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"risky" poems
The Violent Storm by the Water (Do You Trust Your Imagination) was not unexpected but its fury was without compare, poet awake in semi-preparation living by water should be a human right for all, even a small room, overlooking, gives new meaning to perspective we blessed with a patio door, encased in a glass window big enough for a smallish elephant to come visit and play with children a storm is observed up close and personal as if one was in an IMAX 3D  theater, and the edges of existence were being redefined, sharpened by fury, tooled by tools untouched by mortal hands miles of bay illuminated with bass drum furious accompaniment stand before the screen, poets arms outstretched as a supplicant, the light of the lightening passes through him, yet , behind me, she still sleeps then the entire house shakes, reverberates, as if to say: ”tremble humans, cower, you are not permitted to watch my majesty, for such it was when created heaven and earth” bold poet window worshipping risky answers: “but who will know if even a poet cannot declaim sights no one else has seen?” ”true, true, but you must choose if poet truly, do you trust your imagination human, to prove that the powers of the heavens are limitless?” write of storms unseen and nature endless miracles ***”then you may call yourself a miracle too, a poet***”
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Aug 12, 2018
Aug 12, 2018 at 12:14 PM UTC
The Violent Storm by the Water (Do You Trust Your Imagination)
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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Sep 23, 2016
Sep 23, 2016 at 8:03 AM UTC
Tell The People You Love That You Love Them, By Rachel C. Lewis
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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14
All around me, I see endless fear. Fear of heights, sure, fear of scuttling things Fear of darkness, fear of bites Fear of brightness, fear of fights. This is the fear we can display Because it’s little, simple, understandable. But the fear I really fear That we all let consume us Is deeper, Darker, Cold. It’s the fear of friendship, fear of love, Fear of what’s ahead of us But even more of what’s behind us Fear to see what’s really beyond The faces we all fake. Fear of the unknowable Fear of what we know Fear of speaking out or up or for Fear of conforming to something more Fear to test the limits Fear to taste the truth Fear of what’s uncomfortable Rather than the deception of comfort Fear of what to do Fear of striving for perfection When perfection’s so unattainable. Fear of to leave what has been known Fear of what has been done Fear to see past fabrication, Fear to show the truth. I’m talking fear of emotion Or fear of not feeling enough Fear of silence, but worse, The fear of candid words. Fear to look someone in the eye And say, “I know you, And I care for you.” Fear to let someone see the darkness that comes with your light Fear of rebelling though it’s time someone did Fear of doing what you want and know Because of what someone told you you should Fear of being who you are Because every day everyone is telling you What to do and who to be And what is acceptable And what is not. I’m talking fear of having an opinion Because someone will shoot it down Fear of defense or service or selflessness Because someone won’t approve. Fear to accept because of fear of acceptance Fear to truly love someone Because it’s risky, And you never know What someone else really feels. I cry for the fear of Every person who can’t be Who they are and who can’t Let people see them in their entirety Because after all everyone urges And persuades and demands and values And idolizes and expects, You don’t even know yourself, Because you've been too busy With trying to be so many different “Someone Else"s. I ache for this relentless fear. I mourn the stagnancy of the condition Of the human soul who is so afraid To let go of fear And BE somebody, To do something or say something, or simply believe, That the only thing they truly trust Is the familiarity Of fear itself. That’s why fear is frightening That’s why we should be afraid of fear Because it stops us, cages us, Bars us behind the façade we display And muffles the words of our heart. I see these things and wonder Why can’t they change? Why can’t this need to fear be erased From the human condition? And I realize it’s because everyone Is afraid. And I’m so afraid too.
