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"quizzical" poems
fischers rap on a hot tin roof bristol creek pools over rock and seed english wolfhound (and the barkbuster) stroll pine lane vibrant colors of a cool spring in cob yellow and forest green field mice squander in cotton wind goats and ferret hold seven hour trim raven and **** meddle and forage (on a splendid fiaker goulash!) crickets and frogs hidden in swollen grey logs creepers fill the cut stone walls coy wolf high on a frayed white rope eagles perched at trudy’s bend catamounts laze on a snow base cedar (pared arbutus bent   through a failed ground rock) brush spider spins a timely web brown bears fumble at the spirit jamboree quizzical squirrels crack their nuts as pillow clouds float over telegraph trail 12 point dances on talus and scree hen hawks float in a big hard sun clydesdale and coach trot copper smith road (glancing down on finch and the warbler whistling through colander row) lavender fills the peat soil box mountain cats guard the heavenly gates black eyed ridge is wide and open the country squire hails this fruitful land
0
Mar 7, 2017
Mar 7, 2017 at 12:18 AM UTC
Welcome to the Shire
He had mud his shoes And I wondered why He was singing the blues When the sun was in the sky I wondered where he had been And what all he had seen So many answers could begin Why his shoes were not clean I'm curious to know I'm curious to care But it's difficult to show Through a quizzical stare
0
Oct 22, 2015
Oct 22, 2015 at 10:33 PM UTC
Mud On His Shoes
Visiting a friend on his Quarter Horse farm, the day sunny and warm. We walked out to his brood mare pasture, the ladies were running, awaiting and sunning, anticipation in the air and their nervous behavior. Noble his name, consistency his game, a reliable aging stallion, sire to many fine sons and daughters, years of proven pairings, came halter led and prancing. He had their scent and his spirit awakened, the three ladies believed to be in season began to snigger and whinny, their excitement growing as the stallion entered their grassy domain, the dance was about to commence. The handler led the big fella' forward, both sides began their quizzical inspections. one young filly more aggressively willing than the others. Noble excitedly returned her heightened interest. Within a few minutes Noble began to rear up, he knew his job, his august appendage extended, trying several times to mount his mate intended, adrenaline pumping his back legs began to shake, on his fourth failed attempt the eager proven suitor fell to the ground, rolled over, paused for a moment and struggled to stand on unsteady legs. Appearing even somewhat embarrassed. The mare moved aside, kicked her hind legs in the stallion's direction, whinnied loudly and ran away. Rejected the old stallion stood looking perplexed, failure was something unknown to him. His spirit was willing but his aging body was weak. The old stud slowly returned to the barn, his head hung low, no longer prancing. For every time and being there is a season, aging is part of the cycle, like this stallion, we all reach this moment of understanding. Sometimes gracefully, most times with stunned disbelief. From Noble to nothing in one afternoon.
0
Sep 16, 2018
Sep 16, 2018 at 4:02 PM UTC
The Dance
Visiting a friend on his Quarter Horse farm, the day sunny and warm. We walked out to his brood mare pasture, the ladies were running, awaiting and sunning, anticipation in the air and their nervous behavior. Noble his name, consistency his game, a reliable aging stallion, sire to many fine sons and daughters, years of proven pairings, came halter led and prancing. He had their scent and his spirit awakened, the three ladies believed to be in season began to snigger and whinny, their excitement growing as the stallion entered their grassy domain, the dance was about to commence. The handler led the big fella' forward, both sides began their quizzical inspections. one young filly more aggressively willing than the others. Noble excitedly returned her heightened interest. Within a few minutes Noble began to rear up, he knew his job, his august appendage extended, trying several times to mount his mate intended, adrenaline pumping his back legs began to shake, on his fourth failed attempt the eager proven suitor fell to the ground, rolled over, paused for a moment and struggled to stand on unsteady legs. Appearing even somewhat embarrassed. The mare moved aside, kicked her hind legs in the stallion's direction, whinnied loudly and ran away. Rejected the old stallion stood looking perplexed, failure was something unknown to him. His spirit was willing but his aging body was weak. The old stud slowly returned to the barn, his head hung low, no longer prancing. For every time and being there is a season, aging is part of the cycle, like this stallion, we all reach this moment of understanding. Sometimes gracefully, most times with stunned disbelief. From Noble to nothing in one afternoon.
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40
The brain freeze of mundane ordinary life squish. the mellow death of everything hopeful, mischievous, quizzical remembered only at a sad graveside funeral in the back of the trailer-park of your brain.
