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"racket" poems
Wish from the very start That nothing happened You opened up possibilities And then just closed the door again It wouldn't have bothered me If you hadn't struck my attention But now jealousy Is my new worst friend I can see the way you flirt Don't tell me that's just how it is But I can't overfeel this Since we're just Friends with benefits Am I looking too hard When I shouldn't be looking in the first place? Am I digging around for clues In a pocket that's not mine? How do I stop this insane racket in my head How do I control my emotions When we're just friends with benefits?
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Jun 17, 2010
Jun 17, 2010 at 12:28 PM UTC
Control
my sonnet is A light goes on in the toiletwindow,that’s straightacross from my window,night air bothered with a rustling din sort of sublimated tom-tom which quite outdoes the mandolin- man’s tiny racket. The horses sleep upstairs. And you can see their ears. Ears win- k,funny stable. In the morning they go out in pairs: amazingly,one pair is white (but you know that)they look at each other. Nudge. (if they love each other,who cares?) They pull the morning out of the night. I am living with a mouse who shares my meals with him,which is fair as i judge.
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10.4k
My Sonnet Is A Light Goes On In
A female tennis player might give An umpire a piece of her mind When she disagrees with him. Consequently, she is fined Or penalized in other ways. However, if the player's a male, He can spit, destroy his racket, Yell, and viciously assail The umpire at a tournament. He could even resort to calling The ump an "abortion," and little or nothing Happens to him. Now THAT'S appalling! A candid man might be considered "Direct" or "outspoken." Isn't that rich? But if you are an assertive women, You are basically called a ***** A man who loudly demonstrates At a Senate hearing in an angry fashion Could be considered "aggressive" or even Be called a man of "impetuous passion." A woman, however, who interrupts A Senate hearing with passion hears Herself being called "hysterical" when She's led away to Senators' sneers. Sexism? Discrimination? Inequality? Status quo? It certainly appears that way. The double standard has got to go! -by Bob B (9-11-18)
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Sep 11, 2018
Sep 11, 2018 at 9:13 AM UTC
The Old Double Standard
I am ten crows, twenty-three starlings, one tree, a world of racket, every dusk that ever was. I am a holy heart four angels defend, other times I am nothing but flesh and fingertips. There are four seasons, three necessities, two sides to the moon. The window has eight panes; I am in them all.
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Jul 23, 2025
Jul 23, 2025 at 6:23 AM UTC
While Pouring Coffee
When winter's glaze is lifted from the greens, And cups are freshly cut, and birdies sing, Triumphantly the stifled golfer preens In cleats and slacks once more, and checks his swing. This year, he vows, his head will steady be, His weight-shift smooth, his grip and stance ideal; And so they are, until upon the tee Befall the old contortions of the real. So, too, the tennis-player, torpid from Hibernal months of television sports, Perfects his serve and feels his knees become Sheer muscle in their unaccustomed shorts. Right arm relaxed, the left controls the toss, Which shall be high, so that the racket face Shall at a certain angle sweep across The floated sphere with gutty strings--an ace! The mind's eye sees it all until upon The courts of life the faulty way we played In other summers rolls back with the sun. Hope springs eternally, but spring hopes fade.
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5.7k
The Sometime Sportsman Greets the Spring
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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Sep 16, 2018
Sep 16, 2018 at 6:45 PM UTC
The Medical Clarinettist
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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35
The racket that shakes the room. It's loud and irrational too. You see happy and hear tears. You can even feel the fear. Everyone's excited, For the upcoming years. But this noise.. It's not calming, Nor cheerful, It's confused.