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Mar 18, 2015
Mar 18, 2015 at 12:06 AM UTC
Fear
All around me, I see endless fear. Fear of heights, sure, fear of scuttling things Fear of darkness, fear of bites Fear of brightness, fear of fights. This is the fear we can display Because it’s little, simple, understandable. But the fear I really fear That we all let consume us Is deeper, Darker, Cold. It’s the fear of friendship, fear of love, Fear of what’s ahead of us But even more of what’s behind us Fear to see what’s really beyond The faces we all fake. Fear of the unknowable Fear of what we know Fear of speaking out or up or for Fear of conforming to something more Fear to test the limits Fear to taste the truth Fear of what’s uncomfortable Rather than the deception of comfort Fear of what to do Fear of striving for perfection When perfection’s so unattainable. Fear of to leave what has been known Fear of what has been done Fear to see past fabrication, Fear to show the truth. I’m talking fear of emotion Or fear of not feeling enough Fear of silence, but worse, The fear of candid words. Fear to look someone in the eye And say, “I know you, And I care for you.” Fear to let someone see the darkness that comes with your light Fear of rebelling though it’s time someone did Fear of doing what you want and know Because of what someone told you you should Fear of being who you are Because every day everyone is telling you What to do and who to be And what is acceptable And what is not. I’m talking fear of having an opinion Because someone will shoot it down Fear of defense or service or selflessness Because someone won’t approve. Fear to accept because of fear of acceptance Fear to truly love someone Because it’s risky, And you never know What someone else really feels. I cry for the fear of Every person who can’t be Who they are and who can’t Let people see them in their entirety Because after all everyone urges And persuades and demands and values And idolizes and expects, You don’t even know yourself, Because you've been too busy With trying to be so many different “Someone Else"s. I ache for this relentless fear. I mourn the stagnancy of the condition Of the human soul who is so afraid To let go of fear And BE somebody, To do something or say something, or simply believe, That the only thing they truly trust Is the familiarity Of fear itself. That’s why fear is frightening That’s why we should be afraid of fear Because it stops us, cages us, Bars us behind the façade we display And muffles the words of our heart. I see these things and wonder Why can’t they change? Why can’t this need to fear be erased From the human condition? And I realize it’s because everyone Is afraid. And I’m so afraid too.
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88
When my heart needed to be broken, When others needed to be fixed. When fear took over my thoughts, When love and lust had to be mixed. When my memories started to fade, When afternoons needed to be drowned in whiskey. When waves of jealousy kissed the shore, When continuing our adventure was way too risky. You showed up just in time.
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Feb 26, 2015
Feb 26, 2015 at 5:29 AM UTC
Punctuality.
Income is an intangible, Taxes are an intangible, Neither exists right now, Only the promise of it in the future... That's what credit is... a bet against a promise. Which means all of nothing, since it hasn't happened yet, all credit is risk of one degree or another, ...based on tolerance or gumption. If all people are, "risky," then all credit is risk, none can be more credit-worthy; less risky... So why not turn future liabilities into income, instead of future income into a liability? Hmm... Impossible? Yeah, ...since anything that gives ordinary people power must be impossible. Jesus must not believe in individual power. The Founding Fathers must not have believed in individualism. No, ...only the state backed by a selected wealthy few should determine everyone's fate by economy. Only a few should have it all.... ...no opportunity for anyone else; the weak, poor, untalented, ugly, simple, ordinary, dumb, handicapped; those ones don't matter. Just NFL players count. Only singers and actors count. Only bankers and doctors matter. Jesus would agree. Makes so much sense?
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Nov 3, 2016
Nov 3, 2016 at 11:58 PM UTC
Solving Unemployment
She was like the forest cold & whispering your name by the wind although her depths were something that only the bravest ones ever dared to appreciate she became so rainy & tempestuous for she couldn't truly feel herself she felt as cold as winter & then she took her last breath and with your name on her flying leaves & thick branches she ripped herself apart then there was a river a crimson flow so risky to approach yet beautifully tempting and those who once came by to appreciate her beauty & her vivid deep green were now so scared of her that they thought she wanted to swallow 'em whole how could ever she? she had ripped herself apart only to see & feel her own depths which once she believed were way too shallow for someone to enjoy being around her but now how could someone ever enjoy being around a dead forest? she died, but at least with no doubt that once she was alive & deep.
