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Mateuš Conrad Mar 2019
.i've come the one sober conclusion that concludes all other "necessary" conclusions, drunk. the consumption of alcohol and sunlight should never, ever, mingle; it's just plain silly, bad for the usual mood associated with drinking.

what do you get when you
"conflate"
   a post-existentialism movement
whereby, each, and, every, sentence,
looks, like, this,
   or invokes,
"something" akin to "this"?

      comma contra the ditto /
nuance?

          contra-points
meets buffolo bill
meets lily savage...
meets: whatever marylin mason
critique you have
in that head of yours...

and, yes, the platitude standards
of kant was a feminist,
plato was a feminist,
but now...
   i don't even know who
a feminist ist...

   (on purpose "added" T)...
pose...

       a sunday newspaper article,
reads...
    'sting at ******* lays bare
feminist split over *** work'...
i'm either ******* trans-confused
or just gender-huh?

hell, if we're going to ****
around with language,
numb-skull our experience with /
against it...
           good thing i learned
a few chemistry prefixes...

ortho- probably implies cis-,
trans- could imply meta-
when attached to ***,
but not the benzene ring...

    it's one thing transcending
the geography of Copernicus,
quiet another...
to "revise"...
using these vectors,
akin to the benzene ring,
ortho-, meta-,
oh, right... you forgot the para-,

nice thought,
use chemistry vector coordinates
for binding groups,
they're all here,
meta-, ortho-, para-,
      cis-, trans-,
       it's almost like a new
pantheon for the demigods...

the "metaphysics"
of transgender...
cis-,
  "on the side of",
side of what?
   a cupcake 1 +
     happy-birthday singalong,
or, what?

  well, given that biological
reality did the whole: bye bye
and a queen elizabeth II wave...

    the best part of me,
is not about to make sense of all of this...
i'll leave that to the journal-enlists...
       me, back in a *******
in athens,
unable to tell the difference
between a greek and a libyian...
because you know how
the mediterranean folk like:
smelly sheep herders
greasy, damaging good looks,
and an aura of that:
dangerous brunette...
not anything like us baltic folk...
downing raw herrings
in a piquant mingle of oil
and white vinegar...

      anyhoo...
       giggles exhaust me...
so i did get a chemistry degree
"for something", after all...
         classical chemistry
prefixes, required to draw
electron travel schematics...
mostly associated with
the benzene ring,
if ortho-, meta- and para-
positioning is "in question"...

cis or trans isomers...
**** me, i used to study this...
organic chemistry was
my soft-spot...
       a bit like what
cooking curries later became...
eh... brew some ester...
get a perfume out of it...

        but even at university
level they didn't teach me
how to extract polyethylene...
i guess it was polyethylene...

   like the whole oil rests
above water,
for the love of god i don't remember
what two liquids were involved,
one sat above the other,
and you'd pinch
the "event horizon"...
and pull threads of
the polyethylene from it...
strings of plastic...

          so, this current, philosophy
playing with a chemistry tool-kit
invoked into propaganda berlin /
weimar lone no loan woe?

                        sure, i'd buy it...
but up to a point...
    i'm sniffing around and have
come to the following conclusion...
someone...
is really in dire straits...
wishing that gwanp'ah soviet
came back
to settle the equilibirum...
        this current feeding of
a lost void is...
       not helpful...
       as i see it...
   it will take much more than
a ****** to nanny the riddled
males of the capitalistic
  "under-class"...
   queen bee, isn't going to "cut it"...
if she's no gargantuan
***** black 'ole... is "she"?

      and the whole gender neutral
pronoun, schtick?
   that's only worth so much...
sooner or later...
        "they'll" be gagging
for the guns of navarone...

the current mumbo-jumbo
is... alkenes
to me:  cis-2-butene
                     trans-2-butene...
background noise...
  
ugh... chemistry:
             algebra, for the truly wicked.
     but let's entertain
this kindergarten play talk
for a while longer;
no one wants to see a dangling
poopie suffocated by
a g-string,
                  do we?
Patrick Austin Nov 2018
A girl, a woman, lover, friend,
liking me more than she should.
I want to love someone again,
I know she wishes I would.
I love the joy and pain of her,
our hearts are an open book.
My wounds are fresh from this mad world,
when life was harshly shook.
Portrait eyes are such a treat,
looking up at this new man.
Simply, silly, kind and sweet,
She reminds me who I am.
Her witness down inside of me,
exposure to all my tools.
Teaching each other honesty,
we're reinventing the rules.
She has a look she can't disguise,
whenever I look her way.
Optimistic hopelessness in her eyes,
bittersweet each day.
Moving on and on and on and on...
Minx In Verse Jul 2014
Don't let this self-effacing exterior fool you
I am meglo-maniac in the making
Social media the perfect introvert's mask
Reinventing myself daily
Vanessa Ives, girl-about-town, quirky geek
An attention *****
******* in the digital wind
For a like, a follow, a retweet.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
xyloolyx Dec 2014
yet another year zero
reinventing the squeaky wheel
constrained writing just for kicks
reviving a tragic hero
tabula rasa and leaky spiel
trained for fighting prickly ******
hollowing future and reticulating splines
swallowing nature then duplicating rhymes
only a blank drawing
at a bank withdrawing
funds splashing down like acid rain
workers trashing town with great disdain
fluxing bureaucracy
with ad hoc hypocrisy
go country for old zen
and then
shot glass shopping sprees
statues with haunting verdigris
from target to target
the stupid (never forget)
airport shuttles and toxic puddles
epic riddles while popping bottles
thrusting bodies and a fruity box
alternating current and topic drift
trusting hotties with shuttlecocks
baiting adherent with basic *****
eating that dog in a bar by the ditch
bar all rowdy with many shots taken
beer hall drowsy as closing time looms
far too loudly with identity mistaken
the band had us frankly and amply forsaken
awakening in a ditch as the a-bomb booms
a thousand soldiers ready for battle
at town's end with less depleted morals
worried about the deleted portals
we buried hell well without the cattle
no more long weeks of slicing ****** meat
origins about which they should not care
oh to sell knockoffs to the rich elite
hear their yells and use an odd nom de guerre
the profit and the revenue forecast
**** on the new road
the prophet and the parvenue act fast
pill for the wet load
he had dropped the load leaving pungent smells
in the dark it glowed and lit the deep wells
launching a rocket every four hours
we encounter yet more perplexing times
measuring success with fewer metrics
punching the clocks in tall black towers
changing the locks and the warning signs
altering quarters with newer ethics
cannibals watched while we profusely bled
fine forget it forget it forget it
ingest the capsule to induce the sweat
just relieve don't botch
figure figure figure
don't bereave think scotch
ticker ticker ticker
sounded like it came from someone shady
getting beat to end with some other blend
year to date murders now about eighty
yet today's statistics lie and pretend
fudging the digits to fake the assent
so what happened last week stays in last week
all of those painful jarring sights and sounds
making it all seem to look rather bleak
kept sly with pennies and kept shrewd with pounds
on alibaba we will not delete
separated heads from dark desert towns
metropolis with millions of dark souls
lighting up papers for a rapid trip
necropolis with brilliant harkening trolls
fighting the power in order to strip
their medals that they never earned at all
writing this line here and ******* the fall
straightforward message from a plain green rod
a photographer in obscure disguise
throw him into the main canal and nod
the coffee shop looks banal with just guys
losing interest quick and wanting to dip
touching that shiny pink wide-open clip
unknown underground studded with diamonds
mind-blowing trap sounds burst from the caliph
volume gets higher and heads start to ring
they came in sequence and then came silence
waking up confused in a condo lift
taking refuge in an ugly building
just invited myself into your home timeline
somewhat sublime reciting trifling rhymes
alter rhyming scheme to eschew couplets
now fully mobile and automatic
pentameter schemes and android tablets
tents and suburbs that look quite nomadic
recruited minions for the rebellions
human microphones sans inhibitions
quicken resistance to the man's big plan
invoking the crowd to buck traditions
spell that with an accent with great élan
broken mobile phone texting hexagram
a rapid drop in communication
a postal service mailing vexing spam
token for transit lost at the station
we can no longer go back to the farm
here in the city living these last days
sounding the airhorn and the fire alarm
seahorses as fish and whales as mammals
hard to keep track here of various things
went to the desert and smoked some camels
patient zero died sounding the alert
some will paint dark scenes with exigent themes
paintings so dire that your eyes avert
inverse distance decay in the network
old flags questing through the flood and tumult
of course these rhymes make them go **** berserk
losing sight of sites that house the occult
refusing to eat and wanting to drink
these words resonate with all those who think
utopia fell soon after completion
never understood humanity well
rationality ends with deletion
all the fine stuff just goes to *******
humans emitting alienating vibes
they form foul cliques like pups from putrid tribes
three ships all wrecked up in some unknown land
divulging harsh things and eating raw food
far too many times getting shunned and booed
had all my writings fully blocked and banned
still no dumb luck yet after x decades
recalled old friendships that have long decayed
more constrained writing that will make them groan
some will even see the trail left behind
writing all of this mostly in e-prime
punctuation-free zone made just for fun
lighting dark alleys with a mobile phone
some get all the love while others get none
***** ***** ***** ***** ***** ***** ***** ***** ***** *****
ditch ditch ditch ditch ditch ditch ditch ditch ditch ditch
glitch glitch glitch glitch glitch glitch glitch glitch glitch glitch
kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch
stitch stitch stitch stitch stitch stitch stitch stitch stitch stitch
twitch twitch twitch twitch twitch twitch twitch twitch twitch twitch
yesterday's blunt stunt went to the gutter
no regrets no threats no whatever man
just like autechre and that song flutter
forget the police just rave on til dawn
**** how darkness has lasted this **** long
ominous songs here still pumping along
exponential sneers and the obscene scene
existential fears lit up with benzine
socially-accepted narcissism
honest thoughts here treated with cynicism
forget all -isms / go back to the scheme
spending days like these sniffing naphthalene
won't dwank to the masses or kiss *****
temperamental peers can go live that myth
experimental stage done and over with
(pause)
*
* *
*

