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"ranged" poems
Before going to bed After a fall of snow I look out on the field Shining there in the moonlight So calm, untouched and white Snow silence fills my head After I leave the window. Hours later near dawn When I look down again The whole landscape has changed The perfect surface gone Criss-crossed and written on Where the wild creatures ranged While the moon rose and shone. Why did my dog not bark? Why did I hear no sound There on the snow-locked ground In the tumultuous dark? How much can come, how much can go When the December moon is bright, What worlds of play we'll never know Sleeping away the cold white night After a fall of snow.
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December Moon
It was a hundred years ago, When, by the woodland ways, The traveller saw the wild deer drink, Or crop the birchen sprays. Beneath a hill, whose rocky side O'erbrowed a grassy mead, And fenced a cottage from the wind, A deer was wont to feed. She only came when on the cliffs The evening moonlight lay, And no man knew the secret haunts In which she walked by day. White were her feet, her forehead showed A spot of silvery white, That seemed to glimmer like a star In autumn's hazy night. And here, when sang the whippoorwill, She cropped the sprouting leaves, And here her rustling steps were heard On still October eves. But when the broad midsummer moon Rose o'er that grassy lawn, Beside the silver-footed deer There grazed a spotted fawn. The cottage dame forbade her son To aim the rifle here; "It were a sin," she said, "to harm Or fright that friendly deer. "This spot has been my pleasant home Ten peaceful years and more; And ever, when the moonlight shines, She feeds before our door. "The red men say that here she walked A thousand moons ago; They never raise the war-whoop here, And never twang the bow. "I love to watch her as she feeds, And think that all is well While such a gentle creature haunts The place in which we dwell." The youth obeyed, and sought for game In forests far away, Where, deep in silence and in moss, The ancient woodland lay. But once, in autumn's golden time, He ranged the wild in vain, Nor roused the pheasant nor the deer, And wandered home again. The crescent moon and crimson eve Shone with a mingling light; The deer, upon the grassy mead, Was feeding full in sight. He raised the rifle to his eye, And from the cliffs around A sudden echo, shrill and sharp, Gave back its deadly sound. Away into the neighbouring wood The startled creature flew, And crimson drops at morning lay Amid the glimmering dew. Next evening shone the waxing moon As sweetly as before; The deer upon the grassy mead Was seen again no more. But ere that crescent moon was old, By night the red men came, And burnt the cottage to the ground, And slew the youth and dame. Now woods have overgrown the mead, And hid the cliffs from sight; There shrieks the hovering hawk at noon, And prowls the fox at night.
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The White-Footed Deer
It was a hundred years ago, When, by the woodland ways, The traveller saw the wild deer drink, Or crop the birchen sprays. Beneath a hill, whose rocky side O'erbrowed a grassy mead, And fenced a cottage from the wind, A deer was wont to feed. She only came when on the cliffs The evening moonlight lay, And no man knew the secret haunts In which she walked by day. White were her feet, her forehead showed A spot of silvery white, That seemed to glimmer like a star In autumn's hazy night. And here, when sang the whippoorwill, She cropped the sprouting leaves, And here her rustling steps were heard On still October eves. But when the broad midsummer moon Rose o'er that grassy lawn, Beside the silver-footed deer There grazed a spotted fawn. The cottage dame forbade her son To aim the rifle here; "It were a sin," she said, "to harm Or fright that friendly deer. "This spot has been my pleasant home Ten peaceful years and more; And ever, when the moonlight shines, She feeds before our door. "The red men say that here she walked A thousand moons ago; They never raise the war-whoop here, And never twang the bow. "I love to watch her as she feeds, And think that all is well While such a gentle creature haunts The place in which we dwell." The youth obeyed, and sought for game In forests far away, Where, deep in silence and in moss, The ancient woodland lay. But once, in autumn's golden time, He ranged the wild in vain, Nor roused the pheasant nor the deer, And wandered home again. The crescent moon and crimson eve Shone with a mingling light; The deer, upon the grassy mead, Was feeding full in sight. He raised the rifle to his eye, And from the cliffs around A sudden echo, shrill and sharp, Gave back its deadly sound. Away into the neighbouring wood The startled creature flew, And crimson drops at morning lay Amid the glimmering dew. Next evening shone the waxing moon As sweetly as before; The deer upon the grassy mead Was seen again no more. But ere that crescent moon was old, By night the red men came, And burnt the cottage to the ground, And slew the youth and dame. Now woods have overgrown the mead, And hid the cliffs from sight; There shrieks the hovering hawk at noon, And prowls the fox at night.
