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Nakasisilaw* sa Kapitolyo
Sa sentro ng siyudad
Tatak ng probinsyang pabo.

Sari't sari ang trayanggulong baligtad
Nasa ere silang kumukumpas
At tila ba may spotlight sa norte paroon
"City of the Living God,"
Inukit sa tabla ng di kilalang manlililok.

Minsan ding naging "City in the Forest,"
Sabi pa sa balita'y "Safest place in the Philippines"
Bagkus ang pagmimina'y tuloy pa rin
Lalo na sa Rio Tuba na ramdam ang Climate Change.

Dagdagan pa ng pamimihasa ng PALECO
Hihiramin nang saglit ang kakaunting ilaw at hangin
Nang di maglao'y mapa-"OO" ang lahat
Sa mungkahi nilang planta ng pagbabago.

Bulag sila't barado ang isip
Kikitilin ang hanapbuhay ng mga residente
Walang kamalay-malay ang iilan
Ito'y mitsa na pala ng pagdarahop.

Hahalayin ang tigang na lupa
Bubungkalin raw ang kinabukasan
Bagkus ang pawis ay sa atin
Tayo'y alila ng karatig-bansa
Dayuhan sa sariling bayan.

Titirik sila sa espasyo
Bisig ng tabing-dagat na buhangi'y sutla
Inosente nga sa Salvage Zone
Paano pa kaya pag naimplementa na?

Likido ang bawat anino sa semento
Tumatakbo't tumatagpo sa iba't ibang direksyon
Hindi makapuswit ang mga sasakyan
Maging ang simpleng harurot
Ng munting bisekleta ni Juan.

Doon ko nasilayan ang magigiting na pulis
Taas-noong suot ang uniporme
At iilang traffic enforcer
Na wala sa linyang puti.

Tila bawat uri ng katauha'y nasa parada
Kung hindi man,
Sa iilang personang lumalabas-pasok sa eksena
Kukuha ng larawan, akala mo eksperto
Hindi naman pala
Ayos, selfie pala ang gusto
Dekorasyon ang mga artistang Netibo.

Bawat munisipyo'y may nagsisilbing pambato
Makukulay ang mga sasakya't pudpod ng disenyo
Na sa kahit sa palamuti'y maitaas ang munisipyo
Buhat sa pagkabiktima ng gobyernong manloloko.

Highlight nga ang Street Dancing
Aba't ang layo ng kanilang lakarin
At sa bawat kanto'y sasabay
Sa saliw ng Remix na musikang inihain.

Nalugmok ang puso ko
Bagamat ito'y nararapat na saya ang dulot
Ito'y nagsisilbing maskara na lamang
Nakasanayan, naging tradisyon
Ang kulturang laging may bahid ng eleksyon.

Nakaririmarim ang iilang nasa trono
Pinalibutan ng berdeng hardin ang sentro
Bulong ng Supplier doble pala ang presyo
Aba't sige nga, saan nila ibubulsa?
Kung ang kanila'y umaapaw pa.

Bagamat ang lahat ay nasa bilog
Paikut-ikot tayo sa animong sitwasyon
Tanging takbuhan nati'y ang Maykapal
Na hanggang sa huli'y magwawasto ng bawat kamalian.

Sa probinsyang kinalalagyan
Ito'y nag-aalab na espada ng lipunan
Bawat isa'y responsable't may pananagutan
Tamang dedikasyon sa sandigang bayan.

Walang masama sa pagiging alarma
Maging aktibo ka, kabataan
Ikaw ang pag-asa ng Perlas ng Silanganan
Abutin mo yaong pangarap at manindigan
Hindi pansarili, bagkus pag sa tuktok na'y
Gawin ang tanging tama
Na naaayon sa batas ng higit na Nakatataas.

(6/29/14 @xirlleelang)
011717

(Para sa lahat ng mga tumatakbo, mga napilayan at napaltusan. Para sa mga gusto nang huminto pero may humihila sayo pabalik na hindi mabuo-buo ang loob **** lumisan kasi pagod ka na rin sa katatakbo. Oo, ayos lang maging totoo't amining pagod ka na. Natakot kang humarap sa mundo pagkat napuno ka ng sari't saring mga isyu sa buhay mo, kaya akala mo walang saysay ang bawat salaysay. Akala mo, wala nang nais makinig sa bawat kwento **** tila paulit-ulit na lang. Akala mo, tuldok na at wala nang kasunod pa. Wala kang matakbuhan at lagi ka na lang tumatakas. Oo, nasanay ka na at akala mo ayos lang at tama yun. Nagtatago ka sa dilim at ayaw **** lumantad, natakot kang makita yung totoong ikaw kasi ayaw **** mahusgahan o makaani ng masasakit na salita. Natakot kang magtiwala ulit pero pag lumantad ka, doon ka lang pala makalalaya. Saksi ang lahat ng nilikha sayong pag-amin na hindi mo kayang mag-isa, na ayaw mo nang mamuhay nang may paglihim. Na gusto mo nang magbago at patuloy na lumaban -- lumaban nang patas at ayaw mo nang talikuran ang nakaraan. Na gusto mo nang harapin ang mga hindi matapus-tapos na mga isyu sa buhay mo -- mga isyung tila mga sundalong kalansay buhat sa nakaraang kailangan mo nang sugpuin. Oo, kaya mo. Oo, kaya Niya sa buhay mo. Buhay ka pa, humihinga ka pa. Kaya mo yan!)

Ayokong palipasin ang sandali nang pagpikit -- habang nakasandal ka sa kalangitan. Habang iniisip **** hindi mo Ako kayang abutin. Iniisip mo sigurong kinaligtaan Kita, na hindi na Kita tinitingnan pagkat mas pinili **** magtago sa dilim. Akala mo siguro'y hindi ko alam kung nasaan ka -- kung saan at paano mo isinantabi ang sarili mo kaya't hindi Ko maibuhos ang pagpapala Ko sayo. Oo, kasi umiiwas ka, umiilag ka at nilalayuan mo Ako.

Hindi Ako nakikipaglaro ng Tagu-taguan sayo kung saan ay ihahatak mo ang iyong sarili palayo sa Akin at itatatak sa puso't isipang hindi ka na pupuwedeng lumantad hangga't wala pa ang liwanag. Naghihintay lang Ako, naghihintay Ako kung saan mo Ako pinasandal at sa bawat melodiya't pag-indak ng mga ulap na wari mo'y nagtatago rin Ako, noon pa ma'y inilantad Ko na ang Aking sarili sayo. Hinihintay Kitang magpasakop sa Ilaw Ko, nang magkusa kang magpataya sa Akin gamit ang Aking mga yakap.

Pagkat hindi mo na kailangan pang magtago -- hindi mo na kailangang maghintay nang napakatagal para lamang masabi **** nahilom ka na. Ang paglantad mo ay siyang pagsuko mo at bagamat ito'y pagsuko, makinig ka: naging matapang ka na. Hindi mo na kailangang yumukong tangan-tangan ang hiya pagkat sa iyong pagpapakumbaba'y itataas Kita gamit ang aking Ngalan at titingala ka na. Matititigan Mo na rin Ako, makikilala mo na rin Ako.

Iba't iba man ang anyo Ko'y Ako pa rin ito. May ipinapaabot lamang Ako sayo nang mas maging malapit tayo sa isa't isa. Igagawad Ko sayo ang aking lakas kasabay nang pagbitaw Ko ng mga Salita. At kahit gabi na'y mag-iilaw at mag-aapoy ka pa rin pagkat ikaw na ang magiging taya. Ikaw na ang maghahanap sa mga nawawala't magbubukas ng pintuan para sa mga nagtatago't nagpabaon na sa dilim.

Wag **** tulugan ang dilim pagkat parating na ang Umaga kung kailan at kung saa'y mas magiging lantad na ang lahat. Babangon Ako hindi bilang Buwan na may pakislap na liwanag ngunit bilang Haring Araw at susugpuin ang dilim. Wala nang makapagtatago pa pagkat magiging hayag na ang lahat.

