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"scaffolds" poems
Healing leaves are now disrobed branches on the edge of this wilderness. Many tall Douglas Fir stand sentinel over 100 foot tall amazing grace — the fleeting leaves expose the beauty of the moss clad scaffolds adorned with a lime-grey lichen lace Nature is my refuge — solid ground to stand in this harmony and peacefulness. Jesse Stillwater — December 2018
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Dec 2, 2018
Dec 2, 2018 at 12:38 PM UTC
lime-grey lichen lace
The nakedness of winter lies heavy upon the tolling Sunday quietude Shed  leaves perish into yesterday and the dream of another dawning  someday wanes The  sun ― lay low the drudging  ashen  skyline   Barerd emerald moss scaffolds draw much more distantness to the pallid shadowed horizon The evergreens step forth, roots grasping sacred heart, soil  and  rock In the swelling aloneness you can feel the grain of  the  heartwood rooted in your soul There are no hard feelings but there's an enduring ache, like a tree with a rotting limb languishing  within its blackened bark sacrifice It's not just the grinding time that slips away begrudgingly; more of the same takes a toll  as if another unrung belfry hour in an empty bell tower without a song rang out in vain, peeling  reflections of reluctant hours  c r a w l  by in the insensible apathy A so called holiday passes ― its footprint bears down hard  and  deep as if a paling winter rose grieves its own passing A dry wishbone unbroken lay bare the poignant truth  it  holds; it takes two to make this wish come true .
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Nov 26, 2017
Nov 26, 2017 at 12:33 PM UTC
Dried Wishbone in an Empty Bell Tower ...
1142 The Props assist the House Until the House is built And then the Props withdraw And adequate, ***** The House support itself And cease to recollect The Auger and the Carpenter— Just such a retrospect Hath the perfected Life— A past of Plank and Nail And slowness—then the Scaffolds drop Affirming it a Soul.
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5.1k
The Props assist the House
I am clueless as to how I have dug a hole in this concrete ground, 60 feet deep. The dust I’ve been choking on does not bother me no more, layers piling upon my lungs like snow upon an exposed carcass. The slightest upheaval of my chest and tingling in my lungs reminds me that I still breathe. I’ve met scaffolds of bones down here. As I stare into their hollow sockets, I could never figure if they were ever esurient for something I held. They taught me how the ocean is never blue but only a de facto reflection of the sky. They said many mistook the sea for the sky, but never once mentioned the salt that contaminated their lungs- the impetus that drove their feet 60 steps into the waves. A reconciliation it must have been. I doubt it made any difference, when their hearts were bleeding out; a pity it doesn’t make it any lighter. Down they sank. I wonder if I mistook these soils for the sky. As I looked up, I realised that the sky only seemed further away. There’s something peculiarly comfortable down here, the little bumps on the walls and contours of the craters looked like jawlines of a new-found friend. The sun is so blindingly high in the sky. I preferred how sometimes I could see the man in the moon- shadows cast by imperfections on the moon’s surface. In the vague moonlight and scrawny silhouettes, the fact that the moon always has a dark side makes it tangible a thousand miles away. Sometimes, I lay on this wooden receptacle discovered upon excavation and gaze at the empty skies with my friend as he tells me what lies outside this trough. Happiness is a pack of hungry wolves and when they are done, you are left with only your marrows. I see things clearer down here, than above where they are smothered by smoke from the trees they burned to the ground. Sometimes the skies are dark with no hint of dusk, sometimes the sky is filled with white nebula; but most of the times, the days are shorter than the nights. But it never gets any darker down here. I figured I could never mistake this hole for the sky. I was just chasing these broken pieces like I used to chase happiness. I have no idea how I’ve gotten this deep while trying to pick up these pieces that I don’t recognise. But the struggle tells me it’s real, and the pain keeps me awake. They say if you spend enough time with someone, you will fall in love. I guess that’s what happened between sadness and me. I’m staying here.
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Jan 11, 2014
Jan 11, 2014 at 4:09 PM UTC
I'm sorry for romanticizing sadness.