✝ gone to a higher place ✝
Mateuš Conrad Nov 2015
i'm not working from standard definition,
nor am i too fond of the phonetic alphabet
that denotes the sounds of latin with /ˈlætɪn/,
working backwards, noticing the modern
excesses of those little bothersome flies
that insinuate the necessary stressors,
noticing the blatant similarity of how latin
was written and how english is written...
latin œ or æ is like the german ß...
interchangeable symbolism that's hardly more
o than e or a than e... but an interchange of s and z...
most noticeable in english,
for example the even word and the odd word:

size... zebra... symbol...
           desire... sophistry
           spasm... sequence
           sugar (no one says soo gar... sh')
           suspension... sorrow
silk... zero... satire...       
                                      
like i mentioned once... disease is not easy
with the prefix dis- relegating ease into
the realm of broken arms / fingers...
how it sounds and how it's written:
dißeaße / disease    
(primarily due to y in the prefix original,
  but when compounded changed into i and
  thus invoking the scharfes s -
  w polskim szarfes es)                                               
see.. it works a tomahawk into slicing tomatoes
right off the 100ºC scalp achieved when boiled...
you can even squeeze in a ripe potato if you wanted...
many e e e, many... i thought about reading philosophy
in english, but it was no use... i never solved
the enigma of the ditto ensuring first person, 'second person'
and "third person" how and why it was used...
joyce irish was used akin to the polish method...
hyphen-sequencing dialogue in one, two, three:

- i think.
- i take oaths!
- we're both commanding.
- reminder of the remember:
                                                       ­                                  etc.
usually it was just i said
and then                    "
that                             "
nothing.

it's ****** confusing, but english is the ideal
playground to write philosophy,
written philosophy is so weak in english that
only three maxims guard it (interchangeable to hide the weakness):
beauty is on the inside not the outside,
good things come to those who wait...
altruism per se / utilitarianism per se;
you can write with as much weaved fabric of words as you
like given the english scenario...
but i mind the forest for the acorn
and the crispy autumnal loss of chlorophyl kindred of snow crunch,
so i can twist further in the latinised kabbalah,
moving away from hidden nouns
and into the territory of unsophisticated
pause symbols... revelatory pardon with a and o hidden,
electrified hyphen or comma misplaced,
hence excess poetry extraction from the populace
not loving the musicology of modern grime,
hence the bewilderment of ancient lore of english
sentenced with: that thou shalt not lore;
why did rome survive in the most detested
part of the empire, so naked so ancient?
it's bewildering beyond the extent of natural bewilderment!

so if i were to ever teach english as a foreign language,
i'd more pretty much all the diacritic marks
of other european languages into english,
which is the diacritic blank canvas, and each of
the odd words would be written, for practice and
memorisation of an atypical english accent,
e.g. deßire, spaßm and all the -isms like
empiricißm, psychologißm, egoißm etc.;
and i certainly wouldn't mutilate the language
like native speakers have done with
pseudo-stenography -
'ere, 'av 'sum pears up... th' ladder,
                                         so we know u woz 'ere, lolz.

some might call k the "misnomer" / mis-sonus of c...
but q it also bargaining to take that same oath
of being entitled, as is s.
JJ Hutton May 2010
glamourous indie rock n' roll
orbited our tiny kitchen as i kissed
the nape of her neck.

lauren sliced the avocados.
i prepped the pasta.
our neat little domestic life.

her eyes would ignite mine,
as she spoke of reinventing
the world with her love.

every word rang with perfect truth,
for she had dissolved my callused heart,
and focused my idiot head.

and that night i lied in blankets of her
mercy.
as she licked the wicked wounds
of complacent cruelty.

i've never missed her more.
Copyright 2010 by Joshua J. Hutton- For lauren
Mattrick Patrick Mar 2015
Its not a matter of your body or your age
the truth doesn't carry weight, but sets the stage
for the flow of knowledge: wisdomage.

To abandon nothing, but reinvent everything
including the wheel of your mind;
a complete surrender, absent knowing;

Inheriting nothing, reinventing nothing
including the dreams that you are;
a complete surrender to the way thus far.

We cherish the day, met humbly
without a care, in side and out a tribe in harmony
creating together, sans competition:
pacific planets orbiting the Sun.
Enlightenment
In search of what we do not know
desire what we cannot know
she seeks strange desires inflames.
Strange is the only life I’ve known.