Kaya Anak, wag kang matakot at ngayon pa lang ay ihayag mo ang iyong sarili sa Aking liwanag -- sa Aking liwanag na papandong sayo at uutos sa dilim nang tuluyan mo nang masilayan ang iyong sarili -- ang iyong sariling may pagpupunyagi. Maghanda ka, malapit na ang pagdating Ko. Maghanda ka, magkakasama na rin Tayo.
Tatlong bituing* patungo sa *Norte
Sa Silangan at Kanluran
Ang dugong hindi bughaw
Kalayaa'y sagisag.

Nagdadalamhati ang Perlas
Pagkat ito'y tanyag
Sa sari't saring anumalya
Pawang sa pulitika't
Maging sa simpleng eskinita.

Tuwid na daan ang sabi ng Hari
Itong kaibigan ko nga
Pumaskil pa sa Facebook
"Tuwid na daan patungo sa kamalian."

Maulop ang daan patungo sa katuwiran
May limitasyon sa bawat miyembro ng lipunan
Kasapi rin tayo sa eskandalong may hithit
Uhaw nga sa salapi, sirang plaka naman.

Kinalakhan ko ang dungis ng bayan
Nasanay na lang bagkus tuloy lang ang pangarap
Sabi nila'y tatsulok ang patakaran
Ang mayayama'y tataas
Mahihirap ay *
lulusong sa putikan

Mayroong tama sa bawat nasaksihan
Ngunit hindi ko maitatangging
Ako'y kasapi ng masalimuot na kasaysayan
Ngunit kung tanging mali
Ang pupukaw sa paningin
Aba't wala akong mararating.

Mahirap na nga
Makitid pa ang isip
Mayaman na nga
Hindi pa nasusuka sa kurapsyon.

Batu-bato raw sa langit
Bagkus ang tamaa'y sa lupa rin ang bagsak
Tayo na't sumulong
Pagkat ang giyera'y walang urungan.

Walang nararapat na panigan
Pagkat ang tama'y
Hindi na dapat pinag-iisipan
Kung ang prinsipyo nati'y
Lalang para sa kaluwalhatian
Nasisiguro ko, ito'y may magandang patutunguhan.
Wala akong maisip. Wala lang. Sulong Pilipinas
Shivani Lalan Aug 2017
click
    click
clack
On a white marble floor
If you're a woman,
you already have
one foot out the door
of a room filled with
all the conversation
and opportunities
that a man can afford.

This is a scene we've all seen before.
Paid way less
when you're told
that you worked way more.
I'm sure a client will adore my face
in a meeting,
but what do i do with the horror
when he hears me speaking?

I'm reeking of the sour aftertaste of everyday misogyny.  
My worth measured
by the distance between
my skirt and the floor.
And when I protest,
politely, of course
Being told that I can do better,
I can be more than a bore.

My skin revolts
From the last time a colleague
brushed his hand accidentally
against my everything.
My strength and independence rot
in catacombs made from begrudging wombs,
waiting for their lives to begin
before building a tomb for another.

My ears hear no corporate conflict.
My eyes read no unjust verdict.
My knees wobble of no panic.
My voice even now is not frantic.
I try to use my woman card as a shield,
But they already know I'll yield
Because sadly
Feminism, safety, and my daily routine
don't get along very well with each other.


If I could stretch myself to my full capacity;
Correction.
If you'd let me stretch myself to full capacity,
I'd be taller than these nine yards,
Stronger than this silken thread ,
Darker than this black,
Louder than this naked mic.

My worth is equal to the number of folds in this sari.
Uncertain.
      Defined.  
           Redefined.
                Ever changing.
As I shift move walk stumble run shuffle sprint
Dive
Into the storm.

Riot chhod,
I'm a civil war of colour.
Black sari
Black eyes
Black bindi
Golden jhumkas
Red lips
Multicoloured sword at my hip
Swinging at the shackles they placed on me.

Din ke dus dangey lad jaati hu mai,
Saal ki solah siyaahein bharke ruk jaati hu main,
Kabhi kahin khade rehne ki jagah mil jaye,
Toh iss duniya ki acchhaai se thak jaati hu main.
As performed at OSS E#15
That's why it reads weird, prolly.
Shrivastva MK Jun 2015
Mujhe tumse pyar hai,
Ye dil tere liye hi beqarar hai,
Jab nind se band ** jati meri aankhen,
Es khubsurat sapno me bas tera hi intezar hai,


Tujhe dekhlu ek bar
yahi chahat hai meri,
Tujhse pyar karun ji'h bhar ke
yahi khawaish hai meri,
Mang lu tujhe main rab se
Kyoki tum to zindagi ** meri,


Kitna hasin banaya tujhe us rab ne,
** gya *** deewana tera
dekha tujhe maine jab se,


Chand sa pyara chehra tera,
Pariyon si teri muskan,
na jana mujhe chhodkar,
o hamsafar ban ke meri jaan,

Es suni si duniya ko meri hasin bna do,
Ban ke meri zindagi mujhe apna bna lo,
Kah do ekbar mujhe ki
"main tumse pyar karti ***",
Har waqt teri yaadon me kho kar
"main tera hi intezar karti ***"

Luta denge apni sari khusi tujhpar,
Main pyar karta *** tujhse yakin kar mujhpar,
Yakin kar mujhpar.....
TRANSLATION OF POEM TITLE :-WANTS TO GET YOU
judy smith May 2016
After Aishwarya Rai Bachchan gave us some impressive red carpet outings, all eyes were on Sonam Kapoor as she made her sixth Cannes appearance in a row. And boy, she lived up to our expectations in a whimsical Ralph and Russo sari-inspired gown with half cape. Her styling was bang on with pink lips, dewy makeup and middle-parted neat tresses.

Designers give thumbs up to the actor, without a second thought. “Sonam looks spectacular. I love the dramatic outfit. I loved the fact that Sonam wore no jewellery (except for a ring) and kept her hair straight with some interesting eye makeup,” says designer Manish Malhotra.

“I love this look. It is a great example of something experimentally grand and classic at the same time. I also like the jersey in the top portion, which adds a very modern and sporty vibe to a traditional embroidered half cape sari inspired gown. There is a duality I can sense here and it has surprising familiarity in terms of a classic Balenciaga vibe,” says designer Rahul Mishra.

Designer Rina Dhaka also loves her look, but believes that subtler looks can also work the same magic . “Sonam looks gorgeous. The outfit has a lot of volume, and yet it is controlled and figure hugging. I would call her a drape crusader,” she says, adding, “However, unlike Indian actors, international actors are going for understated, simpler looks. We guys tend to take on too much embroidery, making it look theatrical. These looks are bridal by western standards. But our audiences like this.”Read more at:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne
102216 #PortBarton

Bata pa lang ako,
Pinagmamasdan na kita.
Sariwa sa kamusmusan,
Puno ng mga tanong na "bakit?"

Ba't ayaw **** magpakita?
Na kailangan Mo pang magtago sa mga ulap;
Na hindi ko maabang-abangan
Ang eksaktong pagsikat at paglubog Mo.

Ba't Mo ako sinusunog?
Na sa t'wing naglalakad ako,
Sinasaktan mo ang mga balat ko.
Na hindi ka nagsasabing
Magdala ako ng payong o kapote.

At ba't lagi mo akong ginigising?
Na hudyat ng pagbibilang ng panahon,
Na kailangan ko pang bumangon
At buhayin ang sarili't umahon.

---

Di Ko na kailangang magpasikat sayo
Pagkat hindi na lihim ang Liwanag Ko.
Ilang lugar na rin ang pinasuyod Ko sayo --
Sa Norte at Sur, buhay ang presesya Ko.
"Walang kupas at walang katulad,"
Yan ang sambit mo.

Ika'y Aking saksi;
Sa iba't ibang pagbunyag Ko ng Aking Sarili --
Sa iba't ibang katauhang may sari't sari ring kwento:
Silang simpleng manggagawang
Lakas ay Sa'kin ang paghugot.

Isabit Mo ang bawat larawan
Sa dingding **** Aking ipinagtitibay.
Nais Kong mailawan
Ang bawat madilim **** espayo.
Madilim man, nakikita Kita.

---

Ikaw ang Pag-asa;
At Sayo dumadaloy ang lahat.
Kakatok ang Iyong Sinag sa butas-butas kong mga haligi.

Pangako mo'y pasalubong
Kaya't ako'y sabik sa pagdating Mo.
Sasalubungin kita saking pagbangon
At bubuksan ang aking mga bintana,
Bilang pahiwatig
Na nais kong taglayin ang Ilaw Mo.