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72
I’ll protect the innocent even while I may proclaim my deep regard for who they are controversy may be exclaimed guiltless stated for my friends this word is used at its most broad when all children of the divine deserve their refuge from abuse even while I seek to proclaim my admiration for their grit stepping outside confining realms leading the way for this questing one on the shoulders of the perverse this is how the public may respond declaring wisdom I don’t share when I see threads of commonality in my heart I know we are the same seeking power in our own way being true to ourselves while expressing how we live humanity searching for a voice I’ll add mine to the chorus admitting that I’ve fallen far while ascending to the heights spectrums ranged in pursuit my honest nature at last found though at first I wrongly thought I was alone when I was not the free spirits led the way I wish my voice could exclaim and still I hold back my breath protecting innocent like myself. © 2018. Sean Green. All Rights Reserved. 20180909.
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Sep 9, 2018
Sep 9, 2018 at 10:57 PM UTC
Protecting Innocent
When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick, Till rising and gliding out I wander’d off by myself, In the mystical moist night-air, and from time to time, Look’d up in perfect silence at the stars.
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When I Heard the Learn’d Astronomer
"O day! he cannot die When thou so fair art shining! O Sun, in such a glorious sky, So tranquilly declining; He cannot leave thee now, While fresh west winds are blowing, And all around his youthful brow Thy cheerful light is glowing! Edward, awake, awake-- The golden evening gleams Warm and bright on Arden's lake-- Arouse thee from thy dreams! Beside thee, on my knee, My dearest friend, I pray That thou, to cross the eternal sea, Wouldst yet one hour delay: I hear its billows roar-- I see them foaming high; But no glimpse of a further shore Has blest my straining eye. Believe not what they urge Of Eden isles beyond; Turn back, from that tempestuous surge, To thy own native land. It is not death, but pain That struggles in thy breast-- Nay, rally, Edward, rouse again; I cannot let thee rest!" One long look, that sore reproved me For the woe I could not bear-- One mute look of suffering moved me To repent my useless prayer: And, with sudden check, the heaving Of distraction passed away; Not a sign of further grieving Stirred my soul that awful day. Paled, at length, the sweet sun setting; Sunk to peace the twilight breeze: Summer dews fell softly, wetting Glen, and glade, and silent trees. Then his eyes began to weary, Weighed beneath a mortal sleep; And their orbs grew strangely dreary, Clouded, even as they would weep. But they wept not, but they changed not, Never moved, and never closed; Troubled still, and still they ranged not-- Wandered not, nor yet reposed! So I knew that he was dying-- Stooped, and raised his languid head; Felt no breath, and heard no sighing, So I knew that he was dead.
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A Death-scene
"O day! he cannot die When thou so fair art shining! O Sun, in such a glorious sky, So tranquilly declining; He cannot leave thee now, While fresh west winds are blowing, And all around his youthful brow Thy cheerful light is glowing! Edward, awake, awake-- The golden evening gleams Warm and bright on Arden's lake-- Arouse thee from thy dreams! Beside thee, on my knee, My dearest friend, I pray That thou, to cross the eternal sea, Wouldst yet one hour delay: I hear its billows roar-- I see them foaming high; But no glimpse of a further shore Has blest my straining eye. Believe not what they urge Of Eden isles beyond; Turn back, from that tempestuous surge, To thy own native land. It is not death, but pain That struggles in thy breast-- Nay, rally, Edward, rouse again; I cannot let thee rest!" One long look, that sore reproved me For the woe I could not bear-- One mute look of suffering moved me To repent my useless prayer: And, with sudden check, the heaving Of distraction passed away; Not a sign of further grieving Stirred my soul that awful day. Paled, at length, the sweet sun setting; Sunk to peace the twilight breeze: Summer dews fell softly, wetting Glen, and glade, and silent trees. Then his eyes began to weary, Weighed beneath a mortal sleep; And their orbs grew strangely dreary, Clouded, even as they would weep. But they wept not, but they changed not, Never moved, and never closed; Troubled still, and still they ranged not-- Wandered not, nor yet reposed! So I knew that he was dying-- Stooped, and raised his languid head; Felt no breath, and heard no sighing, So I knew that he was dead.