0
Oct 15, 2013
Oct 15, 2013 at 2:46 PM UTC
What Is This Boredom You Speak Of?
Anxiously awaiting atomic assimilation Basing me on belligerent and boorish bastardization Capsizing cargo with careful consideration as to Deciding which day is decay's destination Everyone embrace the elevated expiration Forget my face and follow fabrication Go to the gallows with grace and gravitation He will hold you and hinder alienation I, however, hold insignificance in interest Justifiable jackhammers jacking fighter jets Killing Californians who are kissing canvases Lying without laughing and lighting cigarettes My master makes me move my mundane mind Never knowing next to nothing with nothing else inside Overly offering operating override Practicing patiently pulling peoples' pride Quickly questioning quizzical quietness Rationalizing raging reinventions ridiculous Stapling this summer to my (still) sick subconscious Traveling tunnelers trading tides for tiredness Under the umbrella my undertow untangles Violently vibrating like varying violin angles Waiting with wandering whispers under the table Xylophonist x-rays, excruciating fables You yellow youngling, you who screams in my dreams Zebras zoom by every single night, it seems Let's chant my enchantments, the alliteration song! And untie your tongue So you don't take it wrong.
0
Feb 17, 2011
Feb 17, 2011 at 6:59 PM UTC
The Alliteration Song!
My biggest fear has nothing to do      with monsters, the dark, death,      or any of those usual frights. No, my most intense scare comes      from the anticipation that one day      you may see me the same way      I see myself. For you see I'm not the girl that guys      conjure up in their daydreams. I could never hope to pass as one      of those flitty girly-girls who know      of quizzical things such as                make-up                cute hairstyles                or fashion. My blemishes show, and honestly      I haven't a clue how to hide them      anyway. I look at braided hair, beachy waves,      and effortless updos with envy      My hair has two styles: up or down. I've never in my life looked casually cute,      and am obviously uncomfortable      in a dress.  Please just pass me      my jeans and t-shirt back,      I'm much more myself in them.      How does one even walk in heels? I'd like to think I'm one of those      "cool" girls that guys claim      they love, the low-maintenance      type chick, but I don't think      I'm "cool" at all, really. When guys describe those chicks,      they do things like                play video games                quote Star Wars                read comic books      like some ideal gorgeous geek. Well that's **** sure not me either.      I **** at video games,      love Star Wars, but      I'm terrible with movie references,      and have never read comics.      Does manga count?      I'm kind of starting to get into that... I'm not the nerd's epitome of perfection      either, the everyman's ideal. So what am I? I'm just boring,      little ole me. I love to read, and would rather      spend the night reading      or watching something than go out. I'm shy and self-conscious to a fault,      so don't try bringing me around      friends, I'll just bring you down. Honestly, I'm basically a child. I love                Teenage Mutant Ninja Turtles                Gargoyles                Tom & Jerry                Animaniacs      and cartoons in general. I'm quiet and contemplative, often caught      writing in my notebook,      detailing my observations      about the world around me. I have a ***** mind and a messed-up      sense of humor, giggling      of the worst times occasionally. But all in all, I think of myself      as pretty boring.  Laidback,      but with the most capricious of moods.      I'm both low and high maintenance. I don't know why you think positively      of me, but I anticipate the day      you realize I'm really nothing      special at all. The day you discover the truth      I already know all too well.
0
Jul 26, 2014
Jul 26, 2014 at 3:56 PM UTC
My Biggest Fear
My biggest fear has nothing to do      with monsters, the dark, death,      or any of those usual frights. No, my most intense scare comes      from the anticipation that one day      you may see me the same way      I see myself. For you see I'm not the girl that guys      conjure up in their daydreams. I could never hope to pass as one      of those flitty girly-girls who know      of quizzical things such as                make-up                cute hairstyles                or fashion. My blemishes show, and honestly      I haven't a clue how to hide them      anyway. I look at braided hair, beachy waves,      and effortless updos with envy      My hair has two styles: up or down. I've never in my life looked casually cute,      and am obviously uncomfortable      in a dress.  Please just pass me      my jeans and t-shirt back,      I'm much more myself in them.      How does one even walk in heels? I'd like to think I'm one of those      "cool" girls that guys claim      they love, the low-maintenance      type chick, but I don't think      I'm "cool" at all, really. When guys describe those chicks,      they do things like                play video games                quote Star Wars                read comic books      like some ideal gorgeous geek. Well that's **** sure not me either.      I **** at video games,      love Star Wars, but      I'm terrible with movie references,      and have never read comics.      Does manga count?      I'm kind of starting to get into that... I'm not the nerd's epitome of perfection      either, the everyman's ideal. So what am I? I'm just boring,      little ole me. I love to read, and would rather      spend the night reading      or watching something than go out. I'm shy and self-conscious to a fault,      so don't try bringing me around      friends, I'll just bring you down. Honestly, I'm basically a child. I love                Teenage Mutant Ninja Turtles                Gargoyles                Tom & Jerry                Animaniacs      and cartoons in general. I'm quiet and contemplative, often caught      writing in my notebook,      detailing my observations      about the world around me. I have a ***** mind and a messed-up      sense of humor, giggling      of the worst times occasionally. But all in all, I think of myself      as pretty boring.  Laidback,      but with the most capricious of moods.      I'm both low and high maintenance. I don't know why you think positively      of me, but I anticipate the day      you realize I'm really nothing      special at all. The day you discover the truth      I already know all too well.