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Nov 18, 2014
Nov 18, 2014 at 2:49 AM UTC
Noise
I quivered in the arena As thousands of people screamed at me All because I wanted to touch the ***** I guess I play a different football Those Hartford wailers weren't there When I was on the ice Trying to play goalie to the problematic pucks All I had was my blocker And all I could do was deflect Yet those same people Try to convict me in the tennis court of public opinion Just because I wanted to make my own racket for a change Is that really my fault? Why should I listen to these people When zero and love have the same meaning? Am I beholden to those That wanted me to kneel in the endzone? They're the people who separated me from myself Now that I'm running back They're claiming they were my safety But there was never a decent referee Only people that wanted to see me in stripes But here's the kicker I'd forgive them all their past interference If they'd just stop challenging my plays now
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Jun 10, 2017
Jun 10, 2017 at 2:02 AM UTC
Sporting
Govan bar banter: Awa' with ye fankle eejits that blether to naw whit they dinnae naw crabbit, drookit moanin, drouthy yer Havers-yins! each unto their ane an' aye bin. Tell markers scoured an' crowned with glee "alas nae blessing naw bolt of wisdom will er'e to strike thee - tis poor soil an' loads o toil an' broken backs" Ach awa with ye! Fir me the skies an' tracks o wilds an' winds that curl yer lugs Hielan mountains glory summers toty story an' bonny lassies dancing - a gallus stoater! that’s fir me. Party racket in Da’s laden jaiket jangle change fir a dram an' enough tae get the Clockwork Orange hame - times hae changed a wee bit no? Seldom ventured tis seldom gained an' aw the while the wee bairns wail Still, life is yin what yin makes of that which drives the world that breaks yer back Remember love! ma banters free to give an' thats all the mare important when it costs so much tae live.
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Nov 5, 2012
Nov 5, 2012 at 8:20 AM UTC
Voices from the North part 6
Squash uses a racquet, Tennis implies a racquet, Badminton applies a racquet. Together the racquets' racket is too noisy. But it's funny how we all seem to like it. Some cannot even live without the din. But how good or bad is to bet about it.
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Aug 26, 2013
Aug 26, 2013 at 9:45 PM UTC
The Racquet's Racket
The fans rattling again. It's not the only thing shaking in the darkness. But it's making such a loud racket. I keep it on anyway. I'm afraid the silence will **** me. I fight sleep like it's tangible. You're always waiting there. Just past consciousness, standing in the shadows. It's always the same. Your backs to me and it will stay that way. We're standing in a light rain, the sun just faded. I know every second that's about to happen, yet every time it's like a new cut, over and over. I say all the same words. I say all different ones. It never matters. This story has unfolded a thousand times. But it's different every time. Sometimes I chase you. Sometimes I scream. Sometimes I beg. And curse. Sometimes it's you instead. You won't look at me because hope is a deadly thing to give. You know I'll always tell myself its there. We all see what we want. Especially when we don't want what we see. Back in the dream, it's coming. The part that will sit in the bottom of my soul. Gathering weight, gathering dust. You're in front of me, but you couldn't be further away. I'm on my knees. A promise on my lips. A disaster in my heart. You step away. One step, two, four. Someone has been hammering my chest. I'm awake. Stuttered whirs of a broken fan. The long length of the night stretched out in front of me. It's only been an hour.
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Nov 30, 2013
Nov 30, 2013 at 2:56 AM UTC
An Hour
Seven in a week, Disgusting, she hears you say, The first one, well he maybe the last, This one left religion chucked upon her path. She loved very him much, just because she could. He made her feel, So relaxed, extreme tranquility. The second one, He gave her a super blast, The third. She loved him rapidly, with  blazing renewed passion, The third one was very hot, yesterday's one became forgot, Had nothing much to offer her, so she washed him out of hair, The fourth one he was wonderful, She got half way through and then they stopped, Gave up for the day. The fifth one, he was noisy, he made too much racket, ****** fellow, just wanted to be one of the boys, Got up and left without even goodbye, Just shoved his finger in her  eye. Made her tears flow, Only one more of them to go. Very nearly over, had enough of them, the days of the week so pleasantly displayed as flipping men. Last one round was Saturday, a nothing much the matter day! The end of the week brings with it relief! (c) Livvi
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May 7, 2014
May 7, 2014 at 5:27 AM UTC
Busy!
