore
the seaward palm tree wither and die
no charmed place safe
from savage of dark
morning light never to return
in the shade of metal and oil fires night
the savage of darkness
May 4, 2014
May 4, 2014 at 9:10 PM UTC
ONE time he dreamed beside a sea
That laid a mane of mimic stars
In fondling quiet on the knee
Of one tall, pearlèd cliff; the bars
Of golden beaches upward swept;
Pine-scented shadows seaward crept.
The full moon swung her ripened sphere
As from a vine; and clouds, as small
As vine leaves in the opening year,
Kissed the large circle of her ball.
The stars gleamed thro' them as one sees
Thor' vine leaves drift the golden bees.
He dreamed beside this purple sea;
Low sang its trancéd voice, and he-
He knew not if the wordless strain
Made prophecy of joy or pain;
He only knew far stretched that sea,
He knew its name-Eternity.
A shallop with a rainbow sail
On the bright pulses of the tide
Throbbed airily; a fluting gale
Kissed the rich gilding of its side;
By chain of rose and myrtle fast
A light sail touched the slender mast.
'A flower-bright rainbow thing,' he said
To one beside him, 'far too frail
To brave dark storms that lurk ahead,
To dare sharp talons of the gale.
Beloved, thou wouldst not forth with me
In such a bark on such a sea?'
'First tell me of its name.' She bent
Her eyes divine and innocent
On his. He raised his hand above
Its prow and answering swore, ''Tis Love!'
'Now tell,' she asked, 'how is it build-
Of gold, or worthless timber gilt?'
'Of gold,' he said. 'Whence named?' asked she,
The roses of her lips apart;
She paused-a lily by the sea.
Came his swift answer, 'From my heart!'
She laid her light palm in his hand:
'Let loose the shallop from the strand!'
2.2k
Take
me
away
with
a
well
tuned tale
of
tiny twigs twitching
to the
sweet, soothing sounds
of
swaying songbirds set seaward
to
shores
that
reach rocks rolled
upward
and
under undying undertones
of
washed, wayward welks woven with
the
wind
and
waves whispering water's ways
to the tune
of
twitching twigs
and the
sweet, soothing sounds
of
songbirds
taking
me
away
with
a
well
tuned tale.
Dec 20, 2014
Dec 20, 2014 at 4:26 PM UTC
For Basil@Egmont
Old school hotelier, conservationist, mountain man.
Festooning drapes of weeping moss
Hang damply from the trees
Cascading lengths of dripping fern
Bring wetness to your knees
The clutching boughs of gnarled branch
The olive greens and damp
The winding path meanders up
This mountain's rocky ramp
Grey boulders in the river bed
The rush of torrents fast,
The song of falling waters
Plummeting into the past.
The flash of brilliant plumage
A blue kingfisher in a dive
And the tragic death of this field mouse
Means other creatures stay alive.
The mammoth mountain hangs above
The snow is clean and white
The cornice shadow aqua blue
Ridge ice is sunlight bright
The summit wind is blowing hard
The snow is curling round
To recreate a billowed crown
Atop that seaward mound.
A dancing *** is eyeing me,
Impossibly it clings
Inverted from a totara trunk
With rapid flitting wings.
Exploding from it's hiding place
A ponderous pigeon *****
And weaves it's way between the boughs
With noisy wing tip slaps
The magic of this secret place
Is the drama in the air,
The solitude of teeming life
In green-ness everywhere.
The hardness of the freezing night
The harshness of the wind,
The grandeur of it's wilderness
Paints splendor as it's sin.
Taranaki's goblin forest
Is resplendent in it's garb
Of emerald green and turquois-ness
And rugged rocks and shard,
Cascading rivers, waterfalls
In sweeping walls of trees
Where pools of still transparency
Bring you breathless to your knees.
Where Egmont's goblin forest
Will make your spirits sing
And the urge to climb another mile
Will reward you with something
You had not bargained for in visiting
This remote and splendid place,
......It will reward you with a warm,
And knowing smile upon your face.
Marshalg
Dawson Falls Romantic Hotel
Mt. Taranaki
15th September 2008
Dec 10, 2009
Dec 10, 2009 at 8:28 PM UTC
Cast your wishes to the wind
Launch your desires to the sea
Throw your emotions to the ocean
Set your most intimate aspects free
Most of all, leave your secrets safe from me
Baby, I'm an anchor
rusted steel exposed to the seaward breeze
aching to race from the sun to the darkest depths
pulling you under in my selfish plummet
there's no escaping the salty abyss I'm rushing towards
You see the bottom suits me, beautifully
perhaps for the bottom is nothing new to me
dwelling out of touch from the sun's rays
never yearning for the warmth of another to rouse me from the darkness
for perhaps the bottom was always meant to be home
rusted steel set perfectly in the moondust sand of an ocean's farthest depths
so cast your wishes to the wind, never tied to the chains linked to me
Baby, I'm an anchor
I was never meant to be
soaring in the winds, together with you set free...