Bukas ang pintuan ko Sayo;
Ikandado Mo ako, tangan ang di papupunding Liwanag --
Yan ang pagpapasakop ko;
Saklawan Mo sanang ganap ang hain ko.

Gagayak ako sa Iyong saglit na pamamaalam
Na siyang susubok sa Ilaw na pinaiwan Mo sakin.
At may galak akong magsisindi sa bawat poste,
Ng gaserang may purong langis.
Iihipan ko ito sa aking pahinga,
At sadyang ang dilim
Ay tamang pansamantala lamang.

---
Tiyak ang oras mo
At singhaba ng araw ang pasensya mo.
Nagbabalik akong may hubad na sandalyas --
Marumi ako pero saking pag-uwi,
Dito rin pala ang paghuhugas.

Pinagmamasdan ko ang putik sa mga paa ko
Maging ang alikabok sa mga palad ko --
Pawang nakuha ko sa trabahong
Bansag saki'y tagautos.

Pansin ko, ang dumi-dumi ko pala;
Kailangan ko nang pagpagan ang sarili;
At pawang ang lahat pala'y
Di ko makikita nang wala Ka.
Ang pagbabalik ni Juan sa mumunting tahanan; at ang pagmulat ng Araw.
Shrivastva MK Jun 2015
Ye hawayen kis or le jayengi mujhe,
Kab tak tere ishq me tadpayegi mujhe,
Na koi manzil na koi thikana raha mera ab,
etna dard dekar, Kab aur kis mor pe tumse milayegi mujhe,


Rukh tere pyar ka begana ** gya,
nahi bhul sakta tujhe main kabhi bhi,
Kyoki Tujhpar mera dil bhi deewana ** gya,
Teri yaadon ne mujhe etna dard diya ki,
Ab mere har lavj shayarana ** gya,


Nahi dekh sakta main tera ye udas chehra
Kyoki tumhari khushi hi meri muskan,
Lag jaye tujhe ye meri sari umar
Kyoki tum hi mere sapne aur tum hi mera jahan,
Kyon ruth gya ye pal mujhse,
Rone laga ye dil bhi jabse pyar hua hai tumse,
Meher Dabral Jul 2014
There has been a lot of talk going around on face-book and other social networking sites about how girls these days are becoming shameless and have no hesitation in showing of their bra straps from under their tops or wear hot pants in the public or go out partying till late at night. Why are girls being subjected to such comments and derogatory accusations that they are themselves responsible for being *****? No girl in this world would like to be *****. It is not their choice. They are forced to succumb to such untoward actions of men. Women are abducted and ***** whether be it at night or in sheer daylight. They are being made victims of allegations that it is because of their short clothes, their late night partying and the new WESTERN culture that men are aroused and hence are compelled to fall for such repulsive man-oeuvres. People generally call these, self-created problems by women.

Today, India is trying to emulate the WESTERN countries in every aspect. There is a lot of heat beating around the education system being followed by one of the biggest universities in the country as to whether to follow the footsteps of the WEST or not. Be it in the areas of education, fashion, ideals India is keeping up with the affluence of the west. Nowadays, India is seen as a modern country but one of the things that is keeping it down from becoming one of the developed countries is the excessive crime rate especially the brutality against the women of the country. Despite the increasing feminism in the country, women are being victimized almost daily. Irrespective of the efforts by the government to protect the women of this country, men don’t seem to adhere to the consequences.
It is so ironical, that in one of the biggest democratic country of the world where freedom of speech is a constitutional right given to all citizens, women, who are considered to be the “DEVI” and are given such importance and high stature, their voices are being muted when raised to protest against something evil happening to them.  Power and money play such important role in diminishing such evil deeds but only in the favor of men. Just for the sake of saying, men and women are considered equal but when it comes to the actual application of such laws, women are always pushed back.
Coming back to the point, women are not ***** because of the clothes they wear, women of all ages wear short clothes outside of India, then why is it only in India that women are ***** brutally and then blamed for the same. It is not the dressing sense of women that is the main rationale for women being *****, instead it is the mentality of men who cannot keep their junk in their pants after seeing a pretty girl/woman either wearing a short dress or a sari. Their testosterone level spikes up immediately when they see a woman irrespective of their age. If the clothes girls wear was the sole reason for women being *****, then what in god’s name explains the brutality against 3 yr old? ****** 3 yr old or even old women is just an act of shame and satisfaction for men.
Both men and women blame women for the disgusting act of ****. Being someone from the same ***, there are women who blame girls these days and also point a figure at their character when it comes to being assaulted. It is not like we roam around in bikinis or thongs in public; it is just a strap, a bra strap like any other strap of any other clothing like a tank top or camisole. Why should women always sacrifice and give away their wish of wearing what they want, dressing up how they like, and looking pretty? On one hand we are criticized for wearing such short clothes on the other hand we ourselves pity the women living in countries like Saudi Arabia, Dubai, where women are supposed to be covered from head to toe. Our own national dress being as elegant it is, wearing a sari also involves obvious visibility of one’s stomach. But, that is not an issue because it is our national dress. A woman wearing deep neck suites and blouses is not a cause for problem since they are our cultural dresses. Our culture, our values don’t teach us to characterize women on the basis of clothes they wear, a women wearing a sari is equally vulnerable of being a victim of a man’s ****** arousal as is a normal college going girl wearing shorts and spaghetti.
It is in the head of the male gentry, that their unfulfilled ****** needs lead to such disgraceful acts. If in India men are allowed to wear boxers and go out, or no body points a finger at them when they wear hipster jeans and roam around in public showing half of their underpants, then why is it that girls/women are subjected to such carping by the society.  
The convention that “all men are dogs” or “all men are the same” does not apply here. Because of some men, who have no control over themselves and are the culprits behind the discreditable the whole *** is seen as obnoxious people. Even in this world of crime there are men/boys who are decent and respect women be it a 3 yr old infant or an 80 yr old lady. Due to certain men, even such decent men have to go through the same amount of shame and abomination from women.
Our government has taken a few steps In favor of women’s safety by launching fast track courts and by implementing the penal code but the government alone cannot protect us. One of the articles said, “what if the government has banned the use of pepper spray, the red chilli powder used in the kitchen should be brought out of the four walls of the house and put to some greater use.” I totally agree with this comment, so what, if pepper spray is banned, carry chilli powder, carry a mini knife in your purse but just to be used for self-defense, go and take self-defense classes, learn various forms of martial art. Why sit at home and wait for the government to take some actions for our safety. India is a free country, do it yourself. Protect yourself. Save yourself from flagrant men who indulge in ****. Wear what you want, party all you want, make this country safe for yourself and other women. Take a step out of the house, do your thing fearlessly.
this is not a poem, but a thought about the conditions of women in our country.
Shrivastva MK May 2015
Tu meri aakhiri abhilasha,
Pyar karle tu mujhse jara sa,
etna bhi mat ban anjan tu,
waqt dede apna thora sa,
Tu meri aakhiri abhilasha,
Tu meri aakhiri abhilasha. ...


wothon par meri muskan teri hain,
**** me mere jaan teri hain,
Dil to samjhta hain sirf pyar ki bhasha,
Tu meri aakhiri abhilasha. ..,


Tere bin sari duniya suna sa,
Rahne laga hoon main mra mra sa,
Mud ke dekh lo sanam jara sa,
tu meri aakhiri abhilasha,
tu meri aakhiri abhilasha.. .. ..


