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"sculpts" poems
son spreads knee blood into ******* &/or sidewalk chalk. mixes reds to pinks with head cracking asphalt. of god & country. of soggy bread in a lunch-bag; snackpack readied. he skates. the concussed ****** of booming youth. omega he: to the wolf pack outers. breathing love of summer, he is the son drunk on hi-c & burping. watching teenaged supersoakers yodel on a bridge. florida. son sneaks out late to rationalize the city’s features under strange light & love of nightly people. boy sculpts body out of beast, turned dark corners. arrives swollen. his father erects a roofed flattop in the backyard slab with flood light electronics taught to worship the shred. mother rattles the blender on the kitchen outskirts, ***** breathed & nearing with hugs. blister-itched. glossed folds of scar tissue. those days on summer-beyond when the neighborhood pulsates. with satellite dishes tuneforking high-frequency vibrations from outerspace & pigeons explode. son’s ears bleed, & the television goes unwatched. he snaps plank & ankle protein, refurbishing his legs into iron-rods or wands of summer anthem. cold war. he empties sugar-sweat & toxins into the storm-drain. essence of wet heat, skin pinched, & friend of ghosts. a three legged dog lay in the shade leisurely watching the boy skate on endless.
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Apr 1, 2014
Apr 1, 2014 at 1:11 AM UTC
skateboard gothic
*Let me be captured by the night. Engrossed in the conversation between the stars. Syncopated twinkling like... thousands of fireflies trapped within sealed jars. Let me be enslaved by the moon. As I drink her glow in greedy insatiable gulps. Crestfallen... Her beam with an agenda... As the landscape she sculpts. Let me be ensnared by my solitude. But I hear crickets... Chirping and chipping away at my bastion of dreamstate. Persistent calls I try to shun that never abates. Let me be trapped in my thoughts. So I could harness... And immortalise them in indelible careless scribbles. Erecting and... Rebuilding them from the rubble of conflicting squabbles. **Let me be overwhelmed by the mess of my being...** Let me wallow Then emerge strong from this decrepit state of mind. Let me breathe heavy from my punctured lungs. So I could heal in time before true solace in this dark, I would find.*
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May 4, 2015
May 4, 2015 at 12:05 PM UTC
Captured
I. Neptune’s Theater A rock spins through the universal tumbler and its warm blue pools calcify as turquoise Neptune in his cloudy blue bath bath builds a lace castle with his fingertips Sculpts a submerged eden of crimson and emerald where painted parrots chat up cardinals butterfly and angel fry sway with wave pulse and foliated coral fingers beckon from arched windows. Neptune’s children are flat and bright, spined and notched free yet entangled in lace mesh ecosystem beneath an array of bioluminescent stars as a gangly pretender watches and blows bubbles. II. Sapien Siege The hot acidic hand of death grasps the mesh rends and tangles the ecosystem shattered reef’s loosed children scream beneath planet’s stars. Butterflies impaled cyanide-swooning damsels mesh-tangled angels hauled heavenward coral to potash, corpses to coal. The pretender to the throne blinks rubs blurry lenses, kicks plastic fins and moves on to the next show Unseeing and unaware of the luminous filament in his wake. Self-appointed divinity, deus ex machina. ******************************************************************************************* Ann says: All of the animal and human characters in this poem (except Neptune and The Pretender) are named after coral reef fish. Coral reefs, one of the most diverse ecosystems, are expected to be largely extinct within one human generation. Deus ex machina is Latin for “God from the machine.” Copyright 2013 by Ann Marcaida.