The donkey and the ox what a racket they must have made! Munching on the straw from the crib in the manger. Such thick headed beasts! How did our Savior survive with all of His toes - His swaddling free of slobber? Imagine, if you will their warm grassy breath forming little clouds that were filled with His radiance. And pity poor Joseph asleep, off to the side, and Mary completely exhausted. For, while resting, they missed what soft brown eyes sensed - that before shepherd or angel or wise man arrived, a feast had been set for the taking. (For Sherry Smith) Tom Spencer © 2018
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Mar 15, 2018
Mar 15, 2018 at 8:01 AM UTC
The Donkey and the Ox
romeo is bleeding but not so as you'd notice he's over on 18hh street as usual lookin' so hard against the hood of his car and puttin' out a cigarette in his hand and for all the pachucos at the pumps at romeros paint and body they all seein' how far they can spit well it was just another night but how they're huddled in the brake lights of a 58 belair and listenin' to how romeo killed a sherrif his knife and they all jump when they hear the sirens but romeo just laughs and says all the racket in the world ain't never gonna save that coppers *** he'll never see another summertime for gunnin' down my brother and leavin' him like a dog beneath a car without his knife and romeo says hey man gimme a cigarette and they all reach for their pack and frankie lights it for him and pats him on the back and throws bottle at a milk truck and as it breaks he grabs his nuts and they all know they could be just like romeo if they only had the guts but romeo is bleeding but nobody can tell and he sings along with the radio with a bullet in his chest and he combs back his fenders and they all agree its clear that every thing is cool now that romeos here but romeo is bleeding and he winces now and then and he leans against the car doors and feels the blood in his shoes and someones crying in the phone booth at the 5 points by the store romeo starts his engine and wipes the blood off the door and he brodys through the signal with the radio full blast leavin' the boys there hikin' up there chinos and they all try to stand like romeo beneath the moon cut like a sickle and they're talkin' now in spanish about there hero but romeo is bleeding as he gives the man his ticket and he climbs to the balcony at the movies and he'll die without a wimper like every heros dream just like an angel with a bullet and cagney on the screen
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Jan 1, 2013
Jan 1, 2013 at 7:16 PM UTC
Romeo is Bleeding by Tom Waits
romeo is bleeding but not so as you'd notice he's over on 18hh street as usual lookin' so hard against the hood of his car and puttin' out a cigarette in his hand and for all the pachucos at the pumps at romeros paint and body they all seein' how far they can spit well it was just another night but how they're huddled in the brake lights of a 58 belair and listenin' to how romeo killed a sherrif his knife and they all jump when they hear the sirens but romeo just laughs and says all the racket in the world ain't never gonna save that coppers *** he'll never see another summertime for gunnin' down my brother and leavin' him like a dog beneath a car without his knife and romeo says hey man gimme a cigarette and they all reach for their pack and frankie lights it for him and pats him on the back and throws bottle at a milk truck and as it breaks he grabs his nuts and they all know they could be just like romeo if they only had the guts but romeo is bleeding but nobody can tell and he sings along with the radio with a bullet in his chest and he combs back his fenders and they all agree its clear that every thing is cool now that romeos here but romeo is bleeding and he winces now and then and he leans against the car doors and feels the blood in his shoes and someones crying in the phone booth at the 5 points by the store romeo starts his engine and wipes the blood off the door and he brodys through the signal with the radio full blast leavin' the boys there hikin' up there chinos and they all try to stand like romeo beneath the moon cut like a sickle and they're talkin' now in spanish about there hero but romeo is bleeding as he gives the man his ticket and he climbs to the balcony at the movies and he'll die without a wimper like every heros dream just like an angel with a bullet and cagney on the screen
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50
In toasting Mike I recollect His steady watching gaze, I recollect his calm On a thousand stormy days. I recall his jaunty humour In his funny cockney style, And the rationale behind it And the pleasure of his smile. And the quiet determination In the steeliness within And the love that emanated When his Jules laughed loud with him. When he held her hand and strolled In the life they shared as one, In the racket of the grand kids As they shout and leap and run. Through the years of hardy seamanship From England's chalky reach, Across the ocean's vastness To far antipodean beach, To the soft greens of New Zealand And the promise of this land And the shining eyes of Jules When he offered her his hand. And the life they shared together Through the joy, the strain the tears The utter joy of baby Kristin And her beauty through the years. The seamlessness of craftmanship In tradesman's art supreme And the pride of his achievement In a sweet successful dream. A chasm has appeared in life Where old Mike used to be. Dreadfull death has exercised It's right to set him free. But I can't feel bad for Micheal For the brilliance of it all Is celebration of his life well lived And my toast to judgement's call. Marshalg @theBach Mangere Bridge 10 January 2010.