Jab se tera main ** gya hoon,
tere khawabo me kho gya hoon,
Kyon khafa ** mujhse bata do zara sa,
tu meri aakhiri abhilasha.. .,


tere dard ko maine apna bna liya,
apni sari khushi tujhpe luta diya,
Kyoki do dilo ka milan hi hota hain
pyar ki paribhasha,
Tu meri aakhiri abhilasha,
tu meri aakhiri abhilasha.. ..
Shrivastva MK Jun 2015
Akela ** gya hoon tere bin jab se tune mujhe chhod diya,
Tor ke mera DIL mere pyar se jo yu mu'h mor liya,
Jab jab dekhi tujhe ye meri udas aankhen,
Chalak gye aansoo Jab yaad aai wo purani batein,
Kaise mitaoo sanam tera ye bharam,
Tujhe chahenge hum har janam,

Teri khusi me maine apni khusi ko dhundh liya,
Tu khush rahe sad'a eske liye maine rab se dua kiya,
Ab saare dard -e- gum bhula diye hum,
Tujhe chahenge hum janam -janam,

Ab har o pal tere bin main dard bhari yaado ke saath ji'h raha hoon,
Ekbar dekh lo mujhe ai jalim,
Tu kisi ke saath muskura rahi aur main akela ro'h raha hoon,
Puchh rahi ye duniya sari bewafa tum ya bewafa ** gye hum,
Tujhe chahenge hum janam janam,

Na mili mujhe tere sath jine ki khushi es janam to kya hua,
Tut gye hain hum, dil ko mere bahut dard hua ,
Khush ** jayengi zindagi meri jab es duniya ko chhod chale jayenge hum o bewafa sanam,
Tujhe chahenge hum har janam....
This poem is especially for those who have loved someone.
Nuha Fariha Oct 2015
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
Krysel Anson Sep 2018
Dito sa Lungsod ng mga siksikang tren
sa umaga at sa gabi ng paglubog sa mga makinarya,
Ang sentro ng  pabrikang papel at usok, na buong bilis
sa inaliping katapatan at tapang
ay naninirahan palagi sa piling
ng mga madaming mga ipis at daga.

May nalilimutan na mahalaga tungkol
Sa tahimik na hele ng mga flourescent na ilaw, kaalwanan
ng mga matatayog na pangako ng condo't bagong mga kainan, magagarang mga pabuya.
Mga panibagong mga tagisan ng lakas
sa mga makabagong Coliseum ng Roma,
sa bawat amoy ng dugo at bagong silang.

May tipo ng sukal na wala sa mga gubat, at tunog ng mga
malalakas na putok ng baril na wala sa digmaan.
Tila sa kahit anong panahon, mag-alsa man mismo ang Kalikasan
at magpadala ng Tsunami,
magpalindol at magpaputok ng bulkan
sa panahon ng kakaibang asul at pula na buwan
sa pagkakabuwal ng bagong bilang
ng mga magsasakang sa mga mass-suicide
mula India, Korea, at Pilipinas dahil sa di-pantay
na mga batas kalakalan:

Ipadala man ng mga makata't hukbong
gerilya ang kanilang pinakamatikas at
pinakamatatapat na mga bilang sa mga pagsubok
ng panibagong mga pag-aaral at pagsasapraktika,
maaaring Puting Elepante din ang
hindi sasapat ang kabayaran para sa mga utang
na dapat matagal nang nabura at naigpawan.

Mula sa lakas at pwersa hindi lang ng mga diyos
ng mga sari-saring pampulitikang mga pormasyong nagdidirehe
sa mga kilos ng mga taong kapit na sa patalim,
Kung hindi mula din sa lakas ng mga nangahas mabuhay
at lumikha ng mga paraan para makapagpatuloy na
makapagaral ng sariling pagkamulat:

Ang kaaway na papel na salapi o papel na tigre
ay nilikha din ng tao para din lamang
maunawaan ang mga sariling kahinaan,
mamulat sa mga repleksyon ng mga nagbabagong
sarili sa gitna ng unos, upang matiyak ang yapak at
mabuo ang mga hanay at kahandaan ng mga
unang hawan, at huling mga walis.
Ang mga kalabisan ay para lamang mapatingkad
ang kahinaang dala ng kasaysayang nagluwal,
ang kawalan ng pagpapahalaga sa binubuhay na mga palitan.#
English Translation to follow.
Jude kyrie Dec 2015
The inner ciity school was big and noisy.
I remember being scared and ovewhelmed.
When I saw her for the first time
a cornucopia of colors In her flowing sari.
She floated no sound of footsteps.
Her skin perfectly brown
oh she was the most beautiful lady
I had ever seen.
I think she loved teaching more than life.
She would break an adult meetng
to  tend to a childs needs.
.Saying we must reschedule
I have a very important
meeting with my student
I must attend to.
she taught us patience and respect.
To listen to each other and to learn
from each person we spoke with.
she brought animals to the school
and introduced us to new species.
Everone wanted to be with her
when she taught us the class was silent
and every swoosh of her sari could be heard.
she stood by  the open window  of the classroom
Once and said listen can you hear it
I said its just silence Miss
she smiled and said no
it is the most beautiful
sound in the world
it is the sound of learning.
she would ask what new thing we had learned
since last she saw us.
A color a poem a book.
I think I learned how to learn from her.
She basked in her small successes.
Later she told us of the nurses a doctor
schoolteacher author and poet
that had spawned
from her class.
Now when I visit England I always try
to see her in her small retirement flat.
she pours green tea that she says comes from
the foothills of the himalayas still teaching me.
As I recount for her all the new things
I have learned in the years since I saw her last
Sa paglipas ng panahon at makabagong sibilisasyon, maituturing pa bang wikang pambansa ang wika natin ngayon?
      Ito ang malaking katanungan na naglalaro sa aking isipan. Tila binabagabag ang aking isipan sa aking mga nasisilayan. Kaguluhan, Hindi pagkakaunawaan at sari-saring hindi magagandang salita ang naglalaro sa nakararami. Bakit? Bakit patuloy pa rin tayo sa masamang gawain na ito?
      Ngunit ang wika ay walang ibang hinahangad kundi kapayapaan, pagkakaisa at pagkakaunawaan dahil ang wika nation ay tunay na daang matuwid. Dahil ang wikang matuwid ay iisa lang ang layunin, ang bigyan ng tuwird at masaganang buhay ang bawat mamamayan.
      Balikan natin ang malaking katanungan, wika pa bang maituturing ang wikang pambansa ngayon?
      Tama! Wika pa ngang maituturing ang wika natin ngayon sapagkat ito ang nagbubuklod sa pusong wasak, pamilyang watak-watak at Pilipinong away at gulo ang dulot sa mundo.
      Ang wika ay matuwid tulad ng pag-ibig. Siya ang nagbibigay buhay sa mga Pilipinong katulad ko.
John F McCullagh Dec 2015
We were down in the province of Basra, Iraq
For reasons not precisely clear.
Our objective that day was a Shia run town;
A town named Sari Mi Dyr.
The road to the town was a minefield of sorts
It was *****-trapped with I.E.D.’s.
Still it was the constant sniping that caused
the bulk of our casualties.
The day was as hot as a woman’s scorn
when the last of her tears have dried.
I’ll remember this road to Sari Mi Dyr
On which so many good friends have died.
The day was near spent when command showed some sense;
We heard our choppers draw near.
They aborted the mission and extracted my men
From that hellhole called Sari Mi Dyr.
I’m writing my after action report,
and trying to hold back a tear;
When I think of the good men and women who died
On the road to Sari Mi Dyr.
Oh the Humanity!
Ysa Pa Jun 2015
Gising na nananaginip
Sari-sari ang naiisip
At biglaang napagtanto
Paano kung hindi nahulog sa iyo
Paano kung Inibig mo rin ako
Paano kung tumagal tayo
Maraming katanungan
Mas maraming maaaring kahantungan
Ngunit hindi na malalaman
Ang mga masasaya sanang kahahatnan
Dahil ang "Tayo" ay pinigilan **** maganap
Pag-irog ng iba ang iyong hinanap
Sa ating paghihiwalay, ako ang mas nasaktan
Ngunit Mahal, ikaw ang higit na nawalan
Maaaring ikaw ay lumigaya
Sa piling ng iba, sa piling niya
At ako ang umibig ng lubos at umasa
Pero darating ang araw Mahal na
Magmamahal na ako ng iba
Higit pa sa pagmamahal ko sayo ang ipadarama
Mapagtatanto mo na lang
Bigla ka na lang manghihinayang
Wala nang magmamahal sayo
Gaya ng pagmamahal ko
Response to a request to write in my native tongue ^-^
jia Jul 2018
takbo mo'y karipas
sa bawat ahon na humahampas.
pinipilit tumakas
sa mga buhanging nakakalas.

ngiti mo'y di mapawi,
tingin ko'y di mawari.
sinasabi mo'y sari-sari,
buhok ko'y lagi **** hinahawi.

buntong hininga ang tanging ipinalit.
wala ka manlang bang kamalit-malit?
kama'y mo ay sa aki'y ikinawit,
sa akin ay ngumiti ka saglit.