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Jan 23, 2013
Jan 23, 2013 at 3:43 PM UTC
Children of the Reef
Raven crosses the threshold Hawk, a protector and a visionary . . . stands watch Together: a great change is gonna come Raven sculpts the formless into shape, awakening Hawk to an inspirational message Together: a pathway to higher consciousness Raven mines the darkness For facets of light, where our true self is found Eyes wide shut, eventually leads to our souls purpose Hawk surfs the primordial forces of life and Can't see so catches an updraft for improved perspective Eyes wide shut, eventually leads to our souls purpose Raven brings the ghost Hawk brings the quill Together: Turtle Island medicine
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Oct 26, 2014
Oct 26, 2014 at 8:17 PM UTC
Raven and Hawk
She, my cutter, my body, her cutting, with tongue and finger nail, any handy human implement, she sculpts me to her eye's configuring delight she, grabs my wrist, and my face by her hands embraced, unblemished once now becomes scarred tissued, no guise, no lies, no bearded mask, no disguise - all forsaken hidden hardened skin, speckled red/white translucent, she kisses with adoration her heart designed objet d'art *no better blade than she, with every cut, transformed, she becomes my devotee, I, her escapee, I am her, she is me, inseparable, my every command, she obeys* for our love cuts both ways
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Mar 5, 2017
Mar 5, 2017 at 2:14 PM UTC
no better blade than she
Descry the glittering sand, Every coin is vestal, unused. He cast unto the well, Uttering a spell That dwindled on his aching lips. Amiss, his voice does not graze Her conscious divination. A thousand times again, He strives- Just for a spare thought. But the fool, consumed, controlled Wallows in the walls She sculpts around him. He begins to work away the vines Of her honied tendrils. Yet, each finger twined of gossamers, Drenched in delirium. Nay, she rejects his presence. But grants her endless visitations As a specter, with a Faustian kiss. He drinks of her, To parch his arid throat. Remote, he holds the seed Which festers within. Forever.
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Jan 30, 2021
Jan 30, 2021 at 9:00 PM UTC
Unrequited
Bernie frames the TV between his feet-- left hand remote, beer bottle balanced by his right— clicks through half-time shows, clicks like shooting a gun, a Fazer, a death-ray secret weapon, clicks just to do it, an idiot’s smile faint on his face. he sees only noise Emma tends her stamps, perched on the plain board chair she upholstered herself— its arms worn, warm, warmly welcoming— her back to her husband, her life as wife and mother coming to a languid close. she tastes some regret-- yet spicy with passion-- where life has had its way with her. The rug’s bright stew of colors can’t hide everything children spilled when they were young-- juices, milk, soup, sauce, tears; little dreams, tiny heartbreaks, minor crises ground into the weave; all the gooey pastries, cookie crumbs, blood and sweat and nightmares congealed into solemn patina-- I see protects it from time. These solid objects— stout, no-nonsense chair wearing gouges, marks, discolorations of use and years like badges; fat, chunky, cigarette-burned BarcaLounger, drunk from drink spilled on every surface, handle supple as a young girl’s wrist, swirling a territorial aura around its microscopic sphere of the universe; and the rug… unassuming, proletarian, handmade and honest, each scrap of fabric chosen by the weaver’s hand, now useful again, reveling in redemption— these solid objects invade, infuse, invigorate otherwise empty space, squeeze meaning from the world around them, same as the hand of the artist sculpts love from her heart to give them life. The children have moved away Old friends are dying every day Stamps no longer can be licked There is no way to interdict The Jets are losing again
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Feb 6, 2011
Feb 6, 2011 at 12:13 PM UTC
2 Chairs & a Rug
Bernie frames the TV between his feet-- left hand remote, beer bottle balanced by his right— clicks through half-time shows, clicks like shooting a gun, a Fazer, a death-ray secret weapon, clicks just to do it, an idiot’s smile faint on his face. he sees only noise Emma tends her stamps, perched on the plain board chair she upholstered herself— its arms worn, warm, warmly welcoming— her back to her husband, her life as wife and mother coming to a languid close. she tastes some regret-- yet spicy with passion-- where life has had its way with her. The rug’s bright stew of colors can’t hide everything children spilled when they were young-- juices, milk, soup, sauce, tears; little dreams, tiny heartbreaks, minor crises ground into the weave; all the gooey pastries, cookie crumbs, blood and sweat and nightmares congealed into solemn patina-- I see protects it from time. These solid objects— stout, no-nonsense chair wearing gouges, marks, discolorations of use and years like badges; fat, chunky, cigarette-burned BarcaLounger, drunk from drink spilled on every surface, handle supple as a young girl’s wrist, swirling a territorial aura around its microscopic sphere of the universe; and the rug… unassuming, proletarian, handmade and honest, each scrap of fabric chosen by the weaver’s hand, now useful again, reveling in redemption— these solid objects invade, infuse, invigorate otherwise empty space, squeeze meaning from the world around them, same as the hand of the artist sculpts love from her heart to give them life. The children have moved away Old friends are dying every day Stamps no longer can be licked There is no way to interdict The Jets are losing again