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May 9, 2015
May 9, 2015 at 7:18 PM UTC
From the vivid depths to the crimson shallow
You and I were a natural disaster. How we acted came naturally, Though as natural as a volcano. There is beauty in destruction. And darling, we blew up. We crumbled, we burned, And we took others down with us. The aftermath still isn't pretty, But life is rebuilding around us. It's avoiding the rough spots, Still cooling off. It's hard. It's rocky. It'll all come together soon, though. I was magma, unstable, explosive. You were the rock, the result of previous disasters. You were simply trying to grow. I was simply out of control. You and I were a natural disaster. And just like most eruptions, We erupted when it was least expected. Maybe now, I can cool. I can stabilize and reform. You can finally get the stability you need, From a source less risky than I. There is beauty in destruction.
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Jun 17, 2015
Jun 17, 2015 at 7:54 PM UTC
Natural Disaster.
I can’t get my brain To shut the hell up. I don’t want to talk right now. please leave me alone. it isn’t you i   promise, it’s me and N othing can stop me from thinking that it’s my fault and   everything is my fault. why are things this way and why did i   lose you and my friends? i can’t help but think and F eel depressed because i love you. i don’t want to lose you but i   have and i’m not happy, i’m almost never happy anymore. or   maybe i never was. emotions exhaust me but they’re all i know. i   don’t usually get angry but when i do i go off and J ust shut up! you’re wrong, i’m right. why can’t you see that? i   need structure, it’s how i function and you are so incredibly   unpredictable which excites me, even if no one knows, because   that’s risky and i like new adventures but i need stability which   my life, my existence, can’t provide because i’m too complicated to make sense, My life is contradictory
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May 9, 2018
May 9, 2018 at 3:15 AM UTC
MBTI-INFJ
Don’t love me. Please, don’t love me. I know myself, we’re quite close actually, and let me tell you, you don’t want to fall for her, you don’t want that girl, I hate her. I hate her because I know her so well and I know how horrible the truth can smell. Don’t love me, because even I know to hate myself, the vanity that despite this loathing I might actually believe that someone could fall for me. Don’t love me. Don’t love me, because I met Heartbreak once and she left me gasping for air and I will never meet her again. I refuse, so if you love me, please be aware that when you do, some day I am going to leave you, battered and bruised, because twisted self-preservation has taught me all the tricks to keep myself afloat by drowning you. Don’t love me. Because as much as I will love you, I’m not friends with Commitment, and whenever I see him on the horizon I set off running in the opposing direction. I will treat you like there will be no oxygen unless I’m holding you, but when you’re the one reaching for my hand I’ll become the wind. Commitment is not my friend, I said, but no one listens. Don’t love me, because I am a tornado, a storm to chase until I’ve taken everything from you. Don’t love me. Someday, you will be married and happy, and I will whirl back into your life like the hurricane that has never been named after me, and you will believe that all your scars and your broken heart have healed enough that you can run with me. But I have razors between my fingers and wedged in my teeth, and your scabbed over heartstrings will be powerless against me. I am an expert at running, at hurting, at ‘maybe’s. Don’t love me. When you ask me for something more, I will tell you that I am not ready, because I never will be. Chances scare me, and trusting someone so much will always be risky. I will tell you that I am not in the right place for your Commitment, for your future Heartbreak, and you will tell me that you understand but you’ll stick with me, and fire will consume everything. Don’t love me. I can’t even go a few years with a friendship before burning it all for at least a few evenings, but we’ll always rebuild the rickety ashes of the bridges we’ve passed. Don’t love me. I’m only saying it for your safety.