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Jan 10, 2010
Jan 10, 2010 at 6:51 AM UTC
In Toasting Mike....
It is like some steampunk nightmare Where working overtime is a racket When what was time and a half pay On the day I get my check, I make less; Some kind of tax bracket scam thing Where working extra hours put me Into another category and increased The tax they use to grease the wheels Of a bloated government that hates me. Maybe that dates me and it isn’t true; That things have changed and it is No longer arranged that way. And maybe The way things became done was that I got it all back as a refund. But isn’t that Redundant, that I had to pay it to them To use it like per diem for their games? The shame is that I chafed and did nothing Besides ******** and frothing at the mouth. It’s not like I could go south to Ensenada, Buy a piñata that looked like Mickey Mouse, It was just that the house always wins. But I have to pay for my tiny, mundane sins. Why don’t they? Why does it go on and on And then the money’s gone and I pay more The next time some fat ***** of a politician Begins a petition to increase their slice And nicely reduce ours to a pittance So low there is no admittance to a show Or enough to replace a car that is a wreck? The albatross around my neck gets larger As it I move farther from the day it died Even though I have tried standing up straighter. It’s The Grand Guignol Theatre that life is And the strife is to not let it get me down; To be the happy clown and not the sad one In a game that was begun to make me lose. I am not confused. I see it, but it seems Even in dreams I get no kind of relief From a governmental thief with immunity; The pillages with impunity and teases That he does what he pleases. Neener, neener What in hell could possibly be meaner?
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May 3, 2015
May 3, 2015 at 6:32 AM UTC
THE ALBATROSS
It is like some steampunk nightmare Where working overtime is a racket When what was time and a half pay On the day I get my check, I make less; Some kind of tax bracket scam thing Where working extra hours put me Into another category and increased The tax they use to grease the wheels Of a bloated government that hates me. Maybe that dates me and it isn’t true; That things have changed and it is No longer arranged that way. And maybe The way things became done was that I got it all back as a refund. But isn’t that Redundant, that I had to pay it to them To use it like per diem for their games? The shame is that I chafed and did nothing Besides ******** and frothing at the mouth. It’s not like I could go south to Ensenada, Buy a piñata that looked like Mickey Mouse, It was just that the house always wins. But I have to pay for my tiny, mundane sins. Why don’t they? Why does it go on and on And then the money’s gone and I pay more The next time some fat ***** of a politician Begins a petition to increase their slice And nicely reduce ours to a pittance So low there is no admittance to a show Or enough to replace a car that is a wreck? The albatross around my neck gets larger As it I move farther from the day it died Even though I have tried standing up straighter. It’s The Grand Guignol Theatre that life is And the strife is to not let it get me down; To be the happy clown and not the sad one In a game that was begun to make me lose. I am not confused. I see it, but it seems Even in dreams I get no kind of relief From a governmental thief with immunity; The pillages with impunity and teases That he does what he pleases. Neener, neener What in hell could possibly be meaner?
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42
Put the coin in the box, Colin, Uncle Donal said, Hear it shake, and he’d Take up the box and shake It hard so that the coins Would rattle loudly. Do you Hear that, Colin, that’s the Change from my purse and Pocket, the missionaries can Have that for their work abroad, To feed and spread the Word. Will you hush the noise there, Granddaddy called; I can’t hear Myself think for the racket of it. The horses are on the run and I Can’t hear who is where and who’s Behind. Uncle Donal put the Charity box down on the mantel Shelf with the gentleness of Cousin Chloe removing her underwear Before her bath. Ah, **** the horse, Granddaddy bellowed, I could run Faster myself so I could. Never bet On the horses, Colin, he said, they’ll Let you down and take your money Just like a woman. Uncle Donal pulled A face and grinned from ear to ear, as Grandmother entered the room with A face of thunder and Granddaddy said, Oh, hello, wife, how are you my dear?