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78
They pretended not to notice how much you had changed But they did comment on your thinning face And how much healthier you looked How much better They pulled you to the side "Oh my gosh, how did you do it?" Quizzical looks They didn't know that the weight you lost Was unintentional A compensation for the heavy load inside You tried to somehow shake off You hated your jutting rib bones, Losing your sanity along with your "baby" fat You lost what made you a woman No no one noticed your gaunt eyes and the sharp angle of your cheekbone Like pain and the way you started drinking (Although you never stopped) They didn't notice the new scars you kept hidden with makeup Meticulous careful calculating So unlike you No no one noticed how your eyes shone a little less brighter Especially when you smiled Apart from that ex-boyfriend you left a winter ago Standing in the cold Because he was an ******* But ******** can be right And you saw the way he looked at you like- the way you used to look at a broken mirror Wondering which piece to pick up first And start gluing back together The way you looked at your own blood flow from your wrist's A little scared, amazed, numb.. Like "Where do we start first?" And "What happened here?" Thats how he looked at you Atleast someone noticed
0
Jan 6, 2012
Jan 6, 2012 at 12:27 PM UTC
My favorite color is red
It was a quiet afternoon of reminiscing Nostalgia lingered in the sunlit air intermingling with the sweet aroma of coffee as I sipped and leaned back in my chair ˜ He walked up to me as I sat by the window I waited to see what he wanted to say “Your skin is the color of my mocha’, he smiled. ‘Just a notch deeper than your café au lait.’ ° With his jet black hair and Mediterranean eyes And a physique worthy of a prize winning stallion His confident air and his subtle smirk He had to be greek, or maybe a charming Italian ˜ Long hair in a messy bun that didn’t care jeans ripped in strategic places His gaze never left my quizzical eyes obscuring everyone else’s faces ° He waited for me to respond mere seconds since his saunter Forever engraving in my mind, This coffee shop encounter…
0
Jan 1, 2015
Jan 1, 2015 at 3:49 PM UTC
Coffee Shop Encounter
Trigger finger 13 is hung from his shoulders, though not by hooks found in the butchers book, but with pride and a sweating brow, one that can survey the terrain with a quizzical eye, analysing rustling in bushes only 3 clicks away. Bible tattoos tattooed below the tribal ones, and a 13 on the finger used most when they charge and come.
0
Oct 21, 2013
Oct 21, 2013 at 1:56 PM UTC
Bible Tattoos That Don't Help
In this modern world of seldom proper and overused punctuation the smallest of them all seems to leave the biggest connotation the dot, or period, as some would say under the proper observation has given text-ers and type-ers of this technology driven generation and easy way to send a message in a short-hand communication One dot can signify the end of the certain conversation and three dots can lead one to believe that there will be continuation Five dots can relay the writer's growing frustration as he believes the recipient might not've read his brief annotation and with growing anger at the recepients subtle procrastination he can send the word 'hello...' as a sign of quizzical agitation Three dots can be used to signal a reader to use insinuation as in 'They went into the bedroom and then...(use your imagination) Professionals use the multiple dots when invoking exaggeration by skipping parts in a speech to warp the innocent quotation such as 'The senator voted against the new... school legislation' We know that dots after every letter are a definite implication that the word is an acronym, and there's one for every situation such as O.H. P.O.O. means Overly Happy People Offer Osculations Yes, the period can be used so freely, with such adaptation depending on the context, it can symbolize a sigh of exasperation It is a punctuation so versatile, it has almost no limitation and more than one of its forms can be found in every publication I don't hesitate, as you can see, to submit this postulation flexibility will always be in the period's reputation...