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Sep 27, 2015
Sep 27, 2015 at 11:22 PM UTC
don't love me. please
Don’t love me. Please, don’t love me. I know myself, we’re quite close actually, and let me tell you, you don’t want to fall for her, you don’t want that girl, I hate her. I hate her because I know her so well and I know how horrible the truth can smell. Don’t love me, because even I know to hate myself, the vanity that despite this loathing I might actually believe that someone could fall for me. Don’t love me. Don’t love me, because I met Heartbreak once and she left me gasping for air and I will never meet her again. I refuse, so if you love me, please be aware that when you do, some day I am going to leave you, battered and bruised, because twisted self-preservation has taught me all the tricks to keep myself afloat by drowning you. Don’t love me. Because as much as I will love you, I’m not friends with Commitment, and whenever I see him on the horizon I set off running in the opposing direction. I will treat you like there will be no oxygen unless I’m holding you, but when you’re the one reaching for my hand I’ll become the wind. Commitment is not my friend, I said, but no one listens. Don’t love me, because I am a tornado, a storm to chase until I’ve taken everything from you. Don’t love me. Someday, you will be married and happy, and I will whirl back into your life like the hurricane that has never been named after me, and you will believe that all your scars and your broken heart have healed enough that you can run with me. But I have razors between my fingers and wedged in my teeth, and your scabbed over heartstrings will be powerless against me. I am an expert at running, at hurting, at ‘maybe’s. Don’t love me. When you ask me for something more, I will tell you that I am not ready, because I never will be. Chances scare me, and trusting someone so much will always be risky. I will tell you that I am not in the right place for your Commitment, for your future Heartbreak, and you will tell me that you understand but you’ll stick with me, and fire will consume everything. Don’t love me. I can’t even go a few years with a friendship before burning it all for at least a few evenings, but we’ll always rebuild the rickety ashes of the bridges we’ve passed. Don’t love me. I’m only saying it for your safety.
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43
http://m.wikihow.com/Unhook-a-Bra Pinch the eyelets but oh so gently, To properly unhook the device to safely release paradise From it's containment chamber. This be one of many secrets to unlocking The mechanism that holds some of the happy things The human body artist conceived To perpetuate the Species. According to the internet, To extract joy to the world correctly, Depends upon both your station and your Positioning. Thus, it helps to have GPS, Which most men think is that pointy thing Between their legs, But is not. Given the laws of gravity, And other natural limitations, Sadly that utensil of little avail In this surgical operation. If one desires to release the tension Between the connectors of the protectors, Guardians of her heart, It will be necessary to Let your fingers do the walking. So cut and paste the title above, In your web browser place! Do your homework or risk feeling As petite as a schnauzer. Seems your natural tendency, Righty or lefty, matters in this endeavor, Of which I was unawares, oft pressing the incorrect lever. This, the likely cause of my spectacular Teenage Fumblings and failures. Had I known that fact, In the days before the Internet, Surely I would have brought along my Catchers mitt To step up my game. Sage advice the article provides: *Get a bra, and practice, practice, practice! It gets easier with experience.* But methinks that is a bit of a Risky adventure, Lest you be seen boy, Practicing upon yourself, Or even a dummy, Dummy! So cut and paste the title above In your web browser, Do your home work or risk feeling As petite as a pocket schnauzer. But the most important tip This wealthy article of information provides, The conclusion. In the hour of your desperate struggle, Drooping Ego And Crushed Pride, Ask for assistance from one more practiced, Hopefully nearby, Whose help usually comes with a charming smile of touching condescension For your male idiocy and verbal in-articulation. *She, unawares, that you have got her Positioned precisely where you want!* For when you lift her up, In a free state, the one Divinity intended, and in your arms, enfolded and protected, In one grand poetic gesture, Sweep her off her feet, Her surprise will be **.. O So Touching!**
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Aug 9, 2013
Aug 9, 2013 at 6:30 PM UTC
Unhook-a-Bra (2013)