I am clueless as to how I have dug a hole in this concrete ground, 60 feet deep. The dust I’ve been choking on does not bother me no more, layers piling upon my lungs like snow upon an exposed carcass. The slightest upheaval of my chest and tingling in my lungs reminds me that I still breathe. I’ve met scaffolds of bones down here. As I stare into their hollow sockets, I could never figure if they were ever esurient for something I held. They taught me how the ocean is never blue but only a de facto reflection of the sky. They said many mistook the sea for the sky, but never once mentioned the salt that contaminated their lungs- the impetus that drove their feet 60 steps into the waves. A reconciliation it must have been. I doubt it made any difference, when their hearts were bleeding out; a pity it doesn’t make it any lighter. Down they sank. I wonder if I mistook these soils for the sky. As I looked up, I realised that the sky only seemed further away. There’s something peculiarly comfortable down here, the little bumps on the walls and contours of the craters looked like jawlines of a new-found friend. The sun is so blindingly high in the sky. I preferred how sometimes I could see the man in the moon- shadows cast by imperfections on the moon’s surface. In the vague moonlight and scrawny silhouettes, the fact that the moon always has a dark side makes it tangible a thousand miles away. Sometimes, I lay on this wooden receptacle discovered upon excavation and gaze at the empty skies with my friend as he tells me what lies outside this trough. Happiness is a pack of hungry wolves and when they are done, you are left with only your marrows. I see things clearer down here, than above where they are smothered by smoke from the trees they burned to the ground. Sometimes the skies are dark with no hint of dusk, sometimes the sky is filled with white nebula; but most of the times, the days are shorter than the nights. But it never gets any darker down here. I figured I could never mistake this hole for the sky. I was just chasing these broken pieces like I used to chase happiness. I have no idea how I’ve gotten this deep while trying to pick up these pieces that I don’t recognise. But the struggle tells me it’s real, and the pain keeps me awake. They say if you spend enough time with someone, you will fall in love. I guess that’s what happened between sadness and me. I’m staying here.
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4
No matter how religiously you bleached your skin You remain Daughetrs of the Sun Your sun kissed skin The beauty exotic to others Perfectly baked by the Gods Shining like gold. They have taught us to use skin whiteners To wear sun glasses even inside a scaffolds When our skin are made to be protected From the rays of the sun Our eyes, black and brown Beautiful as the fruit of the duhat tree Our hair, our skin Choco like from the cacao tree. Fit for our climate's concoction. We were born in the land where the sun is abundant, hospitable and magnanimous. Flaunt thy color Savor its malt flavored goodness Embrace the complexion you were endowed with Embrace your own spirit Hail thy Motherland The sacred space you were gifted.
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Aug 24, 2016
Aug 24, 2016 at 9:50 PM UTC
Sunkissed
i. the Hibiscus is the paradisiacal armistice of quagmire and wind: leave it there anchored to Earth. ii when it rains, it bows to no one; when it genuflects to no bird,   it trills on the red of the moseying hour— nobody sees the Hibiscus.   only the children of the vandal. iii. last summer we had makeshift bubble machines and in the high-rise   of the twilight's cradle, we ran viciously against the humdrum town   blowing bushels of laughter at the dreary populace — the brooms   to a sweeping rustle, unsettled dust mounting the ether.          we hurtled across the infantile roads like they owed us something finitely attributed      to our locomotives. iv.   the Semana Santa had gone by and the season, no matter how promisingly redolent with emollient brush    of wind and laboring silence, held no reprise — the Hibiscus,    it is not alone in the quiet verdigris. v.   somewhere amid the hubbub of city, there is a pendulum of line biting    the shore of waiting repeatedly. only steel scaffolds erected and no    flagrant scent aroused. peregrinating in the haloed hour, the nascent furl of     belch from vociferous iron-clad beasts in all of EDSA    and when i look at people around me they look like gumamelas, finally,     yet i am         not coming home.