When I was young
I thought for sure
Some girl would marry me
And we’d be happy.

I didn’t know
evils in this world,
tasks of aging disease death.
Under duress I vowed

to be good boy
Most of the time I’m scared.
Life is risky. Everyone
is so treacherous

including myself.
I read somewhere
or someone once told me
poets originate from jesters jokers

hawking insults for king's amusement.
Undress
Before I speak another word
Reveal yourself

Will you swear you’re true faithful devoted
never cheated on a boyfriend
promise to marry me
then run back to you ex?

Take your ******* clothes off
please.
Are you terrified yet?
You are an object

to fiddle with, my exquisite
fetish. Sashay round room
sway hips strut. Sit.
Scoot down. Stay.
Bow your head.

Bend your knees.
Closer, show me
your most intimate
soggy swollen dark

down there. Put it
on the table.
Look into my eyes.
Good Girl.

Between you and me
this doesn’t feel like poetry anymore
hawking insults for king's amusement.
actuality I prefer flip-flop
sometimes tied, other times knotting.

Here’s the routine
She gets ******* at me
And I say *******.
Later I realize how much I need her

Beg forgiveness offer anything
Just to crawl back into her arms.
As far as I can tell
You’re all a bunch of tidy

*******. No one wants to own up.
What is the matter with you?
Accidents happen.
You’re not safe here.

Pendulum swings
ditch gets deeper
trusting what we know not
cannot know.

Intelligence is delicate thread
Other times knotting.
Scoot down
A little bit more for me, please.

“If there is no god than what do you believe in?”
“Nothing.”
“How do you pray to nothing?”
“I don’t pray.”
“What do you do when everything turns horrible, and you’re loved ones are endangered?”
“I make plans.”
“What kind of plans?”
“Lunch, dinner.”
“But what if meals are not a consideration? Like if your loved one is anorexic bulimic?”
“I make other plans.”
“What kind of other plans?”
“Plans to make enough money to get free of people like you who ask too many questions.”
“Oh.”

I forgot what I was thinking. Maybe I was thinking about love and loss. It is nearly 3 am. She is long gone. Memory is the biggest **** of them all, lying, betraying, reinventing everything, making passion with anyone, laughing hysterically crying.
Randy Mcpeek Jan 2019
Finding What Was Lost                          1/12/19

I’m searching for something I’ve lost. You can’t help me look for it.
I can’t quite remember what I did with it. This thing that seems to elude me.
How could I misplace something so important?

I became complacent, that’s what happened.
What was an intrinsic part of me, not nurtured, left me abandoned.
If I call to it, it does not come like a puppy who has escaped the yard with its tail tucked in between his legs.
I have to show what I’ve lost, that it is of value to me.

“Hello?” please come back. I swear I’ll do better, and work harder than I ever have.
I know now that my existence is meaningless without this part of me.

Realizing this, I reach into the dark places of my mind for the light switch to flip on.
Recalling every detail about what I love to do, nurturing what gives me purpose.

Because, in the end, only I can fulfill this need.  
Reinventing, transforming, and evolving. Finding myself along to way.
Becoming a better version of what I was and, in doing that, embrace me.
Hello soul.

By.
Randy McPeek
Mateuš Conrad Jul 2016
reinventing the resurrection of the Roman Empire with
a pseudo-Christ in tow will prove fatal -
or simply propelled to an established
norm for all the wrong reasons
other than a quasi-Narcissism fully embracing
fetishes beyond the standardised
practises of human evolutionary concerns -
see how Darwinism is incubator
of fatalist vocabulary? too much arrogance -
they're nothing more than Spanish
Inquisition leeches - because when was
atheism intended as a fashion statement
with mismatched socks and matching
loafers? probably never.
we already sought to put atheistic economics
on the guillotine tablature -
the temple named: all men are born equal
was always Samson's prize for demolition's
just escapade, in or anywhere outside of
a Glasgow housing estate -
a Scot making a joke about Scots:
how was copper wire invented?
two Scots arguing over a 2 pence coin...
a stretch Armstrong moment i'd like to see.
all we need is Hillary for the unholy alliance
to materialise - the birth of horse racing
and womanised politics -
and are you the baby tarantula on the back
of mama tarantula? no? oh... don't
expect much from mama tarantula
if you're not part of her family and genetic vector.
the resurrection of the Roman empire as cited
by Divine John has a major fault...
the original intention prior to the authority of
Augustus was based on republicanism -
not democracy - the autocracy evolved from
republicanism, not democracy -
and if this be the McDonald model of work
ethic and success, it will be hard finding a few wise
old men to quench a rise in despotism -
the naive-expectation will over-power them -
we could see America as our safety laboratory once -
where the fates of Greek democracy and Roman
republicanism were played out -
rule of the many v. rule of the informed worthy few -
if elections came about the former would
have a lot of numbers anonymously signed X -
while the latter a few numbers but identified with
articulate signatures - democracy is basically
a stab in the dark, that precipitates to a vote of
no confidence - and an immediate imitation of
Pontius Pilate's quest for conscience and washing his
hands in pseudo-Dostoyevsky's the machinist,
with bleach - ****** courtroom -
when older poets recite their republicanism knowing how,
the newer ones recite their democracy knowing neither
how or why - thus the resurrection of Rome built
around democracy and not republicanism -
the washing of the hands and loss of conscience -
this prophesied resurrection of Rome was not based
on republicanism but on democracy, for the simple
fact that democracy had its martyr - a republican member
should another be fixed to compete with him -
no Platonic notation of the idea behind the republic
was ever established - but indeed a lot was noted
concerning democracy - which in practice wasn't
a practice in dialectics, but in dichotomy -
the polarisation of opinions in the simplest terms:
man v. woman, old v. young...
the republicans only had one dialectics ruining them:
the dichotomy between one man and the many -
is man to be as automated as insect or Satanically
rebellious and in his own sway "himself"?
there need not be a conjuring of biblical myths with
this concern - man was not temped for insight
into the disparity of good and evil and subsequent
confusion of attributing each its invested share
of expression in the world of choice -
but man was made an ontological alliance with
the famous villain (i too, akin to Milton's sympathy
a pledged allegiance do make an oath to consummate
a rival marriage, kindred of celibacy shared
by truth or perception, royal, named Elizabeth I) -
for if not by rebellion Satanic not make elemental conquests
or at least improve on them?
Francis Bacon died attempting to conjure up
a refrigerator with a dead chicken - dying from
hypothermia, or a really bad cold; never mind that,
if the resurrection of a united pseudo-Rome is to be
established it cannot take root in democracy -
but it already has, and is doomed to fail
given one of its former provinces risked all to exit -
it has to be rooted in the origin, in republicanism -
but it can't take root there, given the lost vitality of ancient
old age and modern old age leaving behind
only disparity - audacity of youth in every sphere
of life - and the blatantly over-stretched comforts of
old age - the American experiment of having
democracy v. republicanism staged failed -
that was the intention - to see which one was more the success
story of the revival - i appears neither or precisely both -
in that democracy has fuelled the city-states once again:
globalisation and the city-states: London, Paris, Germany...
they exist as separate entities in a web segregating
themselves from national politics and associating themselves
in global politics with only their counterparts -
the Greek city states have been revived by such dynamic;
so if democracy fuelled that, then surely republicanism
has fuelled what happened in the British exit from the union?
coup d'état in Turkey (on the waiting list, joining in
2020 along with Serbia and Albania etc.) - if you can't see
xenophobia and a choice of politically correct vocabulary
you don't see the naivety of Polish pensioners and English
pensioners - Turks at home in Germany - but let's revitalise
the memory the Iraqis share with Mongols and the sacking
of Baghdad and the Siege of Vienna between Turks and Poles -
i've assimilated into British society i don't identify with
such ethnic historicity - i was taught history including Roman
conquests; do i think the Scots will break from the Union?
i think they'll break for ethnic moral - that's
the other member of the unholy alliance, a real cat fight,
2nd Ms. Thatcher in Downing Street? the youth voted
in - the old voted out - when they were concentrating
on the gender gap a milieu gap was convening -
outside of London the impression of the family environment
suggested the youth didn't vote, in the urban environment
youth mingled with youth, to later hear their parents
or grandparents were dying ****-stained in care-homes...
strange: you always seem to wish to be part of a Mongolian
horde in such times for the oddest but the most blatant
reasons... oh yeah, and i read 5 books today...
well, i told you, once you read enough books of your
own choice you end up reading poems and reviews to
give yourself some slack...
- les parisiennes by Anne Sebba (review by Daisy Goodwin)
  (always women reading books by women,
   and men reading books by men... what sexism
   in this post-sexist culture of FEMININE EQUAL)
- Paper: passing through history by Mark Kurlansky
    (review by John Sutherland) p.s. best citations
    from this review... maybe some other time...
-  The Age of Bowie: how david bowie made a world of
     difference
by Paul Morley (review by Will Hodgkinson)
-  the Girl who Beat Isis: my story by Farida K(h)alaf with
    Andrea C. Hoffman trans. by Jamie Bulloch (review by
    Catherine Philp)
-  Pinpoint: how GPS is changing our World by Greg Milner
    (review by Damian Whitworth)
and finally...
- All things made New: writing on the Reformation by
    Diarmaid MacCulloch (review by Robert Tombs)...
                                indeed,
                                 the terrible has
                                 already happened
;
never leverage on
a positive thought when
working from Pompeii -
as the lessons of failure
from the past magnify -
there is nothing
but hindsight and pessimism
in the past to unearth -
while uncertainty and optimism
toward the future readying
itself for the burial rites
of the already unearthed artefacts
in continuum imito (in a continuum of imitation).
Mateuš Conrad May 2020
perhaps a hannibal lecter interlude...