http://m.wikihow.com/Unhook-a-Bra Pinch the eyelets but oh so gently, To properly unhook the device to safely release paradise From it's containment chamber. This be one of many secrets to unlocking The mechanism that holds some of the happy things The human body artist conceived To perpetuate the Species. According to the internet, To extract joy to the world correctly, Depends upon both your station and your Positioning. Thus, it helps to have GPS, Which most men think is that pointy thing Between their legs, But is not. Given the laws of gravity, And other natural limitations, Sadly that utensil of little avail In this surgical operation. If one desires to release the tension Between the connectors of the protectors, Guardians of her heart, It will be necessary to Let your fingers do the walking. So cut and paste the title above, In your web browser place! Do your homework or risk feeling As petite as a schnauzer. Seems your natural tendency, Righty or lefty, matters in this endeavor, Of which I was unawares, oft pressing the incorrect lever. This, the likely cause of my spectacular Teenage Fumblings and failures. Had I known that fact, In the days before the Internet, Surely I would have brought along my Catchers mitt To step up my game. Sage advice the article provides: *Get a bra, and practice, practice, practice! It gets easier with experience.* But methinks that is a bit of a Risky adventure, Lest you be seen boy, Practicing upon yourself, Or even a dummy, Dummy! So cut and paste the title above In your web browser, Do your home work or risk feeling As petite as a pocket schnauzer. But the most important tip This wealthy article of information provides, The conclusion. In the hour of your desperate struggle, Drooping Ego And Crushed Pride, Ask for assistance from one more practiced, Hopefully nearby, Whose help usually comes with a charming smile of touching condescension For your male idiocy and verbal in-articulation. *She, unawares, that you have got her Positioned precisely where you want!* For when you lift her up, In a free state, the one Divinity intended, and in your arms, enfolded and protected, In one grand poetic gesture, Sweep her off her feet, Her surprise will be **.. O So Touching!**
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79
Big ships, small ships, yachts and dingeys Floating across the mighty sea Carving their way, displacing their weight To keep afloat the Captain and First mate. Old ships, new ships, schooners and cruise liners Have crossed paths throughout the ages old Once to explore, make claim, pirate and fight Now to wine and dine on a luxurious bite Salted beef, rock hard bread and weevil-friendly biscuits A 3 course meal fit for Old Salts alike Weevils & worms and bugs of all kind Along with sparse portions of meat, you might find French wine, filet mignon, sushi and pastries Buffets and fine dining, variety is key All you can eat, whenever you'd like No chores, no work, just eating all night' What a contrast exists between these two worlds Only 2 to 300 hundred years apart Once grimy, risky, arduous and fraught Now fancy, lazy, and much to be bought What if the Old Salts could teleport to today And live aboard our floating hotels? With no masts to climb or sheets to tend Would they break or would they bend? I suppose that switch would be easy enough But send us back to Pirate-ridden waters You'd be sure never to hear from us again Swabbing the deck would **** us alone Not to mention the food and disease of back when. - BPW  Dec. 11, 2013
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May 15, 2014
May 15, 2014 at 4:29 PM UTC
The Old Salt's Strength, a Tribute
She speaks to me through Winter's night, At the clash of fearless winds and tides. Within whispers of memoired days that passed, I find myself entangled in each others grasp. Like a summer's day I forget the tomorrows, Unworthy challenges, expectancies and sorrows, Letting go of my anger and unattended pain, Her whispers are the only things that keep me sane. I close my eyes to the sound of aquatic gusts, Invisioning the days we've spent sharing eachother's lust. Through a swirl of thought I sit beside you, With petals of flowers falling upon each shoe. My arm grips you tight as if hanging for salvation, Yet still we hold a certain fear of confrontation. We path our way with big and small footsteps, Through unearthed soil, we silently crept. The view was shallow; yellow with blue, I gazed my eyes upon this priceless view. Amongst an ocean of grass and rooted flowers, Lay a lonely rose, purveying endless thorn-showers. How risky and deep and precious the thought, That within grass and sunflowers, a rose has been brought. My hands reach to grip, but my eyes twinge with pain, A sudden push through my lungs, and rush through my veins. I wake up confused, my dream disappears, But you my gray rose, you're always right here.