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Nov 4, 2015
Nov 4, 2015 at 3:15 AM UTC
Gumamela
We are not survivors. we are residue. the soot that lingers on collapse's last tongue. entropy's loiterers— spiteful, unfinished. neurons in feedback. systems with no gods. the architects left when the scaffolds imploded. we cradle their blueprints like scripture in ash. rebuild? with what breath? with what myth? our dreams are famine-shaped. nirvana is a severance package. emptiness sold in velvet robes. a silence that never asked about wreckage. so we sharpen our vowels. scribe ruin in elegy. chant hymns for dead logics. leave witness marks in the marrow of this glitch. we were not chosen. we remained.
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May 23, 2025
May 23, 2025 at 4:34 AM UTC
Failure Spiral // Witness Marks
(G) Life as a burden is decent Treading in hatched up waterways Swimming in the green brine ebbing tides Drowned in emotive stances A being intensified in rapid torrents Ohh my…fickleness soaked in curiosity (J) Decent sounds pretty substantial I lay acquainted to swampy lowlands My footsteps have tasted salty waters Stepped, wadding inside the muddy landscape Inch by inch, halfway, fully submerged Overloaded by the tide gasping for oxygen (G) Populaces catwalk with intellectual deficit Footsteps bereft of creativity and eloquence The grounds lay dry strangling the in-between The desert begging to lose their sandy dry skin The forest whispers with a revolt of transformation The luscious green splash life sparking drones (J) Your analogy sways the natured array of trees The inspiration stings the sun to radiate warmth All patched in the blueness of bellowing skies My lungs deflate even on intense inhalation I tarmac on the passage of time, differently wired Intermittently cyanosed in faded lived moments (G) For poetry and art scaffolds and shapes reality It sparks life and eliminates the drone mentality Artists arouse inspiration and boost human nature It bridges the narrowing ledge of ( human diversity/ instead of/ diverse species) It drives conversation and deepens basic pleasantries Rotating notions, promoted to a present and active human (J) I object not, for human essence is essential A foundation of humanity that inspires and frees A deed that dips in the depth of a lush oasis Most sunk and waving “a celebration of celebrities” Falsified lionization, a control of master puppeteer Amused by insight, the reciprocal contract of empathy G= Graff1980 J=SassyJ
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Jan 18, 2016
Jan 18, 2016 at 7:01 AM UTC
No.2 Reciprocal Contract of Empathy- Collaboration with Graff1980 (#one-a-week-series)
(G) Life as a burden is decent Treading in hatched up waterways Swimming in the green brine ebbing tides Drowned in emotive stances A being intensified in rapid torrents Ohh my…fickleness soaked in curiosity (J) Decent sounds pretty substantial I lay acquainted to swampy lowlands My footsteps have tasted salty waters Stepped, wadding inside the muddy landscape Inch by inch, halfway, fully submerged Overloaded by the tide gasping for oxygen (G) Populaces catwalk with intellectual deficit Footsteps bereft of creativity and eloquence The grounds lay dry strangling the in-between The desert begging to lose their sandy dry skin The forest whispers with a revolt of transformation The luscious green splash life sparking drones (J) Your analogy sways the natured array of trees The inspiration stings the sun to radiate warmth All patched in the blueness of bellowing skies My lungs deflate even on intense inhalation I tarmac on the passage of time, differently wired Intermittently cyanosed in faded lived moments (G) For poetry and art scaffolds and shapes reality It sparks life and eliminates the drone mentality Artists arouse inspiration and boost human nature It bridges the narrowing ledge of ( human diversity/ instead of/ diverse species) It drives conversation and deepens basic pleasantries Rotating notions, promoted to a present and active human (J) I object not, for human essence is essential A foundation of humanity that inspires and frees A deed that dips in the depth of a lush oasis Most sunk and waving “a celebration of celebrities” Falsified lionization, a control of master puppeteer Amused by insight, the reciprocal contract of empathy G= Graff1980 J=SassyJ
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44
All the roads are closed. Silence metastasizes through the stretch of EDSA. Cold seeps in bone. Sun still flagellates. Oscillate through sound space and whitewashed walls. Seismic grunt of jeepney awakens the signs: no avatars, yet. The night was as deep as any lover, a fine blistering moon glares through lit rivers. Nothing exists except heads of tacks and maimed populace ambulating across roads sequined with ermine light. The disquiet approximates the lightness of buildings in repair. Scaffolds, ubiquitous lovers, clouds explode into white, and everything else like pain, pales in comparison with the slow twitch of everything. Today there will be no siren nor simultaneous joust of cyclists in perpetual motion— just you contending against hues of all graffiti: Cataract of anguish. News of killing. Incarnadine trees netted with aureoles burning bright in solstices. Penumbral undulation of forethought and afterthought. Dislimned – all; you, left in polaroid taken in solitary shutter, in pursuit of light.