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52
Had he and I but met By some old ancient inn, We should have set us down to wet Right many a nipperkin! But ranged as infantry, And staring face to face, I shot at him as he at me, And killed him in his place. I shot him dead because— Because he was my foe, Just so: my foe of course he was; That’s clear enough; although He thought he’d ‘list, perhaps, Off-hand like—just as I— Was out of work—had sold his traps— No other reason why. Yes; quaint and curious war is! You shoot a fellow down You’d treat, if met where any bar is, Or help to half a crown.
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The Man He Killed
Gray whale Now that we are sinding you to The End That great god Tell him That we who follow you invented forgiveness And forgive nothing I write as though you could understand And I could say it One must always pretend something Among the dying When you have left the seas nodding on their stalks Empty of you Tell him that we were made On another day The bewilderment will diminish like an echo Winding along your inner mountains Unheard by us And find its way out Leaving behind it the future Dead And ours When you will not see again The whale calves trying the light Consider what you will find in the black garden And its court The sea cows the Great Auks the gorillas The irreplaceable hosts ranged countless And fore-ordaining as stars Our sacrifices Join your work to theirs Tell him That it is we who are important
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For A Coming Extinction
From the outskirts of the town, Where of old the mile-stone stood, Now a stranger, looking down I behold the shadowy crown Of the dark and haunted wood. Is it changed, or am I changed? Ah! the oaks are fresh and green, But the friends with whom I ranged Through their thickets are estranged By the years that intervene. Bright as ever flows the sea, Bright as ever shines the sun, But alas! they seem to me Not the sun that used to be, Not the tides that used to run.
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Changed
My stomach turned upside down and inside and out It felt like toxins but in a good way see I burnt away a layer of my skin it was itching me it was dry it made me fell disgusting I looked at myself and all I could see was this skin looked like it was dipped in toxic But a cure came around it came in bunches or a single pack its sizes ranged from big to small the cure surrounded me it held me tight it kept telling me to let the skin go but I didn't know who I was with out it But the cure showed me who I was with it and as I let the toxic skin fall I felt toxins in the air it was clean it was fresh and I was unaware this was what it was like to be free
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Mar 19, 2015
Mar 19, 2015 at 7:50 PM UTC
Toxic
delightful, full sky of orange, ranged from rumbling tangerine to toucan’s beak, eek-out a shore horizon zenly leaning and a sun sunk
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Feb 21, 2014
Feb 21, 2014 at 2:19 PM UTC
Afternoon
The memory of a cruise ship Royalty and majestic having a kick The ship being the TITANIC The journey of Bon Voyage It all happened years ago As the ocean waves flow Hold on tight and don’t let go The passengers ranged from who’s who to how did you come aboard? The Titanic was ready to set sail It was a cruise without fail The weather was just right for an ocean cruise getaway The passengers were feeling at ease The seas were calm with a refreshing breeze The passengers were dancing and exchanging conversation along with drinking with the Titanic avion As the cruise ship proceeded into the horizon, something was about to happen The ship hit a huge Ice Bank, and had some damage that turned into disaster Destruction in the making The ship was taking on water and started to descend to the sea The Titanic being a ship that was unsinkable But unthinkable Commotion came over the passengers Echoes of despair The ship was steadily sinking Flares being fired to draw attention to the ship’s distress The thought being my soul to thee There were no ships in the area, and the Titanic was going to be a ship no more The Death toll was uncountable The Titanic was now heading for the bottom of Davey Jones Locker Titanic was a terror ship The seas covering the Titanic ship treasure Unseen pleasure The Titanic in the history books for sure The seas burial ground to explore Titanic being in all of its glory The Titanic with a story
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Jun 11, 2021
Jun 11, 2021 at 3:24 PM UTC
THE OCEAN’S REFUGE
THERE is grey in your hair. Young men no longer suddenly catch their breath When you are passing; But maybe some old gaffer mutters a blessing Because it was your prayer Recovered him upon the bed of death. For your sole sake -- that all heart's ache have known, And given to others all heart's ache, From meagre girlhood's putting on Burdensome beauty -- for your sole sake Heaven has put away the stroke of her doom, So great her portion in that peace you make By merely walking in a room. Your beauty can but leave among us Vague memories, nothing but memories. A young man when the old men are done talking Will say to an old man, "Tell me of that lady The poet stubborn with his passion sang us When age might well have chilled his blood.' Vague memories, nothing but memories, But in the grave all, all, shall be renewed. The certainty that I shall see that lady Leaning or standing or walking In the first loveliness of womanhood, And with the fervour of my youthful eyes, Has set me muttering like a fool. You are more beautiful than any one, And yet your body had a flaw: Your small hands were not beautiful, And I am afraid that you will run And paddle to the wrist In that mysterious, always brimming lake Where those What have obeyed the holy law paddle and are perfect. Leave unchanged The hands that I have kissed, For old sake's sake. The last stroke of midnight dies. All day in the one chair From dream to dream and rhyme to rhyme I have ranged In rambling talk with an image of air: Vague memories, nothing but memories.