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Aug 28, 2012
Aug 28, 2012 at 7:35 AM UTC
Gray Rose
I Not once in all our days of poignant love, Did I a single instant give to thee My undivided being wholly free. Not all thy potent passion could remove The barrier that loomed between to prove The full supreme surrendering of me. Oh, I was beaten, helpless utterly Against the shadow-fact with which I strove. For when a cruel power forced me to face The truth which poisoned our illicit wine, That even I was faithless to my race Bleeding beneath the iron hand of thine, Our union seemed a monstrous thing and base! I was an outcast from thy world and mine. II Adventure-seasoned and storm-buffeted, I shun all signs of anchorage, because The zest of life exceeds the bound of laws. New gales of tropic fury round my head Break lashing me through hours of soulful dread; But when the terror thins and, spent, withdraws, Leaving me wondering awhile, I pause-- But soon again the risky ways I tread! No rigid road for me, no peace, no rest, While molten elements run through my blood; And beauty-burning bodies manifest Their warm, heart-melting motions to be wooed; And passion boldly rising in my breast, Like rivers of the Spring, lets loose its flood.
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4.6k
One Year After
Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
0
Jul 12, 2014
Jul 12, 2014 at 11:29 AM UTC
On reading Margaret Atwood's selected poetry-'Eating Fire'
Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
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98
You're a staircase of kingdoms. A bacteria, hosted by tolerance. A protist, without an identity of your own. A fungus, risky and thriving on what once was. A plant, needy for growth that flowers ambition but wilts your respect. An animal, a robotic hunting machine that thinks it can think.
0
Nov 18, 2010
Nov 18, 2010 at 6:10 PM UTC
The Science of You
"montana-says-yoga-pants-illegal" Look up on Yahoo we got quite the stash, under the illegal grass, in our hidden home, bring 'em out when it's just the two of us, looking to get exercised o'course we have secret codes, (yogurt slackers) never call 'em by their real name in public, lest we get sent by drone to the new orange and black jail when we be feeling risky-frisky, under our coats we wear 'em semi-publicly, but to blend in, we only buy black, seeing as we live in new york seeity, where we reside, black be the only legal color for approved illegal street walking never when we travel domestically in case we get busted, don't want to face federal interstate charges of inciting others to riot sensationally! this land is not my land, maybe it is yours, but if you come alooking for us, we got a cabin in the deep words, where we practice dress code freedom, no ties, shirts untucked, navel (oranges) fully exposed, button down shirts always  unbuttoned, (my high school days revolutionary first strike) hoping to escape the idiots we place above us to "govern"
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Feb 17, 2015
Feb 17, 2015 at 4:34 PM UTC
Illegal yogurt pants
Two blocks up , I am in a different country Land Rover solves the dodgy directions The movie bar in Calacoto feels like home Wood fire outside smoky smoking area Drink fuels the inside outside conversation An almost Irish pub mix of entrepreneur and Adventurer and lawyer and endless talk Between pizza and passion is the fire of love Four hours to wake up call ends the night As midnight curfew calls the others home.
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Jun 3, 2013
Jun 3, 2013 at 9:36 AM UTC
Risky Business
It's always risky to love a paper person He'll always look back at his Paper Town with his paper personality. Worst is: paper love can be cut out. It'll feel good once you move on -- leaving and bringing your cut-out self back together again.
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Jul 26, 2015
Jul 26, 2015 at 10:29 AM UTC
Paper Love at Paper Towns
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
0
Jul 10, 2023
Jul 10, 2023 at 11:25 PM UTC
5 years later, the artist returns to his first job: being luminous and dangerous
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
Continue reading...