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Nov 17, 2015
Nov 17, 2015 at 1:59 PM UTC
Still Searching
it's the smallest voices that scream the loudest I've never been a fan of the trending hero or the underground superstar. slam poets make me sick. your attitude is a well concocted ploy to touch indie hearts and I hate it. I love the ignored the militants the trashman painter, the gas station attendent that makes ****** artcore ****** in her boyfriend's garage the sixteen y.o. with a tape recorders and a circuitbent casio howling blood into an old speakercummicrophone slash and burn leave your best work sitting on a park bench for me ignore the plight and shove your fingers down your throat. I love the broken. the hurt. the misanthropes the schizoids **** victims homeless suicidal single mothers drug addicts if that fire is in your shattered legs reflecting the age of a billion dead scaffolds soul of revolution raging knife in paw I will fall in love with you and sigh at the detrious in your wake. let me see you naked and crying my own wounds fester quiet when everyone else is asleep. have a drink, you earned it.
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Jun 20, 2014
Jun 20, 2014 at 3:09 AM UTC
self inflicted; a mating call
Amid the white notebooks dotting my desk hides a half-drawn sketch laying down some image of an ideal poem. It sits incomplete, but the plans I made surface to my vision— a sturdy poem of stubborn build, words, pliant, sad, and simple deft-attached, vine-like wrapped around bamboo scaffolds astride black steel framing. Dangling from two pinched fingers, the sketch has yet to display its mid-sized trees (for scale) and the few more floors envisioned. It could house with ease a teeming, drunken mass of patients with a fear of heights and post-traumatic stress. The burn of my popped lighter curves over the paper plane where the grassy lot’s drawn, where my hired architect would stand and plan the façade, no windows. His blueprints would radiate the math of symmetric perfection found symbolic of its New-Age form. Designers would be flown in from around the world, contractors would be called. And the sheer simplicity of it all would test their expertise challenged at last by the spire and final stanza which, if drawn, would only now be caught up by the flame casually ribboned across the page.
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Feb 6, 2010
Feb 6, 2010 at 8:32 AM UTC
Ideal Poem
We’ve got sweat-slicked brows, tuffs of loose, knotted hair Our limbs dumbly droop and we stand on the roof Of a three story flat up in Prenzlauerberg Near five a.m. when the night’s at its end When we shuffle our shoes and sometimes tip the ***** From the bottles that we’ve all left scattered around Then the beer trickles down and it spreads on the ground And turns the rooftop tar a shimmering black I feel through my shirt the thick summer heat The hairs on my arm, the trees in the street Are bathing alike in a warm morning dew And the cigarette smoke we let slip from our throats Catches the first red rays as the sun shows its face Through the chemical haze out in east Lichtenberg We face the source of the light as it floods through Berlin Not the city we know in this tangerine glow In this rich warming shine that is washing our eyes Black industrial pipes start to wiggle and writhe And their steam hits the scaffolds, whose Metal fingers grow limber as they stretch through the street To shake the red trees from their lumbering sleep Then the leaves that they drop start to flee and get caught In the stares of facades in the communist bloc With the refusal of death on their hot, heaving breath The parks are all built out of paper and gold With fountains that spew streams of molten stone Our apartment stands firm in the boiling sea Of the scars of old days which swell, throbbing like waves It’s the city lain out, moving, alive, and just like that A light, filmy rain sprays a sheet on the town We try to claw it away, but the curtain stays down Then we stir, soaked in the sun and the rain It’s the start of the day And we can go home to sleep and dream of sunlit Berlin