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71
There’s nothing I remember, so I shall invent a life. It all starts with a dichotomy. Speech, lack of speech. Logos, preceded by the lack thereof. A heartbeat, maybe, echoing to form a vowel. And then a sigh, with inexplicably twisted tongue. “I”… I… I’ll tell you. Raising a finger from my desk. I’ll tell you how it began. I was in the dark, and decided I had had enough of it. I flipped on a lamp at my side and began to write. There weren’t any words yet, but there were symbols for sounds, and that was close enough for now. I pressed enter, and the message flew to a compatriot. Or an enemy. This flush dichotomy of forms abounds! I hold my breath and wait. Waiting, for a response. Waiting, to imagine words I’ll never hear. And the light hums. I… What is it, inside that filament which speaks? What is every minute morsel of matter telling me about my beginning? I’m not sure I want to read it, when my phone shakes. But that’s what that behavior dictates. A laugh, a cold analysis, a response. This could go on indefinitely. I don’t even know where you are in the world. I’ll never see you. I think of a more advanced dichotomy, I read about. It was attributed to Freud. A baby masters the objective universe through two utterances in a ball game. Fort… gone. Da… there. For now, these words are silent, but if I were in a crib You would be the breast I long to devour, The meaning I would choose to fill my mouth with Muffled exclamations: DADADADADADADA! And I cry. But I don’t know what this all means to you. Because I haven’t told you with electronic signs. I’m not sure the word “to cry” carries any meaning. It just stands in for fear. Fear of being alone in the world, with the dark, And no logos. But I could go on for days reading walls of text on webpages developed by people who have long since died. I can summon the likeness of every celebrity onto a screen rubbing my ***** while I look at them. I can hear the music— I CAN HEAR THE MUSIC— Of all the world, vibrating. Rhythms contracting, like vulvas after birth. And the silky, black discharge is this emotion in my brain after I think of you. I created you with my words. I illuminated my world with the thought of you. And now I have nothing to say to the creature I created. I am in horror before you. Fort, fort, fort, away! You have left me, without ever being present. You were here, you were gone, I had no control. And when I weep, the fear drowns the sun’s luminescence The clouds hide the sky The air sculpts my lungs With emptiness after words have come out.
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Dec 10, 2012
Dec 10, 2012 at 3:42 AM UTC
Beginning of a Story
There’s nothing I remember, so I shall invent a life. It all starts with a dichotomy. Speech, lack of speech. Logos, preceded by the lack thereof. A heartbeat, maybe, echoing to form a vowel. And then a sigh, with inexplicably twisted tongue. “I”… I… I’ll tell you. Raising a finger from my desk. I’ll tell you how it began. I was in the dark, and decided I had had enough of it. I flipped on a lamp at my side and began to write. There weren’t any words yet, but there were symbols for sounds, and that was close enough for now. I pressed enter, and the message flew to a compatriot. Or an enemy. This flush dichotomy of forms abounds! I hold my breath and wait. Waiting, for a response. Waiting, to imagine words I’ll never hear. And the light hums. I… What is it, inside that filament which speaks? What is every minute morsel of matter telling me about my beginning? I’m not sure I want to read it, when my phone shakes. But that’s what that behavior dictates. A laugh, a cold analysis, a response. This could go on indefinitely. I don’t even know where you are in the world. I’ll never see you. I think of a more advanced dichotomy, I read about. It was attributed to Freud. A baby masters the objective universe through two utterances in a ball game. Fort… gone. Da… there. For now, these words are silent, but if I were in a crib You would be the breast I long to devour, The meaning I would choose to fill my mouth with Muffled exclamations: DADADADADADADA! And I cry. But I don’t know what this all means to you. Because I haven’t told you with electronic signs. I’m not sure the word “to cry” carries any meaning. It just stands in for fear. Fear of being alone in the world, with the dark, And no logos. But I could go on for days reading walls of text on webpages developed by people who have long since died. I can summon the likeness of every celebrity onto a screen rubbing my ***** while I look at them. I can hear the music— I CAN HEAR THE MUSIC— Of all the world, vibrating. Rhythms contracting, like vulvas after birth. And the silky, black discharge is this emotion in my brain after I think of you. I created you with my words. I illuminated my world with the thought of you. And now I have nothing to say to the creature I created. I am in horror before you. Fort, fort, fort, away! You have left me, without ever being present. You were here, you were gone, I had no control. And when I weep, the fear drowns the sun’s luminescence The clouds hide the sky The air sculpts my lungs With emptiness after words have come out.