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Broken Dreams
THERE is grey in your hair. Young men no longer suddenly catch their breath When you are passing; But maybe some old gaffer mutters a blessing Because it was your prayer Recovered him upon the bed of death. For your sole sake -- that all heart's ache have known, And given to others all heart's ache, From meagre girlhood's putting on Burdensome beauty -- for your sole sake Heaven has put away the stroke of her doom, So great her portion in that peace you make By merely walking in a room. Your beauty can but leave among us Vague memories, nothing but memories. A young man when the old men are done talking Will say to an old man, "Tell me of that lady The poet stubborn with his passion sang us When age might well have chilled his blood.' Vague memories, nothing but memories, But in the grave all, all, shall be renewed. The certainty that I shall see that lady Leaning or standing or walking In the first loveliness of womanhood, And with the fervour of my youthful eyes, Has set me muttering like a fool. You are more beautiful than any one, And yet your body had a flaw: Your small hands were not beautiful, And I am afraid that you will run And paddle to the wrist In that mysterious, always brimming lake Where those What have obeyed the holy law paddle and are perfect. Leave unchanged The hands that I have kissed, For old sake's sake. The last stroke of midnight dies. All day in the one chair From dream to dream and rhyme to rhyme I have ranged In rambling talk with an image of air: Vague memories, nothing but memories.
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42
1147 After a hundred years Nobody knows the Place Agony that enacted there Motionless as Peace Weeds triumphant ranged Strangers strolled and spelled At the lone Orthography Of the Elder Dead Winds of Summer Fields Recollect the way— Instinct picking up the Key Dropped by memory—
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After a hundred years
'Dockery was junior to you, Wasn't he?' said the Dean. 'His son's here now.' Death-suited, visitant, I nod. 'And do You keep in touch with-' Or remember how Black-gowned, unbreakfasted, and still half-tight We used to stand before that desk, to give 'Our version' of 'these incidents last night'? I try the door of where I used to live: Locked. The lawn spreads dazzlingly wide. A known bell chimes. I catch my train, ignored. Canal and clouds and colleges subside Slowly from view. But Dockery, good Lord, Anyone up today must have been born In '43, when I was twenty-one. If he was younger, did he get this son At nineteen, twenty? Was he that withdrawn High-collared public-schoolboy, sharing rooms With Cartwright who was killed? Well, it just shows How much . . . How little . . . Yawning, I suppose I fell asleep, waking at the fumes And furnace-glares of Sheffield, where I changed, And ate an awful pie, and walked along The platform to its end to see the ranged Joining and parting lines reflect a strong Unhindered moon. To have no son, no wife, No house or land still seemed quite natural. Only a numbness registered the shock Of finding out how much had gone of life, How widely from the others. Dockery, now: Only nineteen, he must have taken stock Of what he wanted, and been capable Of . . . No, that's not the difference: rather, how Convinced he was he should be added to! Why did he think adding meant increase? To me it was dilution. Where do these Innate assumptions come from? Not from what We think truest, or most want to do: Those warp tight-shut, like doors. They're more a style Our lives bring with them: habit for a while, Suddenly they harden into all we've got And how we got it; looked back on, they rear Like sand-clouds, thick and close, embodying For Dockery a son, for me nothing, Nothing with all a son's harsh patronage. Life is first boredom, then fear. Whether or not we use it, it goes, And leaves what something hidden from us chose, And age, and then the only end of age.