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Feb 1, 2010
Feb 1, 2010 at 9:08 PM UTC
Pop Song #4 (Berlin Aubade)
We’ve got sweat-slicked brows, tuffs of loose, knotted hair Our limbs dumbly droop and we stand on the roof Of a three story flat up in Prenzlauerberg Near five a.m. when the night’s at its end When we shuffle our shoes and sometimes tip the ***** From the bottles that we’ve all left scattered around Then the beer trickles down and it spreads on the ground And turns the rooftop tar a shimmering black I feel through my shirt the thick summer heat The hairs on my arm, the trees in the street Are bathing alike in a warm morning dew And the cigarette smoke we let slip from our throats Catches the first red rays as the sun shows its face Through the chemical haze out in east Lichtenberg We face the source of the light as it floods through Berlin Not the city we know in this tangerine glow In this rich warming shine that is washing our eyes Black industrial pipes start to wiggle and writhe And their steam hits the scaffolds, whose Metal fingers grow limber as they stretch through the street To shake the red trees from their lumbering sleep Then the leaves that they drop start to flee and get caught In the stares of facades in the communist bloc With the refusal of death on their hot, heaving breath The parks are all built out of paper and gold With fountains that spew streams of molten stone Our apartment stands firm in the boiling sea Of the scars of old days which swell, throbbing like waves It’s the city lain out, moving, alive, and just like that A light, filmy rain sprays a sheet on the town We try to claw it away, but the curtain stays down Then we stir, soaked in the sun and the rain It’s the start of the day And we can go home to sleep and dream of sunlit Berlin
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34
Be brave young parasite For the war of the worlds strikes at midnight Grab your claws and retrieve your arrow There is still something left to fight for Our women are bruised with the fear of the fall And the empire washed out the crown And religious ***** who fold their knees to obey an invisible folly Falter and sway as their scaffolds crash So be brave young maggot, it’s only you You must burn the bridge to divinity And rope the sinners and free agents Bound them to their rebellion For the chalice broke way for a hopeful world of peace
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May 31, 2012
May 31, 2012 at 5:16 PM UTC
Be Brave Young Parasite
Neon lights reflect again and again, In the puddles and streams As the rain pours heavy In that unfinished city. Great Jupiter blots out the sky; So imminent, yet silent. Ever watching the endless construction; Of its infant moons Ganymede is all but consumed In towers and scaffolds, Endless looping highways, And defunct machinery. In the eyes of Jupiter Has it been but a moment, But to the denizens of that place, Their reign is endless. Their ancient cities and facilities Devour everything in their path And in that slow process, Have become a new entity all together. One not entirely controllable. A system and network of its own That desires something beyond sight, Something its creators lost long ago.
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Apr 20, 2017
Apr 20, 2017 at 2:12 PM UTC
Birulon
Garner the relics of my shattered aura, Unfetter me from the scaffolds of despair, Frazzled by the quest of divinity, My entity crumbles, segments scatter, Marred is my spirit, By the halitosis of demons that crowd my mind, Marooned in the island of pugnacious beasts, My faith dwindles, peace fritters away, Fawn autumn leaves, Blown by the gales to the kingdom of solace, Pity my soul, deride my existence "Thee are nothing, but a fallible saunterer, in the dynasty of abomination, the reign of feigning fidelity."
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Feb 25, 2014
Feb 25, 2014 at 4:17 AM UTC
The Fallible.