0
Jun 29, 2011
Jun 29, 2011 at 7:52 PM UTC
Super Punctuation
In this modern world of seldom proper and overused punctuation the smallest of them all seems to leave the biggest connotation the dot, or period, as some would say under the proper observation has given text-ers and type-ers of this technology driven generation and easy way to send a message in a short-hand communication One dot can signify the end of the certain conversation and three dots can lead one to believe that there will be continuation Five dots can relay the writer's growing frustration as he believes the recipient might not've read his brief annotation and with growing anger at the recepients subtle procrastination he can send the word 'hello...' as a sign of quizzical agitation Three dots can be used to signal a reader to use insinuation as in 'They went into the bedroom and then...(use your imagination) Professionals use the multiple dots when invoking exaggeration by skipping parts in a speech to warp the innocent quotation such as 'The senator voted against the new... school legislation' We know that dots after every letter are a definite implication that the word is an acronym, and there's one for every situation such as O.H. P.O.O. means Overly Happy People Offer Osculations Yes, the period can be used so freely, with such adaptation depending on the context, it can symbolize a sigh of exasperation It is a punctuation so versatile, it has almost no limitation and more than one of its forms can be found in every publication I don't hesitate, as you can see, to submit this postulation flexibility will always be in the period's reputation...
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25
Solicitation by Michael R. Burch He comes to me out of the shadows, acknowledging my presence with a tip of his hat, always the gentleman, and his eyes are on my eyes like a snake’s on a bird’s— quizzical, mesmerizing. He ***** his head as though something he heard intrigues him (though I hear nothing) and he smiles, amusing himself at my expense; his words are full of desire and loathing, and though I hear, he says nothing that I understand. The moon shines—maniacal, queer—as he takes my hand and whispers Our time has come . . . and so we stroll together along the docks where the sea sends things that wriggle and crawl scurrying under rocks and boards. Moonlight in great floods washes his pale face as he stares unseeing into my eyes. He sighs, and the sound crawls slithering down my spine, and my blood seems to pause at his touch as he caresses my face. He unfastens my dress till the white lace shows, and my neck is bared. His teeth are long, yellow and hard. His face is bearded and haggard. A wolf howls in the distance. There are no wolves in New York. I gasp. My blood is a trickle his wet tongue embraces. My heart races madly. He likes it like that. Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times. Keywords: vampire, werewolf, supernatural, New York, gentleman, blood, neck, teeth, canines, wolves, desire, loathing, moon, snake, bird, mesmerizing, reptilian
0
Apr 13, 2020
Apr 13, 2020 at 11:31 PM UTC
Solicitation
now, I was just minding my own business brought up by very virtuous parents steeped in a culture ancient and proper and graced with divine revelations; the lotus forever growing pure even in muddied waters; and so minding my own business and vowed to matrimonial chastity in mind never looking at another woman and never thinking of another ever I mean no one thought looking at Mona Lisa even in my younger days was ever bad; they simply said: Oh, Mona Lisa…what a painting! so I went about years chaste, pure and I think, angelic, until these women come into art books and now more readily in cyber-life like Rembrandt’s Bathing Woman - oh, how could I not look? She, Hendrickje, more natural and more come-here-you than today’s airbrushed digitally enhanced beauties… O Hendrickje, Hendrickje, entering the water and lifting up her dress so it won’t get wet but O – was that really her intention? Or perhaps to entice Rembrandt further? Or to look at her own reflection? and then what about us, full-blooded men of latter-days – O Rembrandt, what have you done? how can I not look, and look? and come back to look again? and under pretence of aesthetics I trace every limb and curve of Hendrickje, O Hendrickje – I become a Rembrandt of sorts, just tracing lines on her image O these cyberspace beauties they corrupt my high ideals And Rembrandt says across the ages: Remember you your traditions and virtue… And the morally upright say: Hey! She was Rembrandt’s woman! And I can only quip: Yeah - she was! and leaving it at that with O Hendrickje, Hendrickje, gazing at her own reflection and I wondering what she sees – well, after Hendrickje, O Hendrickje am I safe? you think? Then come the women of Japan – for instance A woman Applying Powder while Hashiguchi Goyō sketched and mixed his paints - and why? Oh why, Hashiguchi Goyō? why do you release these sirens, these women this Woman after her Bath this Woman combing her hair - O these mistresses of the arts O why release them on my sensitive and pure and morally upright mind? O why you do corrupt such a one such a noble mind