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Dockery And Son
'Dockery was junior to you, Wasn't he?' said the Dean. 'His son's here now.' Death-suited, visitant, I nod. 'And do You keep in touch with-' Or remember how Black-gowned, unbreakfasted, and still half-tight We used to stand before that desk, to give 'Our version' of 'these incidents last night'? I try the door of where I used to live: Locked. The lawn spreads dazzlingly wide. A known bell chimes. I catch my train, ignored. Canal and clouds and colleges subside Slowly from view. But Dockery, good Lord, Anyone up today must have been born In '43, when I was twenty-one. If he was younger, did he get this son At nineteen, twenty? Was he that withdrawn High-collared public-schoolboy, sharing rooms With Cartwright who was killed? Well, it just shows How much . . . How little . . . Yawning, I suppose I fell asleep, waking at the fumes And furnace-glares of Sheffield, where I changed, And ate an awful pie, and walked along The platform to its end to see the ranged Joining and parting lines reflect a strong Unhindered moon. To have no son, no wife, No house or land still seemed quite natural. Only a numbness registered the shock Of finding out how much had gone of life, How widely from the others. Dockery, now: Only nineteen, he must have taken stock Of what he wanted, and been capable Of . . . No, that's not the difference: rather, how Convinced he was he should be added to! Why did he think adding meant increase? To me it was dilution. Where do these Innate assumptions come from? Not from what We think truest, or most want to do: Those warp tight-shut, like doors. They're more a style Our lives bring with them: habit for a while, Suddenly they harden into all we've got And how we got it; looked back on, they rear Like sand-clouds, thick and close, embodying For Dockery a son, for me nothing, Nothing with all a son's harsh patronage. Life is first boredom, then fear. Whether or not we use it, it goes, And leaves what something hidden from us chose, And age, and then the only end of age.
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48
--To M. M. M'B. Above the Crags that fade and gloom Starts the bare knee of Arthur's Seat; Ridged high against the evening bloom, The Old Town rises, street on street; With lamps bejewelled, straight ahead, Like rampired walls the houses lean, All spired and domed and turreted, Sheer to the valley's darkling green; Ranged in mysterious disarray, The Castle, menacing and austere, Looms through the lingering last of day; And in the silver dusk you hear, Reverberated from crag and scar, Bold bugles blowing points of war.
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From A Window In Princes Street
I have apologies for every single person that I've ever wronged, intentionally or not. They ranged from the simplest 'sorry' to that stranger whose coffee I spilt, to a three volume text of all my emotions and regrets where 'sorry' doesn't cut it, but it's all I've left to say to ease the guilt. Except I don't know where to start, There are far too many IOUs and not enough time but you're telling me, "start by apologising to your very own body, your mind and your heart"
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Jul 29, 2013
Jul 29, 2013 at 10:23 AM UTC
IOU
Once in the wind of morning I ranged the thymy wold; The world-wide air was azure And all the brooks ran gold. There through the dews beside me Behold a youth that trod, With feathered cap on forehead, And poised a golden rod. With mien to match the morning And gay delightful guise And friendly brows and laughter He looked me in the eyes. Oh whence, I asked, and whither? He smiled and would not say, And looked at me and beckoned And laughed and led the way. And with kind looks and laughter And nought to say beside We two went on together, I and my happy guide. Across the glittering pastures And empty upland still And solitude of shepherds High in the folded hill, By hanging woods and hamlets That gaze through orchards down On many a windmill turning And far-discovered town, With gay regards of promise And sure unslackened stride And smiles and nothing spoken Led on my merry guide. By blowing realms of woodland With sunstruck vanes afield And cloud-led shadows sailing About the windy weald, By valley-guarded granges And silver waters wide, Content at heart I followed With my delightful guide. And like the cloudy shadows Across the country blown We two fare on for ever, But not we two alone. With the great gale we journey That breathes from gardens thinned, Borne in the drift of blossoms Whose petals throng the wind; Buoyed on the heaven-heard whisper Of dancing leaflets whirled >From all the woods that autumn Bereaves in all the world. And midst the fluttering legion Of all that ever died I follow, and before us Goes the delightful guide, With lips that brim with laughter But never once respond, And feet that fly on feathers, And serpent-circled wand.
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The Merry Guide
Once in the wind of morning I ranged the thymy wold; The world-wide air was azure And all the brooks ran gold. There through the dews beside me Behold a youth that trod, With feathered cap on forehead, And poised a golden rod. With mien to match the morning And gay delightful guise And friendly brows and laughter He looked me in the eyes. Oh whence, I asked, and whither? He smiled and would not say, And looked at me and beckoned And laughed and led the way. And with kind looks and laughter And nought to say beside We two went on together, I and my happy guide. Across the glittering pastures And empty upland still And solitude of shepherds High in the folded hill, By hanging woods and hamlets That gaze through orchards down On many a windmill turning And far-discovered town, With gay regards of promise And sure unslackened stride And smiles and nothing spoken Led on my merry guide. By blowing realms of woodland With sunstruck vanes afield And cloud-led shadows sailing About the windy weald, By valley-guarded granges And silver waters wide, Content at heart I followed With my delightful guide. And like the cloudy shadows Across the country blown We two fare on for ever, But not we two alone. With the great gale we journey That breathes from gardens thinned, Borne in the drift of blossoms Whose petals throng the wind; Buoyed on the heaven-heard whisper Of dancing leaflets whirled >From all the woods that autumn Bereaves in all the world. And midst the fluttering legion Of all that ever died I follow, and before us Goes the delightful guide, With lips that brim with laughter But never once respond, And feet that fly on feathers, And serpent-circled wand.