pilit tinutugunan,
salita mo'y ako ay naambunan.
tayo'y nagtatawagan,
diri sa isang munting dalampasigan.

ikaw lamang ay maging masaya.
o aking sintang giliw, ako'y kuntento na.
makita kang nakangiti't tawa,
sa aki'y iyo'y sapat na.
15 Ikalabingwalong kaarawan na
Ng binukot na prinsesa

16 Ang pagiging dalaga niya’y ganap
Isang prinsipe ang ihaharap

17 Panahon na upang lumabas sa palasyo
Humarap sa mga mamamayan at mga dayo

18 Ngayong nasa harapan na ng madla
Ipakikilala sari-saring mga binata

19 Tangan ang mga regalo
Sa prinsesang sinusuyo

20 At pagtunog ng mga tambol at plawta
Si Dara’y makikisayaw na

21 Sa mga lalaking napupusuan
Na sa mga pagsubok idadaan.

-06/23/2012
*Gintong Lupa Series
My Poem No. 143
Six yards of glamour
Designed to cover the shame
Six yards of culture
Wrapped around her name
Six yards of colors
Different hues and grades
Six yards of silken armor
Displaying vanity and fame

She drapes herself in the morning
With the six yards of delicate weave
Starched, ironed, pleated and neat
She carries the burden in traditions name
In a world where she is respected
For what you show and what you wear
She carries her silken armor with pride
Revealed sensuous skin unseen..

http://en.m.wikipedia.org/wiki/Sari
P.s.
This poem is about the dress sari.... Six yards of printed cloth worn in the Asian sub continent.
In my country, it's draped in the Indian way as depicted in the picture and the Kandyan way, which is considered the national dress.
In the society where the males wear western attire as a norm, sari is considered the preferred and respected professional dress code for ladies.
Many feel important, respected as well as protected with it...despite the trouble ladies go through to wear this...... despite the fact that most of the time the upper back and midriff is revealed...

It's a nice dress.... it's a bittersweet connection..
judy smith Nov 2015
NEW DELHI, INDIA: Rifling through sweaters in India’s first Gap store in a glitzy New Delhi mall, 21-year-old Ridhi Goel says her grandmother doesn’t mind how she dresses, as long as it’s not too revealing.

“She’s fine with me wearing Western clothes like a shirt but not jeans and a crop top,” said the journalism student, her grey leggings contrasting sharply with her mother’s colourful kurta.

Taking a stand for big brands

“All my family wears Indian clothes, but I find them too uncomfortable. I think maybe there is a generational divide.”

Most women in India still wear traditional dress such as saris or shalwar kameez — but the picture is changing, and on city streets, dazzling silks mingle with logoed T-shirts and jeans.

Young people’s appetite for Western clothes has led a fresh flurry of foreign brands to open up in India in the past few months, including US chain Gap and Sweden’s H&M.;

Others are expanding fast, including popular Spanish retailer Zara and British high-street staple Marks & Spencer, which in October opened its 50th shop in India, its biggest market outside the UK.

Fashion design outlets sealed for non-payment of taxes

Urbanisation, a growing middle class, rising disposable incomes and one of the youngest populations in the world make India hard to ignore.

“The time has come for Western wear to have exponential growth,” J. Suresh, the managing director of textile group Arvind Lifestyle Brands, Gap’s partner in India, told AFP.

“If you look at any girl born after 1990 she will be wearing Western wear. That is the generation coming into college, getting their first job,” he said. ”They will be completely clad in Western wear.”

While globally women are the biggest shoppers, in India men’s clothing dominates with 42 percent of the $38 billion market in 2014, according to consultancy Technopak.

Lucrative trade: Designers approach PRA in wake of fashion crackdown

Shoppers are also younger — the average customer targeted by Gap in its US stores is 35, but their Indian counterpart is five to 10 years younger, Suresh said.

Gap had a head start in India thanks to Bollywood megastar Shah Rukh Khan, whose ubiquitous orange hoodie in 1990s hit Kuch Kuch Hota Hai handed the brand a ready-made following.

But it is young Indian women, increasingly affluent and joining the workforce in expanding numbers, who are driving change, with data showing sales of womenswear growing faster than men’s.

And while Western clothes currently make up only about a quarter of Indian womenswear, their sales are outpacing traditional dress sales.

Experimental exhibition: Emerging artists explore unique mediums

A Marks & Spencer spokesperson cited its Indigo denim range and lingerie as two of its best-performing lines in India, with more than 300,000 bras sold in 2014-15.

“As an increasing number of women move into white collar and blue-collar roles, they are also adopting Western attire,” Devangshu Dutta, chief executive of Third Eyesight, a retail consultancy in Delhi, told AFP.

read more:www.marieaustralia.com/black-formal-dresses

www.marieaustralia.com/white-formal-dresses
Shrivastva MK May 2015
Maa tere pyar ke aanchal me
pale bade hum,
tere sikhaye hua rashte par
chalte hain hum,
Maa tujhe kabhi bhi na ** dukh,
eske lia bhagwan se prathna karte hain hum,
Maa tere pyar ke aanchal me
pale bade hum. ..


Tere charano me maa
ye dunia sari dhikhti hain,
baccho ke lia maa tu bhagwan si lagti hain,
tujhe maa kabhi bhi na denge dukh hum ,
Maa tere pyar ke aanchal me
pale bade hum. ..


Maa apne baccho ke lia
jaan bhi de deti hain,
kahti hain Maa
mere bete tujhe kuchh hone na
denge hum,
Maa tere pyar ke aanchal me
pale bade hum. .
Maa ko dukh dene wale
rote hain aakhri dum .. .
maa tere pyar ke aanchal me
pale bade hum ..
Dedicated to my mother
                                 Shrivastva MK
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Shrivastva MK May 2015
Jab se tujhe dekha hain maine,
Teri hi khayalo me kho gya hoon,
Raton ki nind uda *** hain tere bina,
Main ab deewana sa ** gya hoon ......


Teri aankhon me ek nasha hain,
Teri har ek ada par
mera dil fida hain,
tere bina main
ek kora kagaj sa ** gya hoon,
main ab deewana sa ** gya hoon.....


tere chehre ki ye muskurahat
meri zindagi hain,
ab tujhse hi meri sari dilagi hain,
Har bar najane kyon teri or
khicha chala ja raha hoon,
main ab deewane sa ** gya hoon.....


Tujhe manga hain maine apne rab se,
dekha hain tujhe maine jab se,
ekpal tere bina ek saal samajh raha hoon,
main ab deewana sa ** gya hoon,
Main ab deewana sa ** gya hoon....
beautiful affectionful wonderful
Shrivastva MK Oct 2017
Aate hai farishtey bankar,
Rehte hai har waqt haath thamkar,
Milta Hai anmol dosti ka vardaan jise,
Phulo se sazakar rakhna use,

Aate hai anzaan bankar,
Rahte hai dilon jaan bankar,
Sari hasratey pure ** jate hain,
Jab wo pyare dost muskurate hain,

Gum ke sagar mein dubne na dete
Khushiyan ka paigaam hain bhejte
Zindagi jeene ka maksad btate
Pyaara sa sansaar hai chahte

har pal ko khushnuma banate,
Sahi galat ka ehsaas karate,
Jo gumo me bhi saath nibhate hai,
Wahi sacche dost kahlate hai,

Khuda kasam kya khubsurat rishta hai dosti
Phulo se mehakta bagicha hai dosti
Yaaron ke bina adhuri hai zindagi
Zindagi jeene ki wajah h dosti


Written By
Sonia Paruthi & Shrivastva MK
U can also read this poem on allpoetry.
https://allpoetry.com/poem/13546476-Yaaron-ki-yaari--by-Sonia-Paruthi
102516 #Manila

Ililiyad ko ang mga kamay
Pakanan at pakaliwa
At hindi ako mapapagod,
Hindi ako mangangalay.

Tangan ko ang sari't saring mga bagahe
Iba't iba ang sukat
Batay sa kapasidad ng bawat isa.
Pero sila rin ang pumili;
Kailanman, di ko sila diniktahan.
May ibang kaya nila, may ibang hindi
May ibang nang-iiwan,
Ikaw na raw ang bumitbit.