that centuries of spiritual values jousted one another to produce? Such a delicate specimen as I am. Or may be all these women should be deleted from cyberspace and only decent women with quizzical smiles like Mona Lisa should prevail… Sure, we don’t know what she’s smiling about but at least Old Lisa’s not as dangerous as youthful Hendrickje, O Hendrickje - or as the Woman Applying Powder baring her shoulders and her Japanese ***** I mean, how can I not look? and come back again to look? O my adulterous heart! but delete them all or black them out or cover them all up from head to foot (technology can do wonders nowadays) so I can just be minding my own business brought to you by very virtuous parents steeped in a culture ancient and proper and divine revelations the lotus forever growing pure even in muddied waters; and I’ll end up in Heaven after all my Holy Days and for my Eternal Holidays there I’ll be given all the virgins I’ll ever want
0
Jul 30, 2011
Jul 30, 2011 at 4:38 AM UTC
women in art corrupt men
now, I was just minding my own business brought up by very virtuous parents steeped in a culture ancient and proper and graced with divine revelations; the lotus forever growing pure even in muddied waters; and so minding my own business and vowed to matrimonial chastity in mind never looking at another woman and never thinking of another ever I mean no one thought looking at Mona Lisa even in my younger days was ever bad; they simply said: Oh, Mona Lisa…what a painting! so I went about years chaste, pure and I think, angelic, until these women come into art books and now more readily in cyber-life like Rembrandt’s Bathing Woman - oh, how could I not look? She, Hendrickje, more natural and more come-here-you than today’s airbrushed digitally enhanced beauties… O Hendrickje, Hendrickje, entering the water and lifting up her dress so it won’t get wet but O – was that really her intention? Or perhaps to entice Rembrandt further? Or to look at her own reflection? and then what about us, full-blooded men of latter-days – O Rembrandt, what have you done? how can I not look, and look? and come back to look again? and under pretence of aesthetics I trace every limb and curve of Hendrickje, O Hendrickje – I become a Rembrandt of sorts, just tracing lines on her image O these cyberspace beauties they corrupt my high ideals And Rembrandt says across the ages: Remember you your traditions and virtue… And the morally upright say: Hey! She was Rembrandt’s woman! And I can only quip: Yeah - she was! and leaving it at that with O Hendrickje, Hendrickje, gazing at her own reflection and I wondering what she sees – well, after Hendrickje, O Hendrickje am I safe? you think? Then come the women of Japan – for instance A woman Applying Powder while Hashiguchi Goyō sketched and mixed his paints - and why? Oh why, Hashiguchi Goyō? why do you release these sirens, these women this Woman after her Bath this Woman combing her hair - O these mistresses of the arts O why release them on my sensitive and pure and morally upright mind? O why you do corrupt such a one such a noble mind that centuries of spiritual values jousted one another to produce? Such a delicate specimen as I am. Or may be all these women should be deleted from cyberspace and only decent women with quizzical smiles like Mona Lisa should prevail… Sure, we don’t know what she’s smiling about but at least Old Lisa’s not as dangerous as youthful Hendrickje, O Hendrickje - or as the Woman Applying Powder baring her shoulders and her Japanese ***** I mean, how can I not look? and come back again to look? O my adulterous heart! but delete them all or black them out or cover them all up from head to foot (technology can do wonders nowadays) so I can just be minding my own business brought to you by very virtuous parents steeped in a culture ancient and proper and divine revelations the lotus forever growing pure even in muddied waters; and I’ll end up in Heaven after all my Holy Days and for my Eternal Holidays there I’ll be given all the virgins I’ll ever want
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98
i looked with quizzical disdain it was plain i was not amused as i perused and openly confused, i was about to say... she said "chill" she stood with stern command glass from sand she would not budge (not even for fudge) but not to judge, she was about to ...say... i said "chill" we held on to the night fear the light blind to the unknown where the winds blown what's to be shown? we were about to say... "chill"
0
Jun 19, 2010
Jun 19, 2010 at 9:36 AM UTC
chill
I didn't know that the weatherman would be so literal The rain has fallen for the third time that week, typical Left me quizzical My mood was just like the weather, miserable. Leaving this town would be a miracle. (s.a)
0
Apr 8, 2015
Apr 8, 2015 at 10:15 PM UTC
// weather //
Home made zombie voodoo whistles past Wicked pastiche Betrayed and murdered Sitting on beer crates She admits how Unsalvageably evil she is Sparkled in the moonlight Fires were not uncommon raise a quizzical eyebrow Remove my coat Sniffing language Orange silver glow Murky waters Slime and filth.
0
Dec 20, 2011
Dec 20, 2011 at 7:18 AM UTC
Indeterminate Time And Place.