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60
At last I entered a long dark gallery, Catacomb-lined; and ranged at the side Were the bodies of men from far and wide Who, motion past, were nevertheless not dead. “The sense of waiting here strikes strong; Everyone’s waiting, waiting, it seems to me; What are you waiting for so long?— What is to happen?” I said. “O we are waiting for one called God,” said they, “(Though by some the Will, or Force, or Laws; And, vaguely, by some, the Ultimate Cause;) Waiting for him to see us before we are clay. Yes; waiting, waiting, for God to know it.” … “To know what?” questioned I. “To know how things have been going on earth and below it: It is clear he must know some day.” I thereon asked them why. “Since he made us humble pioneers Of himself in consciousness of Life’s tears, It needs no mighty prophecy To tell that what he could mindlessly show His creatures, he himself will know. “By some still close-cowled mystery We have reached feeling faster than he, But he will overtake us anon, If the world goes on.”
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Fragment
I forgot to dream. The rest ranged between dusk's final brew and morning's touch of milk to tea leaves. It changed through lucid shades of beige, fawning into ochre tangles I could float between. Dusk's final brew and morning's brooding both left absence notes for her, with hopes like hair hung freely into ochre tangles. I could float this air-bed boat to River Lethe, wait for affirmation I was meant for her. With hopes like hair, hung freely parted, I saw futures where fervent temptations swept the way. A modest wait for affirmation? I was meant to keep my thoughts of her suppressed - I forgot to; dreamt her estranged temptations swept, the way a modest touch of milk to tea, leaves it changed.
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Sep 21, 2011
Sep 21, 2011 at 6:55 AM UTC
Rosy Lee Resting
When she  first discovered the last fictitious and missing piece, that absent link that could create That would fit so very perfectly between her fastidious reality and her dream filled escape That piece was what filled her with the alluring thoughts of setting the diamond edged blades aside To let her bloodied and gore encrusted wrist's lay. To finally heal her disfigured and cleaved thighs To set aside the insomniac coloured nights, filled with a nervous tick called suffering and misery Bringing dread filled terror for next days coming, day and night it creeps into her lightless sanity It graced her with the forgotten hope, that daisy chains and blades of grass would keep her honest Hope she had long abandoned as she hid within the scarred tissue upon her mangled conscience Telling her that she was now allowed to forget her aphotic and distressing amorphous past It was filled with many an onus and distrusts that she choked on; from lack of air, her brain begins to crack Her Mother and her Father thought she was a "lacking" kind child, those that required little needs It reminded her that she would never again have to repress and crunch down those memories They rise inside her throat, until she regurgitates them along with what little food she would eat She sits in her room most nights, crying softly alone and wishing to be as thin as the models on TV That last puzzle piece was supplying her with a vociferous need to put the bottle of pills down,   Many had slipped their way down her esophagus, from diet to Analgesic's, they ranged wide They were locked away in her father's medicine cabinet, so of course she was always punctilious Puts an aspirin in place for the ones she stole, so her parents (Would they care?) were left oblivious She tried to push that last piece in, shoving it somewhere between a wrong scene of the puzzle So the piece was soon to be lost, destroyed within the struggle to find the perfect place As she was losing to and was within her blithering mind, wild and frightened, filled with dismay She then reverts to the false reality, in which she called her final escape. The last daring and startling move, the check mate, the final set stage of the play Where dreams become the reality, and reality becomes the dream
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Jul 7, 2013
Jul 7, 2013 at 9:22 PM UTC
And Thus Begins the Great Escape
When she  first discovered the last fictitious and missing piece, that absent link that could create That would fit so very perfectly between her fastidious reality and her dream filled escape That piece was what filled her with the alluring thoughts of setting the diamond edged blades aside To let her bloodied and gore encrusted wrist's lay. To finally heal her disfigured and cleaved thighs To set aside the insomniac coloured nights, filled with a nervous tick called suffering and misery Bringing dread filled terror for next days coming, day and night it creeps into her lightless sanity It graced her with the forgotten hope, that daisy chains and blades of grass would keep her honest Hope she had long abandoned as she hid within the scarred tissue upon her mangled conscience Telling her that she was now allowed to forget her aphotic and distressing amorphous past It was filled with many an onus and distrusts