Lilipad ako, higit pa sa agila
Lilipad ako pero hindi ako kakampay.
May engkwentro sa ere,
May digmaan sa himpapawid.

At hindi ako paiihip
Kahit pa taliwas ang hangin.
Ako'y tutuloy lang --
Makalalapag din ako,
Kaya't hintayin mo sana.
John F McCullagh Dec 2016
We were down in the province of Basra, Iraq
For reasons not precisely clear.
Our objective that day was a Shia run town;
A town named Sari Mi Dyr.
The road to the town was a minefield of sorts
It was *****-trapped with I.E.D.’s.
Still it was the constant sniping that caused
the bulk of our casualties.
The day was as hot as a woman’s scorn
when the last of her tears have dried.
I’ll remember this road to Sari Mi Dyr
On which so many good friends have died.
The day was near spent when command showed some sense;
We heard our choppers draw near.
They aborted the mission and extracted my men
From that hellhole called Sari Mi Dyr.
I’m writing my after action report,
and trying to hold back a tear;
When I think of the good men and women who died
On the road to Sari Mi Dyr.
murari sinha Sep 2010
in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera
Listen my dear daughter, to my first song of caution
Earmarked for you my wonderful sire, come and listen,
That tall old man with white hair all over his head
Standing over there is not good; he is gnomish in the mind
Be careful with him, he is not human in the heart
But a mermaid of Yoruba poetry, just like Thespis of Greece
Even the pecuniary psychopomp of Sweden gave him an accolade
His heart is selfishly full of avarice; he wants everything for himself,
Don’t recite him any of your poetry, lest he spells an abyss
Against your juvenile poetic talent, he will fool you with a gift;
A white sheep or a scarlet goat for your birth day anniversary
Please don’t take it or anything else from him, as nothing from him is genuine
But only machinations of evil spell aimed at mahyeming your talent
Finally to decimate your girlhood and life, this is my caution
For you dear little African girl.

Listen my dear little daughter, to my second song of caution
That short man in a Muslim gear loafing yonder, is suspect
The Muslim beret on his head is merely a smokescreen to aghastly behaviour
He is in no way an avatar of god of love and humane piety
He is a terrorist working with Boko Haram and Algaeda
He is an Alshabab that is bombing young girls in Mombasa and Nairobi
All over Kenya he has killed the young people; his long egret-white sari is not for holiness,
It is merely a nefarious sanctum of grenades, other tools of work in terrorism trade
His loudly prayers, body movements and pocket bursting monies are only a stunt
To have you kidnapped into death conduit, once you goof to join his courts,
His sanctimony is a total picaresque film, (s)heroes of terror the centerpiece
And thus, this is my caution for you dear little African girl.

Listen my dear daughter, to my third song of caution
Those tourists thronging our streets are deadly *** pets, they also skulk ****
Their handsome outlook is not a stamp to any good conscientiousness
They derive pleasure from poverty and *** tourism; they yearn to see a girl in poverty,
Often rarely will they help an African girl, out of milieu of beggarly squalorism,
Instead they go straight for the purse between your thighs,  
Regardless of the legacy they leave out of this lewdness, they are showy,
They regret not in their Byronic broadcast of *** and fatherless urchins in the poor streets
Foundation for their further poverty tourism, this is my caution for you dear little African girl.
There has been enough writing of the self or of circumstances I have often found myself trapped in,I think that the time now has come,to write about people who often go unnoticed in your lives,it is like oxygen,like you are always breathing,the blood is always flowing,the blood is getting oxygenated and then de- oxygenated and it gets purified,and its in your body,and you know it,you are breathing and you know you are,but we don’t really pay close attention to the flow of breaths we inhale and exhale,and that’s what is keeping us biologically alive and we know it,but how much importance does the breathing get,how much thanks,how much attention?
As I’m writing,believe me when I say that ,I’m not pausing,I’m not making things up,I’m not even thinking rationally or sequentially,I’m simply typing onto words that describe my very beautiful,my very  epitome of sacrifice and suffering,my very solitary reaper of freshness ,love and care,my very own – Grandmother.

No,this is not her biography,this is not about describing her,this is not only about thanking her even,this is about telling you all that I am deeply moved about how she is ,I fail to realist what she is actually made up of,I mean,a woman in her 80s ,of course a woman of a different era altogether,she is supposed to be an orthodox woman in her late 80s, aware of her approaching years,and sitting in front of the television watching serials or mythological shows or the very beloved babajis on air and hardly getting out of her room and ordering her daughter –in-law to get work done and medicines presented.
This is quite ironic to how we often stereotype old ladies to be. But let me make it clear,my grandma is highly different. And just like I firmly say that I’m going to remain as the ‘ Different Misfit’ ,different from a lot many out here,in the most weirdest angles,but I got this from my granny,apart from the misfit,she is an old,weak woman,she is short,and her hair has still managed to not get older,I think her hair know well,what suits her appearance,she has good brown-orangish hair, and not to forget,her charismatic blue eyes,eyes to fall for. She keeps her hair tied in a neatly made bun and drapes herself well in decent looking saris. No lipsticks,no makeup,no perfume,no sandals. She chooses to be her natural self,in her chapals. Only accessory to her will be her purse. And with purse,I mean,not the blinging  purses,but the small pouch type of  purse,she keeps around her waistline,cutely tucked inside her sari petticoat.She is a magical figure,at least to me.
‘Granny,I’m here.Namaste.’, I said as I reached her place,while she was mopping the balcony floor.It had rained heavily.
She first didn quite seem to hear it,even though I was very loud and pitchy. I saw her mopping, the door was open. I repeated my greetings.
‘ Namaste. Here you are,my child!’, she replied with a 100volt smile pasted on her beautiful face.

I am happy that my mother was able to convince m to go visit my granny,that Sunday,because I was going to have my economics test the next day,so I refused at first,bu then she managed to take me there.I’m glad, I did.
She is in an age that you can never tell how much time one has got,and all you can do,,is live the day like its your last,I think this has kind of become the motto for my grandmother. She walks like a snail. Slow yet gracefully.She lives in Lodhi Road. She lives alone.The house is massive. There are 6 rooms in that particular floor where she lives,the ground and top floor too connected with the first.The ground floor is occupied by a family of 4,a kin to my granny.while she stays on the floor above,she is expected to be with herself only. My maternal uncle,my grandmother’s eldest son,lost his wife a few years back,he has two kids,big enough to go settle in Mumbai.My uncle has been a headache for the entire family because of becoming highly psychotic and depressed,that clearly reflects in how things have become ugly with his relationships.He moved out to Noida after the demise of my late aunt. I don’t remember the last time I saw him interacting with people of his family,let alone my granny. They are like sort of reclusive now.Although my granny wouldn’t still mind him coming to reconcile with her or talking or offering a shoulder,even after what all she has been through regarding my uncle,my uncle refuses to lock eyes with her.Well,that’s a different story altogether.

My grandmother lives alone,in such a big house ,where two families of 4 could easily accommodate themselves.the winds blowing enter the rooms that are empty and unlocked,and rap my grandmother in nostalgia ,but she stays strong.family photographs hanging on the walls,Pictures of Rhino,their late dog,finding its place on the walls,reminds her of how the family was,and always sans her.Yet,she  is stoic and sturdy and never did she complain on these little details.
My granny has had a beautiful relation with my mother and her three daughters ,they are always there for her,its like after my granny has understood,that her daughters are now mothers themselves,she has realized,that she no longer needs to be on their head anymore,so my aunts and my mom herself is paying back to her,as being the reverse mother to her.It is a beautiful relationship they share.I sigh.

She got us tea and some snacks.She prepares them herself,despite having somebody to offer to help.She sits with us and talks and narrates news that she has got from here and there.She left the room when all of a sudden,out of nowhere my uncle pops up for some paperwork urgency,we greeted him,but we didn’t exchange anymore words.He leaves after a few minutes.