Another sleepless night Im having Bothered by these unfair thoughts. Crippled by the guilt im feeling Destroying my once lovely dreaming. Every time I see her face Fear rips through my tightened chest. Gentle laughter now forgotten Hatred for myself still blooming. I feel as though Im always followed Jumping at each and every noise. Keeping to myself and crying Learning to hide from my nightmares. Maybe one day I'll be just fine No longer blaming myself. Or perhaps I will never change Possibly only becoming worse. Quizzical is my way of thinking Ridiculous I have become. Sulking in my darkened shadow Teetering on the line of insanity. Unwanted pain fills my soul Vanquishing my beautiful memories. Withering away from everybody Xenophobe I now have become. Zealous I will never be again. -ARI
0
Dec 20, 2013
Dec 20, 2013 at 6:29 PM UTC
Crippling Nightmares
As I walk through the falling snow I often wonder where I’ll go. I find myself at your home and I see you sitting there all alone. Through your window in your comfy chair I see your face lovely and fair. Your smile is calming, your eyes are bright as you sit in the glow of the firelight. I walk to the door and stare at the lock and I do wonder if I should knock. My heart races as I stand there and think also frozen with fear I can’t even blink. For some reason I cannot recall I knocked on your door and I heard your call, “Coming” you said as you came to the door and I found myself not being able to move anymore. You opened the door and greeted me with a smile then invited me in and asked to stay awhile. I still couldn’t think but somehow said yes as you laughed and said I look like a mess. I looked at you with a quizzical look then you brushed off the snow and hung my coat and hat on a hook. I stood there pondering on what I should do when you looked at me and asked if I was stuck there like glue. I came to my senses then in a flash I ran to you in a mad dash. I embraced you close and held you tight as you asked if I was alright. I looked up at you and expressed how I felt and as I was speaking my heart was starting to melt. You looked in my eyes and gave off a smile and said that I’ve felt like this to for quite a while. I felt my face blush as I saw your face flush. My love for you will be strong and true as you love me like I love you.
0
Nov 6, 2014
Nov 6, 2014 at 10:11 AM UTC
Walking Through the Snow
In the secret passageway where we had been hiding out, avoiding the end of term Information Technology lesson H and I explored our similarities and differences. You were a scholarship girl, a bright 12, to my slow to develop, 13. You turned to leave, leave me with your pearls of wisdom utterances which would simultaneously excite and unnerve me. Do you know I looked up the word lesbian for the second time? You rattled me, poking at me, unlayering like an onion. I extended my hand before my mind could take on the full summit of actions and direct consequences, of implications. My body took the lead, you whipped around, your mouth agape, ''H'', a hoarse whisper and a quizzical yet knowing look. You held my gaze and we both knew at that moment the truth that lived between us.
0
Oct 25, 2018
Oct 25, 2018 at 9:14 PM UTC
Aged 13
I do not mourn long Mondays-- Wednesday is gone before I blink back an astonished Tuesday, and at twenty-four already I see my mothers hands sliding across the page That same scrawl following tip of the exigent pen Nervous mind idly stroking bitter torments That which is aggravated swells inflamed. Like a canker sore deep in the inner cheek The tongue rolling and probing, absorbed by each sour pain Carefully plotting little volcanoes across the slick terrain They burst like purple pomegranates pounding spattered cement on mild fall evenings So do people sometimes Through tectonics of the brain Those which could be minor psychological blemishes roar to life. Shifting vast emotional plates behind a cool gaze People hurl carelessness at on another like schoolyard boys chucking helpless frogs at jagged stone walls Ignorant of life's high price And though horrified-- I Can not look away. Eyes bulging, blown out anuses spewing pale intestines slick with blood-- I can not look away. Each giddy chimp, feces Proudly flung-- I do not look away. My heart swollen hungering for that emptiness called humanity Mostly pretense, mostly solitude, mostly cruelty, All personal gain! Meanwhile, brothers and sisters, have you considered the fate of your everlasting soul? I didn't think so Glassy eyes stare beseeching from bathroom mirrors Tear-stained cheeks belie a quizzical half-smile I will meet that insecure gaze promising to seek my own perfect imperfection No longer guilt ridden and ashamed I will hold the reflected stare aloft with my own true eyes and I swear-- I will not look away