  after all... pronouns... are they really: all that important...

the first the second the third wave
of secularism...
fine... fine... make religious artifacts
dunce...
               make iconoclasm...
make it sacrilege...

   islamic stessors on: no images...
         you'd think: high praises for grammar,
orthography and all that...
"orthography": without diacritical markers:
a technical term for something pretty
pedestrian: a spelling mistake...

pronouns... i much prefer prepositions
and conjunctions: the sharpnel of the whole affair of:
a sentence structure...

the liberal, atheist, secular cuddly toys
can have everything... except for the grammar...
since... i **** on {[( and }]) and whatever
bracket >            and < is invoked
to "reinvent a piece of paper"...

pronouns... pronouns...
      i am for: remembering that an aardvark is...
not... and is...
i like to bank a lot of nouns...
i truly do...

             if it can't be settled with the already
in place: crown pronouns...
e.g.: one should think so...
                as in i...
veer into: are we being... addressed?
  the royal we.... the crown of one...
hell... even schizophrenics have better
days than dealing with a pluralism...
the horde does: and the host...

trans-     meta-           cis-       ortho-
               para-                hell... is this a chemistry
lesson? with this prefixes?

the royal use of the pronoun...
because of the... visible entourage...
hence: is one to think so...
are we... being addressed?
   a very, a very very different mind-spatiality
to the inconvenient cork
or nail of the common, labouring:
plumber...

                i's dot and no dots further:
nonetheless does so...

trans-gender lessons in grammar...
i know an older lesson...
trans-******... buffalo bill lessons in pronouns...

it rubs the lotion on its skin...
   it rubs the lotion on its skin...
   or else it gets the hose again...
it rubs the lotion on its skin...
   yes precious: it gets the hose...
    it rubs the lotion on its skin
or else it gets the hose...
  it puts the lotion in the basket...
and it does
...
                         (greenskeepers... lotion)

                  we are living in very curious times...
which leaves alluded to...
supposed or otherwise suspect "schizoid-bilinguals"
looking for the chance of playing
poker and someone looking over our shoulder...

have all the religous trampling you can
muster... but grammar is the new religious
dogma... it's the new orthodoxy...

                        it's the old orthodoxy...
a totally wonky pancake of a buffalo bill trans-sexuality
becomes easier to understand than
all the trans-gender-                 -ism...
another -ism another -ology...
              
          **** in the church take a **** on the altar...
tell a ******* like marquis de sade did:
to desecrate a crucifix by reinventing it into
a *****... whatever...

but grammar? can't anything be sacred these...
days? royal pronouns: one should hope so...
are: we being addressed?
    
a grevious faux pas -
      looks something like this: hey presto!
why?
         the colon is a prefix to italics...
     i.e. looks something this: hey presto...
but given the bad choice of e.g. -
i.e. it's also a punctuation mark...

             point being: not like this...
              yes: like this...
              and yes... thus...
                       but....         :        and its
hardly a double emphasis...

    O the low hanging fruit... since:
there's nothing controversial to be said...
this is just the pretty much crass...

     i was sure there must have been a writing
to "compete" with the runes...
that st. cyril had to work with something...
before the romans... well... when the romans
never came...
but the southern slavs
moved into the territory of former jugol...

ⰏⰀⰃⰉⰀ / ⰏⰀⰃⰡ
what once was...
and became:
                        магия...

           well... so much for: "out of africa"....
concerned with the complexity of scribbles
                       and doodles...
so much for those chinese tattoos...
the base is above: the word
is the same...

मघ / मग     and that's just the consonants MG...
it's not magic: it's... magia...
or: "or" magja...

          seems like the greek Π is the roof...
     out of india: perhaps out of africa...
but when did people start writing?

     now for the vowels...
                                   मआघइअ:
म   (m)                
आ   (aa)                      अ
घ    (g)        alt.
इ     (i)
अ     (a)...

                   the H is a surd: a shared
detail of both english and sanskrit...
but i think... मघ / मग... the latter is better suited....
e.g. 'atch: well... there's also
that surd of a G and a K: knived a gnome heart
out... laughed: ah ha ha...
and...                     journalistic insomnia
couldn't care for better days...
or UV paranoia: "paranoia"...

ergo...