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64
He's my favorite poet but he doesn't write his words with pen or paper instead he breathes them into my neck while painting me with the smooth touch of his lips His hands glide over my body effortlessly and smooth while he sculpts out my figure better than Michelangelo ever could He is my favorite artist and I am his favorite piece but I am afraid that all art must be finished one day B.S.
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Jan 26, 2019
Jan 26, 2019 at 10:41 PM UTC
My Favorite Poet
Through this corroding forest,   a thin snake winds soundlessly between stiff marram grass. Over time, the constant brackish wind sculpts, drifts / scaling the metal shanks shackled to their own shape-shifting shadow. Steadfast in scorched sand, forty or more as one, tilt towards the ocean, reflecting conflict between water and earth. We are not in tune with their deep veined histories nor elemental transformation. We do not propound to understand their language. copyright © Caroline Grace 2012
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Feb 10, 2012
Feb 10, 2012 at 4:12 AM UTC
Anchored.
Happiness is finding someone to share your life with, Sadness is realizing it's the wrong someone. Happiness is having a partner, Sadness is realizing you still have to do it all yourself. Happiness is having passion in your heart, Sadness is having no one who wants to share it with you. Happiness is finding writing again, Sadness is having no one in your life you love that truly reads it. Happiness is having manners, Sadness is worrying every minute of your life that you might offend someone, until it sculpts your every waking action. Happiness is having an epiphany, Sadness is not knowing what to do about it. Sadness is recognizing a problem in your life, Happiness is having a plan to deal with it, Sadness is knowing your probably cave in the end, like to always do. © Misty Bishop-Martiss
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Jun 19, 2014
Jun 19, 2014 at 10:29 AM UTC
Happiness is, Sadness is...
***The moonlight drapes the night With the shimmering veil Night’s silhouette looks gorgeous As it sculpts beauty every where A dream within, echoes Across the valley Loved by the moon The night bathes in eternal beauty Silver rays kiss the soul***
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Dec 18, 2014
Dec 18, 2014 at 11:22 PM UTC
The Moonlight
I. Erosion I could ***** a monument to death And carve my name and epitaph in stone But words are just as fleeting as my breath— My monument is made of flesh and bone. Indeed, like granite, filed by the rain, Whose names and dates will ever be unfound, We leave them lying here who we have lain As headstones toppled wanton to the ground. But while their names will wash away in years And melt into the soil with their flesh, We, left living, welcome weather's tears And let the showers wash our bodies fresh. II. Plots What rope is this, tied round a plot of land To separate the sacred from the plain And make uncomfortable on which to stand These grounds that, like all others, suffer rain? The plots on which I make my daily rounds Are no less sacred than the breathless fields; The same grass grows in fair and fertile towns As in the lands from which we draw no yields. III. Ideals What ideal immortalizes dying With figurines that celebrate decay, Which stand ironic of their subjects lying— Staying while their subjects waste away? What ideal shapes stone to mask the slough And sculpts a youthful bust out of the sickly? One human form is monument enough. I hope it crumbles quickly.
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Feb 27, 2014
Feb 27, 2014 at 9:09 PM UTC
On Cemeteries
Elevation decorated with hues of green, shades of blue Shapes and sounds that ground the climbers on the mountain Inside the hardened lungs of the hikers among is the newest, freshest air The river that courses through each dip in the Earth carries sediment as it sculpts It bends and it breaks the ground that held it in place it creates a new path to call it's own It made a new place to call home Elevation decorated with crinkled water bottles, elevation drowning in bug spray elevation soaked from the sweat that rolls off the bodies of those who finally reach the top There at the top, elevation and she coexist Together, they are in rhythm They breathe in for four, they take in some more, they exhale the world left below them
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Jul 1, 2016
Jul 1, 2016 at 3:53 PM UTC
Mount Wachusett
it rains where scattered white mists applaud the silhouette of a sharp and pointed moon whose coagulant light dispatches an infinite population of ghosts to haunt upon the mind with tangential interests are reluctant incarnations of an intolerable vocabulary with incoherent signs these ragged images free float before the eyes create a straight line upon a lime green colored wall whose ghostly contour of shape has no reason to be there then it rains in horizontal free fall from the ceiling to the floor where these apparitions collide in an empty sky of stars creates a mysterious circumstance that dictates mischievous epigraphs where the leaves are black it is whispered to young men who reluctantly plant trees whose shade they know they will never sit in it rains in this place an angry and heavy rain that sculpts the bones and blinds the eyes and the young men lie down like rusted knives in an antique drawer without recognizing this dredful portent of war
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May 19, 2015
May 19, 2015 at 10:15 AM UTC
portent of war.....