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Jul 29, 2016
Jul 29, 2016 at 2:51 PM UTC
COIN BOX. (OLD POEM)
Backsliding, broken off the tree How does one repair an ancient prophecy Judgment begins with the good As the wicked wait in scents of wood And crooked generations cut all hearts Chiseling salvation is an art Fiery trial lit by lamps, powered by the sweat of soul Smile, He only tempts until you lose all control Sunshine days are over, all that remains is light- The quest that’s worth a million murdered brides The holy one is stuck in traffic As future spawn make a racket He can’t come back until no one Mourns his death under the sun Only then will skies depart- Bronze mountains, horses stark Then all the fiends will fall out of the clouds Like mother’s water breaking on a shroud
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Nov 27, 2011
Nov 27, 2011 at 8:44 PM UTC
The Shepherd, the Sheep, the Wolf, the Cabbage
~ *stationary now duct tape loves mouth and hands inside removable interiors heliocentric discontinuities: the racket club and the backstroke the rabid club and the hallucinogenic backchannels swallowing too many placebos on his balcony facing away from the sun blank diary entry open on the table 'from despair to where?' stationary in the trunk now he says it will all make sense soon* ~
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May 26, 2023
May 26, 2023 at 7:44 PM UTC
Studies in Paralysis, Pt. 4
Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... the neighbors voices climbing out of windows left and right. Is that you Tito? Put down those pots and pans. Make better use of those hands. Don't you know those hands were made for working? Follow your father to his factory grave shift, Make razorblades to sell. We'll always have hair on our faces. Is that you Tito? Knock off that racket. Here I am trying to sleep And you've got my feet to moving. The night was made for dancing Tito, And dancing was made for Harlem, But that's bastante on a Wednesday mijo. The young king packs up his studio, Whistling dixie like she's never been whistled before. Twirling the melody from royal lips, Showing her how to use those God given hips. Where did you find that groove you in your neck? And do the words Puerto Rico still give you the chills? You have walked on too many streets in New York City And the Afro-beat is shacking up with the Cuban. You can hear their children playing in the barrio allá, And aquí they're blowing horns of imagination. Make those wooden sticks tap your telegram, Tito. Let the world know about this message brewing inside you. They hate. They yell. They love to see you dancing, But your ankles told you that wasn't right for you. Your hands never have been able to keep still. Maybe it's because they feel the future. Do you realize where your bridge will lead? You are the future Tito. Do what you got to do to be where you got to be. Play in Uncle Sam's band but don't you go to Normandy. Follow your hands back to the big apple, Take a bite out of this place they call Juliard. When you sleep at night are they still screaming… Go Tito, Go Tito Go Tito, Go Tito Go somewhere where the floor is on fire With the fusion of jazz and samba. Make it bigger Tito until it looks like it did in your dreams. Pick up those sticks and mata los timbales. Have the decency to wink when they name you king. What is it that you mixed in that *** Your alchemy giving birth to new species. Have mercy Tito. Your music is feasting on the ears of the public, Your hands are drumming on the ecosystem. They call it salsa, and you laugh Because they can't taste the carne. Shine those pots and pans. Tip your hat to Spanish Harlem, Where windows stay open to let the dreamers dream big And the red brick walls are soaked with memories. Babarabatiri Tito, Teach the world how to dance. Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... a legend.