                                   मअगइअ:
म   (m)                
आ   (aa)                      अ
ग    (g)        alt.
इ     (i)
अ     (a)...                      

this is still not magic... linear! thank "god"...
    well... this pepper... this perpetuated
thrist... which doesn't leave one satiated...
never completed... just more and more...
disastrous... keep the ship afloat...
while i start to nibble on the anchor!
and take ol' 'aptain down with me like:
a mermaid!
Mary Gay Kearns May 2019
What a beautiful mouth you have
And so we beat our boats against
The currents ceaslessly reinventing
Ourselves in the knowledge that
Nothing much really matters
And you don’t have to worry
About flies or parents just
Cleanliness.

And this is how we do it on
The steps of Morocco in grass
Skirts and a sombrero under
A blue sky with tomorrow
Waving goodbye.

Love Mary **
In memory of F Scott Fitzgerald
And the idea of reinventing
Oneself.
mark john junor Oct 2013
the girl has her face removed
and replaced with a plastic advertisement
for bubble gum
chew on my head she says
with a slick smile
and as she fades down an alley
she is whistling an old
Broadway showtunes
she is reinventing herself from
inside a box of cereal
trips are for hippies

there are gypsy's hanging round her door
selling tickets to the dinner theatre
of her self inflicted dreams
the actors are picketing out front
for better lines
she took the best ones and rewrote them
to resemble the life and times
of sherlock holmes

she disrobes her masked face
and with a cautious shy smile
envelops him with her presence
her planned nature crafted to perfection
without second thought
without hesitation eats him alive from the inside
still hungry she mingles in the crowd
so she can steal their french fries
and **** on their soda's

she's celebrated
and cheered as she mounts the stage
her left handed shuffling fingers
grasping the fundamentals  of her mind
but a weak grip on reality's slippery skin
leads one the rabbit hole
to delusions publicly lived
standing in the worlds shadow
talking to yourself
laugh louder than the one next to you
lest they think you weak minded
and the small sounds at your ear
is your free will escaping

she lay down at the end of her day
and with Aesop's fables wished herself
away from this
dinner theatre of the mad
Mikitara Oct 2013
again again again
remember
that we were friends
and we aren't friends
plastic teardrops
plastic silence
plastic lies
glass pride
glass voices
glass trust
that we broke
and we break
all over
again again again
© 2012
judy smith Aug 2016
Ten minutes is all Sabyasachi Mukherjee has. “Can you keep the interview short,” I’m asked, as the announcement of his participation in the finale of Lakme Fashion Week’s upcoming Winter Festive show is made. Is ten minutes enough to recap the 14-year journey of this master of colour, cut and construction, I wonder. But I realised that Sabyasachi in rapid-fire mode can make ten minutes seem like twenty! Excerpts:

What is it about LFW that made you return?

It’s here that I first made a mark as a designer. I’m familiar with the format, and know the people. It is like a homecoming. The good thing about LFW is that everything is taken care of – from building the set to inviting people. So I have the freedom to focus on the clothes. It is like putting together a complete show, but doing only half the work!

Finales are a challenge – given the expectations of people in the fraternity, profiles of attendees and the intangible themes created by Lakme for interpretation into garments…

Well, it’s not at all difficult for me. This is my fifth finale at LFW. Once the make-up and hair are set, it is easy to imagine the look and what the girls must wear. I’m way too senior to worry about pre-show stress. My biggest pressure comes from whether I will like what I create. Beyond that, even the critics’ reaction doesn’t really concern me.

Will this line too be about Indian-ness?

Whether I do Western, Eastern or a combination, I always use Indian handcrafts, and all my clothes are handmade. Traditional textiles, block prints, weaves and embroidery are a constant in my collections. The theme being “Illuminate”, this line is about red-carpet clothes with a strong shimmer quotient.

Sunday was National Handloom Day. Considering our diverse range of homespun textiles, do you think everyday must be celebrated as handloom day in India?

Absolutely. It is mandatory at my stores. My staff wears only handloom saris or kurtas made of hand-woven fabric. My Instagram hashtag says ‘Wearing handloom everyday.’

Social media plays a significant role in promoting tradition. Smriti Irani’s ‘I wear handloom’ campaign on Twitter and the 100 Saree Pact are recent examples. Isn’t it time designers too found new ways to promote heritage?

Yes. As more and more Western brands enter the market, our designers must first establish an identity of their own. The Zaras of the world are bringing active prêt into the country, so it is important for us to revive the market for Indian clothes. Reinventing tradition and rethinking marketing strategies are critical at this point.

Has the hustle of today’s business taken fun away from fashion? How do you strike a balance between creative expression and commercial viability?

Oh, that’s very simple. I set my own rules. For instance, this year, I had too much on my calendar. I didn’t do ramp shows, I only had a showing on Instagram. Established designers must create new templates that suit their creativity instead of allowing the market to set the pace for them. Because, at the end of the day, only if you have the time and space for creative expression, can you create beautiful clothes that determine the durability of your brand.

If you were to spell out two major problems faced by the fashion world, what would they be?

Lack of originality. Lack of self-belief.

Fashion has evolved into a glamorous industry, and today, many youngsters want to be part of it. But most of what we see on the ramp and in the retail space are risk-free repetitions.

Well, for designers to evolve, the market has to evolve. But the mood is changing. There are designers who are willing to push boundaries and clients who are ready to experiment. Facebook, Pinterest and Instagram are changing the way people see and respond to fashion. The horizons are widening. This is a wonderful time for young designers to launch their labels and sustain their inventiveness.

Very few Indian designers have taken the effort to document fashion. What about you?

Yes, I will at some point in time get down to writing about my brand. But for that, I will first have to find the right publisher!

Many corporate players are keen on collaborating with designers.

I receive so many proposals for collaborations that I refuse one every day! I am collaborating with Asian Paints, Forever Mark and Christian Louboutin. Another huge one is coming up – but I will not be able to speak about it at the moment.

Do seasons really matter any more in the world of fashion?

Global warming is making designers understand the importance of season-defying clothing. And people too, I feel, don't shop for seasons any more. They just want beautiful clothes.

Can you update us on your forays into jewellery design and interiors?

I have collaborated with Hyderabad’s Kishandas & Company to create some iconic pieces that are hugely popular — and of course, plagiarised! I have a line coming up for Forever Mark. As for interiors, I wanted to design homes, but people did not seem to have enough confidence in me! (laughs) So I ended up doing up my own stores. I have also done up the Cinema Suite for the Taj in London. Celebrities who have stayed in the hotel have appreciated it. A significant collaboration in interiors is happening in October.

Your suggestions to keep traditions going…

People need to be educated about handmade textiles and crafts. A time will come when China will lose out to India because as people become aware, they will only want to support products that are ethically sourced and foster craft communities. Surprisingly, the new millennials are in favour of luxury that is completely handmade. I see that as a positive sign.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/backless-formal-dresses
Seán Mac Falls Jan 2016
( Loki )

1
All ills you have wrought
Mischief maker in the dirt
No shower will cleanse

2
Poor Woolfy Spirit
******* in actuality
You ARE Beryl Dov

3
Thor is your new name
Psychopath reinventing
Same old *** trickster

4
Who is following
The fortune cookie writers
Such lame phony names

5
Fragile ego here
Pages of Wolf and Beryl
Drama queens reeking

6
Even as he leaves
Tireless self promoter
Lowers the banal*


Note:  
Wolf Spirit IS Dire Wolf IS Toreanus Pinwinkle III IS Thor IS Beryl Dov IS ******* ( aka ******* ) Rabbi IS soooooo many others - a many-faced pest and pariah, previously banned on other sites for being stalkers and sociopaths !!