that she choked on; from lack of air, her brain begins to crack Her Mother and her Father thought she was a "lacking" kind child, those that required little needs It reminded her that she would never again have to repress and crunch down those memories They rise inside her throat, until she regurgitates them along with what little food she would eat She sits in her room most nights, crying softly alone and wishing to be as thin as the models on TV That last puzzle piece was supplying her with a vociferous need to put the bottle of pills down,   Many had slipped their way down her esophagus, from diet to Analgesic's, they ranged wide They were locked away in her father's medicine cabinet, so of course she was always punctilious Puts an aspirin in place for the ones she stole, so her parents (Would they care?) were left oblivious She tried to push that last piece in, shoving it somewhere between a wrong scene of the puzzle So the piece was soon to be lost, destroyed within the struggle to find the perfect place As she was losing to and was within her blithering mind, wild and frightened, filled with dismay She then reverts to the false reality, in which she called her final escape. The last daring and startling move, the check mate, the final set stage of the play Where dreams become the reality, and reality becomes the dream
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Cassie the Cat and Riley the Rat knew their love could never be Cassie knew that he was just a plaything Riley admired how she could climb a tree Cassie thought he was too cute and Riley truly loved that mangy cat They understood the ups and downs defying the intermingled species trap One night while Cassie was prowling the fence with Riley snuggled atop of her soft fur Billy the Bat ranged overhead following them silently, undeterred Watching Cassie and Riley share their love being born of the night, Billy wanted that They’d defied the intermingled species trap He wanted that for himself, but, who’d love a bat? Angered by his thoughts that bought about self pity he sought out the Animal Gods he told them about Cassie and Riley Horrified, they sent out the Dogs Damon Dog was their most elite destroyer His mission was to ensure that Cassie Cat would be integrated back into her own species and he was to just dispose of the rat Damon silently stalked Cassie and Riley as they lay tucked together, Damon did pounce as Riley leapt in front of his mangy cat, to protect Damon, at that moment, his mission he did renounce Damon had witnessed their love, and sighing he said *‘It is not possible for you to remain together Tabby cat, you must return to your own kind and Rat, you can no longer be with her, EVER!’* Cassie knew from the start their love was doomed Riley knew without Cassie he’d never be complete Cassie sighed and returned to her humans Riley wept as he went back to his garbage heap Epilogue: Billy the bat continues to haunt the night All morose and bordering on Goth He interfered in the intermingled species trap and is now married to a Sloth
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Feb 26, 2014
Feb 26, 2014 at 5:40 AM UTC
the Cat, the Rat and the Bat
Cassie the Cat and Riley the Rat knew their love could never be Cassie knew that he was just a plaything Riley admired how she could climb a tree Cassie thought he was too cute and Riley truly loved that mangy cat They understood the ups and downs defying the intermingled species trap One night while Cassie was prowling the fence with Riley snuggled atop of her soft fur Billy the Bat ranged overhead following them silently, undeterred Watching Cassie and Riley share their love being born of the night, Billy wanted that They’d defied the intermingled species trap He wanted that for himself, but, who’d love a bat? Angered by his thoughts that bought about self pity he sought out the Animal Gods he told them about Cassie and Riley Horrified, they sent out the Dogs Damon Dog was their most elite destroyer His mission was to ensure that Cassie Cat would be integrated back into her own species and he was to just dispose of the rat Damon silently stalked Cassie and Riley as they lay tucked together, Damon did pounce as Riley leapt in front of his mangy cat, to protect Damon, at that moment, his mission he did renounce Damon had witnessed their love, and sighing he said *‘It is not possible for you to remain together Tabby cat, you must return to your own kind and Rat, you can no longer be with her, EVER!’* Cassie knew from the start their love was doomed Riley knew without Cassie he’d never be complete Cassie sighed and returned to her humans Riley wept as he went back to his garbage heap Epilogue: Billy the bat continues to haunt the night All morose and bordering on Goth He interfered in the intermingled species trap and is now married to a Sloth
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In my heart the old love Struggled with the new; It was ghostly waking All night through. Dear things, kind things, That my old love said, Ranged themselves reproachfully Round my bed. But I could not heed them, For I seemed to see The eyes of my new love Fixed on me. Old love, old love, How can I be true? Shall I be faithless to myself Or to you?