0
May 10, 2013
May 10, 2013 at 12:53 PM UTC
Untitled (Draft 4 - March 6, 2006)
I do not mourn long Mondays-- Wednesday is gone before I blink back an astonished Tuesday, and at twenty-four already I see my mothers hands sliding across the page That same scrawl following tip of the exigent pen Nervous mind idly stroking bitter torments That which is aggravated swells inflamed. Like a canker sore deep in the inner cheek The tongue rolling and probing, absorbed by each sour pain Carefully plotting little volcanoes across the slick terrain They burst like purple pomegranates pounding spattered cement on mild fall evenings So do people sometimes Through tectonics of the brain Those which could be minor psychological blemishes roar to life. Shifting vast emotional plates behind a cool gaze People hurl carelessness at on another like schoolyard boys chucking helpless frogs at jagged stone walls Ignorant of life's high price And though horrified-- I Can not look away. Eyes bulging, blown out anuses spewing pale intestines slick with blood-- I can not look away. Each giddy chimp, feces Proudly flung-- I do not look away. My heart swollen hungering for that emptiness called humanity Mostly pretense, mostly solitude, mostly cruelty, All personal gain! Meanwhile, brothers and sisters, have you considered the fate of your everlasting soul? I didn't think so Glassy eyes stare beseeching from bathroom mirrors Tear-stained cheeks belie a quizzical half-smile I will meet that insecure gaze promising to seek my own perfect imperfection No longer guilt ridden and ashamed I will hold the reflected stare aloft with my own true eyes and I swear-- I will not look away
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60
That a difference exists is remarked upon, voiced in the peripheral stare the quizzical arched brow and so remains unremarkable itself until given the distinction of breath; 'Poetry is a bit heavy for the morning isn't it?' The rhetoric is followed without pause by lines from Spike that rhyme from tongue as a ***** ballad might punctuate the air between rounds of Stella. Whist I might despair at constrained definitions there is a concurrency of acknowledgement with slight smile at some appreciation of verse, a remark of difference. I close a leaf and see the possibilities of Sycamore and wordpecker.
0
May 21, 2010
May 21, 2010 at 2:02 PM UTC
Spiked
MY WIFE SAYS THAT I LOOK LIKE A MEERKAT, LIGHT COLOURED MOUSTACHE, GLASSES AND QUIZZICAL LOOK, TO GET TO THIS STAGE - YOU WOULDN'T KNOW HOW LONG IT TOOK, I'M ALWAYS 'COMPARING THE MARKET.COM', LOOKING FOR DEALS, TO SAVE MONEY, TO SAVE ANYTHING, ALWAYS APPEALS, NOW INSURANCE IS ALWAYS A PAIN BUT EVERYONE IS LOOKING FOR FINANCIAL GAIN, AGAIN AND AGAIN, IF IT'S NOT MY CAR, IT'S THE HOUSE OR SOMETHING ELSE, THE BOILER, HOME CONTENTS, ANYTHING THAT MAKES CENTS, BUT I'VE GIVEN UP - EVEN THO' THESE ANIMALS MAY HAVE GOOD INTENTS, I'VE TAKEN ALL THIS SAVED MONEY, HAVING A BALL, IF SOMETHING BREAKS DOWN - I KNOW WHO TO CALL, I DON'T WANT TO SEE YOUR BOW-TIE, THE IMAGE RANKLES, JUST LEAVE ME ALONE, PLY YOUR TRADE ELSEWHERE - 'SIMPLES!'
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Feb 15, 2016
Feb 15, 2016 at 12:49 AM UTC
THE MEERKAT
The ancestral diet of Stars, being Other Stars has left no scars, save open black and yawning vast. No retrograde Oblivion... only galactic swirls and elastic Space between worlds. that never last. and Eternity. my modernity nips and pleats my yellow teeth after long whitening by paste and bristle. i chew the gristle of the dead sow and club the weaning pups of Cerberus with an eyelash and a long blink. i tread the narrows, flatly - and conquer the quizzical  conundrums by simply asking.   My Rocket Science... laughing at your grecian urn to paint the herrings red. i'm out of my depth. but yes means 'yes' and we ' no' it. if Nothing else.