See:
http://hellopoetry.com/poem/1530102/wolves/
&
http://hellopoetry.com/poem/1516652/breach/
&
http://hellopoetry.com/poem/832663/beryl-dov/
&
http://hellopoetry.com/poem/1527822/not-a-poem-an-open-response-to-wolf-spirit-and-wolf-spirit-dire/

Basically anyone who follows these massive-ego predators is probably them !!
good riddance PEST
.
James M Vines Sep 2015
I look in the mirror and I don't like what I see. For years I have done what others wanted. I have been something I am not. Well today that all ends, I will no longer conform. I am tired of being hungry so I can fit into clothes that I do not like. I will no longer walk in shoes that are uncomfortable to me. I will eat until I am satisfied and wear my hear how I please. I will gains some weight if I want to and feel good in my own skin. I will voice my opinion even if others do not agree. Today I am reinventing myself, today I will finally be me.
tamia Feb 2017
here's to the glam rock messiah of outsiders and misfits,
the androgynous man of the stars with the music.

born in brixton,
he traveled the universe by spaceships and soundwaves
with wild hair and one eye dilated.
book-loving and queer,
in love with the thought of turning 50.
the world had never seen a man
living different lives at once,
but here the starman came reinventing himself:
ziggy stardust, thin white duke, aladdin sane, major tom—
all different selves tied together by his heart.

he lived his earthly mission, rightfully so
that even the gravity of the world could not keep him put.
so on and on he strummed his guitar and crawled on stage,
in spaceboots and dresses, in porcelain doll makeup,
reaching out to all the nobody and somebody people

but one day his cosmic vessel
was taken down by a secret sickness
and halted his mission here on earth,
and so the streets and little bars smelling of cigars
were flooded by the ones who mourned,
who looked up to the stars,
wondering where their starman went.
the world had never seen such an electric creature,
but here the star man came in music and dance,
saying it was alright to be weird—
to embrace strangeness
in a world where every earthling wanted to be the same.

and perhaps, he isn't really long gone:
his time here may have ended
but now he is out there, somewhere,
on some distant star,
watching over the Earth as he always has.
i miss you, david bowie.
alexis hill Feb 2017
So I promised myself,
never again.

   But here we are...
Jack Turner Aug 2011
I sit up at night and find my head up in the clouds.
I take a look around and find you holding court
Even if its only kings and clowns, its everything you've ever wanted,
And there is the crown of diamonds and myrrh
Sitting upon your brow lightly as a newly fallen layer of snow.
As the stars go rushing by my ears and across the sky,
The only thought to cross my mind is the beauty of you in my eye.
We can be kings or pawns a man once said,
But what can that possibly matter when he's long been dead?
Preventing me from asking him what those frosty words meant,
And when the gold mountains rise to meet the starry skies
I make a wish upon you, you shooting star blazing through my life,
Hoping to take you from this group of fading glimpses,
Reinventing you as my lunarary waxing gibbous,
Maybe to one day have you become the sun.
I greet you in the East as you dictate the heartbeat of the day,
But as I lay my head to rest, descending from the clouds,
I find you locked away in my heart.
I will breathe for you another day, another time,
Watching you shooting star across my skies,
Departing from my life as a wish unsaid, a wish untried.
I am left, my head on my pillow, awaiting my comet come round again.
judy smith Jul 2016
According to Indian designer Anita Dongre, the bridal look is not about going over the top anymore. She shared that nowadays women prefer to wear traditional outfits with a casual edge to them.

“Today, young Indian girls like to wear traditional outfits with a casual edge. We do a lot of printed lehengas with pockets,” Dongre said in an email interview. “Even if you are all decked up as a bride, your personal style should always shine through. It’s not about doing an over-the-top look anymore.”

The designer, who is not only a celebrated name in the Indian fashion industry but also a successful entrepreneur, believes that a bride must look like herself on her big day. “She should look like herself, but just more beautiful on her special day. She should feel like a princess, light on her feet, who dances at her own wedding”.

As a prelude to the Vogue Wedding Show 2016, which will be held in Delhi next month, Dongre will be showcasing her bridal collection at the event titled ‘Vogue Bridal Studio with Anita Dongre’ at the Kemp’s corner in Mumbai next week. Bollywood actor Yami Gautam will be walking the ramp as the showstopper for the event. The three-day long Vogue Wedding Show will start from August 5 at the Taj Palace Hotel.

Talking about the Vogue Wedding Show 2016, Dongre said, “The Vogue Wedding Show is on our annual calendar to start the wedding season. It is the only time that prospective brides can personally meet me. I look forward to interacting with them.” According to her, in India, couture is basically bridal couture. Dongre feels lehengas and saris are here to stay, as designers keep reinventing them. “Designers are getting more lavish with Indian craftsmanship; the traditional weaves, gota patti, zardozi and heirloom crafts,” she said.

While there is a perception that when it comes to grooms, there is not much one can experiment with, Dongre has a different opinion. She feels Indian men are a lot more open to experimenting with their looks today.

“Comfort and casualness still remain a priority though. Stitched dhotis paired with long kurtas, bandhgalas, shirts and bandis … Each silhouette can be a part of the groom’s wardrobe,” stated Dongre. “When styled well, they look modern yet very Indian.”

Having recently roped in Kareena Kapoor-Khan as a muse for her brand, the ace fashion designer believes celebrities add star power to the clothing line, but fashion does not necessarily need a Bollywood face to work.

“Celebrities are a vehicle to communicate the brand message. We are mindful of the celebrities we collaborate with, mindful of their reach, aura and the value that they will add to the brand. Having said that, I don’t think that fashion cannot work without a Bollywood face,” Dongre concluded.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/vintage-formal-dresses
AJ Sep 2015
It's not reinventing yourself.
It's reinventing the wheel.

You're a subpar elitist at best.
More realistically,
You're way below par.

If this was golf.....
Gabby May 2020
“Haha You’re going to have nobody in July”

Flash it back to last summer,
While people are out on beaches, getting tans,
And at camps reinventing themselves,
I’m sitting on the couch with Netflix open,
Watching my favorite show on rewatch
While wishing I could have someone to talk to

Texting just not doing it for me,
But none of my friends are free,
Their off living their lives out in the wild,
With people surrounding them, while being happy in the sun,
While I’m here in the dark, with the only light being my computer screen.

Maybe they were right, I really will have nobody in July,
No one to visit, no one to talk to
Even my sisters are leaving for college in June,
Options running out,
Once again I’m limited to the people on my phone,

The people who don’t want to talk to me,
And answer hours after I text, not caring enough to reply as fast as I do,
Leaving myself to scroll down, video after video,
Wishing that was me, laughing with someone in my room
Instead of being all on my own
Yeah, they were right I’ll have nobody in July,

Even more now that their gone,
One less option that I used to have,
Even though we rarely saw each other face to face,
We still talked at least once every week,
With that gone now, I just don’t know what I’ll do,

I don’t want it to come to scrolling endlessly on my phone,
Unable to read ten pages in one sitting,
Unfinished lyrics, and paragraphs left alone, just as I am
Motivation tossed away as soon as school rolls out,
Nothing left to do except sit on the couch,
Listen to music and wish that someone would text me,
Even though I know they won’t.