Oct 18, 2013
Oct 18, 2013 at 7:30 PM UTC
Cabana, cheese and mustard sauce
Do grace the tablecloth,
White puffy clouds and warm south breeze
And joy in chilled beer's froth.
Hot sun doth bake these stony walls
Sweet mandolins do play,
And the pigeons peck at breadcrumbs caste.
And all fares well today.
Young darting men on Vespa's
Ply their arrogant good looks,
And those stunning senoritas
Strut their stuff while momma cooks.
Monsignors in scarlet robes
Do scurry through the town
Dispensing Catholic action
To any soul who is around.
Madonna's guard the roadside shrines
Where hot seal winds aloft
Toward the craggy mountain pass
And pastured alpine croft.
The peasant woman bends her spine
Trudging forth with strain,
Wood ******* piled upon her back,
Up hillward bound with pain.
Old men sit and ruminate
And watch the young girls pass,
Whilst nursing dark retsina
In an opaque thimble glass.
The olive trees look stately
In their crooked ancient way,
And cast a darkened shadow
Where the roosting chicken's lay.
And out across the mounded hills
The patchwork quilt of farm
And out beyond that deep azure
Of Italian coastal charm.
Seaward to horizon
The aqua blue intense
Extends as far as eye can see
Mediterranean immense.
Marshalg
@theBach
Mangere Bridge
23 January 2010
Jan 23, 2010
Jan 23, 2010 at 2:30 AM UTC
These old doors,
sullen as spinsters.
Wharves, deckhands, the old chopping block:
flights of time misremembered in a
backward gaze.
Toes in water.
Hooks to fish.
The sea salty.
How shall I count the ways...
lost among the waves.
But look, afar, the old man on his boat!
Is he Charon come to point the way to
the seaward lost; or has he come to
sequester memory to some far shore?
(Maybe he's a schmuck with a paddle!)
Seagulls, feathers, the brine:
all groan with this wood.
In this wood was the line
that snatched life from the water
(the fish, the scales—they shine)
and flopped on the deck,
heterocercal.
The evening closes on this vista but
not the charades of time.
Oct 8, 2013
Oct 8, 2013 at 3:20 PM UTC
I
Tired
the long road ends
by a sea wall
The engine dies
to cries of estuary birds
to halyards’ **** and tinge
A lake of light set in night’s cloudscape
brims over the western marshland
to seaward a dense darkness
On the ferry’s step
ear close to the brown water
a part-song sings the ebb tide’s flow
II
Threading into the marshland
a braid of cloud-reflected water
of oval sedge and common reed
In amongst the brown canes perspective vanishes
only by mind’s foreshortening or body’s levitation
is there sight beyond the creeping rootstock
By the river path a leaf
pearled with glazed dew glistening
dew grabbing the photographic eye
Standing backs to the horizon
a sculpted triad of bronzed ancestors
watch over the summer rites of music
III
This ****** field
moves clamorously under the feet
waiting waiting for the sea’s kiss
Proud-coloured the boats here
resting poised on railway sleepers
beside their tractored guardians
How to know which way to turn
which view to hold for memory’s stamp
this patient sky this slow exhaling sea
This foreground flow of white-grey-brown pebbles
each sensibly-sized for the hand in the pocket
yet substantially-singular on the window’s sill
Dec 30, 2012
Dec 30, 2012 at 4:12 AM UTC
muse,
*she/her has no master, only a mastery;
she, comes compulsing, a physical pounding,
a throbbing impervious resistant to logic or medicine,
which is the so very ever, the peculiar throbbing
of a principled particular “present participle,”*
*write of compulsing is her mocking suggestion.*
*a presence, punishing urging, pas de choix, obey,
submission; write freely but not free, compose or
decompose; is there a difference, no, not, and so ordered,
demand surrendered, how? how? this taking and giving,
can a single act dichotomy be so fulfilling and so emptying?*
<>
wake daily to water canvas, the waves, dabs of paint
protruding, irritating. provoking yet presented silenced,
repetitiously calming, motioned framed within the
white edged sand, the bound-surround of the living painting.
eyes alight, eyes delight, this daily emergence unto
a tapestry devoid of human interference suggests
a differentiating reality; now I understand the how of a
world’s imperfections constituting, tooting its own perfectionism.
this is not lake water; no single flat stone skipping nor
a concentric rippling to a slow death; this is seaward-
bound, an oceans subservient tributary, contributory,
a river, bay, sound - precursors to a vast atlantic infinity.
this is metaphor; this a still life of the perpetuation metamorphosis.
<>
*the muse exhales; as do I subsequently; what difference?
none, she replies to herself, tween painting artist and
verbalizing poet, the un-still life creation, always, always,
different, the essence of diversity in a singularity sameness*
7:13 AM Thu Jul 29
2021
S. I. Sound
Jul 29, 2021
Jul 29, 2021 at 7:59 AM UTC
Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.