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Oct 9, 2014
Oct 9, 2014 at 10:32 PM UTC
OUT OF MY DEPTH
[A child of indeterminate sex--either a delicate-featured boy or a tomboy-ish girl--, 9 or 10 years old, enters the chamber where the United States Council of Artists is meeting.] "Is this the United States Council of Artists?" [The Chairman of the Council responds:] "Yes. Who are you?" "That doesn't matter. Are all the high arts present? Poetry, Music, the Visual Arts?" "Yes. . . . There are people from all the various arts here. . . ." "The Hour of your Doom is upon you." "What do you mean?" "You've failed to create with feeling. Nuclear angst no longer excuses you. Moral uncertainty, the dissolution of society, no longer excuses you. The 'Death of God' no longer excuses you. Human beings have not changed. We are not the hollow men. Great art comes from the heart; your superfluities will now depart. "Painter! Isn't it true that the same day you started work on this [holding up a reproduction of the painting "Incongruities: White Lines, Pink Lines"] you visited a hardware store with a middle-aged clerk whose face was wonderfully sad and quizzical? That as you walked home the pattern of the sun shining through the trees onto the sidewalk was marvelously variegated? "Composer! Tell me honestly [playing a cassette recording of "Duet in F-Minor for Flute and Woodblock"] that these rhythmless sounds move you. . . . It's made with the head, completely with the head. "Poet! Isn't it true that you've never written any poems expressing your deepest feelings: your love of your older sister; the painful growing-apart of you and your wife leading up to your divorce; your hatred of the stuffy academics who denied you tenure; the passion you felt for that Australian girl on Corfu last summer. . . . Instead you've written these [holding up a book entitled Root Crops, No Metaphors and reading from it:]      translucent, magenta-veined root-tips      push, cell by cell, into humid grit;      dark green, dark-red-veined crowns      expand profligately sunward. . . . "Great art speaks to the heart; your superfluities will now depart." [Another Council member:] "Mr. Chairman, with all due respect to this --surprisingly eloquent-- young person, I suggest that we return to the business at hand which is" [consulting his agenda] "the allocation this fiscal year for haiku in South Dakota."
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Aug 1, 2017
Aug 1, 2017 at 1:39 PM UTC
A Youth Addresses the Council
[A child of indeterminate sex--either a delicate-featured boy or a tomboy-ish girl--, 9 or 10 years old, enters the chamber where the United States Council of Artists is meeting.] "Is this the United States Council of Artists?" [The Chairman of the Council responds:] "Yes. Who are you?" "That doesn't matter. Are all the high arts present? Poetry, Music, the Visual Arts?" "Yes. . . . There are people from all the various arts here. . . ." "The Hour of your Doom is upon you." "What do you mean?" "You've failed to create with feeling. Nuclear angst no longer excuses you. Moral uncertainty, the dissolution of society, no longer excuses you. The 'Death of God' no longer excuses you. Human beings have not changed. We are not the hollow men. Great art comes from the heart; your superfluities will now depart. "Painter! Isn't it true that the same day you started work on this [holding up a reproduction of the painting "Incongruities: White Lines, Pink Lines"] you visited a hardware store with a middle-aged clerk whose face was wonderfully sad and quizzical? That as you walked home the pattern of the sun shining through the trees onto the sidewalk was marvelously variegated? "Composer! Tell me honestly [playing a cassette recording of "Duet in F-Minor for Flute and Woodblock"] that these rhythmless sounds move you. . . . It's made with the head, completely with the head. "Poet! Isn't it true that you've never written any poems expressing your deepest feelings: your love of your older sister; the painful growing-apart of you and your wife leading up to your divorce; your hatred of the stuffy academics who denied you tenure; the passion you felt for that Australian girl on Corfu last summer. . . . Instead you've written these [holding up a book entitled Root Crops, No Metaphors and reading from it:]      translucent, magenta-veined root-tips      push, cell by cell, into humid grit;      dark green, dark-red-veined crowns      expand profligately sunward. . . . "Great art speaks to the heart; your superfluities will now depart." [Another Council member:] "Mr. Chairman, with all due respect to this --surprisingly eloquent-- young person, I suggest that we return to the business at hand which is" [consulting his agenda] "the allocation this fiscal year for haiku in South Dakota."
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Encircle me arms parrying down down comforters and mist forces crush and twist protect me in your blue Breath returning stream child in a cupboard locked into shelter firm pressed by fragile hands a lioness in the brush I find myself lost- or was it found? in this hearth where I was bound afraid to see the cost so I sit coalesced into your lap let the thoughts float forth and back And swirl around the finer points of small man's musings as the artist meets his idol, song beneath the whispers whispers beneath your love- that mystical beast so readily escaping snapping at quizzical hands stumbling around a dark room after bright lights de-lucidate and validate this mutual need crushed again, by failure of seed
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Sep 22, 2012
Sep 22, 2012 at 1:06 AM UTC
Bedside
The rainbow fell into the consommé, the night turned the day and the cards went my way it was normal some say in the madhouse and then there was work the foibles, the quirks the bright sparks the gormless the sharks and while Hawkin's talking of quarks and quasars all I get is quizzical, looks from the bar staff and waiters. It's no wonder the soup's getting cold and less wondering why because it all seems so old or could be it's possibly me.
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Sep 28, 2016
Sep 28, 2016 at 1:00 AM UTC
Kitchen rules