Maybe they were right, I really will have nobody in July,
No one to visit, no one to talk to
Even my sisters are leaving for college in June,
Options running out,
Once again I’m limited to the people on my phone,

The people who don’t want to talk to me,
And answer hours after I text, not caring enough to reply as fast as I do,
Leaving myself to scroll down, video after video,
Wishing that was me, laughing with someone in my room
Instead of being all on my own
Yeah, they were right I’ll have nobody in July,

All I have is myself,
And for once I need that to be enough
All I need is to get through the month,
The longest month in summer, when people are practically begging for school back,
Me more than most.
Back in those halls where I talk to someone daily,
Have more than just myself telling me to get work done,

A reason to wake up in the morning,
Instead of two in the afternoon,
While falling asleep at three,
Unable to rest when there's nothing to be tired from,
Expect the endless silence of the communication I wish I could have

Maybe they were right, I really will have nobody in July,
No one to visit, no one to talk to
Even my sisters are leaving for college in June,
Options running out,
Once again I’m limited to the people on my phone,

The people who don’t want to talk to me,
And answer hours after I text, not caring enough to reply as fast as I do,
Leaving myself to scroll down, video after video,
Wishing that was me, laughing with someone in my room
Instead of being all on my own
Yeah, they were right I’ll have nobody in July,

“That was a mean thing to say I’m sorry”
songs are poems in disguise
K Balachandran May 2015
Sitting cross legged on earth, in the wilderness alone quiet,
I meditate,on the single sprawling tree, in her poetic best,
verdant and robust, I wouldn't fail to see how ceaselessly
she did strive, in  reinventing herself moment after moment.

A bird, dedicating her song to the evening's evanescence,sings on,
like nothing else ever matters to her, even after it's end,
as she has known her inner-self better, by making her songs
more relevant, each time  than before,and than the songs of others,
without any reason particular, more by a compulsion mysterious.

While delving in to the depth of that compulsion, Marianne Moore,
I feel present in my mind, she is the tree fighting the creative battle,
not to  dislike her own creation,the bird with persistent compulsion.
"Poetry" Marianne Moore once said "Ï too dislike it"She refers to a kind of poetry neither honest nor sincere, but has found approval by virtue
of it's obscurity.
Heidi Franke Apr 13
Out of the darkness
I claw and rise to see
There is a forest inside.
The green surrounds me.
The sun's rays splatter
Me awake to my open body.
I let in the light
I lean into the forest
With the trees holding me up
- as I tilt to fall
Reinforcing my stand I forgot
- I was a part of.

The green has grown so strong
Like the blood that sweeps away
Inside of me to a rivers tune.
I don't want to leave this place,
Fearing it will be taken beyond
Or that it was never mine.
Reinventing this woodland
That has always been inside.
The pine, the wind through the branches, the owl winks.
It has always been here with me
Compelled to germinate
Waiting for my return.
I lift up my head and the sky
- Is so blue.
Recovery from PTSD
Maman Screams Feb 2014
I got my ears plugged
Eyes tight
And
Lips shut
Reluctantly refusing
Self alluring truth
Profusely inviting
Petty captivating lies
Reinventing exits
To build refuges
Soothing fugitives
Before the hurricane rise
Are we daydreaming
When the sun's ray shines
Or are we relieving
Among the moon night sky
Promises burying hatchet
Imparting forgotten hatred
Cycling seems to be reversed
Rewinding lost tapes reserve
All this delusions inverse
Contrary motions now swerves
Hallucinating angles preserved
For I shall ink no further
The truth of this lies tethered
As this true blue love leaves
Incepting my stray mind free

©2014 Maman Screams
Vanessa Gatley Mar 2014
You seem to make me alive as though I'm a beast inside
      
                    With  all the prayers said its  predestined he's creating your duty
    
                    This  memory wont ever die like you had with  plans
        
                 I have lot guys making my heart smile and dance  
                    
                       But your the one who complete my weaknesses
                          
                                       Noticed from your vibe  
    
                       I  have no fear of being shy cause your THAT one
                    
                                     Who hides that weird of mine
      
                                 Take my breath away , let it drift   slowly
                                              
                 ­                           Seal my lips  with a kiss
                                  
                                            For it is  more
                                                                ­      I crave
onlylovepoetry Nov 2016
(I) Love Thy Neighbor As Thy
self

~

how I would
honor this with
joy effervescent,
this simplest of methodologies

if only I,
could permission myself
to love myself

if only I,
knew
how to love


~~

(II) redemption: the city of man reinventing himself

busting bursting, this city,
ceaseless change,
old discardation,
how blind am I,
skyscrapers built in a day
how have I failed to notice

the estate changes
a master plan unknown,
the reasoned limits ever stretched.
in defiance of taste and sense,
obedient to Babel tower's net-result,
the miscegenation of language

but this is a ruse issue,
an example of me/man,
this new born spawn,
a wagging tail of

a man I know,
a failed inventor,
nary a patent
to his name

years on years
he patiently awaits
for one true inspiration
a redefinition, a redemption,
a reinvention, a new cornerstone
to lay upon it a new foundation

just a clue, a single block,
he can clean erase
start over, inaugurate
a recommencement celebration
to  begin the same mistakes

here be the rub,
the irritation,
the seed comes implanted
and then
wind spread
can be only repaired, replaced
when cross pollinated

with the love of a foreign body
and his only crime, love poetry,
his crime alone, for unopened
it, and he, both-awaiting the time
when others come impatient

to bulldoze him aside

~~~

(III) Three

three

an oddity
an uneven symmetrical imagery


"only love poetry"

a three sum,
- three legged stool-

there is nothing new under the sun,
whispers the Psalmist


this I whisper
only, alone, one,
be no such!



only love poetry
until