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New Love And Old
The Setting Was A Colored Stone (Pare 1 Of 3) For the barefoot girl, the faithful album was an afternoon in the sports bar where there had been a guitar player and some ginger ale. Now the trumpet was singing a wide screen view of the big game. Eliminating distractions, the crew was focused on the game, ignoring the girl as she wandered, in bare feet, between the tables. No pretense suggested that the medium was not appropriate for those who climbed railroad ties and those who drank beer in moderation after negotiations about the green sheaves and the upstairs room. In this castle, time was suspended. The Setting Was A Colored Stone (Part 2 Of 3) Ashes were good for the roots of the plant in the window where the response was directed to the coolness, or the hot weather. In sports, the weather seemed to be extreme. It was always freezing cold the opposite; coaches meant to be cautious watching for heat stroke among the players. The club was not louder than the dim barn where animals were removed from the immediacy of the last few weeks of the season. Some of the birds could not fly; there were mice that could climb to humble abodes in the rafters, and the cats gathered apart from the dogs. The heavy lifters had reassuring incantations derived by the artificial structures of the radiology through iconic projection. Antenna reception hovered to mark the insects with aesthetic devices, a discovery by evolution. The Setting Was A Colored Stone (Part 3 Of 3) Screams came from the permutation and signing a transcript of the spiritual drawing which had been seen wandering among all the other creatures living and working in the flying building. The gathering showed grinning teeth and disappeared. Found at the bottom of the mineshaft, was the fictional ring of speculations and associations confronting the mischief of the few by the motionless badges of authority. Life depended on the weathered red boards where the climate ranged like it was galloping across the public space, proved free by the friendliness of kindly associates and the universe of powers, the authority of birds that did not fly and barns that had flown away.
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Nov 8, 2013
Nov 8, 2013 at 8:04 PM UTC
The Setting Was A Colored Stone
The Setting Was A Colored Stone (Pare 1 Of 3) For the barefoot girl, the faithful album was an afternoon in the sports bar where there had been a guitar player and some ginger ale. Now the trumpet was singing a wide screen view of the big game. Eliminating distractions, the crew was focused on the game, ignoring the girl as she wandered, in bare feet, between the tables. No pretense suggested that the medium was not appropriate for those who climbed railroad ties and those who drank beer in moderation after negotiations about the green sheaves and the upstairs room. In this castle, time was suspended. The Setting Was A Colored Stone (Part 2 Of 3) Ashes were good for the roots of the plant in the window where the response was directed to the coolness, or the hot weather. In sports, the weather seemed to be extreme. It was always freezing cold the opposite; coaches meant to be cautious watching for heat stroke among the players. The club was not louder than the dim barn where animals were removed from the immediacy of the last few weeks of the season. Some of the birds could not fly; there were mice that could climb to humble abodes in the rafters, and the cats gathered apart from the dogs. The heavy lifters had reassuring incantations derived by the artificial structures of the radiology through iconic projection. Antenna reception hovered to mark the insects with aesthetic devices, a discovery by evolution. The Setting Was A Colored Stone (Part 3 Of 3) Screams came from the permutation and signing a transcript of the spiritual drawing which had been seen wandering among all the other creatures living and working in the flying building. The gathering showed grinning teeth and disappeared. Found at the bottom of the mineshaft, was the fictional ring of speculations and associations confronting the mischief of the few by the motionless badges of authority. Life depended on the weathered red boards where the climate ranged like it was galloping across the public space, proved free by the friendliness of kindly associates and the universe of powers, the authority of birds that did not fly and barns that had flown away.
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54
1134 The Wind took up the Northern Things And piled them in the south— Then gave the East unto the West And opening his mouth The four Divisions of the Earth Did make as to devour While everything to corners slunk Behind the awful power— The Wind—unto his Chambers went And nature ventured out— Her subjects scattered into place Her systems ranged about Again the smoke from Dwellings rose The Day abroad was heard— How intimate, a Tempest past The Transport of the Bird—
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The Wind took up the Northern Things
O, never say that I was false of heart, Though absence seemed my flame to qualify. As easy might I from my self depart As from my soul which in thy breast doth lie. That is my home of love; if I have ranged, Like him that travels I return again, Just to the time, not with the time exchanged, So that myself bring water for my stain. Never believe though in my nature reigned All frailties that besiege all kinds of blood, That it could so preposterously be stained To leave for nothing all thy sum of good; For nothing this wide universe I call Save thou, my rose, in it thou art my all.
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Sonnet 109: O, Never Say That I Was False Of Heart