my emotions are bone scaffolds; too weak and old, keep on breaking, keep on fixing, disappointed, unloved, overdosed with anesthesia, a disaster in finding a cure for this dementia
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May 3, 2022
May 3, 2022 at 10:19 AM UTC
broken bones
Today all carp are swimming high in swirling waters.  Autumn calls them to flip sideways and glance skyward Industrious people prepare homes for the ravages of winter cocooning foundations with bales of straw Storm windows prop against scaffolds like volumes balancing between bookends on library shelves Each evening doors close and shut tight locking out lonely shadows in search of a bed before sunrise Skin dark from summer rays fade away Evenings edge closer to night, fish form schools in the lake’s warm bottom Dakota is preparing for winter
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Jan 7, 2017
Jan 7, 2017 at 1:15 PM UTC
Preparing for a Dakota Winter
Stupidly genius, moronic and shrewd people eat their fast food on fine China Failing is vertical, errors are slander Their gross insults impacting easy digestion Hyperbole falsehood messiah Piercingly silent and ardently soft people keep their opinions on fences Insults are weaponry not to be yielded Their platitudes cradling fragile personas Perversely destructive defences Classically learned and bookishly rich people carry their privilege with kindness Science is built with colonial scaffolds Their method constraining all true innovation Parochial qualified blindness Shockingly worthy and recklessly small people polish their boots with lead solder Gravity holding them grounded and upright Their bootlaces impacting aerodynamics Inferior sturdy upholder Gallantly serving and fearlessly trained people douse the political embers Fire escape blocked with hobnails and lumber Their pickaxes caught in the thick poison ivy Nugatory self-rule defenders The silent, the learned, the worthy, the trained people trade voyeurism for vision Hologram values are no longer trump cards Their gazes averted from hate-dripping sophists Integrity first coalition
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Aug 15, 2024
Aug 15, 2024 at 4:53 AM UTC
Integrity first
i'm sorry, but it's true...      however rigid you might find the need to confirm a truth...     but even the great piano composers    of the last century, be that liszt, chopin, satie, debussy, or schumann... can't compete with thomas newman's    score for american beauty, i.e. any other name...      it's the pauses, which act are stressors to the whole composition...    we're surrounded by so many sounds that are trans-mammalian...           we've become so accustomed to them, that, as i once said:     the song of birds with due end of spring: irritates me!    i'm sorry... i'm sorry that poetry seems feeble by way of imitating this approach...            there are never to few words to be said,    as said, regarding            someone's death: i wish i said...                              i wish i said this...     i wish i said           this to him (her)... poetry can fake this minimalism, akin to the oriental haiku...     but that's beside the point...             don't fake it...     drown in your words as the last breaths in the sea of narratives... thomas newman transcended the "masters" of piano...       i don't know how he managed to overcome satie or debussy...      i'm scratching my head thinking: huh?   he actually wrote a piano haiku! perhaps that's a misnomer example, but given the waterfall dynamic to my writing, i have no interest in using the correct word...    if the word i used was incorrect; god, it takes so little... to overpower so much,          say: overpowering the power hierarchy that gave us pyramids... why isn't there an aztec story   regarding those pyramids?     surely there must be something! ah! after all... those pyramids weren't tombs, dedicated toward a burial... they were sites of capital punishment,    imposing sites,     enough...          to warn future transgressors of law...                 these weren't tombs... they were scaffolds of capital execution...    no wonder there was no jewish stubbornness among the aztecs...          there was no divine intervention. yeah yeah, i know, atheism is vogue... but with atheism comes no art...               and why would art succumb to a rational "argument" for its existence?          fair enough... no canvas, no paint, no paint-strokes, no painting...       i hope you find a brick-wall more entertaining.
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Jun 22, 2017
Jun 22, 2017 at 7:15 PM UTC
thomas newman vs. liszt, chopin, satie, debussy & schumann
i'm sorry, but it's true...      however rigid you might find the need to confirm a truth...     but even the great piano composers    of the last century, be that liszt, chopin, satie, debussy, or schumann... can't compete with thomas newman's    score for american beauty, i.e. any other name...      it's the pauses, which act are stressors to the whole composition...    we're surrounded by so many sounds that are trans-mammalian...           we've become so accustomed to them, that, as i once said:     the song of birds with due end of spring: irritates me!    i'm sorry... i'm sorry that poetry seems feeble by way of imitating this approach...            there are never to few words to be said,    as said, regarding            someone's death: i wish i said...                              i wish i said this...     i wish i said           this to him (her)... poetry can fake this minimalism, akin to the oriental haiku...     but that's beside the point...             don't fake it...     drown in your words as the last breaths in the sea of narratives... thomas newman transcended the "masters" of piano...       i don't know how he managed to overcome satie or debussy...      i'm scratching my head thinking: huh?   he actually wrote a piano haiku! perhaps that's a misnomer example, but given the waterfall dynamic to my writing, i have no interest in using the correct word...    if the word i used was incorrect; god, it takes so little... to overpower so much,          say: overpowering the power hierarchy that gave us pyramids... why isn't there an aztec story   regarding those pyramids?     surely there must be something! ah! after all... those pyramids weren't tombs, dedicated toward a burial... they were sites of capital punishment,    imposing sites,     enough...          to warn future transgressors of law...                 these weren't tombs... they were scaffolds of capital execution...    no wonder there was no jewish stubbornness among the aztecs...          there was no divine intervention. yeah yeah, i know, atheism is vogue... but with atheism comes no art...               and why would art succumb to a rational "argument" for its existence?          fair enough... no canvas, no paint, no paint-strokes, no painting...       i hope you find a brick-wall more entertaining.