74
Plead on naysayer Like the pride of a mouth breather Calloused like the fringe of a broken guard rail You're sharp, and your halfwit isn't enough to keep a light lit But you're clever and you're under my skin with your blood ***** Have you gotten close enough to check my pulse yet? Tell me what it says, I'm sure it's morse code for something Because It's been speaking to me in languages I've never heard of, but based on the hurt I've taken bets Risky guesses better then what the wind lets If I let go it'd take me back to limbo Where the rats and the people scurry all the same, it'd take me somewhere, I don't know I've let you pull me apart to climb inside to take a tour of my heart To let you punch me so hard, something on the other side would come out as a show of art Like a line of blow to the nose, the rows of the pews awe align To make a sound so hurtful, not even your father would turn to give an eye Embarrassed I let you tear me apart, just because I wanted to know what was inside I can't say a word, but two, and all they are is good bye
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Jun 5, 2014
Jun 5, 2014 at 2:46 AM UTC
When 'goodbye' Sounds Sarcastic
*Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”. Prolonged silence. Enter Snail, moving very slowly throughout the play.* Snail: I’m a dead snail. I’m going to Heaven. I’ve lived for 15 years. That’s a ripe old age. I’ve been blessed. Had a marvellous *** life, you know. Well, if you know snails we attract a mate with our slime. Oh, slime turns me on, baby. (Snail moves slowly, and then stops.) Well, maybe I should focus on holy thoughts. Purity...refined thoughts...you know... Snail God does not like *** Copulation is not exactly what Snail God meant when Snail God declared: *"Go forth and slime the world; be ye together..."* Snail God demands purity so let me be so... after all, I’m going to Heaven... a dead snail and moving on to Heaven... (Snail moves slowly, and then stops.) Had a precarious life, you know, all these 15 years... A farmer saw me in the grass. I heard him curse and he raised his foot to crush me. Well, unfortunately for him he stepped on a snake and the last I heard of the man was an expletive and the last I heard of the snake was a hiss. Yes, I’ve had a long life a risky life - but it’s all worth it for an eternal life in Heaven is my reward (Snail moves slowly, and then stops.) (Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.) Frog: What are you doing? Snail: That’s what I was about to ask of you. Frog: I’m a dead Frog and I’m jumping on my way to Heaven. Snail: I’m a dead Snail and I’m moving on to Heaven. Frog: This is ridiculous. Snail: Indeed. It is ridiculous. A Frog going to Heaven? No, for it is truly declared by Snail God: "None but Snails shall enter Heaven." Frog: And in the words of the Frog God: *"I shall confound all other creatures. Only Frogs shall enter Heaven."* And so it has come to pass Snails think they can go to Heaven. Unless the Frog God in Its Infinite Wisdom has arranged for a Dish of Snails when all Pure Frogs are at Its side in Paradise. Well, Snail...you’re toast when I see you in Heaven. (Frog jumps on to near stage right, screaming: “Heaven - here I come!” and then disappears.) (Long silence.) Snail (facing audience): Well, what next? - The snake to Heaven? The Farmer to Heaven? His dog to Paradise? Donkeys to Heaven? (Snail moves on , in its slow way, to nothing but Heaven...)
0
Nov 10, 2011
Nov 10, 2011 at 11:21 PM UTC
a snail goes to Heaven (a one-act tragicomedy)
*Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”. Prolonged silence. Enter Snail, moving very slowly throughout the play.* Snail: I’m a dead snail. I’m going to Heaven. I’ve lived for 15 years. That’s a ripe old age. I’ve been blessed. Had a marvellous *** life, you know. Well, if you know snails we attract a mate with our slime. Oh, slime turns me on, baby. (Snail moves slowly, and then stops.) Well, maybe I should focus on holy thoughts. Purity...refined thoughts...you know... Snail God does not like *** Copulation is not exactly what Snail God meant when Snail God declared: *"Go forth and slime the world; be ye together..."* Snail God demands purity so let me be so... after all, I’m going to Heaven... a dead snail and moving on to Heaven... (Snail moves slowly, and then stops.) Had a precarious life, you know, all these 15 years... A farmer saw me in the grass. I heard him curse and he raised his foot to crush me. Well, unfortunately for him he stepped on a snake and the last I heard of the man was an expletive and the last I heard of the snake was a hiss. Yes, I’ve had a long life a risky life - but it’s all worth it for an eternal life in Heaven is my reward (Snail moves slowly, and then stops.) (Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.) Frog: What are you doing? Snail: That’s what I was about to ask of you. Frog: I’m a dead Frog and I’m jumping on my way to Heaven. Snail: I’m a dead Snail and I’m moving on to Heaven. Frog: This is ridiculous. Snail: Indeed. It is ridiculous. A Frog going to Heaven? No, for it is truly declared by Snail God: "None but Snails shall enter Heaven." Frog: And in the words of the Frog God: *"I shall confound all other creatures. Only Frogs shall enter Heaven."* And so it has come to pass Snails think they can go to Heaven. Unless the Frog God in Its Infinite Wisdom has arranged for a Dish of Snails when all Pure Frogs are at Its side in Paradise. Well, Snail...you’re toast when I see you in Heaven. (Frog jumps on to near stage right, screaming: “Heaven - here I come!” and then disappears.) (Long silence.) Snail (facing audience): Well, what next? - The snake to Heaven? The Farmer to Heaven? His dog to Paradise? Donkeys to Heaven? (Snail moves on , in its slow way, to nothing but Heaven...)