I was reading ‘The wedding’ , because I was sure,I was going to get bored because there was no sibling around,My dad was busy reading India Today and mom was accompanying my granny in preparing food. They later went to the terrace to see the traffic go by and have a good talk. They love to talk, trust me.While my mom carefully instructs granny to stay strong and be alright,I notice my grandma trying to control her tears,you could just make it out from her ****** expressions,her hands,quietly folded over another,and her head bowing down,she has never been confident and assertive,I had correctly judged.I ad overheard them talking,when I was passing by the room library searching for Sidney Sheldon.And that was when my respect for my granny grew,because in an age liker hers,the very innate ability to hold on,that perseverance,the  strength ,the power of forgiveness ,I mentally touched her feet and hugged her,because I was in no mood to disturb her conversations.I passed by.
I was learning each moment. In that house,I have been a lot of times before,but this one time,that Sunday,I was feeling like home,like a school moreover,in a moral science class all night. I was done with my economics revision,and it was time for diner.She had prepared Hot chapatis and my ever favorite Paneer for the dinner.She paired paneer with yoghurt,that was a new yet crazy combination,I tried and I was enjoying it,not because it was THE combination,but I felt like it was her idea of how food tasted, like she always felt curd could fix everything,not potentially everything,but,It’d be stupid to object her.
The dinner was tasty.
She cleans up the entire house herself. Like I said,6 rooms and a balcony,is not a small thing.it is one strenuous task she agrees to take up,not occasionally.but everyday.She refuses to take a house help,despite her health conditions,because she wants to  utilize her time or pass time in some way or the other. TV is the only source of color in her life.That keep her occupied. I salute you,granny.
I offered to do the dishes that day,but she saw me doing it,she came half running,half walking to stop me from doing it,and said this doesn’t look good,the guest doing it,and I was a princess to her,she asked me to step back,and I did not revolt,I knew,she did not have anything else to do except do them and sit and watch the sky and finally sleep . I stepped back.
I was reading my book,and there’s this part,when Noah shares that he still feeds the swan because he thinks Allie is the swan and she promised him to be there with him,so she finds her way through the swan.And I saw myself crying.i rushed to the balcony.Took a few deep breaths,sobered myself up,and a few winds blew,and I felt nice.
My granny was talking with my mother while my dad was listening like a puppy.i was reading,I could barely hear what she was talking about,and I didn’t want to even know what were they talking about,because the more I knew,the more anger built up,and the more I’d get sentimental and feel sorry for my grandmother.But no,she is not the one you’d feel sorry for,she was never wrong,and she isnt,and wont be,she is just a simple figure,an epitome of sacrifice and suffering and with such patience to be jealous of.We offered her to come and spend the time with us,and  all her other daughters and her grandchildren,but she refused,she wanted to be in the house,take care f the house,she was just so emotionally attached to the building that had lost its meaning,it was just a HOUSE and nt a HOME.she wasn’t made to feel it was,she had no reason,but she still loved it there.

I still wonder,while I’m writing here about her today,she wont be able to read this gift I am giving her,giving her love back,what would she be doing? No,this isnt T V  time,maybe making tea,what after it? She cannot read or write.She cant be on the phone all the time,then what? Maybe just sitting in the balcony? But today,its hot . then what? Just sitting on the couch,watching my grandfather's portrait hanging on the wall,I think she’ll brush off the dust on the garland and the painting maybe. Or she’ll re arrange the sofa covers or curtains. I don’t know. While we have so much to do,while people forget people everyday,while people make new friends,have so many tings to look forward to,we have so much access to **** our time and pass it away,but she ? she just stays this way and she just exists.

It was time to leave. My respect level for her had gone par average. I just wanted to stare at her for hours in silence,or maybe play with her,or maybe teach her pronounce some swaggy English **** words,I do that when she is at our place.She loves it with me.

Hmmmm.

As we were walking downstairs, I tried and rush and pause and rush and slow down again and again,to whether escape the moment,of the farewell,because it’d be hard,I could bet,and slow down so that I could see more of her.i just couldn’t get enough. In that moment,I swear,I loved her like a man loves a woman.But ine,was much more passive or hidden,I have always had issues with expression,and I regret that.

She could climb downstairs,the steps were steep and endless.She stayed there,while we went down,she bid us a goodbye,waving her hands like the flag of love ,like saying ‘ IT WAS GREAT TO HAVE YOU ALL HERE,I FELT SO BEAUTIFUL.YOU JUST FILLED THIS GAP I THOUGHT I’D SUFFER THIS WEEKEND.THANK YOU SO MUCH,I LOVE YOU,AND I DON’T KNOW,IF I SEE YOU AGAIN,BUT PLEASE BE IN TOUCH,AND LOVE EVERYBODY’. BUT SHE SAID ‘ bye’ .A  LONGER,STRETCHED VERSION OF BYE ,THOUGH.

It was dark,I saw her waving,I was waving back,so was mom and dad,mom and dad rushed forward,while i was till bye-ing my granny. I thanked god that it was night time,an nobody could see the tears gushing down my face. While we leave in 3.she bids us adieu in just 1. Years ago,she’d be with 4 others,and now she is just single. Alone.By herself. Still not complaining.NEVER.

I wiped them .My tears,and was crying till I got into the car,people saw me weeping maybe.I sat down.Still sobbing. Trying not to let people or mom and dad precisely notice my tears ,and I wasn’t brave enough to tell them that I was crying because I thought it might be the last time I saw her or how a wonderful woman she is.The wind was blowing hard and cold on me,while I was listening to Dead hearts on the phone.like the universe was conspiring in making me cry my guts out . My reverence for that woman was getting higher and higher beyond measure.At the traffic signal,a little girl comes up to me,my head was leaning back into the car seat,like a drunk Peter van Houten,while she leaned against the car window glass too,I think she was the only one in the entire night,to actually see me crying,she smiled. I smiled back. She glanced at me for a few moments,I was still smiling at her,she asekd me if I had money,but I wasn’t carrying any then,so I said ‘I’m sorry’ without speaking.She understood and she smiled and left.Slowly and gradually the wind helped me in evaporating my tears,so that I didn’t have to manually wipe them off,because just in case,mom saw me doing that,I wouldn’t know how to respond.
Thankfully,I fell asleep in the car and as I reached back home,I felt a little lighter,I called up granny and informed we were home safe.[ she always wants us to inform her when we do]  And she very sweetly said good night and a bye and then I thought to myself that HOW COULD SHE BE SO GENTLE AND NORMAL? I WAS SO JEALOUS OF HER RESIGNATION.I LOVE YOU GRANNY.
With a heavy heart and a new day to follow and with less percentage worries  of the test the next day ,and more of how my granny would pass away the time and sleep with a smile on her face ,I looked at the walls,said my night prayer and rolled my eyes,and went off to sleep.

There’s no place like home... except Grandma’s .
cc
an ode to the pure heroine i have ever come across.thanks granny
x
brandon nagley Aug 2015
i.

I shalt consign mineself
In a balikbayan box;
A snug hole to tryeth to **** air
Mine lung's tightly in lock.

ii.

On a plane, on a ship, in a bus
I shalt squeezeth mine carrion in;
Thinking of mine betrothed amare
How I must risketh mine life, for me to get there.

iii.

As I wilt meeteth her at the Sari-sari store's
Though I wilt be broke, no money, only amour;
Though tis love's not about money, or materialistic junk
As I thinkest all this, I thinkest soon ill break from mine trunk.

iv.

As the plane halt's, mine crate roll's around
Mine queen hath found me, in shock, her tear's cometh down;
Because I fleweth mineself in this darkly space
It was all for a purpose, to seeith the one I loveth, and her face.




©Brandon nagley
©Lonesome poets poetry
©Earl Jane dedication
balikbayan box is a box u send of goods from another country to Philippine's..
Kay sarap pagmasdan ang nilikha ng Diyosang pagka-berde ng mga halamanang pagka-asul ng karagatannakakamangha ang nalikhang kagandahanKay sarap maramdaman nilikha ng Diyosang pagdampi sa'king pisngi ng init ng araw   ang lamig ng hanging sumasalubong sa'king bawat galawnananalanging sana'y malasap sa bawat arawKay gandang marinig ang nilikha ng Diyosang sari-saring tunog ng mga ibon sa kagubatan ang pag-tunog ng hip hop na kanta sa di kalayuan  tapos biglang bossa naman...wala...wala...wala...bwiset nawala na ko.nagising sa katotohanang panandalian lang ang katahimikan.talaga nga namang ang likha ng tao'y dulot ay kaguluhan.
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
ROHIT YADAV Apr 2018
Chamakte -damkate chehro main bhi
Uski thi pahchan mujhe
"Ek sanwali ladki se tha pyar mujhe

Wo pagal thi meri hokar'
Wo roti thi mujhse lad-kar'
Jaan waan toh baate thi""
Wo  kehti thi ( humsath) mujhe '
Ek sanwli ladki se tha pyar mujhe

Wo ladti' kuch kuch kahti thi mujhe
Par aah karu Jo toh samjh leti thi mujhe..
Uske pyar ka ikraar tha mujhe ...
Ek sanwali ladki se tha pyar  mujhe

karu Jo khata toh tok deti thi mujhe
Par jaane se pahle ROK leti thi mujhe ..
Main hasta tha""uske dil main kahi toh basta tha
Ye ahsas tha mujhe ...
Ek sanwali ladki se tha pyar mujhe ...