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Apr 19, 2013
Apr 19, 2013 at 1:40 AM UTC
Tito 18/30
Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... the neighbors voices climbing out of windows left and right. Is that you Tito? Put down those pots and pans. Make better use of those hands. Don't you know those hands were made for working? Follow your father to his factory grave shift, Make razorblades to sell. We'll always have hair on our faces. Is that you Tito? Knock off that racket. Here I am trying to sleep And you've got my feet to moving. The night was made for dancing Tito, And dancing was made for Harlem, But that's bastante on a Wednesday mijo. The young king packs up his studio, Whistling dixie like she's never been whistled before. Twirling the melody from royal lips, Showing her how to use those God given hips. Where did you find that groove you in your neck? And do the words Puerto Rico still give you the chills? You have walked on too many streets in New York City And the Afro-beat is shacking up with the Cuban. You can hear their children playing in the barrio allá, And aquí they're blowing horns of imagination. Make those wooden sticks tap your telegram, Tito. Let the world know about this message brewing inside you. They hate. They yell. They love to see you dancing, But your ankles told you that wasn't right for you. Your hands never have been able to keep still. Maybe it's because they feel the future. Do you realize where your bridge will lead? You are the future Tito. Do what you got to do to be where you got to be. Play in Uncle Sam's band but don't you go to Normandy. Follow your hands back to the big apple, Take a bite out of this place they call Juliard. When you sleep at night are they still screaming… Go Tito, Go Tito Go Tito, Go Tito Go somewhere where the floor is on fire With the fusion of jazz and samba. Make it bigger Tito until it looks like it did in your dreams. Pick up those sticks and mata los timbales. Have the decency to wink when they name you king. What is it that you mixed in that *** Your alchemy giving birth to new species. Have mercy Tito. Your music is feasting on the ears of the public, Your hands are drumming on the ecosystem. They call it salsa, and you laugh Because they can't taste the carne. Shine those pots and pans. Tip your hat to Spanish Harlem, Where windows stay open to let the dreamers dream big And the red brick walls are soaked with memories. Babarabatiri Tito, Teach the world how to dance. Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... a legend.
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78
The esophageal chill of fresh rain paired with Bozek's tire stove undertones slipped through the chain link tennis court. Love all, love-fifteen, love-thirty, love-forty, game. I love you, service box Suns, fault one fault lines, Grandma's crochet centerpiece. Cornucopia coping with *deuce, add. in, deuce, add. out, deuce, you get it.* Lost ***** in the transformer pen beside the playground where I watched my classmates fall off the monkey bars and expose themselves daily. Racket strings like pantyhose girls surrounding the sink applying lipstick and stabbing each other dead. They don't need monkey bars to show off. Slice serve pizza at Pudgies to kids barely making it. Grades lower than the pepperoni from the seedy gas station they sit in and thumb-spike quarters into each other's knuckles. The "grown-ups" buy instant lottery and feverishly **** the tickets with misplaced pennies, and then toss the moneywastes when they score a free ticket. Free ticket to what? The tennis match in Addison so far away? A clear view through chain link? A wet, elm bench some kid made in shop class? An alternative to what we waste our lives on? ****** marijuana, drinking at the basketball court, and flicking cigarette filters into Berger Lake like we're hot **** We are **** not the **** Just ****
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Nov 6, 2014
Nov 6, 2014 at 11:59 AM UTC
Chain Link Tennis Court
she stood outside the apartment finger halfway up her nose scratching with her free hand a **** loosely encased in patchy, ***** blue jeans ratty sneakers with holes where her toes and dignity poked through usually a whiner, a brayer a donkey among gently purring cats calling down thunder and racket like a motorcycle tearing circles through a lamp shop today, of all days, she swayed silently in loose waltz time to soft piano of a long-dead Frenchman curling down from speakers mounted in windows across the street her misshapen hips and flexing calf muscles lifting her up in a rude en pointe somehow made elegant by a quiet ballad, a soothing moment on a hot August morning in Main Street of the hinterlands. 2/12/2015
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Feb 12, 2015
Feb 12, 2015 at 8:48 AM UTC
Clarie, duh loon.