~~~~


postscript

*if only I,
knew
how to love
Mateuš Conrad Jun 2016
the moon is near white after being lowly yellow
for a spell, some random is acting out
a werewolf incantation on a windowsill
air-drumming - honestly, i thought that air-drumming
would always be more entertaining than
that ******* of air-guitar - you get the groove man,
you improvise your own rhythm, you
rip the ******* heart out and tell it to be rhythmic
to your own choosing - but no, you had to get the
elongated imaginary ***** out fiddle it like
a flute you'd never blow into - makes sense,
entertainment comes dirt cheap these these in Las Vegas,
the sombreros are out and the jig misters of
forgotten jazz are playing a speedy version of
Miles Davies' kind of glued blue - oddly enough
i liked the abstract corn-on-the-cob *******' brew,
don't ask me why i think what i think, certain music
just makes me think - but in the case of the doors' L.A. woman?
nope, no clue, i get the spontaneity jitters all over me
like goosebumps at a horror movie screening -
i start singing, i start air-drumming,, July 3, 1971 in Paris
never happened - they still put make-up on the cemetery
bust while the Spanish leave a joint (which some
*** probably picks up, smokes it and giggles)
but the point is, i can hum the bass-line, the guitar solos do not
deviate that much from the rhythm, they're more tweaks
than solos, accents, when guitar and vocals combine,
the vocals give cue to the guitar to do a sly elevation from
the rhythm, jazz rock, man, that's what the doors invented,
jazz rock, never heard that before, it's not prog rock
with too much elaboration on either drums or guitar,
guitars of Mahler or Penderecki can hide in the dungeons,
i mean slick ****, so many years on and i'm reinventing
the ****** thing, it's not even psychedelic rock,
fair enough Manzarek playing the cowboy harpsichord
of the saloon with some odd drinking buddy (like me)
flipping the score pages and pouring liquor into his gob,
but all the instruments get a chance to breathe,
the vocals aren't exactly Meat Loaf and thank **** for that,
it's like clicking your fingers or whistling -
i can hum the bass line, i can air-drum the beat,
the guitar solos compliment the rhythm / rhyme -
jazzy rock, it's a fluid composition...
by the way... please, someone tell me that Val Kilmer
isn't playing the position of defensive midfielder for
Grzegorz Krychowiak... a doppelgänger if i ever saw one;
i must be ******, i'm seeing double; uh.
Infamous one Jan 2014
Reinventing myself again
Im not meant to be a step dad
Over dating girls who have a child
Cutting ppl out I seen them as awesome
Too bad they **** and sti k on stuff they can't change
Ive begged and pleaded no one listens
Mad at me over some girl who dont want you
Girls who dont take me serious but get mad once im over them
Ive never been one to kiss *** I did what I can to make it right
You cant let go that's on you
I apologized you can't forgive thats on you
By rejecting my apology I took it as go **** yourself
I thought how maybe its my fault but I dont deserve to be treated like ****
Dating ***** getting to know all the wrong ppl
Id rather be alone then stressing over being with someone who dont love themselves
Never emotionally available when I find them attractive
It ***** when I make my way no one care or believes in me
Ive been angry and jealous I go out if my way and nothing
I know ppl who dont try and blessed for days
Im working for mine
Putting in time to better myself
I never think anyone is better than me just different
I can have any girl just have to be confident
Im use to reject the think that mind rapes me is when a person completely changes on you.
Thinking one way but acting another way
Auroleus Sep 2012
Presently living in a
Past that never was;
Dwelling on the
Wouldas Couldas and
Probably shouldn'ta beens;
Reliving old sins and
Reinventing new ones while
Repeating the same old formula
Over and over again.
The cellar dweller feeds on
Fantasies and nostalgia;
Only accepting food that tastes
Relatively similar to something he
Enjoyed when he was happy
Once upon a time.
A slave to the good old days...
And so long as he eats,
Any resemblance of future happiness
Remains locked away
Deep in the cellar-
Guarded fervently-
By the dweller.
The many city blocks once quiet and safe
normally busy with the locals.
Classed as a multi cultural communities
no longer has the same feel.!
Spontaneous trouble erupted on the streets
organised with thousand of tweets.

After dark the mayhem was orchestrated
and expanding into a war zone.
Police were unable to regain control
as the gangs had a free hand!
Businesses, homes were robbed and looted
the air with smoke polluted.

Gangs roaming in violent mischievous packs
no fear of police respect was gone.
A new era had dawned upon the English public
unprecedented violation on the nation.
Incredibly lost lives and injuries were not more
as people's worlds lay on the floor.

To long a delay in the politicians reaction
why no action taken before?
Before the young made a mockery of the law
reinventing mob rule!
Is it true our leaders are not really effected
and are no longer respected?

Without the confidence and trust of the public
the simmering tension will rise!
When the criminals and anarchist begin to win
what hope for a once proud nation?
With no strong government or trusted protection
there could be complete disconnection!

What will happen next and where? Be careful out there!
As into the day the violence would not go away!

Is the war really here?

The Foureyed Poet.
Something I have never seen before. Gangs ruling the streets causing destruction, looting and mayhem. And the police seem helpless to stop them! What is going on! The Foureyed Poet.
irinia Apr 2015
“A woman needs to find a way of creating boundaries that is not a violation of her instinctual feeling of wholeness.”*

daring like a ballerina
simple as a peach orchard
she loves me like a daughter
from the height of wonder
I look at her with innocence
like a mother
I teach her how to stare in the sun
to see flowers of light
the fragility of colours
and how stories happen in the dark
the hardest part is letting go of knowing
reinventing the smile
words stand there not pretending
tangible, waiting to be broken
here is everything letter by letter

cruel and demanding
like a song, like a perfume in autumn
“I lend you my fairies,
you lend me your arms”
silk embraces
uncracked choices
I follow her into laughter
She follows me into tenderness
little exchanges, attunement, failures
when to draw a line
when to plunge into circles
store fat miracles
a grasshopper is coming in
propelled by the infinite desire

“you don’t have wrinkles, mama”,
she laughs
a bird came to nest in your heart,
don’t frown, mama
let’s yell to scare baubau
"should I make it yellow?"

every day she’s mapping my honesty
giving me her burden of childhood
and we found ourselves raw and dreaming
in between hearts
kenye Aug 2013
She was lust in the morning
     and art by nightfall

Where she whispered halfway moans
     of words plagiarized off the wall

Some little death
Some ironic typography
     reinventing fate
    
Manifesting her destiny
     In stutters
     she gaits

A soul tripped out of the dream machinery

Now she's standing naked
     In the door way

The threshold
     between mundane and fantasy

Staring down the destiny
     about me

She asks me
     to follow her bliss

Her skin heralds the call
     to my hands around her neck

She wants to be
     bruised
     So Gracefully

Pulling her hair back
     dragged
     in and out of dreams
irinia Mar 2014
what is beauty: a naked word
sore chest with wonder
torment-like tension suddenly flooding
soothing radiation within
unborn words
silence

a world reinventing prayer: it is beauty
tearing me down
"Yet many timid
Eyes await a glimpse
Of the light, reluctant
To flower in the glare"
Friedrich Holderlin
b for short Dec 2017
Twenty-nine belts bravery from a bottle.
It feels like all talk and no game.
Twenty-nine has thighs that don't lie
and a finger that motions you
to come closer.
It relearns each facet of love
and finds beauty in its own reflection.
Twenty-nine betters the invention
instead of reinventing it.
It imagines kissing strangers to feel alive and
gifts the pearl to the jewel thief
with no words- only smiles.
Twenty-nine strikes a match
in the middle of a pitch black nowhere,
only to see the smoke twist up and away.
It cracks and hisses when it feels its been forgotten.
It smells like pine needles, orange peel, and sun bleached cotton.
Twenty-nine forgets those who have forgotten it
but thanks them for the lessons.
It likes church but only for the music, architecture, and sociology.
Twenty-nine won't apologize for passion or pity,
but it will drip with empathy at inopportune times.
Twenty-nine steeps itself in scalding water
only to discover its true flavor.
It finds no comfort in the opinions of others
but will only rest at the signal of a nod of approval.
Twenty-nine looks down into the neverending
and can't decide if it wants to jump or run.
It handstitches a parachute
as it dangles one foot over the edge,
says a prayer to no god
but writes hymns that bring tears.
Twenty-nine keeps breathing.
It keeps breathing.

— The End —