His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.
His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o’er the main.
Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,
Then, alas! the land-wind failed.
Alas! the land-wind failed,
And ice-cold grew the night;
And nevermore, on sea or shore,
Should Sir Humphrey see the light.
He sat upon the deck,
The Book was in his hand;
“Do not fear! Heaven is as near,”
He said, “by water as by land!”
In the first watch of the night,
Without a signal’s sound,
Out of the sea, mysteriously,
The fleet of Death rose all around.
The moon and the evening star
Were hanging in the shrouds;
Every mast, as it passed,
Seemed to rake the passing clouds.
They grappled with their prize,
At midnight black and cold!
As of a rock was the shock;
Heavily the ground-swell rolled.
Southward through day and dark,
They drift in cold embrace,
With mist and rain, o’er the open main;
Yet there seems no change of place.
Southward, forever southward,
They drift through dark and day;
And like a dream, in the Gulf-Stream
Sinking, vanish all away.
1.7k
The year of Eighteen Sixty Five
Lincoln, shot and dead
The war was all but over
Destruction in it's stead
Blue and Grey divided
A nation great and strong
Was there ever a true winner?
So much of this was wrong
Brothers against brothers
Tearing families apart
It was a war with different issues
At Fort Sumter did it start
Slaves were not the forefront
When the war became a war
It was a war to stop secession
Then it became so much more
Johnny Reb comes marching home
Not the home that he once knew
It was now a state of new rebuilding
There was no more Grey, just Blue
Did it truly make the country
Unified under one flag?
Or did it become so much more splintered
Under a torn and tattered rag?
A President was murdered
But, the war, continued on
The ties that once did bind them
Were now just truly gone
The beauty of the country
Burned on Shermans' seaward trek
Left the Southern states demolished
And the plantations, just a wreck
The slaves were granted freedom
Through Emancipation at the end
But, in the south, it never happened
The landowners had to bend
Although the war was over
Slaves were free men after all
But, with nowhere left to go to
It was like a game without a ball
Many stayed and cropshared
Worked the same land as before
Now, they worked the land as freemen
Nothing less, and nothing more
Brothers still divided
Blue and Grey deep in their souls
Almost eight score years have passed
And the nation is still not whole
Grant and Lee at Appomatox
Ended the war and sent men on their way
But, it took days for the message to be heard and
Many more died in those days
Three Quarters of a Million
Lost their lives, in this young nation
One thing never altered
The place of a man's station
It split apart the country
Broke it down, to build anew
But, did it really matter
Now, with Johnny Reb in Blue?
Jan 18, 2013
Jan 18, 2013 at 8:33 PM UTC
I meditate upon shore of thoughts;
washing over my countenance, caressing
my soul.
as he forms verses in syllabic count, fore, his voice
ebbs in tidal waves, teasing with submissions of
cognitive chains of thought; where bated breath
pounds against my peninsula
open to laps in hunger, tasting passions complaisancy;
each rush, mouthed in a sauntering flow; touched
in currents of his thoughts; I absorb bittersweet brine
as there's no lack of verbiage, threatening consumption
of uttered articles of enticement
like driftwood floating; his words glide as tides drag
mind, to and fro with each affluxion, I acquaint
thoughts in odes
his sung ballads brush against me like seaward
breezes and I consume his melody in swelled seas
of delicacy
in harmony and bouyancy of song; I surrender
within his thoughts, relishing serenity; upon his
island of passion, wrapped within his poetry in thought
Feb 19, 2013
Feb 19, 2013 at 12:49 PM UTC
The wan sun westers, faint and slow;
The eastern distance glimmers gray;
An eerie haze comes creeping low
Across the little, lonely bay;
And from the sky-line far away
About the quiet heaven are spread
Mysterious hints of dying day,
Thin, delicate dreams of green and red.
And weak, reluctant surges lap
And rustle round and down the strand.
No other sound . . . If it should hap,
The ship that sails from fairy-land!
The silken shrouds with spells are manned,
The hull is magically scrolled,
The squat mast lives, and in the sand
The gold prow-griffin claws a hold.
It steals to seaward silently;
Strange fish-folk follow thro' the gloom;
Great wings flap overhead; I see
The Castle of the Drowsy Doom
Vague thro' the changeless twilight loom,
Enchanted, hushed. And ever there
She slumbers in eternal bloom,
Her cushions hid with golden hair.
1.4k
That time in summer's red, the hilly sands I climbed
willow grass woven white with yarrow, fragrantly entwined
my eyes softened in sea drift's tide, of puddled shallows
ocean sang in rising waves, wild sea kelp tangled
sun slept scarce hours, it's shining seaward beams
that only leave as the final silhouette
vanishes into night's dream
Aug 14, 2012
Aug 14, 2012 at 10:30 AM UTC