486 I was the slightest in the House— I took the smallest Room— At night, my little Lamp, and Book— And one Geranium— So stationed I could catch the Mint That never ceased to fall— And just my Basket— Let me think—I’m sure— That this was all— I never spoke—unless addressed— And then, ’twas brief and low— I could not bear to live—aloud— The Racket shamed me so— And if it had not been so far— And any one I knew Were going—I had often thought How noteless—I could die—
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2.4k
I was the slightest in the House
"You are my friend. Please do me a favor. Give Bobby this phone number. Don't tell him I told you to. Maybe he'll call before Dr. Mendrokis and his wife get home. The children are sleeping in their beds. I don't really care for being alone. Tell Bobby to call me on the Doctor's phone." Jill tries to study but it's quiet tonight. The telephone rings to her delight. It must be Bobby. "Hello" There is a silence, but she can tell someone is on the line. "Bobby?" Nobody answers so she hangs up the phone. Jill Johnson doesn't like To be alone. The clock ticks on. She hears a racket in the kitchen. It's the ice-maker in the freezer. She takes a fudgesicle out of the pack, As she wonders if Bobby will try to call back. The phone rings. Jill says,"Hello, Bobby? What do you know?" "Have you checked the children?" Jill hangs up the phone. At the weather, Jill fixes a drink. They won't notice a little missing brandy, she thinks. That call was scary. His voice was dark. Maybe it was Bobby Who was just pretending. Maybe she doesn't like him much, anyway. He's kind of a **** The phone rings again. "Have you checked the children?" "This isn't funny, Bobby. Don't call back, anymore." "Why haven't you checked the children?" Jill slams down the receiver in a panic. She dials the police on the rotary as fast as she can. She's terrified and alone. The policeman tells her, If the man calls back, The call will be traced If she keeps him on the line. She sits on the stool by the stairs. She silently waits. She's scared. The phone rings. "H-Hello..." "It's me." "I know." "Why haven't you checked the children?" "You, You can see me?" "Yes." "I turned the lights down. I''ll turn them back up if you'd like." "No." "You really scared me before, If that's what you wanted. Is that what you wanted?" "No." "What did you want?" "Your blood...all over me." Jill hangs up the the phone, It rings again. She answers the phone and screams, "Leave me alone!" The policeman then says, "Your life is in danger. Soon, police will be there. Get out of the house... The call is coming from upstairs!"
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Apr 30, 2015
Apr 30, 2015 at 5:28 PM UTC
When a Stranger Calls
"You are my friend. Please do me a favor. Give Bobby this phone number. Don't tell him I told you to. Maybe he'll call before Dr. Mendrokis and his wife get home. The children are sleeping in their beds. I don't really care for being alone. Tell Bobby to call me on the Doctor's phone." Jill tries to study but it's quiet tonight. The telephone rings to her delight. It must be Bobby. "Hello" There is a silence, but she can tell someone is on the line. "Bobby?" Nobody answers so she hangs up the phone. Jill Johnson doesn't like To be alone. The clock ticks on. She hears a racket in the kitchen. It's the ice-maker in the freezer. She takes a fudgesicle out of the pack, As she wonders if Bobby will try to call back. The phone rings. Jill says,"Hello, Bobby? What do you know?" "Have you checked the children?" Jill hangs up the phone. At the weather, Jill fixes a drink. They won't notice a little missing brandy, she thinks. That call was scary. His voice was dark. Maybe it was Bobby Who was just pretending. Maybe she doesn't like him much, anyway. He's kind of a **** The phone rings again. "Have you checked the children?" "This isn't funny, Bobby. Don't call back, anymore." "Why haven't you checked the children?" Jill slams down the receiver in a panic. She dials the police on the rotary as fast as she can. She's terrified and alone. The policeman tells her, If the man calls back, The call will be traced If she keeps him on the line. She sits on the stool by the stairs. She silently waits. She's scared. The phone rings. "H-Hello..." "It's me." "I know." "Why haven't you checked the children?" "You, You can see me?" "Yes." "I turned the lights down. I''ll turn them back up if you'd like." "No." "You really scared me before, If that's what you wanted. Is that what you wanted?" "No." "What did you want?" "Your blood...all over me." Jill hangs up the the phone, It rings again. She answers the phone and screams, "Leave me alone!" The policeman then says, "Your life is in danger. Soon, police will be there. Get out of the house... The call is coming from upstairs!"
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