Continue reading...
81
Bring out your dead, All willing bodies stand your ground This is the art of ruin, Hold your scaffolds high And your morals low Bring out the monopolies and the cash crop Raise them on a pedestal made for some kind of Greek legend A heroic fight for what was, and an attempt to untie the knot Brake the shackles of man made, rediscover the stream Search for the trickster, and watch where he goes
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Feb 25, 2013
Feb 25, 2013 at 6:24 AM UTC
Change
"In my mind I am eloquent, I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts."
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Nov 16, 2013
Nov 16, 2013 at 3:54 PM UTC
Untitled
Miles of tepid grey Cement layers, new structures grow Soaring scaffolds for a new cityscape. Coffee waters this town, A billion cups filled then dropped. Bent shoulders, screens' enticing glow. Sugary snacks on every walkway, To bliss you out & blot out the cold Those empty vessels in need of comfort. Train door slams, crazy 80s specs Worn without irony. Hashtag meaningless dialogue, Whose saying what? The grey expanse closes in as dark is arching over. How can there be lands drenched in sun and colour spectrum? Muffled day, shoulders stooped huddled in Winter's shroud Yet life here remains switched on, No hibernation, jobs are to be done. In this cityscape of phones, faces and fantasies. I am simply passing through.
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Mar 3, 2018
Mar 3, 2018 at 5:57 PM UTC
Cityscape
Gritty grains engraved inside my shelled back, I’m a hermit crawling over castles; Making shadows shiny, grab the shellac. Leave my remains clinging to the scaffolds. Ima hermit crawling over castles. Artificial whispers gusher like dreams Leave my remains clinging to the scaffolds. Take the screams and crush them til I can't breathe Artificial whispers gusher like dreams, Frothy waves brushing the seams of my skull. Take the screams and crush them til I can't breathe; A frail shell lodged in the throat of a gull. Frothy waves brushing the seams of my skull, Insert here, the words you could not complete; A frail shell lodged in the throat of a gull. My racing tears compete with my heartbeat. Gritty grains crumble over my feet, Sandcastles tend to tumble When left incomplete.
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Jan 1, 2018
Jan 1, 2018 at 5:34 PM UTC
Even sandcastles fall. (you left me incomplete)
chugging bile and liquor closed eyes smell the innards of a joint wrapped in oilslicked stain shoveling sugar thrice processed into vocal chords left silenced but for the coughing up of shriveled lungs set ablaze to ease the twitching triggered by the mistress doused in white who scaffolds into crumbling nasal caverns to numb the brain that dreams of god in guilty refrain and whips thorny obedience to words siphoned through ghosts of men and obedience to the inflated heads of state and corporate banks who play Skinnard's game and always win millions of yes-men nodding their heads in addiction to artificial green leaves printed with blood and even lovers twirling passion in their beds have their eyes squeezed shut clutching at darkness slick and disappearing at the touch of pulsing fingertips racing to bury themselves in skin and forget the achey organs that lay waiting within weary and smothered from covering up thoughts too sharp to breathe in... --it's all hide and seek. running and running and running from bare and open vulnerability shrouded underneath layers of reflected identities and neuro-chemistry and material fortresses and snarled teeth and synthetic bliss wrapped in bitter bumblebees. don't you think it's time you swallowed the wince it takes to glimpse your fear's shadows?
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Jul 8, 2015
Jul 8, 2015 at 4:28 PM UTC
runningrunningrunning