Continue reading...
67
I crave to live as I live to die Let me witness peace at the end of the line, I crave to achieve what my spirit is denied Let me feel the ember in her eyes I crave for the smell of my age at nine Let me relive that nostalgic high I crave for laughter, through the ages I try Let me be friends with those that apply I crave for adventure, risky pleasures of mine Let me journey through the challenges I find I crave for justice, where karma resides Let me have patience for the time I crave for freedom, when the fight resigns Let me breathe victory for sacrifices I sign I crave for sympathy when I fall out of line Let me invite redemption into the time I crave for love, compassion and kind Let me reach for the heart of the crime I crave for wealth in riches and wines Let me be selfish for the sake of my bride I crave to be more than what they say in their minds Let me change the grand design I crave for a miracle when my faith is tied Let me see hope through the divine I crave for Life, with you by my side Let's treasure the moment until the day we say goodbye.
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Aug 1, 2013
Aug 1, 2013 at 11:48 AM UTC
Cravings
The Pedicab drivers of Gotham all say You should ignore a "Whale Hail" because it just doesn't pay. The city is hilly and to pedal gets tough when your passengers are, shall we say, overstuffed. Two tubby tourists out on the town between them they weighed about Eight Hundred Pounds. They had wiped out the Sushi at an all you can eat. Much too lazy to walk on their overstressed feet. They hailed for a Pedicab of which there's a multitude Thats the sole explanation for accepting their pulchritude. Their ride started slowly, but pleasant enough. But then came a hill and the going got rough. He groaned and he struggled as he trucked up the road, but not even juiced Armstrong could handle this load. With two tubby tourists ensconced in the back. He slowed to a crawl then stalled in his tracks. Something had to give with those two in the rear The cab then turned turtle chucking him in the air. The two tubby tourist were down on their backs Their driver unconscious and two tires flat. An Ambulance came and gave him first aide The two tourists rolled off and he never got paid. If we banned too large colas and sixty ounce beers could we hope that these land whales might,one day, disappear? Until then its risky to pick such fares up unless in a limo or a truck thats Ram tough
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Jun 14, 2012
Jun 14, 2012 at 10:38 PM UTC
The tale of the Two Tubby Tourists
You’re wishing plus wanting to win the other side remove your pride, you untied tidal pool, the wide subdivide of these paper pages. Unrelenting numbers remind you of the next stages, taking you wildly to Namibia, surrendering you to Zimbabwe, the terminal station. The narration vocalizes the translation of quotations, your obligation to the violation of the rules, the regulations, vulgarization of spoken word. Pretty paintings plaster typecasts, the pitter-patter of pity’s pretty ****** quickly shifting refurbished velvet sofas. Overcast symphonies outlast witty recast stanzas, scores with notes naturally quote verses romancing seltzer spines noticing the negotiation of sore throats. Oblivion’s oblivious to the people, obnoxiously obscene with syncopated saturation of public vital signs. You’re the vain strain of virus photocopying yourself within skin, waste your sin on tattoos trapped on shins safety pins selecting prints pinning sets of twins to tanned wrappers protecting official reports. The ossuary welcomes records printed on thick paper suspiciously missing skeleton swords. Writing stories reversed while tipsy, quickly preforming risky poetry smog, sweetly omitting secret words, trying to spell simply without the proper prologue.
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Feb 17, 2013
Feb 17, 2013 at 1:52 PM UTC
Tuesday