Par

Kab duri badhi,kab wo badle
Kab hum aade or wo lade
KUCH abhaas nahi mujhe ..

Chalo phir bhi ...

Uske dil pe dastak di
Kae baar minnat ki ke geenti tak na yaad mujhe ...
Ek sanwli ladki se tha pyar mujhe ...

Waqt ne kuch or karwat li
Sari kasme todi ***"
Meri yaado ko bhulaya"
Pyar,waade,wafa ko jalaya"
Uske hatho se mili bas raakh mujhe
Ek sanwali ladki se tha pyar mujhe


U toh uska ab kuch pata nahi ""
Beete kai saal toh rahi na kuch baate yaad mujhe ..
Par
ek dhadkan, ek saans, or uski aakhiri baat hain yaad mujhe ...
Ek sanwali ladki se tha pyar mujhe ..

Naaraj hua Jo ladta khudse ..
Tum kyu ** ab bhi yaad mujhe..
Kyu usse tha or abhi bhi hain ye anchaha sa pyaar mujhe ......
Ek sanwali ladki se (hain) pyar mujhe
Ankit Dubey May 2019
yun to khush hu mai bahut,
k tum pyar jo itna karte **,
rahte ** door bahut mujhse to kya,
tum pyar bahut karte **,
mai jab bhi kabhi rota hu tumhe yaad kark,
tumse kahta hu k paas aa jao mere,
tum nahi aa pate **,
mai rota hi rahta hu,
tum bahut samjhate **,
apni majboori batate **,
par mai nahi samajhta ,
aur fir bhi rota rahta hu,
to kya,
tum pyar to mujhse karte **...........
kabhi kabhi jab dil karta hai k tumhare paas aaun,
tumhe apni bahin me bhar loo,
tumhe apna bana loo,
tumhe khud me basa loo,
sari duniya se door hokar tumhare sath ek alag duniya basa loo,
aur tumse kahta hu k sath mera de do,
aur tab kisi aur k sath tum hote **,
haan tumhari marji nahi hoti,
fir bhi tum kisi aur ki bahon me hote **,
vo tumhe choota hai pakadta hai,
mera har hak apna bana leta hai,
aur kahte ** k meri majboori samajh lo,
aur mai nahi samajhta hu,
rota hu aur tumhare oaas aane ko tadapta hu,
jab fir bhi khwahish poori nahi hoti,
tab mai rota rahta hu,
to kya,
tum pyar to mujhse karte **.......
jab mai khush hota hu,
to tumhe dil ki har baat batana chahta hu,
vo khushi khud se pahle tumse bantna chahta hu,
tum tab bhi nahi hoti **,
kyunki kisi aur ki chahaten poori kar rahi hoti **,
jab bhi dukhi hota hu,
to chahta hu k tumhara hanth mil jaye,
tumhari god me chup jana chahta hu,
aur ro rokar sara dukh mita dena chahta hu,
par tum nahi hoti,
kyunki tab tum kisi aur ki dukhi hone ki wajah mita rahi hoti **,
aur fir mai rota hu jqb tak tum nahi aati,
jab tum aati ** fir se apni majboori batati **,
mai cheekhta hu chillata hu,
pal pal tumhare paas aane ko tadapta rahta hu,
par tum nahi aati,
aur mai rota rahta hu,
to kya,
tum pyar to mujhse karte **......
Lather, rinse, repeat.
Lather, rinse, repeat.
Soak, wash, repeat.
Sweep, sweep, repeat.
Wipe, wipe, repeat.
Scrub, scrub, repeat.
Dice, dice, repeat.
Wipe, dry, repeat.
The tears that are good.
Pour, stir, repeat.
Open the door.
Serve the food.
Greet, greet the guests.
Smile, talk, repeat.
Say bye-bye, repeat.
Massage, press, repeat.
Yelp in pain.
Grab your abdomen.
Rub, press, repeat.
Let the sari unwrap.
Shake your head no.
Oh oh.
Run, hide, cry, plead.
Rub your stinging cheek.
Sob, sob, repeat.
Dab, dab, repeat.
The tears that are deserved.
Press your straining scalp.
Grab tight the bed sheet.
Groan, hiss , repeat.
Fake, fake, repeat.
Pain, pain.
Again!
Sore, sore, all over.
Go make a drink and then,
Massage, press, repeat.
Pick up the nephew.
Ignore the daughter’s lies.
Pat, pat repeat.
Put him down to sleep.
Sing the lullabies.
See your daughter writhe.
Writhe, writhe, repeat.
Kiss your daughter’s hand.
Feel her skin burning.
Watch your daughter weep,
Cry herself to sleep.
One drop down then two.
The tears that are meaningless.
Lie down as if asleep.
Twist, turn, repeat.
Wake up before dawn.
Now, you put on.
Red, green, black and gold.
Vermillion, bangles, beads.
Lather, rinse, repeat.
Here is a little introduction to the lives of most housewives in India.
K Balachandran Oct 2013
A sudden evening rain over the rice fields,
      memories wake up from deep sleep
of long years, take a walk once again
  along the narrow ridge parting green fields
on a rain soaked evening of yore.
She, a jaunty young woman had changed
      the quiet world of a village boy
with big curious eyes, just in few minutes.

his innocence, vanished a yearning
   for something unknown until then,
           started its torment
      love, dabbed its fragrance
on his being with its slight of hand,
a spell cast over him made his head spin
like he drank heady wine, how strange!

Under her spread umbrella he came
by chance, only once in his life
walked with her till the door
on his way to the temple of Krishna
     for the evening worship,
walking along the zig zag, slippery path
had he slipped a bath in slush was assured.

When the rains came unannounced,
rushing ,with her anklets clanging
frogs spiritedly croaking,  
all this mingling with
the  orchestra of myriad insects,
she came as if from nowhere,
from a wild growth of banana plants
on one side, down to his path.
She smiled at him as if she knew him well
a lush young woman, who took him by his hand,
brought him closer to the protective
wrap of her sari, that smelled lemons and oranges,
that fragrance remains sweet in memory,
was it jasmine scent from her long black tresses,
that made him feel that the world has  suddenly
become, a place, full of luminance,
has he quickly grown up to her age?

She didn't ask him questions,
called his pet name surprising him
about that knowledge of her;
that made him think that
she was someone so close once,
but forgot as he grew up.

Reaching in front of the temple,
she gave just a wistful look,
and vanished from his life for ever.
Not even aware that she just gave,
the best fragrant moments
for a boy on the first step to adulthood,
he stood looking her go on her way.
When he look back and remember,
this delusion, he realizes,  stays with him:
"I am under your umbrella  ever since"
030217

Nakulob na ata ako
Anong silbi ng mga patlang at espasyo?
Nagagalit tayo sa tono ng pangungusap
Ngunit kung may kuwit nama'y
Magtataka tayo bakit may paghinto --
Baka kasunod na'y pagkitil ng talata.

Hindi natin alam ang takbo --
Kung saan hihinto ang nasimulan na.
Pero nakikipagsabayan pa rin tayo.
Hindi natin alam ang takbo
Eh baka naman kinaligtaan lang talaga
Tapos, nakaalis na pala
Tapos, tapos na pala.

Bibigyan kita ng blangkong papel
Di para dungisan mo ng tinta
Di para guhitan mo ng sari't saring parirala
Hayaan **** magkusa ito
Na parang pagpipinta sa napakalawak na pader
Na parang wala kang nais gawin
Kundi maging isang malayang sining at katha.

Hindi sya makasarili
Pero mabubuhay siya nang kanya.

— The End —