{1} Walking slowly into LOVE is better than running into HEARTBREAK {2} poetry not only moulds the mind it sculpts the SOUL {3} The universal icebreaker for any conversation is always the WEATHER 10W SoulSurvivor (C) Catherine Jarvis
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Sep 17, 2014
Sep 17, 2014 at 1:23 AM UTC
Triptych [10W Poems]
she takes ashes and sculpts them into new perspectives.  new lives. beginnings are like sweets at her fingers colourful, varied on the tongue. she can taste different directions before she commits that’s just who she is she is beautiful waves of hair and a pierced nose a ***** neo michaelangelo sitting there in youth patience in her tiring muscles until she freezes into womanhood on planes of smoothed stone. she has grown beyond my stature; an adult born in a huff of breath that pours over our lives her new status matches the pull of her eyes- wells of blue insistence, i’m here, i’m here I’ve grazed myself on eighteen, I wear my newness well. when she covers her arms in bracelets hard little planets that orbit her statement- i’m me hello world i’m just me when she paints her eyelids lips lashes dying herself new
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Feb 5, 2014
Feb 5, 2014 at 8:19 AM UTC
here's to the new girl
When the lone gull fiddles in the dune grass to the chatter of light on the tide come whittle the hours by the water's edge where a palette of wonder hides. Watch as a watercolor sharpens the sky on the crest of the ripening day a snippet of eternity that filters through the haze. As hands of age betray their touch where the shoreline chips and bends so grain by grain the Savior sculpts the lives He spurs and mends. Our footprints melt beneath the spray in concert with the Lord... old marks forgotten, chiseled clean simplicity restored. Pocket the morning's steady drum and frame it in your soul. Run breathless down the dwindling coast 'til the dizzy world winds to a stroll.
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Jan 15, 2013
Jan 15, 2013 at 7:56 PM UTC
Seashore's Ramble
My father is the music. My hearts rhythm a show of puppetry. A creation of passion, constructed solitude, Packing my world with repeated withering words In which meaningless love wanders, until it is Personal. Too high, too drunk, too moved by music, That ****** harmonica, guitar, microphone, even spoons These utensils too forgetful to notice, Other senses, What past notes have created. You are a monster music, that calms And rages, carves out playgrounds of feeling. Music sculpts everything, it defines me. Yet, if it is truly bad, off key, or sharp, Nothing sung, written, or played Can bring the sound of stories solace.
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Feb 17, 2012
Feb 17, 2012 at 3:48 AM UTC
A show of Puppetry
It's not the fear that brings about the images the painter paints. The words the writer writes. The shapes the sculptor sculpts. Or the sounds the musician brings. It's the knowledge that there is more than the trash filled gutters. The windowless bars and loveless street girls. The foreign commerce you are expected to buy and the life you've been trained to sink yourself  into while still dreaming of oh so much more. Some gifts shine and cast rainbows in the light and some gifts expose the darkness we all know is there but still refuse to see. The masses look to make a Hero out of the artist. They set prices on the works and attempt to understand the view. This craft here comes in waves. All there is to do is try to keep up with the demands of this ongoing battle for time. Time to sacrifice more to the machine. Less time for all the bad things. More time for the gift. My need to shy away from the crowds in order to create hand woven magic in the dark. The need to challenge Platos view. The need to feel the numbing cold of Dantes Hell. The need to live out my days in Bukowskis harsh vision of the world. The gears of their clocks keep grinding. Grinding like a junk yard tweekers teeth. My remaining pages remain unfilled and the sun has already set on my tomorrow.
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Jun 19, 2015
Jun 19, 2015 at 11:15 AM UTC
The Artist And The Second Hand
Blue eyes Glancing over at him, Admiring his beauty. So deeply in love with him But, a word hasn't yet been shared. He longs for another. Breaking, shattered. Such a strong grasp, around my heart. Just to love him To cherish, every atom that sculpts him. Gives me a reason to keep my broken heart, Beating.
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Jan 23, 2017
Jan 23, 2017 at 3:11 AM UTC
He and only He